Darshan Aulakh

Babli (Ranbir Kapoor) is a street smart car mechanic living in a Delhi orphanage. He is charming and lives life to the fullest. He also steals cars to support his orphanage. He has no sense of right or wrong till he unwittingly hurts the love of his life, Tara (Pallavi Sharda) and is chased by cop couple Chulbul Chautala (Rishi Kapoor) and Bulbul Chautala ( Neetu Kapoor). Babli realizes that there is no right way of doing the wrong thing. Babli sets out to fix all the wrongs in his life and he continues to be shameless about it

`Ajj De Ranjhe` is a satirical take on the state of the youth and the law and order system in Punjab. The film follows the journey of an unemployed youngster Ambar (Aman Dhaliwal) and a rookie cop, Manjeet (Gurpreet Ghuggi). While Ambar hopes to make it as a TV journalist like his idol and romantic interest, Kranti (Gurleen Chopra), Ghuggi is a dedicated cop, committed to sort matters at his police station and bring a known local criminal, Soocha Singh (Deep Dhillon) and his son to justice. On their quest both Manjeet & Ambar encounter hilarious situations, involving their romantic interests, families, the villagers and even gangsters. Their paths cross at various points as the story progresses and they eventually become a formidable team ready to take on the system. Whether this unlikely duo succeeds in achieving their individual goals, forms the rest of the story.

Mitti Wajaan Maardi revolves around Punjabis who go abroad and settle their in search of better future. But they find themselves trapped in circumstances and unable to return to their homeland. It centers on a Punjabi guy called Surjit Singh who travels to America. He goes away without his wife and his two year old daughter. He doesnt find it any easier even then. He has to remarry and snap all his ties with his family back in Punjab. After some time Surjit settles down in California and goes on to become a rich landlord. He has a son Varyam from his second marriage. But he has hidden this truth from his son. Surjit unfortunately has few days remaining to live due to unexpected change of fate. So he musters up all the courage and reveals his past to Varyam. Surjits last dying wish is to unite his family so that his first wife will perform last rites. Will Varyams stepmother accept his request?

The film is set in 1947. The exodus has begun after Partition. A Sikh ex-military man in his thirties finds a 16-year-old Muslim girl alone in a nearby village and brings her home. But the villagers tell him he should either marry her or leave her in a camp where people bound for Pakistan are located. But he decides that since he's far older, he'd better leave her at the camp. As he is about to send her off with a man bound for the camp and who is prepared to marry her there, she asks Buta Singh if he is so poor that he cannot even feed her two Rotis per day to keep her alive. Whereupon Buta Singh decides to marry her. They have a baby girl. And Buta is pretty happy that despite being overage, matrimonially speaking, he's leading a pleasant life. Others of his class usually had to actually buy women from Uttar Pradesh and Bihar whom they married. A jealous uncle who realizes the family property will now go to the Muslim girl, forcibly dumps Buta's wife into a truck bound for Pakistan. Buta realizes what has happened, sells all his land and goes along with his child to Pakistan illegally. He's quickly arrested and brought before a judge who's quite willing to free him if his wife owns up. But, under pressure from her family, the girl backs off. A disillusioned and distraught Buta jumps with his daughter before an oncoming train. He dies, but his daughter is saved. Pakistani youth, overcome by this, hail him thus: Shaheed-e-Mohabat (a martyr in the cause of love), erect a memorial and a trust in his name. —Jalwehra