Catherine O'Hara

Shipwrecked on a deserted island, a robot named Roz must learn to adapt to its new surroundings. Building relationships with the native animals, Roz soon develops a parental bond with an orphaned gosling.

A small time bandit climbs the mob's hierarchies up to the top but succumbs to his unlimited ambitions's madness. An imperial villa in place of a dark turreted castle; Puglia from Gargano to Salento instead of the Scottish moors; minions and leaders of the United Sacred Crown in place of generals, kings and aspirants to the throne. But the thirst for power, the murders, the traps, the blood to flow and then wash incessantly from the hands remain the same. In our troubled years, the Scottish tragedy 'Macbeth', written by Shakespeare in the early 1600s, returns to make its shadows and prophecies shine again (as in Joel Coen's film). Giulio Base (also author of the screenplay) reworks it in a contemporary and viscerally Italian key, with an overflowing and sanguine protagonist and a carnal and fatal Lady Macbeth.

Spring has arrived and an array of creatures sleeping in a large tree trunk has awakened from their winter hibernation. This group of unusual creatures, porcupines, possums, a squirrel, a skunk, has formed a family with Verne, a tortoise (voice of Garry Shandling), as the head. They discover that a tall hedge has cut their forest in half and their nut and berry trees are gone. Where are they going to get their food for next winter? Then RJ, an opportunistic raccoon (voice of Bruce Willis), enters the picture. RJ explains to the group that there is a new world called suburbia on the other side of the hedge where humans live. RJ says, "that humans live to eat, rather than eat to live". Humans throw away more food then they would ever need and put the food in garbage cans. RJ convinces them to go over the hedge to gather food for the winter. Douglas Young (the-movie-guy)