Meghan: American Duchess
Nearly ten years ago, in a rural house in the middle of Talash forests, three consecutive murders occurred three days apart. A man kills three people and buries them right there in the house and lives…
Meghan: American Duchess
Nearly ten years ago, in a rural house in the middle of Talash forests, three consecutive murders occurred three days apart. A man kills three people and buries them right there in the house and lives in the same house for a long time - more than 5 years - with his few remaining daughters. During this time, I accidentally visited that house and the murderer, and I also filmed them, and I walked in the same house where 3 bodies were buried, without me or anyone knowing anything about that horrible incident. More than 5 years and after that meeting, the story is discovered. The man was sentenced to retribution and after the court and prison and appeal of the verdict, he was finally executed and his body was buried in an unknown place according to the people's request. A group of performers decide to spend three consecutive days in the same house and imagine what they would do if they were the original residents. They try to imagine how the murders happened? What is their judgment and opinion about that incident? Is it possible to approach the inaccessible moments of murders and hide them? How did the murders happen and how did time pass for the people of the house and the murderer? How did they spend these three horrible, fun or crazy days? Can we find out how the remaining people spent those three days of murder and the next five years in that place? The reconstruction of this incident by the performers and in the same place and for three consecutive days with the improvisation method and pattern of creating the event, will create a new story between the performers. This reconstruction is done like a game with a set of rules and contracts accepted by the actors. After training against each other and against the events, they will be forced to react differently, which is controlled by the contracts. In addition to living their normal three-day life, they try to recreate the moments of the murder and the presence of the killer and the real victims together. The confrontation of these two situations along with the arrangements made by the directing and ideation group will lead to the formation of a new story. Can they reconstruct the murders?
Meghan: American Duchess
Biography,Documentary
Film Details
Nearly ten years ago, in a rural house in the middle of Talash forests, three consecutive murders occurred three days apart. A man kills three people and buries them right there in the house and lives in the same house for a long time - more than 5 years - with his few remaining daughters. During this time, I accidentally visited that house and the murderer, and I also filmed them, and I walked in the same house where 3 bodies were buried, without me or anyone knowing anything about that horrible incident.
More than 5 years and after that meeting, the story is discovered. The man was sentenced to retribution and after the court and prison and appeal of the verdict, he was finally executed and his body was buried in an unknown place according to the people's request. A group of performers decide to spend three consecutive days in the same house and imagine what they would do if they were the original residents.
They try to imagine how the murders happened? What is their judgment and opinion about that incident? Is it possible to approach the inaccessible moments of murders and hide them? How did the murders happen and how did time pass for the people of the house and the murderer? How did they spend these three horrible, fun or crazy days? Can we find out how the remaining people spent those three days of murder and the next five years in that place? The reconstruction of this incident by the performers and in the same place and for three consecutive days with the improvisation method and pattern of creating the event, will create a new story between the performers. This reconstruction is done like a game with a set of rules and contracts accepted by the actors. After training against each other and against the events, they will be forced to react differently, which is controlled by the contracts.
In addition to living their normal three-day life, they try to recreate the moments of the murder and the presence of the killer and the real victims together. The confrontation of these two situations along with the arrangements made by the directing and ideation group will lead to the formation of a new story. Can they reconstruct the murders?.