Alice Drummond

A Catholic school principal questions a priest's ambiguous relationship with a troubled young student. It's 1964, St. Nicholas in the Bronx. A charismatic priest, Father Flynn, is trying to upend the school's strict customs, which have long been fiercely guarded by Sister Aloysius Beauvier, the iron-gloved Principal who believes in the power of fear-based discipline. The winds of political change are sweeping through the community, and indeed, the school has just accepted its first black student, Donald Miller. But when Sister James, a hopeful innocent, shares with Sister Aloysius her guilt-inducing suspicion that Father Flynn is paying too much personal attention to Donald, Sister Aloysius sets off on a personal crusade to unearth the truth and to expunge Flynn from the school. Now, without a shard of proof besides her moral certainty, Sister Aloysius locks into a battle of wills with Father Flynn which threatens to tear apart the community with irrevocable consequences. —Miramax Films Set at a Catholic school in the Bronx, it centers on a nun who grows suspicious when a priest begins taking too much interest in the life of a young black student. Is she being overly protective or not protective enough? And can she work within the system to discover the truth? —Sherman (courtesy of Broadway.com) In 1964 a Catholic elementary school has just admitted its first Black student, a 12-year-old boy transferred from public school. The principal, a rigid disciplinarian nun, and the liberal parish priest are both concerned for the boy's welfare in a predominantly Irish/Italian parish. The nun becomes convinced that the priest has, or is planning to have, an improper relationship with the child and is determined to force him to leave the school. A third compassionate person is the boy's mother, who has another point of view. The fourth person is a young teacher who is concerned but confused by the conflict between the nun and the priest. —jojo.acapulco@gmail.com

The life of a provincial town becomes stormy after the appearance of an anonymous love letter. The power of words and images to open hearts. Helen runs, miles a day, to burn off energy: she's an emotional celibate. Going through the post at her shop, she finds a romantic and poetic letter between the couch cushions, unsigned, and thinks it's for her. It melts her resistance to feelings, and soon she undertakes an affair with Johnny, a collegiate employee. (He sees the letter and thinks she wrote it to him; he quotes some of it, so she thinks he wrote it to her.) In the background are Helen's long-time friend, George, who loves her, and her mother who abruptly left on a long trip months before. Discovering who actually wrote the letter brings insight and promise. —<jhailey@hotmail.com>

Dr. Sayer is a pioneering neurologist who wants to take a risk and give his patients who suffer from encephalitis a drug used for Parkinson's Disease. He tries it out on one man who miraculously wakes from his perpetual catatonic state. 1969. Dr. Malcolm Sayer is hired as a clinical physician at a local hospital in the Bronx, despite only having a research background. The job is not ideal on his side as he has difficulties relating to people which is the reason he has focused on research projects not involving human subjects, while the hospital hires him somewhat out of desperation in not finding anyone else with the qualifications who wants the job. Most of his patients are in a semi-catatonic state and are housed no in what some of the orderlies coin the "garden" ward, where all they can do for the patients is water and feed them. He notices that some of the patients, despite their generally catatonic state, respond in unusual ways to certain stimuli. In doing some research, he also finds that some common bonds between these patients are that they suffered from encephalitis in the 1920s or 1930s, and that their physical states are like they have Parkinson's disease frozen in time. As such, he is able to convince, albeit reluctantly, his skeptical boss, Dr. Kaufman, to administer an expensive experimental drug therapy on only one patient with family consent. That patient is forty-one year old Leonard Lowe, who has been in his current state since he was eleven years old, and who has been supported by his loving mother through all these years. As the drug therapy "awakens" Leonard, there are several issues that come into play. Malcolm has to try and convince Kaufman and the hospital administration to extend the therapy to the other patients. Despite not knowing the long term effects, Leonard, who was aware of his surroundings through his catatonic state, may have mixed emotions about his situation, wanting both to be treated as human being and an experiment guinea pig to ensure that what is happening benefits him and others in the long run. Mrs. Lowe may be unprepared for the new Leonard, she expecting who she remembers as a sweet eleven year old boy. Through all these issues, what may be the most illuminating issue for Malcolm is the need to stimulate the human spirit, including his own in dealing with people around him. —Huggo A new doctor finds himself with a ward full of catatonic patients. He is disturbed by them and the fact that they have been catatonic for decades with no hope of any cure. When he finds a possible chemical cure he gets permission to try it on one of them. When the first patient awakes, he is now in his 50s having gone into a catatonic state at 20 years of age. The film then delights in the new awareness of the patients and then on the reactions of their relatives to the changes in the newly awakened. —John Vogel <jlvogel@comcast.net>