Barun Chanda

When widowed father Shantanu discovers his late wifes handwritten recipes, he begins a heartfelt journey to reconnect with his estranged daughter. With the help of chef Rita, his kitchen becomes a place of healing, laughter, and the courage to open his heart to a new beginning.

Karna Subarna'er Guptodhon, the third film of Guptodhon Franchise, brings back another thrilling adventure of Sona da, Abir & Jhinuk. Invited for a wonderful occasion, the trio's vacation soon turns into a dangerous quest for the greatest treasure of Bengal. As Sona Da will try to unlock every clue, his wit and mind will constantly get challenged, while his loved ones will be put on parole and his entire adventure will be under a web of threats until he unearths one of the greatest treasures that Bengal has ever known.

This historical thriller and modern day treasure hunt follows an archaeologist who leaves his granddaughter the key to a treasure that may lead to the fabled Kohinoor diamond.

Heir to the Bikrampur Estate and one of three princes, Mahendra Kumar Choudhari, known for his lavish lifestyle and philanderous ways, contracts syphilis and is taken to Darjeeling for treatment by his wife Chandrabati Devi. On his way, Mahendra Kumar passes away under mysterious circumstances and is cremated in Darjeeling, following which his brothers inherit Bikrampur Estate. Twelve years later, a Sanyasi, who has a striking resemblance to the supposed dead prince, makes his way to the estate. People begin to take notice of the Sanyasi and news spread that the estate's lost prince is back. Who is this Sanyasi? Is he really the long-gone prince?

This classic who-dunnit follows the mystery of psychiatrist Pranabendra Dasgupta`s death at his own party, after which all the guests come under suspicion one by one.

Dr. Somshankar Roy, a social scientist, engages Swagato and Anwesha to create a mock crisis on the streets. The aim is to observe reactions of people to different forms of crisis happening around them, and to analyse and derive conclusions about human behaviour from them. But all theories and deductions go astray when they come face to face with a real crisis in their own lives and cannot decipher whether the crisis is mock or real.

Yoddha is based on the life of a simple person, but circumstances turn him into a warrior who fights against the atrocities of the establishment and its agents.

Abhijit (Abir Chatterjee) is a mathematics professor at a reputed Calcutta college. Debjani (Raima Sen) is a cardiologist at the throes of her career. They meet on a night of mist, rain and uncertainty and fall for one another. But their love flows on the undercurrent of a prophecy and Abhijits continuous flux between fate and logic. Gradually one thing leads to the other and Abhijit`s life slowly crumbles around him even as his obsession for Debjani swells over like a hungry tide on the sands of time. Both fatal, both transient. Set amidst the scenic locales of the Andamans, the story takes unpredicted twists and hair-pin bents to keep us engaged as Abhijit rises and falls riding the waves of a soothsaying. Here, Shubhro (Indrasish Roy) plays a catalyst hurling the protagonists to their destiny. And then an accident changes their lives forever. The prophecy of impending doom lets hamartia take over.

A soft spoken, timid man changes drastically when a childhood friend comes back into his life and makes him stand up for himself.

An affair that begins one rainy evening on a lonely Calcutta street. And ends on yet another rainy evening in the Andaman Islands. A journey dotted by love, jealousy and destiny, it is loosely inspired by the works of William Shakespeare. The film begins with a shot in which a very disheveled looking Abhijit (Abir Chatterjee) enters the room to find Debjani (Raima Sen) lying dead on the bed. The story goes back to a flashback and we get to see the reason behind such a fatal outcome. Abhijit is a professor of Mathematics at St. Xavier's College, Kolkata. He lives with his only sister Mallika who is a crime journalist by profession. A chance meeting with a soothsayer (Sohag Sen) who warns Abhijit to stay away from love for his own good is not given much importance by the professor. One rainy night he comes across a beautiful damsel in distress Debjani, stranded, as her taxi has broken down. He gives Debjani, a trainee heart surgeon, a lift in his car and Cupid strikes. They date and fall in love. Abhijit, however, faces a problem at his job when an infatuated student proposes him. He rejects and in retaliation she does something to get back at the professor. He is initially arrested, and then ostracized by one and all. Faced with such grave issues at work, he goes to the Andamans along with Debjani in search of a new life. There they meet Shubhro (Indrasish Roy) who is Debjani's junior from their high school days. Shubhro runs an NGO at Port Blair and composes music in his pastime. Shubhro and Debjani spend time together rejuvenating their old friendship. At times, Abhijit gets jealous of Shubhro's unwavering attention on Debjani. Shubhro dies in an accident and this leaves Abhijit in a confused state. He begins to question himself about the prophecy of the soothsayer. What actually happens next? Does Abhijit leave Debjani? Who killed Debjani? Hrid Majharey answers them all.

An archaeologist falls in love with an aristocrat's daughter but conceals a dark secret from her that could drive them apart.

`Ami Ar Amar Girlfriends` (Me and My Girlfriends) is a chick flick abut three girlfriends bonding. This `chick flick` has been directed by Mainak Bhaumik whose previous films, `Bedroom` and `Aamra` have featured strong female protagonists. In `Ami Aar Amar Girlfriends`, one of the characters is married, the second one is in the process of getting back with an her boyfriend back and the third one is a singleton looking for love.

`Aborto` talks about the relentless pursuit of prominence in one`s career, and the resulting alienation from loved ones in terms of sensitivity, feeling and emotion. The film portrays a vortex of emotions, drama and relationships between Shyamal, Charu, Hari, Duli and Runu, characters which were influenced by protagonists in various Satyajit Ray`s Films.

Three girlfriends--Preenita, Rhea, and Shreemoyee--share everything with one another from the angst of the "will-he-or-won't-he-call" debates, to the addictive gossip sessions, the analysis of dumping and getting dumped, the complaining about husbands, boyfriends, or the lack of boyfriends; over cups and cups of coffee, as they let their hair down on their 'girls-gone-wild' nights on the town.Is this chick-flick a female-buddy film? Sure. Is it a Girl-Power Flick? Absolutely. —Director

Friday night is almost like a shortened New year's night. One can expect every kind of surprises on that night. Friday night has its special magic. What if a gambling millionaire becomes a waiter for one night, an office loser will be the star of the brightest party, and two "sworn" friends will have to look for a kangaroo at night in a forest near Moscow? Everyone has their own Friday. How does it end for everyone, only Saturday morning knows. —Peter-Patrick76 (peter-patrick@mail.com)

A group of young intellectuals and revolutionaries led by the brilliant young Indranath, a villainous party leader are fighting for independence from the colonial system. Ela, the group`s emancipated muse, feminist and teacher revolted first against her mothers orthodoxy, then against her aunt and finally against the larger politics, where she does not hesitate to deploy her physicality. The poet Attindra, Ela`s romantic love, who, like her doubts the cruelty of revolutionary acts sanctioned by Indranath`s ideals.

Shyamal is happy with his successful career at a fan manufacturing company until the day he learns that a recently manufactured batch of fans has turned out to be defective.

Shyamal (Barun Chanda) is an ambitious sales manager in a British fan manufacturing firm in Calcutta, where he is expecting a promotion shortly. He is married to Dolan and lives in a company flat. He aspires to become the company director. His sister-in-law, Tutul (Sharmila Tagore), arrives from Patna to stay with them for a few days. She is given a tour of the life they lead and the many upscale spaces they inhabit the restaurants, the beauty parlours, clubs and race courses. Tutul, whose father Shyamal had once been a student under, greatly admires him and his idealism. Secretly she is envious of her sister's marriage with him. Life goes on smoothly for Shyamal until he learns that a consignment of fans meant for export is defective just before the shipment of a prestigious order. The problem is that the fans were painted with a flaw. The company is under a contract requiring the shipment be delivered on time. There is a clause permitting delay in case of civil disturbance. To escape blame Shyamal hatches a plan with the labour officer to provoke a strike at the factory. A factory watchman is badly injured, a false riot is organised and a lock-out declared. The delay caused by the strike and riot are used by the company to allow strikebreakers to make needed repairs. For his 'efficient' handling of the crisis, Shyamal is promoted, and there is congratulations all around. However Shyamalendu has fallen in the eyes of Tutul and himself. He is finally at the top, successful and desolate.