Agha Jani Kashmiri

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A spoiled rich girl on the run travels with a reporter looking for a news scoop.

Anju Rai lives a wealthy lifestyle with her widowed dad in a palatial house. She is now of marriageable age, and her dad has arranged her marriage with Advocate Amarnath. Both Anju and Amarnath meet and fall in love with each other. Shortly before their formal engagement, Anju notices a change in Amarnath - as he appears to be drifting further from her. Then he decides to demolish his house and re-built it, and also refuses to go near any Mandir - either alone or in Anju's company. When part of the house collapses, he is injured, but recuperates quickly. It is then the town is set afire with rumors that Amarnath may have sexually molested a village belle named Sonia, who sells milk, lives a poor lifestyle with her widowed dad, cruel step-mother, and is to be married to the village goon, Shankar. Watch what happens when Shankar gets killed, and Sonia is arrested for killing him. —rAjOo (gunwanti@hotmail.com) A delicately nuanced psychological drama, exploring a 3-way relationship between the main characters and the crisis of conscience that rocks it. A prosperous, well-respected lawyer, in love with and engaged to an educated, socially-conscious young woman, succumbs to a weak moment and rapes a poor local village milkmaid. The rest of the story deals with the aftermath of this tragic event, with all the inevitable undercurrents of guilt, penitence and pervasive heartbreak that stem from it. —Hrishi Dixit <hud1@cornell.edu>

A traumatized beautiful woman loses her memory in a train accident. Prakash and his beautiful sister live an impoverished lifestyle in a rented room in Bombay. They do not even have enough to eat and are three months behind in their rent. The neighborhood has put pressure on their landlord to evict them as they suspect his sister of being overly friendly with a homeless male who calls himself Laatsaheb. Things only get worse after Prakash is killed and his sister decides to re-locate by train. While traveling she finds her co-passenger is none other than Laatsaheb - who confesses that he loves her. Before she could respond, the train meets with an accident, he survives with minor injuries but she loses her memory, is hospitalized and presumed to have lost her mind also. She manages to escape and ends up with Imperial College's Professor Nath - who gets smitten by her beauty, calls her Kamini, assures her that she has always lived with him, and decides not to treat her medically - so that she can be his forever. —rAjOo (gunwanti@hotmail.com)

Badshah Babar arrives in India from Iran, drives out Ibrahim Lodhi, makes peace with the Hindus and rules Delhi. He also adopts Rajkumari as his daughter and treats like his very own child, even though he has two sons, Humayun and Kamran, and a daughter, Gulbadan. Babar also finds out that Rajkumari is soon to be married to Randhir, the Rajkumar of Chanderi, who is out to avenge the conquest of his native land, by killing Humayun. Before that could happen Humayun falls seriously ill, Babar prays for his survival, but himself becomes ill and passes away, leaving Humayun to recuperate and be crowned the next Badshah. Humayun meets Hamida Bano and both fall in love with each other so much so that he loses all interest in the running of the state. When Delhi is attacked by Jai Singh, Kamran and Khan Bahadur join in the attack, forcing Hamida to flee. Humayun fends off the attackers, but must re-route his armies when Rajkumari is taken hostage. He does manage to rescue her, make amends with Randhir, but loses Delhi to his opponents, and flees to his native Iran. This is where he will meet and marry Hamida, and both will become parents of Shahenshah of all Shahenshah's, Jalaludin Akbar. But before that Humayun must take back his kingdom, and in order to do this he must first take Kabul, then Lahore, and then Agra and finally, if he manages to survive, Delhi. —rAjOo (gunwanti@hotmail.com) Mughal emperor Humayun (Ashok Kumar). Advocating communal harmony, a policy prompted by contemporary developments, the film stresses the friendship between the victorious Babar (Nawaz) and the defeated Rajputs; he asks the Rajkumari (Veena), daughter of the slain Rajput King, to assume her father's throne and to regard Babar as a father. In the latter part the story, Humayun sacrifices his kingdom to save the Rajkumari. Hamida Bano (Nargis) is a commoner with whom Humayun falls in love, but who turns down his offer of marriage claiming that women, for all kings, are mere playthings. The major highlights of the film are the elaborate Mughal sets and the spectacular battle scenes with elephants and horses. Cecil B.DeMille described the film, in a letter to the film-maker, as a 'masterpiece of lighting composition. —gavin@sunny_deol2009@yahoo.com