MULT v kino. Vypusk # 1
Sixty performers clash, while camera minutely captures violence, persons' bodies, feelings and faces, overall ambience, vibe, fear, dynamics of crowd. Sixty performers clash, while the camera minutely…
MULT v kino. Vypusk # 1
Sixty performers clash, while camera minutely captures violence, persons' bodies, feelings and faces, overall ambience, vibe, fear, dynamics of crowd. Sixty performers clash, while the camera minutely captures the violence, the persons' bodies, feelings and faces, the overall ambience, the vibe, the fear, the dynamics of the crowd. With the help of a high-speed camera (400 frames per second), Makkas transforms three minutes of intense live action into a 45-minute single shot. Antistoli is structured as a slow-speed presentation of a single shot, without any external intervention in the flow and the development of the events and without editing. —Pantelis Makkas
MULT v kino. Vypusk # 1
Animation
Film Details
Sixty performers clash, while camera minutely captures violence, persons' bodies, feelings and faces, overall ambience, vibe, fear, dynamics of crowd. Sixty performers clash, while the camera minutely captures the violence, the persons' bodies, feelings and faces, the overall ambience, the vibe, the fear, the dynamics of the crowd. With the help of a high-speed camera (400 frames per second), Makkas transforms three minutes of intense live action into a 45-minute single shot.
Antistoli is structured as a slow-speed presentation of a single shot, without any external intervention in the flow and the development of the events and without editing. —Pantelis Makkas.