Anthony Russo

This film follows the terrifying events which lead to the death of Ian Dyot, a collector of supernatural artifacts and creator of a show revealing their secrets, this is not a movie to be missed, even the director of the movie is horrified. Some people have compared the cinematography of this exhilarating movie to that of greats such as the shining, Jurassic park, and even Hannah and her sisters. The director, who is also the writer, producer and actor also animated all of the extensive stop motion scenes. This movie was made as an absolutely spellbinding tribute to classic horror movies like Frankenstein, six headed shark attack, and of course Nosferatu. This movie proves that when an independent filmmaker is given the equipment, he can produce something that is so out of this world, so incredibly bizarre, that you simply can't take your eyes off of the screen. If you have any love for the genre of horror this is an unmissable film, this is something so groundbreaking that it will still be being talked about one hundred years from now, no doubt it will be accepted into the film archives as an example to the future, and to show people what the film industry used to be like. This movie managed to gain one thousand two hundred views on Facebook in under twenty four hours. It is believed that the head honchos from Hollywood will soon be in touch with the writer of the movie to congratulate him on his success. If you want to see something epic, then The Witch Doll of Aliester Crowley is the film for you.

THE GRAY MAN is CIA operative Court Gentry (Ryan Gosling), aka, Sierra Six. Plucked from a federal penitentiary and recruited by his handler, Donald Fitzroy (Billy Bob Thornton), Gentry was once a highly-skilled, Agency-sanctioned merchant of death. But now the tables have turned and Six is the target, hunted across the globe by Lloyd Hansen (Chris Evans), a former cohort at the CIA, who will stop at nothing to take him out. Agent Dani Miranda (Ana de Armas) has his back. He'll need it.

Ruben does not allow himself to be defined by his experience of homelessness. He is an artist, and embracing that identity through Streetwise Opera inspires and empowers him as he rebuilds his life.

A police unit from Mosul fight to liberate the Iraqi city from thousands of ISIS militants. Between 2014 and 2017, ISIS occupied the Iraqi city of Mosul. During those years, the only group to fight the occupiers continuously was Nineveh province's SWAT unit, made up of local men who had either been injured or had a family member killed by ISIS. Carnahan's Mosul is a gripping tribute to these fighters for whom the incentives were intensely personal. Kawa (Adam Bessa), a 21-year-old police officer, barely survives a firefight. When the smoke clears he meets the men who saved his life, the Nineveh SWAT, led by Jasem (Suhail Dabbach). Kawa's own uncle was recently killed by ISIS. He joins the group, though they've been reduced to just a dozen men with three Humvees and a surplus of cigarettes. Before his first day with Nineveh SWAT is over, Kawa will witness the rescue of a child and the death of several colleagues, take revenge on a man who betrayed him, and participate in the ambush of an ISIS stronghold. Carnahan drops us right in the center of urban warfare, but also allows for telling moments that reveal the men beyond their combat roles. A rare American film designed to bring Iraqi perspectives forward, Mosul is both muscular and humane. —Toronto International Film Festival