Portrait of the Fighter as a Young Man
Pablo has seen the Wall 37 times. Rudolf is a Rambo fan. Marco, instead, enjoys Bergman's cinema. Miguel sings a tango from "El Polaco" Goyeneche, while Garrido plays out scenes from The Godfather. Ma…
Portrait of the Fighter as a Young Man
Pablo has seen the Wall 37 times. Rudolf is a Rambo fan. Marco, instead, enjoys Bergman's cinema. Miguel sings a tango from "El Polaco" Goyeneche, while Garrido plays out scenes from The Godfather. Manu is a film director. Norita holds the record number of rented movies in the Video Store, and all of the above are also part of it in one way or another. In Cinema, more than in other artistic activity, the connection between the art and the public is passive but decisive. Una pelÃcula de gente que mira pelÃculas takes place in a video store in Buenos Aires, where a group of clientes shoots a film, so they can quit being spectators and became filmmakers. In the voices of this seven characters, the film explores the different possibilities of the seventh art in order to reflect in visual terms and stands as a symbolic construction of reality. Gathered to see what they have shot, the film returned them to the place of spectators, thus creating a point of view through which the film observes them. —Carlos Manuel Horazzi
Portrait of the Fighter as a Young Man
Action,Drama,History
Film Details
Pablo has seen the Wall 37 times. Rudolf is a Rambo fan. Marco, instead, enjoys Bergman's cinema.
Miguel sings a tango from "El Polaco" Goyeneche, while Garrido plays out scenes from The Godfather. Manu is a film director. Norita holds the record number of rented movies in the Video Store, and all of the above are also part of it in one way or another.
In Cinema, more than in other artistic activity, the connection between the art and the public is passive but decisive. Una pelÃcula de gente que mira pelÃculas takes place in a video store in Buenos Aires, where a group of clientes shoots a film, so they can quit being spectators and became filmmakers. In the voices of this seven characters, the film explores the different possibilities of the seventh art in order to reflect in visual terms and stands as a symbolic construction of reality.
Gathered to see what they have shot, the film returned them to the place of spectators, thus creating a point of view through which the film observes them. —Carlos Manuel Horazzi.