Roma Tre. Da trent'anni nel futuro
* (God Must Die" is inspired by Dostoyevsky's "Notes from Underground" and Nietzsche's "God is Dead," This one-day odyssey follows Abram, a nomadic gypsy. Abram's path begins with a stark declaration:…
Roma Tre. Da trent'anni nel futuro
* (God Must Die" is inspired by Dostoyevsky's "Notes from Underground" and Nietzsche's "God is Dead," This one-day odyssey follows Abram, a nomadic gypsy. Abram's path begins with a stark declaration: dragging a coffin through the streets, he proclaims, "I have killed God!" This attracts Fitna. His alarm brings media hounds and police, transforming a quiet day into a whirlwind. As chaos unfolds, Abram's past unfolds too. College students hack into his laptop, projecting his private discussions onto a live news channel. This unexpected audience witnesses philosophical debates about existentialism, nihilism, and the very origins of the concept of God. Beyond intellectual discourse, the film delves into humanity's darker side. The conversation shifts to the manipulative use of God's name to justify violence and discrimination based on color, creed, caste, and gender. Abram's act ignites a firestorm. He becomes a symbol, interpreted differently by various factions. Some see him as a Bad Guy, others as a liberator challenging oppressive doctrines. The narrative deftly weaves Abram's philosophical debates with the escalating external conflict. The film builds suspense, leaving the audience to wonder - what is Abram's true motive? Has he truly killed God, or is he a man desperate to awaken the world? "God Must Die" is more than just philosophical musings. It's a social commentary, urging viewers to confront the complex realities of faith, prejudice, and the search for meaning in a seemingly godless world. By the time the police raid Abram's home, he has vanished. His absence becomes a powerful statement, leaving the audience with lingering questions and no easy answers. Did he escape? Was he captured? )
Roma Tre. Da trent'anni nel futuro
Documentary
Film Details
* (God Must Die" is inspired by Dostoyevsky's "Notes from Underground" and Nietzsche's "God is Dead," This one-day odyssey follows Abram, a nomadic gypsy. Abram's path begins with a stark declaration: dragging a coffin through the streets, he proclaims, "I have killed God!" This attracts Fitna. His alarm brings media hounds and police, transforming a quiet day into a whirlwind.
As chaos unfolds, Abram's past unfolds too. College students hack into his laptop, projecting his private discussions onto a live news channel. This unexpected audience witnesses philosophical debates about existentialism, nihilism, and the very origins of the concept of God.
Beyond intellectual discourse, the film delves into humanity's darker side. The conversation shifts to the manipulative use of God's name to justify violence and discrimination based on color, creed, caste, and gender. Abram's act ignites a firestorm.
He becomes a symbol, interpreted differently by various factions. Some see him as a Bad Guy, others as a liberator challenging oppressive doctrines. The narrative deftly weaves Abram's philosophical debates with the escalating external conflict.
The film builds suspense, leaving the audience to wonder - what is Abram's true motive? Has he truly killed God, or is he a man desperate to awaken the world? "God Must Die" is more than just philosophical musings. It's a social commentary, urging viewers to confront the complex realities of faith, prejudice, and the search for meaning in a seemingly godless world. By the time the police raid Abram's home, he has vanished.
His absence becomes a powerful statement, leaving the audience with lingering questions and no easy answers. Did he escape? Was he captured? ).