Vom Teufel gejagt
Featuring one of the era's most beloved male idols, Hans Albers, as the doctor losing control of his dark side, is Viktor Turzanskij's rarely-screened Jekyll-and-Hyde version Vom Teufel gejagt. For ad…
Vom Teufel gejagt
Featuring one of the era's most beloved male idols, Hans Albers, as the doctor losing control of his dark side, is Viktor Turzanskij's rarely-screened Jekyll-and-Hyde version Vom Teufel gejagt. For added depth and relevance, a colleague who, years before, had assumed the doctor's guilt when an experiment went badly returns to continue their earlier research-besides, his name is tarnished anyway, where else could he go? It's difficult to not see this very elegantly dispassionate piece (a curious predecessor to the soon rising Arztfilm-wave) as an attempt to discuss its star's and auteur's involvement with the Nazi-era film industry: Albers starred in Herbert Selpin's world-weary anti-British epopee Carl Peters (1941), and Turzanskij directed (and co-wrote) the edgy anti-Polish, anti-labor drama Feinde (1940). —Harvard Film Archive
Vom Teufel gejagt
Crime,Drama
Film Details
Featuring one of the era's most beloved male idols, Hans Albers, as the doctor losing control of his dark side, is Viktor Turzanskij's rarely-screened Jekyll-and-Hyde version Vom Teufel gejagt. For added depth and relevance, a colleague who, years before, had assumed the doctor's guilt when an experiment went badly returns to continue their earlier research-besides, his name is tarnished anyway, where else could he go? It's difficult to not see this very elegantly dispassionate piece (a curious predecessor to the soon rising Arztfilm-wave) as an attempt to discuss its star's and auteur's involvement with the Nazi-era film industry: Albers starred in Herbert Selpin's world-weary anti-British epopee Carl Peters (1941), and Turzanskij directed (and co-wrote) the edgy anti-Polish, anti-labor drama Feinde (1940). —Harvard Film Archive.