Applecart
Experimental b&w anthology film with no dialogue consisting of four gruesome psychosexual stories featuring a masked cast. A woman hates her family. An elderly person is abused. A woman hates her dad.…
Applecart
Experimental b&w anthology film with no dialogue consisting of four gruesome psychosexual stories featuring a masked cast. A woman hates her family. An elderly person is abused. A woman hates her dad. A nut abducts his female co-worker. Devoid of dialogue and music, Dustin Mills' four-part black-and-white portmanteau film pivots around the bitter hardships of love as the silent and faceless protagonists indulge themselves in their forbidden desires. A lustful father, who hides behind a civilised facade, goes to great lengths to satisfy his impatient incestuous longing in "The Sleepover". Following, an affectionate son entrusts his wheelchair-using father to a live-in nurse, only to come face to face with his deepest fear in the "Caretaker". Then, a sheltered daughter is suffocating under the religious fanaticism of her abusive father in "Dad". Finally, a love-struck blue-collar worker discovers that the object of his unexpressed desire, his lovely female colleague, has gone missing in "Let Me Show You Something". If we all wear masks, is innocence lost forever? —Nick Riganas
Applecart
Crime,Drama,Horror
Film Details
Experimental b&w anthology film with no dialogue consisting of four gruesome psychosexual stories featuring a masked cast. A woman hates her family. An elderly person is abused.
A woman hates her dad. A nut abducts his female co-worker. Devoid of dialogue and music, Dustin Mills' four-part black-and-white portmanteau film pivots around the bitter hardships of love as the silent and faceless protagonists indulge themselves in their forbidden desires.
A lustful father, who hides behind a civilised facade, goes to great lengths to satisfy his impatient incestuous longing in "The Sleepover". Following, an affectionate son entrusts his wheelchair-using father to a live-in nurse, only to come face to face with his deepest fear in the "Caretaker". Then, a sheltered daughter is suffocating under the religious fanaticism of her abusive father in "Dad".
Finally, a love-struck blue-collar worker discovers that the object of his unexpressed desire, his lovely female colleague, has gone missing in "Let Me Show You Something". If we all wear masks, is innocence lost forever? —Nick Riganas.