Crónicas Oscuras de Marcelo Fabani
Dubbed in : Spanish ( Original )
A television set turns on—just as it did during Uruguay's first official broadcast on December 7, 1956, aired by SAETA TV Channel 10 from the Cilindro Municipal in Montevideo. The silhouette of a pres…
Crónicas Oscuras de Marcelo Fabani
Dubbed in : Spanish ( Original )
A television set turns on—just as it did during Uruguay's first official broadcast on December 7, 1956, aired by SAETA TV Channel 10 from the Cilindro Municipal in Montevideo. The silhouette of a presenter begins to take shape within the tuning signal. Using five objects arranged on a peculiar lectern—a composition blending still-life elements with industrial materials—he presents five chronicles of Evil as it intrudes upon people's lives through betrayal, discord, madness, sorrow, and ambition. The first story tells of an unforgivable crime: betraying the feelings of someone who loves and trusts you. The central object is a small vial. The second story deals with a lack of communication and the loneliness that persists even within a relationship. The object that triggers the tragedy is a rocking chair that has traveled across the globe from a cursed house. The third story explores family dictates and an early impression made on a child's mind—an imprint that continues to guide him into adulthood, even amidst his insanity. The key object is a knife. The fourth story speaks of the sorrow of unacknowledged loneliness and the atmosphere it creates. The object that marks a turning point is a Bible. The fifth story addresses ambition that rises above all other feelings. The exploitation of others and the relentless pursuit of personal comfort are set in motion by an antique book featuring a powerful family that played a pivotal role in the history of our continent.
Crónicas Oscuras de Marcelo Fabani
Horror
Film Details
A television set turns on—just as it did during Uruguay's first official broadcast on December 7, 1956, aired by SAETA TV Channel 10 from the Cilindro Municipal in Montevideo. The silhouette of a presenter begins to take shape within the tuning signal. Using five objects arranged on a peculiar lectern—a composition blending still-life elements with industrial materials—he presents five chronicles of Evil as it intrudes upon people's lives through betrayal, discord, madness, sorrow, and ambition.
The first story tells of an unforgivable crime: betraying the feelings of someone who loves and trusts you. The central object is a small vial. The second story deals with a lack of communication and the loneliness that persists even within a relationship.
The object that triggers the tragedy is a rocking chair that has traveled across the globe from a cursed house. The third story explores family dictates and an early impression made on a child's mind—an imprint that continues to guide him into adulthood, even amidst his insanity. The key object is a knife.
The fourth story speaks of the sorrow of unacknowledged loneliness and the atmosphere it creates. The object that marks a turning point is a Bible. The fifth story addresses ambition that rises above all other feelings.
The exploitation of others and the relentless pursuit of personal comfort are set in motion by an antique book featuring a powerful family that played a pivotal role in the history of our continent..