Bill Erwin

During the age of the dinosaurs, a massive famine forces several herds of dinosaurs to seek an oasis known as the Great Valley. Among these, a mother in a diminished "longneck" herd gives birth to a single baby, named Littlefoot. Years later, Littlefoot plays with Cera, a "three-horn", until her father intervenes and tells her that three-horns don't play with long-necks, whereupon Littlefoot's mother describes the different kinds of dinosaurs: "three-horns", "spike-tails", "swimmers", and "flyers". That night, as Littlefoot follows a "hopper", he encounters Cera again, and they play together briefly until a large "Sharptooth" attacks them. Littlefoot's mother comes to their rescue, but receives fatal injuries in the process. An earthquake swallows up the Sharptooth and divides Littlefoot and Cera and other dinosaurs from their herds while some die in the process, including Littlefoot's mother, who gives her son some words of advice about finding the Great Valley before she dies that night. Confused and in grief, Littlefoot meets an old "clubtail" named Rooter, who consoles him. He is then guided by his mother's voice telling him to follow the sun to the Great Valley and pass several landmarks, such as a rock formation that resembles a Longneck and the "Mountains that Burn". Later, Littlefoot meets a "bigmouth" named Ducky and a "flyer" named Petrie, who accompany him on his journey. Cera, who is attempting to find her own kind, finds the unconscious Sharptooth inside a ravine and mistakenly wakes him up. She escapes and bumps into Littlefoot, Ducky, and Petrie; she tells them that the Sharptooth is alive and pursuing them, but Littlefoot does not believe her. As Cera describes her encounter, she accidentally flings Ducky to the direction of a lone hatching "spiketail", whom she names Spike and inducts into the group. Seeking the Great Valley, they discover a cluster of trees, which is abruptly depleted by a herd of Longnecks. Searching for remaining growth, they discover a single leaf-bearing tree, and obtain food by stacking up atop each other and pulling it down. Cera remains aloof, but at nightfall, everyone including herself gravitates to Littlefoot's side for warmth and companionship. The next morning, they are attacked by the Sharptooth, but they manage to escape through a tunnel that is too small for him to follow. Beyond this, they discover the landmarks mentioned by Littlefoot's mother. Cera stubbornly decides to go another way, but Littlefoot, fed up with Cera's stubbornness, refuses, and their ensuing fight leads to a schism that divides him from the others. However, when Ducky and Spike become endangered by lava, Petrie gets stuck in a tar pit, and Cera gets ambushed by a pack of "domeheads" (Pachycephalosaurus) who are also living in the Mountains that Burn, Littlefoot returns to rescue them. Ashamed of her fear and behavior, and reluctant to admit her mistake, Cera leaves them in tears. Later, while crossing a pond, Petrie overhears the Sharptooth nearby. The group devises a scheme to lure him to the pond and drown him in the deep side using a nearby boulder. During the ensuing struggle, a draft from the Sharptooth's nostrils enables Petrie to fly for the first time. The plan nearly fails when the Sharptooth begins attacking the boulder while the group attempts to push it onto him. However, Cera reunites with the group, and she headbutts the boulder, causing the Sharptooth to fall into the water below with the boulder falling on him in the process. The Sharptooth momentarily takes Petrie down with him to his death, but he later emerges unharmed. Littlefoot, alone, follows a cloud resembling his mother, which guides him to the Great Valley. He is then joined by the others. Upon arrival, the five are reunited with their families: Petrie impresses his family with his newfound flight; Ducky introduces Spike to her family, who adopt him; Cera reunites with her father; and Littlefoot rejoins with his grandparents. The group then rejoins at the top of a hill and embrace each other in a hug.

Young newlyweds find out just how unprepared they are for their future together. Jake and Kristy Briggs are newlyweds. Being young, they are perhaps a bit unprepared for the full reality of marriage and all that it (and their parents) expect from them. Do they want babies? Their parents certainly want them to. Is married life all that there is? Things certainly aren't helped by Jake's friend Davis, who always seems to turn up just in time to put a spanner in the works. —Murray Chapman <muzzle@cs.uq.oz.au>

In 1972, college theater student Richard Collier (Christopher Reeve) celebrates the success of his first play. During the celebration, he is approached by an elderly woman who places an antique pocket watch into his hand and pleads "Come back to me." Richard does not recognize the woman, who returns to her own residence afterward. Eight years later, Richard is a successful playwright living in Chicago, but has recently broken up with his girlfriend and is struggling with writer's block. Feeling stressed from writing his play, he decides to take a break and travels out of town to the Grand Hotel. While looking at a display in the hotel's museum, Richard becomes entranced by a strangely captivating photograph of a mysterious, beautiful young woman. With the help of Arthur Biehl (Bill Irwin), an old man who has been at the hotel since 1910, Richard discovers that she is Elise McKenna (Jane Seymour), a famous early 20th-century stage actress. Upon digging deeper, he learns that she was the aged woman who gave him the pocket watch eight years earlier, but died afterward later that same evening. Richard visits Laura Roberts (Teresa Wright), Elise's former housekeeper and companion. While there, he discovers a music box that plays the 18th variation on Rhapsody on a Theme of Paganini by Rachmaninoff, his favorite musical piece. Among Elise's personal effects is a book on time travel written by an old college professor, Dr. Gerard Finney (George Voskovec). Richard becomes obsessed with traveling back to 1912 and meeting Elise, who he has fallen in love. He seeks out Professor Finney, who believes that he briefly traveled through time through the power of self-hypnosis. To accomplish this process, one must remove all things from sight that are related to the current time. Finney warns Richard that such a process would leave one very weak physically, possibly dangerously so. Back in his hotel room, Richard dresses himself in an early 20th-century suit, and attempts to will himself into 1912 using tape-recorded suggestions. The attempt fails because he lacks real conviction, but after finding an old guest book from 1912 containing his signature, Richard realizes that he will eventually succeed. Richard again hypnotizes himself (without the benefit of a modern tape recorder) and allows his absolute faith in his eventual success to become the tipping point or trigger for the journey back through time. He slowly falls asleep and awakens to the sound of whinnying horses in the year 1912. Richard looks all over the hotel for Elise, even meeting Arthur Biehl as a little boy, but has no luck finding Elise. Finally, he stumbles upon Elise walking by a tree near the lake. She seems to swoon slightly when seeing him, but then suddenly asks upon meeting him "Is it you?" McKenna's overbearing manager, William Fawcett Robinson (Christopher Plummer), abruptly intervenes and sends Richard away. Richard stubbornly continues to pursue Elise until she agrees to accompany him on a stroll through the surrounding idyllic landscape. Richard ultimately asks why Elise wondered aloud "Is it you?" and she replies that Robinson somehow knows that she will meet a man who will change her life forever, and that she should be afraid. Richard then shows Elise the same pocket watch which she will eventually give him 60 years in the future. Upon returning to the hotel, Elisa invites Richard to her play. He attends the comical-farce and she, in an almost trance-like state, recites an impromptu monologue dedicated to him. During intermission, he finds her posing formally for a photograph. Upon spotting Richard, Elise breaks into a radiant smile and veritably glows with soft affection. Just then, the camera's flash goes off and forever captures that wonderous moment in time. We now know that this picture is the same one that Richard will see 68 years later on a wall near the lobby at the Grand Hotel. He later receives a letter from Robinson asking to meet him immediately and saying that it is a matter of life and death. Robinson wants Richard to leave Elise, saying it is for her own good. Richard thinks Robinson is in love with Elise, but Robinson states that he is obsessed with her being a star and has no romantic interest in her. When Richard professes his love for her, Robinson has him bound and locked inside the stables. Robinson then informs Elise that Richard has left her and isn't the one, though she doesn't believe him and professes her love for Richard. Richard wakes up the next morning and escapes his constraints. He discovers that the acting troupe has already left for Denver, though Elise has returned to the hotel to find him. Richard then goes out to the hotel's capricious deck and begins giving into despair, but presently perceives Elise calling his name and running towards him. They return to his room together and it is there that Elise becomes truly intimate with a man for the very first time in her life. Later that evening, she asks Richard to marry him and he readily accepts. She then informs him that the first thing she will do for him is to buy him a new suit (the suit Richard has been wearing the entire time in 1912 is about 10 to 15 years out of style). Richard begins to show his true love how wonderful the suit is on account of its many pockets. He is alarmed when he reaches into one and finds a shiny modern Lincoln penny with the mint date of 1979. This modern item breaks his hypnotic suggestion, and Richard feels himself rushing backwards from 1912 as though through a tunnel, and Elise screams his name in horror as he is pulled inexorably back to the present. Richard wakes up in the same room he just left, although now it is 68 years later. He is very weak and physically and emotionally exhausted from his trip through time and from the devastating unexpected return. He scrambles desperately back to his own suite and attempts to hypnotize himself again, without success. After wandering around the hotel property and sitting interminably at the places where he spent time with Elise, Richard eventually retires to his room and remains there unmoving for days until discovered by Arthur and the hotel manager; they send for a doctor and paramedics. Richard suddenly smiles and sees himself drifting above his body and is drawn to a light shining through the nearby window, where he is reunited forever with Elise.