Cynthia Rhodes

In the summer of 1963, 17-year-old Baby is vacationing with her family at a mountain resort when she is drawn to the staff quarters by stirring music. There she meets Johnny, the hotel dance instructor, and they fall in love despite everyones warnings.

It is 1985. Police Sgt. Jack Ramsay is 35 years old; his records show he was born in 1950. He is a widower and has a 10-year-old son Bobby. He works in a large city which is never specified. Ramsay has a fear of heights, so he asked to be moved to a division called "Runaways" that deals with malfunctioning robots, who have taken over many of the jobs humans once did. Thompson is Ramsay's new partner. She has tried other jobs, including computer programmer, but none of them worked out. She is pretty but capable. On their first assignment together, Ramsay and Thompson must take a helicopter to a farm where pest-control robots are out of control. They are able to successfully capture the robots. On their second assignment, Ramsay and Thompson go to the house of a man named Johnson whose household robot has killed two people. A 10-month-old baby is alone and crying. TV crews are on the scene and Ramsay must discourage them, but one cameraman insists on going inside and gets killed before Ramsay can bring the robot under control. Johnson comes home and is very concerned about the baby but disappears before Ramsay can rescue the baby. A suspicious looking man is watching everything. Ramsay goes home to Bobby and Lois, the robot who takes care of the house and Bobby. Bobby, who should be in bed, is very excited about what he has just seen happen on TV, and he likes Thompson, who is already showing signs of being a partner to Ramsay in more than one way. Lois makes sure Bobby goes to bed and asks if Thompson needs to be entered into her list of information, which of course she does. On another day, Ramsay and Thompson go out on another assignment, this one a tall building under construction where a robot is throwing items off the building. Ramsay gives this job to Thompson and he stays on the ground. Johnson is discovered staying in a hotel room, and Ramsay and Thompson go to pick him up. Johnson fears for his life, with good reason. His company developed a new technology that someone called Dr. Luther wants to use to commit crimes. Just before Ramsay can take Johnson to the station, he takes off running and Ramsay chases him. Dr. Luther joins the chase and starts firing bullets at Johnson, only these are not ordinary bullets. They an go around corners and dodge obstacles and have the ability to track their target. After several attempts, Johnson is killed. Although it is not Ramsay's department, he continues to investigate the case and discovers Dr. Luther in a room at the Ritz hotel. There is gunfire and several officers are killed. TV crews are there as well. Despite his fear of heights, Ramsay must go to the roof to rescue a girl being held by Dr. Luther. Because of all the chaos and the deaths, and the fact it wasn't his department, Ramsay is reprimanded by his Chief. There is an incident at the company where Johnson worked, and secretary Jackie is being held prisoner by one of the robots. Ramsay rescues Jackie and destroys the robot in the process, which the security guard says wasn't necessary. Ramsay takes Jackie and offers her protection. She has the templates necessary for the chips needed for Dr. Luther's special bullets, and Dr. Luther still wants them. This leads to a car chase where special robots that can track Jackie start shooting. Eventually Ramsay and Jackie have to change cars; a robot is driving theirs and Thompson is in the other. As soon as the transfer is made the car they were in is blown up. At a nice restaurant with outdoor seating Dr. Luther demands Jackie be turned over to him. Jackie leaves part of what he wants behind as insurance, but he kills her when he realizes he doesn't have everything. Dr. Luther escapes and ends up at Ramsay's precinct dressed as a cop, and no one notices. He has an eyeball which is capable of passing a retinal scan that is required to sign in to Ramsay's computer. Ramsay later sees information about him on the screen, and he knows someone knows where he lives. He goes home and discovers Lois seriously damaged and Bobby missing. After fixing Lois, Ramsay goes to a tall building under construction where Bobby is being held. After going up in the elevator, Ramsay demands Bobby be released and then hands over the templates. Dr. Luthor explains that as soon as Bobby gets off the elevator, robots called spiders will kill him because there can be no witnesses. Thompson has followed Ramsay and rescues Bobby before anything can happen to him, but Ramsay experiences a series of terrifying events before he can successfully trick Dr. Luther into the trap his set for Bobby, leading to Dr. Luther's death. At the end of the movie it is clear Ramsay and Thompson are romantic partners.

In this sequel to 'Saturday Night Fever, set six years after the events in the previous film, former disco king Anthony "Tony" Manero (John Travolta), now age 25, has left Brooklyn and is now living in Manhattan, staying in a flophouse hotel while he works as a dance instructor by day and as a waiter at a nightclub at night, looking for his big break in the modern dance productions on Broadway. His breakaway from his Brooklyn life, dysfunctional family and friends seems to have matured Tony and refined his personality, specifically represented by his diminished Brooklyn accent and his avoidance of alcohol and swear words. But certain attitudes haven't changed, which include his womanizing skills. Tony is currently dating the forgiving fellow dance teacher Jackie (Cynthia Rhodes). He holds a double standard whereby he feels at liberty to see other women, but becomes jealous if he finds Jackie even talking with other men. Although he is envious of Jackie's modest success, Tony is baffled by her lack of ambition and tells her of his dreams of stardom. One evening, Tony attends the final performance of Jackie's latest Broadway show, and becomes entranced by Laura (Finola Hughes), the lead dancer. He flirts with Laura and she invites him to audition for her next show, 'Satan's Alley'. Jackie waits for Tony outside the theater and is angered by his interest in Laura. Both Tony and Jackie attend the audition, and while Jackie is hired immediately, Tony is told that he will be notified by telephone. Tony seduces and spends the night with Laura, but it becomes clear that Laura only intended to be involved with him for one night. She even implies that Tony used her in order to get a dance role in her latest show. The following day, Tony receives word that he passed the audition, and telephones his mother in Brooklyn, New York, to share the news. That night, he breaks a date with Jackie to wait for Laura outside her apartment building. However, he sees Laura in the company of another man, and is overcome with jealousy. As rehearsals begin for Satan's Alley, Tony berates Laura for her casual attitude toward their relationship. Tony feels used by her. She coldly dubs their relationship a mere one-night stand and justifies this by saying, "Everybody uses everybody." His attitude surprises her as she believes they were merely using each other. Jackie is unhappy by Tony breaking several promises to meet with her. Jackie is also the vocalist of a local band and, unable to trust Tony, instead presumably begins a relationship with the band's rhythm guitarist (Frank Stallone), further upsetting Tony after his conflict with Laura. Jackie, Tony, and Laura all try out for "Satan's Alley". Later, Tony ignores another date with Jackie to attend a cocktail party at Laura's apartment, but is disappointed to discover that Laura's companion for the evening is Jesse, her director. Although Jackie is in love with Tony, she can no longer tolerate his infidelity. She ends their romance, but promises to remain friends. Here, the news of the casting arrives. The others land small parts in the show while Laura is once again cast as the lead female dancer. Jackie, sick of being considered second best in Tony's eyes, finally leaves him. Tony realizes how cruel he has been to her. Tony leaves the party and walks all the way from Manhattan to his old neighborhood in Brooklyn in the middle of the night, he also walks past his former Saturday night hangout, The 2001 Odyssey Discothèque, realizing it's now an all-night gay nightclub for men. He visits his old house and meets his mother (Julie Bovasso), whom is now single since Tony's angry and unemployed father left her three or four years earlier. Tony apologizes to his mother for his selfish ways when he was young. She tells him it was the selfishness that got him out of the dead-end life in Brooklyn. Feeling better after this, Tony heads back to Manhattan to make things right with Jackie. He and the snobby Laura remain distant and hostile as the production progresses. Later, during a rehearsal, Tony notices Jesse's frustration with Butler, Laura's leading man, whose rigid dance style is poorly suited to the material. Tony begs Jackie to meet him at the studio after rehearsal, with the promise that he will keep the appointment. When Jackie returns to the studio, Tony reveals his intention to replace the leading man, and enlists Jackie's help in learning one of Butler's routines. Afterward, as Tony walks Jackie home, he declares his love for her and promises to be faithful. In the morning, Jesse agrees to let Tony demonstrate the routine, despite Laura's protests. Following an awkward first attempt, Tony runs toward the exit, but Jesse reminds him of the rare opportunity he has been given, and advises Tony to balance his arrogance with humility. Tony is allowed another chance, and after giving a flawless performance, he wins the lead role. Mrs. Manero attends the opening performance, bragging about her son to audience members. At the end of the first act, Tony taunts Laura by kissing her, and Jesse warns Tony not to bring his personal issues onstage. Following the second act, Laura asks Tony to meet her after the show, but when he declines, she insults his dancing ability. Tony proves himself in the third act by performing an unscripted solo routine, ending with a leap onto a pedestal at center stage. He beckons Laura to join him, then holds her aloft with one hand as the audience responds with a standing ovation. After the show, Tony apologizes to Jackie and the two get back together. Laura looks on enviously as Tony and Jackie kiss, but seems to accept her defeat. Following his renewed relationship with Jackie, Tony exits by the stage door to "strut" in celebration, reminiscent of the opening scene of 'Saturday Night Fever' as he walks alone through nighttime Times Square, beaming with newfound self-confidence.