Lettre D'amour À Léopold L. Foulem
In a period deemed today as particularly innovative and fruitful for Croatian culture, there were several important gathering places of the 70's and 80's generation in Zagreb, but one has escaped the…
Lettre D'amour À Léopold L. Foulem
In a period deemed today as particularly innovative and fruitful for Croatian culture, there were several important gathering places of the 70's and 80's generation in Zagreb, but one has escaped the public eye - the House in Kraljevec 35. In a period deemed today as particularly innovative and fruitful for Croatian culture, there were several important gathering places of the 70's and 80's generation in Zagreb, but one has escaped the public eye - the House in Kraljevec 35. The house was built by stage director Slobodan Praljak, and over the course of 15 years it was inhabited and frequented by a large number of peers who, regardless of their mutual differences, shared the costs and built a common world view - Abdulah Sidran, Goran Babic, Mirko Ilic, Igor Kordej, Milan Trenc, the Ayllu group, Goran Pavelic Pipo, Davor Slamnig, Pjer Zardin, Zdenko Jelcic, Vili Matula, Davor Gobac etc. Many of them later scattered across the entire world: from South America to Canada, from New York to The Hague, Belgrade, Sarajevo and Ljubljana. As the last in the series of tenants, Pero Kvesic, in conversation with some of these people, tried to grasp why this place had always attracted so many diverse and outstanding creative talents.
Lettre D'amour À Léopold L. Foulem
Documentary
Film Details
In a period deemed today as particularly innovative and fruitful for Croatian culture, there were several important gathering places of the 70's and 80's generation in Zagreb, but one has escaped the public eye - the House in Kraljevec 35. In a period deemed today as particularly innovative and fruitful for Croatian culture, there were several important gathering places of the 70's and 80's generation in Zagreb, but one has escaped the public eye - the House in Kraljevec 35. The house was built by stage director Slobodan Praljak, and over the course of 15 years it was inhabited and frequented by a large number of peers who, regardless of their mutual differences, shared the costs and built a common world view - Abdulah Sidran, Goran Babic, Mirko Ilic, Igor Kordej, Milan Trenc, the Ayllu group, Goran Pavelic Pipo, Davor Slamnig, Pjer Zardin, Zdenko Jelcic, Vili Matula, Davor Gobac etc.
Many of them later scattered across the entire world: from South America to Canada, from New York to The Hague, Belgrade, Sarajevo and Ljubljana. As the last in the series of tenants, Pero Kvesic, in conversation with some of these people, tried to grasp why this place had always attracted so many diverse and outstanding creative talents..