Paris Tehran

Two intertwined narratives: a group filming a mock rural village, and a documentary exploring the meta-narrative of their filmmaking process. The film is consisted of two parts, the first half documents a group of filmmakers trying to make a fictional film in a village which went through rural construction in recent years, and the second half is an essay film that reflects on the first half of the film as well as the filmmaker's practice of work. —Zhichun Huang