Goveja postrv
The film Beef Trout (Goveja postrv) puts in front the character of the actor Andrej Nahtigal and a section of his life, shot in real time and among real people who can play their roles by heart, since…
Goveja postrv
The film Beef Trout (Goveja postrv) puts in front the character of the actor Andrej Nahtigal and a section of his life, shot in real time and among real people who can play their roles by heart, since they live them in real environment. Film Beef Trout (Goveja postrv) puts in front the character of the actor Andrej Nahtigal and a section of his life, shot in real time and among real people who can play their roles by heart, since they live them in real environment. Andrej Nahtigal plays himself. Or even better: that's him. Completely. Without restraint. Uncompromisingly. He is not a character in a staged story, this is a story of the character who creates the story. With the omnipresent camera he erases the boarders between a staged film and a documentary, or even better, redefines them by evoking the old Shakespeare's thought that "All the world's a stage, and all the men and women merely players; they have their exits and their entrances, and one man in his time plays many parts." —Perfo
Goveja postrv
Drama
Film Details
The film Beef Trout (Goveja postrv) puts in front the character of the actor Andrej Nahtigal and a section of his life, shot in real time and among real people who can play their roles by heart, since they live them in real environment. Film Beef Trout (Goveja postrv) puts in front the character of the actor Andrej Nahtigal and a section of his life, shot in real time and among real people who can play their roles by heart, since they live them in real environment. Andrej Nahtigal plays himself.
Or even better: that's him. Completely. Without restraint.
Uncompromisingly. He is not a character in a staged story, this is a story of the character who creates the story. With the omnipresent camera he erases the boarders between a staged film and a documentary, or even better, redefines them by evoking the old Shakespeare's thought that "All the world's a stage, and all the men and women merely players; they have their exits and their entrances, and one man in his time plays many parts." —Perfo.