Ann Magnuson

A New York City crooner plots his comeback. Rattling around in his mansion in the Hamptons, faded Sinatraesque crooner and notorious ladies man Paul Lombard stews over the acclaim that eluded him in his career and the trail of romantic wreckage he left in his wake. Matters are complicated when his punk rocker daughter Jude arrives in need of a place to stay and burdened with problems of her own....including a rivalry with her overachieving sister, her own ruinous love life, and above all, a fraught relationship with her famous father.

Trapped in their home`s panic room, Meg Altman and her daughter play a deadly game of cat-and-mouse with three intruders. But what they really want is inside the room itself.

In the nightclub scene of the 1970s New York City, a multiracial young girl, Billie, born to a Caucasian father and an African-American mother, is taken away from her alcoholic, lounge singer mother after she is deemed irresponsible to raise her and Billie's estranged father wants nothing to do with either one of them. Billie spends the rest of her teenage years in an orphanage. Years later (in 1983), the 19-year-old Billie (Marah Carrey) works as a nightclub dancer along with her foster-care friends Louise and Roxanne. They meet Timothy Walker (Terrence Howard), a record promoter who offers the three of them a contract as backup singers/dancers to the singer Sylk. Initially, Billie refuses, hoping to achieve stardom on her own terms. After pestering from her friends, Billie relents and the three are contracted. They record the hit single, "All My Life" but Sylk's vocal is sub-standard. To maximize sales based on the sex appeal of Sylk, Timothy asks Billie to sing while Sylk lip-syncs. Later at a nightclub, Billie sings Sylk's song which gets her noticed by the club DJ, Julian "Dice" Black, during the public debut of "All My Life". Dice, knowing that Sylk is an indifferent singer, is shocked by the arrangement, but goes backstage to congratulate Billie for singing the song. Sylk insults her backup singers in front of a photographer and Billie, not wanting to take the verbal abuse, exposes Sylk by singing "All My Life" a cappella in front of Dice. Impressed, he wishes to produce her, but Billie turns him down, thinking that he wants to exploit her talent. When Billie relents after Dice pesters her, she raises concerns about her contract with Timothy. Dice threatens to not play any more artists from Timothy in his nightclub unless Timothy surrenders Billie and her friends' contacts. Timothy eventually agrees on the provision that Dice pays him $100,000. Billie and Dice start working on songs: the first being the hit underground single, "Didn't Mean to Turn You On". Dice advises Billie to play off record companies to secure a bigger deal. Ultimately they sign with Guy Richardson of a major record label. With success in their hands, Dice asks Billie to dinner. Later, he asks her up to his apartment and they sleep together. Billie's first major single, "Loverboy" is a success. The music video originally features Billie, Louise, and Roxanne. However, the director, dissatisfied with the results, orders Billie to wear more revealing clothing and replaces Louise and Roxanne with professional semi-nude male dancers. When the male dancers are then ordered to dance closely to Billie, this frightens her. Dice intervenes on her behalf, and they leave the set before the music video can be finished. Dice is denied permission to produce songs on Billie's debut, including "Reflections", which Billie wrote about her mother. Billie is called to perform at the USA Music Awards, where she meets singer/songwriter Rafael. Later at the party, they meet again, and Rafael suggests they write a song. Dice orders Billie and her friends to leave, accusing Rafael of sexual advances towards Billie. Louise and Roxanne give Billie an ultimatum: them or Dice, but leave before she can choose. Billie cries, but is comforted by Dice as she laments "If you didn't believe in me, none of this would have ever happened." The reconciliation is short-lived as Billie gets a threat from Timothy concerning the 100K debt that Dice failed to pay. Billie tells Dice that Timothy was at their apartment about his debt and her contract. She is confused because she thought he had handled her contract properly. She admits to Dice that Timothy threatened her and Dice, in a rage, puts Timothy in the hospital. In the middle of the beating, Dice is arrested, causing Billie to leave her appearance on Late Night Live to bail him out. Billie, upset about how Dice lied about her contract and his arrest, argues with and leaves him. With nowhere to go, she goes back to live with Roxanne and Louise. Billie tries to deal with the pain by creating the single "Want You", with Rafael, which is a hit, but her emotional pain leads her to solo songwriting. Dice also misses Billie, and also begins writing a song. Billie goes to Dice's apartment in an attempt to reconcile. He's not home, but the music he has written is and Billie realizes they wrote the same song: "Never Too Far". She kisses the sheet music, leaving a lipstick imprint, which Dice later discovers. Dice plans a reconciliation, but is shot dead by Timothy. Billie's management and support crew see a report of the murder on television. They wonder if Billie was with him, they see that she is there and has seen the report. Billie onstage commands the band to stop playing "Loverboy," tells the crowd never to take someone for granted, and that if you love them, you should tell them, because you might never have the chance to tell them how you really feel. She then starts to sing "Never Too Far". Afterwords, Billie reads a note Dice had left her, where he tells of his love for her, his plan to see her perform and that he has found Billie's mother. Billie's limo takes her to the secluded rural property where she is united with her mother once again.

The film opens in a New York night club. The gothic rock band Bauhaus is onstage performing the song "Bela Lugosi's Dead." In the crowd are John and Miriam Blaylock (David Bowie, Catherine Deneuve). Stylishly dressed and predatory, they stalk the crowd and connect with a young couple (John Stephen Hill, Ann Magnuson). The couple takes them back to their home, where John and Miriam seduce them before viciously slashing their throats. John and Miriam are vampires, although not in any traditional sense; lacking fangs, they use ancient Egyptian pendants to cut open the jugulars of their victims. The center of their strange existence is Miriam. She is an immortal being, able to pass along her supernatural qualities to selected human beings that she chooses to be her lovers. However, her progeny are not truly immortal as she is, and sooner or later, usually after 300 years or so, they find themselves suddenly and rapidly getting old. However, the progeny are unable to die, but continue to live forever withered, in a fully conscious, vegetative state. Miriam packs their decaying, aging bodies in caskets that she keeps in the attic of her residence. In the 18th century, Miriam offered this gift of immortality to John, who eagerly accepted, as had all her previous lovers through the ages. Suddenly, John develops trouble sleeping, and starts aging at a rapid rate. Miriam is aware of the significance of this happening, and she goes looking for a famous gerontologist, Dr. Sarah Roberts (Susan Sarandon), desperately seeking her help for a cure for John's fast deterioration. She makes contact with Dr. Roberts, and through her psychic powers, finds out that the doctor is just guessing, and that her research is inconclusive. Therefore, John, as all her lovers before him, is doomed to extinction. John also attempts to meet with Dr. Roberts at her clinic, but she dismisses his claims as delusional and leaves him to sit in the waiting room, hoping that he will grow bored and leave. John ages decades within a few short hours, and when Sarah sees him later, she begs John to stay so she can examine him. But John refuses to speak to her, his hunger for blood nearly overpowering him and forcing him to leave in search of a victim. Driven by his bloodlust and desperation to reverse the aging process, John makes a kill out of young Alice (Beth Ehlers), a music student that he and Miriam are tutoring. Her blood does nothing to help John, and he eventually falls down a flight of stairs at the townhouse, his legs no longer able to support his own weight. Miriam carries John's withering body up to the attic and puts him in a casket, next to several other caskets containing her earlier lovers. Later on, when Dr. Roberts shows up at Miriam's door looking for John, Miriam sees in the doctor a replacement for John in her life; it is love at first sight for Miriam, and she immediately proceeds to seduce Sarah. Sarah is a willing participant in Miriam's seduction, but she doesn't know that Miriam has now transformed her into a vampire, just as she did to John and her other lovers. Lieutenant Allegrezza (Dan Hedaya) shows up at Miriam's house looking for Alice, and is immediately suspicious of Miriam, although he has no real proof of any wrongdoing. Meanwhile, Sarah begins to manifest symptoms of vampirism. She is ravenously hungry, but eating normal food makes her vomit. She also starts seeing Miriam everywhere she looks. Finally she confronts Miriam about what happened between them on that day, and Miriam vaguely states that she has given Sarah eternal life, and that they belong to one another now. Sarah rejects what Miriam has told her, but she does understand that something terrible has happened to her. Sarah and her partners at the clinic, including Sarah's boyfriend, Tom Haver (Cliff De Young), cannot find a cure for the change that is occurring in Sarah's blood, and in desperation Sarah returns to Miriam. Miriam arranges for Sarah to make her first kill, bringing back a male prostitute, but Sarah is unwilling to take a human life. Finally, Tom arrives at the townhouse looking for Sarah following her disappearance, and is surprised to find that Sarah is there. Miriam knows that Sarah's hunger is now beyond reason, and when she takes Tom to Sarah, Sarah kills him for his blood. Miriam is now convinced that she has found her new lover, and she tells Sarah that they will now share an eternity together. Sarah, however, is wracked with guilt over taking Tom's life, and she attempts suicide by cutting her own throat with Miriam's ankh as they kiss. Sarah's blood pours into Miriam's throat and then Sarah collapses. Miriam is horrified at what Sarah has done, but she dutifully carries Sarah's limp body into the attic to place her among her other desiccated lovers. This time, however, she finds her crumbling lovers now out of their coffins, waiting for her. The sudden intake of Sarah's blood has caused a change in Miriam. Suddenly released from Miriam's spell, the lovers crumble into dust as Miriam herself begins to wither. The film's conclusion shows Lieutenant Allegrezza returning to question Miriam, only to find that the townhouse is now mysteriously empty and up for sale, all of the luxurious furnishings in the home gone and the money funneled to the sleep clinic where Sarah, presumably missing, used to work. In the final shot, Sarah herself is seen living in a high-rise luxury apartment with a couple lovers, while Miriam, imprisoned in a coffin just as she did to her own lovers, screams for her release.