American Dreams: Lost and Found
Images of Hank Aaron memorabilia are displayed over the handwritten diaries of would be assassin Arthur Bremer, set to a soundtrack of alternating political news clips and popular songs from Aaron's c…
American Dreams: Lost and Found
Images of Hank Aaron memorabilia are displayed over the handwritten diaries of would be assassin Arthur Bremer, set to a soundtrack of alternating political news clips and popular songs from Aaron's career. American Dreams is chock full of concrete, discrete elements that comprise an American iconography of the past three decades. The film encourages a kind of perverse nostalgia for 'the good old days': Nixon's 'you don't have Nixon to kick around any more'; Elvis' response to questions about his gyrating style and the rumour that once he shot his mother; Patty Hearst's 'Tania' statement; Senator Ribicoff's reference to 'Gestapo tactics in the streets of Chicago'. All of which is punctuated by the music of the period and set against a composite image of Hank Aaron memorabilia (arranged chronologically, 1954-76, the span of the champion home-run hitter's major league career), and the sordid diary jottings of the would-be assassin, Arthur Bremer. —Anonymous
American Dreams: Lost and Found
Crime,Documentary,History
Film Details
Images of Hank Aaron memorabilia are displayed over the handwritten diaries of would be assassin Arthur Bremer, set to a soundtrack of alternating political news clips and popular songs from Aaron's career. American Dreams is chock full of concrete, discrete elements that comprise an American iconography of the past three decades. The film encourages a kind of perverse nostalgia for 'the good old days': Nixon's 'you don't have Nixon to kick around any more'; Elvis' response to questions about his gyrating style and the rumour that once he shot his mother; Patty Hearst's 'Tania' statement; Senator Ribicoff's reference to 'Gestapo tactics in the streets of Chicago'.
All of which is punctuated by the music of the period and set against a composite image of Hank Aaron memorabilia (arranged chronologically, 1954-76, the span of the champion home-run hitter's major league career), and the sordid diary jottings of the would-be assassin, Arthur Bremer. —Anonymous.