Dee Wallace

The future of a family is plunged into uncertainty upon relocation from America to England, as the tense isolation of their new home affects them differently.

A couple fleeing the mob hides at a desert restaurant called Nautilus, only to get entangled with a family whose insanity makes them reconsider if the mob might be the lesser evil. A desperate young couple, on the run from the mob, drop anchor at a remote rundown restaurant in the middle of the desert named the Nautilus. At first, it seems like a great place to hideout but soon they find themselves smack dab in the center of a family that gives a whole new definition to the word crazy and makes them think that maybe they'd be better off with the mob. —Dana Savage

Important note - There is a Theatrical version and a Director's Cut of the movie. The Director's cut runs 14 minutes longer and this synopsis caters for both versions. A thunderstorm filled, rainy night in the small town of Fairwater. A woman called Patricia Bradley (Dee Wallace) is been chased by a mysterious entity around the old-looking house in which she lives with her mother (Julianna Mcarthy). Patricia is screaming and fearing for her life. Her mother appears from her bedroom with a pump action shotgun and shoots the mysterious figure as its shape appears through the carpet at the top of the stairs. Some of the residents of Fairwater are gathering for a funeral in the community as the local newspaper editor Magda Rees Jones (Elizabeth Hawthorne) and her assistant are reporting the story of another seemingly innocent death amongst the residents. Psychic investigator Frank Bannister (Michael Andrew Fox) arrives at the funeral trying desperately to advertise his services. As he leaves in his wrecked and dirty looking Volkswagen, his reckless driving causes him to nearly hit an on-coming truck. As he swerves to miss it, he crashes straight through a garden fence. Ray Lynskey (Peter Dobson) comes out of his house infuriated and threatens to sue him for the damages. Frank gives him his business card and drives off after deliberately driving over one of Ray's garden gnomes. On the other side of town Ray's wife Doctor Lucy Lynskey (Trini Alvarado), visits the Bradley house to treat Patricia's cuts. She bandages her hand and tells her that she needs to take her to hospital but her mother (Julianna McCarthy) refuses to let her go. She tells her that she never leaves the house and to just give her some antibiotics. Lucy notices how timid and fragile Patricia is and as she gets ready to leave, she notices some bruising around her neck. Patricia's mother rushes Lucy out of the house and tells her that her daughter is not to be trusted. She was involved in cold-blooded murder. Becoming intrigued by Patricia's history, Lucy watches a documentary about the notorious serial killer Johnny Bartlett (Jake Busey). "In the space of 27 blood-soaked minutes, 12 innocent people gunned down by hospital orderly John Charles Bartlett. Patients, medical staff, visitors, no one was spared in this madman's rampage through Fairwater Sanatorium.Not even the hospital chapel provided sanctuary,as those in prayer were gunned down on their knees. A seemingly senseless crime, Bartlett's motive remains a mystery to this day. Six years earlier Charles Starkweather had murdered 11 people in a Nebraska killing spree". The black and white footage shows the horrific scenes at the hospital of the victims and the families, as well as the footage of Bartlett being escorted to court by the police boasting about his disgusting act. "Fifteen year-old Patricia Ann Bradley, daughter of the hospital administrator, was also implicated in the killings. She was madly in love with the psychopath Bartlett. 2,200 volts of electricity ended the life of Johnny Bartlett, the unrepented killer. As they threw the switch he was heard to scream: I got me a score of twelve. Beat that!" In what some consider a miscarriage of justice, Patricia Ann Bradley was sentenced to life imprisonment although it was never proven that she actively participated in the killings. Five years ago, Patricia Bradley was granted a conditional release by the State Governor. Today she lives a reclusive life back in the family home".... Ray gets sick of listening to it and switches off the TV. He joins Lucy on the bed. (Director's cut) He tells her that he's booked their most favorite table at the Excalibur themed restaurant for their wedding anniversary. He starts to kiss her ,but he sees Frank's card that he's positive he tore up and the bed starts rocking and shaking with Lucy on it. It hovers up in the air as the couple panic. Objects start flying everywhere in the kitchen. Lucy calls Frank and he arrives to rid the house of the supernatural. Instead of charging the couple,he offers to do it in return for not having to pay for the damaged fence.Ray reluctantly agrees and Frank uses his "equipment" to capture the spooks and pours them down the sink. As he is packing his stuff up,he is shocked to see a glowing number 37 on Ray's forehead. Lucy cannot see this and Ray kicks Frank out of the house. Frank arrives at his home to his half-built house that he hasn't finished working on. As he gets out of is car,a spirit exits the trunk - a young, 1950's nerd called Stuart (Jim Fyfe), followed by a 1970's, afro-haired ghost called Cyrus (Chi Mcbride). The ghosts are Frank's associates who help him con the local residents by haunting their homes, so that Frank can step in and reap the rewards. While Stuart is just about to join them in the house, Frank closes the door and he gets stuck because his ectoplasm has become too stiff. Frank asks them if they had anything to do with the glowing number appearing on Ray's head but the spirits don't know what he's talking about. (Director's cut) Cyrus helps pull Stuart through the door. The pair of them moan about Frank took their helps as granted and had not giving them enough respect.The next morning,Frank is having a shower and Cyrus pops his head up through the plughole and tells him that he and Stuart want a business meeting in the kitchen. Cyrus and Stuart are talking to Frank in the kitchen about how he doesn't appreciate their loyal service. As they are talking, gunshots go off, as another spirit, a judge from the 1800's (John Astin) enters the room trying to shoot the ghost dog Rhustler as he gnaws on his jawbone. Frank gets his jaw back and tells him to put his guns away. (Director's cut) Frank cuts some wood off from the roof of his house for his fireplace. He sits looking through the newspaper, trying to find people that have recently lost family, while The Judge contemplates going off into the graveyard to rest his decrepit body. Frank tells him he needs him his help in order to finish his house but The Judge tells him to stop with his scheming ways and to stop using death to make a living. (Director's cut) Frank walks out of the living room and is horrified to see a Grim Reaper figure moving down the stairs towards him. The figure moves in close to him but it is only Cyrus and Stuart underneath a cape. They tell him they are trying to figure out different ways to scare people but Frank isn't amused and walks off angry. The next morning Frank receives a letter from his bank informing him that he owes $16,000 dollars. He needs some money fast and he calls the spirits for a meeting demanding that they up their antics to really frighten people. Cyrus and Stuart arrive at a rich woman's house and start causing fear by picking up the resident's babies and scaring the mother and her maid as they see the babies hovering through the air. Again they leave one of Frank's business cards. Frank gets the phone call and sets off. (Director's cut) Frank is trying to drive to the house as fast as he can but he keeps getting stuck in traffic because the roads are blocked with funeral cars. The Judge is sat in the passenger's seat and tells him that there is something very sinister dawning over Fairwater. But Frank isn't interested in what he's saying.He impatiently and recklessly pulls out into the line of funeral cars and dodges around the traffic. He pulls up outside the house and tells Judge to wait for him. Frank walks into the house and attempts to pull off his scheme but the woman is not interested. She has in her hand the local newspaper which shows a picture of Frank with the headline "Local conman haunts cemetery". Frank is angry. He confronts Magda Rees Jones at the local Gazette about printing the story but she tells him he is a parasite who makes money off of the bereaved and she has every right to let people know about him. He leaves and he sees that another funeral is taking place.He sees Lucy in one of the cars crying. As he walks off down the street he is shocked to see Ray running towards him. But not in human form. Ray is now dead. His spirit runs straight into him. Ray is panicking and can't understand how he's died so young and fit. He tells Frank that just before he died he felt his heart been crushed while he was working out. Frank tries to explain the rules of the afterlife to him. Ray asks Frank to give him a ride to his funeral. (Director's cut) As Frank pulls up to the graveyard in his car, Ray (not yet used to being a spirit) has trouble grabbing hold of the door handle to get out. Frank pushes him through the car door and he lands on the ground. They walk through the graveyard and Ray is petrified as he witnesses many spirits roaming the grounds. Drill Sergeant Hiles (R.Lee Ermey), the watchful spirit of the other ghosts, walks out of his tomb and orders the ghosts to get back in their graves. Frank knows there will be trouble. He tells Ray to go on ahead while he talks to the angry sergeant. The two have a fight but with Hiles's supernatural abilities, Frank has no chance.While Hiles shouts to tell the inhbitants of the graveyard who's in charge, Frank goes off to join Ray at his funeral. As Ray becomes very emotional at his tragic death, he falls into the grave as he tries to put his arms around Lucy. He is horrified as he lays on top of his own corpse. As the mourners start to leave the graveside,sheriff Walt Perry (Troy Evans) arrives to talk to Frank. Apart from Lucy, he was the last person to see Ray alive and he wants to know what condition he seemed to be in when he saw him. He says that the FBI are becoming very concerned about the amount of deaths that are happening in the town - many of the victims are healthy and have clean arteries when the autopsy has taken place but their hearts look as though they have been squeezed. Frank tries to get rid of Walt by pretending that he wants to pay his respects to Ray, in order to pull Ray's spirit out of his grave. Walt is alarmed to see Frank physically grappling with thin air and seemingly talking to nothing. As Frank and Ray get ready to leave, an emotional Lucy approaches and tells Frank that she believes in his paranormal gifts. He tells her that he has in fact communicated with Ray. Frank has dinner with Lucy and the deceased Ray at the Excalibur themed restaurant and acts as a communicator between the two of them. But Ray becomes increasingly frustrated as his wife seems to start bonding with Frank throughout the evening. She asks him why he can see spirits and Frank tells her that he was in a car accident five years earlier and sometimes a traumatic experience can alter a person's perception. Lucy opens up too. She tells Frank that her and Ray's marriage was not a happy one and just as Frank tries to console her by grabbing her hand, Ray angrily knocks over a glass of wine into Frank's lap. Thrilled that he can now use make physical contact with the real world, Ray threatens Frank and disappears. Frank goes to the bathroom to dry his trousers. A man enters and Frank is shocked to once again see a glowing number on the man's head reading 38. Frank becomes increasingly edgy as he sees The Grim Reaper figure appear and kill the man by reaching into his chest and squeezing his heart. The man's corpse drops to the floor and Frank watches as the gateway to Heaven opens up and the man's spirit goes off to the other side. Frank rushes out of the restaurant and pursues The Reaper. Lucy is escorted to the Sheriff's office by one of Sheriff Perry's deputies as a witness to the situation. Walt is told that witnesses saw Frank rushing out of the restaurant before the dead man was found. He tells his men to bring Frank in. Frank chases the Reaper in his car with Stuart, Cyrus and The Judge. He tries his best to kill it but his car just goes straight through the caped figure and it once again eludes him. FBI agent Milton Dammers (Jeffrey Combs) arrives at the Sheriff's office to meet Walt and Lucy. He believes that Frank is behind the killings. He tells them about the incident that happened five years earlier when Frank and his wife had the car crash. They discovered that Debra's dead body was found 15 yards from the car with a number 13 carved in her forehead and after the body was found, Frank was picked up wandering the forest claiming to have no recollection of the incident. Frank tracks down The Reaper at the museum where the 39th life has been taken. Frank sees on Magda Reese-Jones's forehead a number 40 glowing. She is going to be the next target. He tries to warn her but two deputy sheriffs arrive to arrest him. The Reaper appears but the officers have their guns pointed at Frank. The Judge appears and shoots The Reaper and it disappears. Cyrus and Stuart start to make people scared in the museum in order to cause a diversion for Frank to get away. In the commotion, Frank punches Magda and knocks her out, in order to carry her out to his car to safety. He drives away but The Reaper is in pursuit and forces Frank to crash his car in the vicinity where Debra died years earlier. Magda crawls from the car trying to escape from Frank who she believes to be psychotic. Frank tries to get her to listen to him but he is dazed and confused as the Reaper plunges towards her and crushes her heart. Frank jumps towards it but it disappears again and he is lying face down on her corpse. The gateway to Heaven opens and Magda's spirit jumps from her body and accuses of Frank of being a sick murderer who is responsible for her and his wife's death. Frank arrives at the sheriff's office and tells them what has happened. When Walt asks him if he had anything to do with Magda's death, he doesn't answer and he is arrested on suspicion of murder. Lucy doesn't believe it and storms out as Frank is taken through to the interrogation room followed by Dammers. (Director's cut) Lucy goes out to her car and sits inside trying to get her head around things. Ray appears on the back seat - his spirit now decaying from dripping ectoplasm. Dammers and Walt are sat in the interrogation room with Frank who looks demoralized. Dammers calls him a dangerous man but Walt refuses to believe that Frank is behind the murders. Dammers uses his power of authority to tell Walt to get out of the room while he questions Frank. Frank tells Dammers that he is not a murderer and that he can communicate with the other side. He has seen the figure of Death killing people by reaching into their chests but Dammers doesn't believe any of it and believes Frank to be responsible for the crimes. (Director's cut) Cyrus and Stuart walk into the sheriff's and start to walk through the walls of the cells to find Frank. They eventually get to his cell and try to talk to him but Frank is silent. Cyrus tells Stuart that he can't even see them anymore. He's so traumatised he's stopped believing. Dammers looks through the narrow opening of the prison door observing Frank. He tells the deputy that he doesn't even expect him to make it until the trial. He's expecting him to commit suicide. Lucy goes to Frank's house to see if she can find any evidence to clear his name. As she wanders around, Ray is looking too. (Director's cut) Ray sees on the fridge some labels describing the layout of his and Lucy's house. He realises that Frank was using his psychic abilities to con them. One of the sticky labels gets stuck to his fingers.He tries to shake it off and as he does, Lucy sees it floating towards the back garden in the wind. She walks outside and sees a nice looking garden, which Frank has made in memory of his wife in place of the basketball court. The phone rings and the answering machine picks up the message. It's Old Mrs.Bradley trying to tell Frank about her fears for her daughter Patricia. Lucy believes the mother to be dangerous and after hearing her message, heads over to their house. She hides in the bushes outside as the old lady walks out to get rid of the garbage bags. She sneaks inside, looking for Patricia. Ray walks to the house and because of his abilities the house transforms into a weird shape from his point of view. He can sense there is danger lurking inside. Patricia is at the top of the stairs and tells Lucy they need to hide. As her mother walks back in, the two of them rush into her bedroom. Lucy tells Patricia that she needs to get away and start a new life for herself. She sees an urn on the side. They are Patricia's father's ashes. He had killed himself after discovering that Patricia had been involved with a serial killer. She hears her mum coming up the stairs and tells Lucy to hide in the wardrobe. She just gets inside as her mother enters. Patricia offers to make her a cup of tea and they walk out. Lucy finds a Stanley knife in the wardrobe with the initials F.B. She realises that it's Frank's that Dammers had told her had gone missing after Debra's death. Lucy slowly walks down the stairs to sneak out. The Urn starts to glow and a figure appears in the wall behind Lucy trying to sneak up. Lucy, oblivious to the threat, rushes out of the house as Ray walks in to try and protect her. His face is sliced off by the figure's hand and as Lucy gets into her car, Ray's deformed spirit is tossed onto the hood of the car. Lucy goes to see Frank in his cell and tells him that Old Mrs. Bradley must be responsible for Debra's death. She's found his knife in her bedroom and she's crazy enough to do something like that. Frank is still in a quiet, depressed state. He hugs Lucy and he sees Cyrus and Stuart enter the room. But as he looks Lucy in the face, the number 41 glows on her forehead. He realises she is the next victim. The Reaper appears through the cell door and tries to kill her. With the help of Stuart and Cyrus, he tries to protect her in the confines of the cell. Lucy shouts for the deputy to come and unlock the door. Stuart is dissolved by the Reaper's sythe. As Frank hears the cell door unlock, he kicks the door into the deputy's head and knocks him out, so that he can escape with Lucy. Dammers walks around the corner and draws his gun. Lucy rushes up to him and tells him that Frank is crazy, as Cyrus battles the Reaper. Lucy uses a fire extinguisher to spray at Dammers to protect Frank. Cyrus's soul is taken by the Reaper and Frank takes Dammers's gun and runs out of the precinct with Lucy. He tells her that he must kill himself in order to become a spirit and protect her. He is ready to put a bullet in his head, but she tells him not to and instead helps him have a near death experience by means of hypothermia and using barbiturates to slow his heart rate. At the medical centre, Frank goes to sit in the cryogenics room and waits to slowly die as Lucy gets the equipment prepared to revive him within several minutes. But Dammers appears in the room armed with an uzi machine gun. He thinks Frank deserves to die for his supposed crimes and abducts Lucy to stop her from reviving him. Frank's spirit emerges from his dead body and the gateway to Heaven opens for him but he walks away to try and find Lucy. Dammers handcuffs Lucy in the back of one of the sheriff's cars and drives off. Frank pursues them. As he tries to get used to his abilities, he sees he Reaper rapidly jumping and flying through the town to try and approach Lucy in the car. Just as the Reaper launches onto the roof of the car, Frank flies down and knocks it onto the road. A car zooms down the road and crashes into Frank and smashes him into tiny pieces of ectoplasm. The Reaper approaches him with his scythe as Frank's spirit moulds back together. A truck approaches and rams straight into the Reaper and it is taken down the road clinging onto the front of the vehicle. Dammers takes Lucy to the graveyard and parks the car up. She desperately wants to get back to the medical centre to revive Frank's body but he tells her that he is not going to return her for several hours until there's no chance of Frank coming back. She shouts at him and he starts to freak out again. (Director's cut) As he tries to cover his ears with his hands, Lucy notices one of his wrists the swastika sign. He tells her that he was undercover with the Manson family for six months disguised as a hippy and he was used as the family's sex slave. He gets out of the car and walks several yards away and stands in front of the car breathing nervously and uncontrollably. He opens up his shirt and reveals his deeply scarred body. (Director's cut) He starts to reveal to her his experiences in the many bizarre undercover assignments over the years that he has been part of. All of the weird cults and sects he has had to be involved in, including drinking goat's blood. He says that he has suffered for his country. He says that the pain he has suffered in the different religious groups has its rewards and tries to prove that he has some psychic sensibilities. He and Lucy are both shocked as the car engine starts up. The gear stick and steering wheel move and Lucy knows that it's Frank. Frank starts to reverse the car away from Dammers as Dammers chases after it. Sergeant Hiles reaches in through the car window to grab Frank and throws him to the ground. The car crashes into a sarcophagus and coffins fall out. The Reaper approaches and slices Hiles in half with its scythe. Frank uses the sergeant's machine guns to shoot it. Lucy gets out of the car to get into the driver's seat and Dammers jumps out to grab her.She uses the skull from a skeleton to hit him and quickly gets in the car and drives off. While Dammers chases after her, Frank rips the Reaper apart with the bullets and turns it into pieces ectoplasm. He grabs the face of the Reaper and as he slams it down onto a grave a few times, the face gradually morphs into a human face and reveals itself to be Johnny Bartlett. He has returned from beyond the grave to continue his killing spree. Spirits start wandering around in the vicinity, all of who appear to be Johnny's victims satisfied that their deaths have been avenged. A spirit with the number 1 carved in his head approaches Frank and tells him he was a doctor and the first of the victims. He thanks Frank for what he's done. But while Frank is distracted, the pieces of Johnny's ectoplasm start to drip down into a tomb and gradually morph back together. Frank dives down into the ground and wrestles with him. He picks up the scythe and as he brings down the handle onto the ectoplasmic figure, Johnny's full human formed spirit is revealed. Frank is just about to destroy him with the scythe but Lucy revives his body with chest plates. He wakes up panting for breath. He tells her that Johnny's back and that she needs to go and get Patricia out of the house and save her from him. Lucy arrives at the house but her mother tells her that there's no way her daughter is going anywhere. Lucy confronts her about Frank's knife in her closet and the old lady angrily storms off upstairs. Patricia runs up after her. Lucy waits in the living room and moments later, Patricia comes back down and says that her mother is going with them. Lucy tells Patricia that Johnny's ghost has returned and is on the loose. She tells Lucy she knows and that his spirit often visits her. As Lucy stands in the doorway of the living room, Johnny appears behind her threatening to kill her. He says that she and Frank have been causing a lot of problems. Patricia goes to the kitchen and Johnny points to the knives on the wall. He wants to watch her kill Lucy. (Director's cut) Patricia repeatedly stabs the knife through Johnny's torso as they both laugh and become increasingly excited by it, almost in an arousing way. Lucy goes upstairs to see if Mrs Bradley is going with them. She sees her bedroom door open a jar and when she opens it she is horrified to see the old lady's dead body spread out on the bed covered in blood. Patricia pops up behind her and tries to stab her. Lucy tries to shut the door and the blade of the knife goes into it. Lucy punches her and they both grapple to the floor. Lucy gets up and runs out of the door, after she gets the key out of the lock and locks it from the outside. She sits on the landing stairs trying to get over the shock but bullets start exploding through the door. Patricia has got hold of her mother's pump action shotgun. Lucy tries to run down the stairs but Johnny's figure appears from under he rug and tries to strangle her. Frank arrives in time to save Lucy. He grabs hold of the rug and throws Johnny off of the landing. Patricia gets out of the bedroom firing at them maniacally. Frank and Lucy get into Patricia's bedroom and Johnny appears in the room through the portrait of her father. He tries to kill Lucy once again but Frank smashes the portrait onto the bed post and Johnny's spirit cries out as he is sucked into the urn on the bedside table. Frank puts the lid on and sees Johnny's name on the urn. He tells Lucy that they need to get to a chapel and get the ashes to the "other side". Realising that there's a chapel in the old psychiatric (now derelict) hospital, which is located just behind the Bradley house, the pair head off there on foot. They make their way into the murky looking building and walk through the hallways looking for the chapel. Patricia follows them armed. As Frank looks around, he starts to have psychic episodes where he is able to see the events that transpired on the fateful day when Johnny and Patricia went on their killing spree. He sees Johnny pushing a trolley around and he uncovers a gun and blows away the doctor who thanked Frank in the graveyard. He sees the teenage Patricia walking around with a knife ready to carve into the victims' foreheads. Through his flashbacks, Frank hears one of the doctors say that the chapel is on the fourth floor. Still believing Frank to be the murderer, Dammers enters the hospital. Frank and Lucy are forced to split up when Patricia appears in the hallways and starts shooting at them both again. Lucy has the urn but Dammers gets hold of her and throws her head into the wall. Lucy punches him and gets away from him and manages to get into the elevator before he can reach her. She starts going up to the fourth floor but it breaks down. Frank is still running upstairs and comes across the chapel. He hears Lucy cry. He tries to pry the elevator door open to no avail but she manages to pass him the urn through the door to take to the chapel. Frank puts the urn down to smash the door in but as he turns around he bumps into a statue of the Virgin Mary and it falls onto the table and sends the urn flying to the other side of the hall. Dammers catches it. Frank angrily and desperately asks for it back but Dammers opens it and releases Johnny's ashes. His spirit laughs as the dust breezes away. Frank picks up a metal bar ready to give Dammers a beating but Dammers pulls out a machine gun and shoots him in the arm. Facing away from him and holding his bloody arm, Frank sees Patricia walk around the corner in the distance ready to shoot him with the shotgun. Dammers orders him to turn around. Frank does and falls backwards as Patricia fires and the bullet blows Dammers's head off. Frank crashes through four wooden floors down onto the ground floor. Patricia starts to shoot at Lucy in the elevator. She avoids the bullets,and the elevator starts automatically going again. Bloodied, bruised and half unconscious, Frank starts to crawl along the floor of the vivisection room. (Director's cut) In his psychic flashbacks, Frank sees Johnny chasing the teenage Patricia around dead bodies as she screams "please don't hurt me". As they have a playful game of chase, covered in blood. He grabs her and they start making out on the coroner's trolley. Lucy makes it to the ground floor and rushes to Frank. But Frank is nearly unconscious. Patricia appears behind her and hits her over the head with the butt of the gun. Frank flashes back to the moment when his wife Debra died and he finally remembers exactly what happened in that moment. He sees The Reaper transform into Johnny as he's stood over his wife's body and Patricia is holding his Stanley knife. Patricia points the shotgun at Frank, ready to kill him but she is out of bullets. She kicks him and lifts him up off of the floor with the gun around his neck. Lucy tries to help but Johnny is pinning her down. Frank struggles with Patricia but Patricia has the advantage and she strangles him to death. Frank's dead body drops to the floor, as Lucy cries out. Johnny excitedly waits for Patricia to take Lucy's life as well. She picks up an axe from the vivisection area ready but Frank's spirit jumps out at her and rips Patricia's spirit from her body and takes her through the tunnel to the "other side". Johnny chases him up through the tunnel of light, and as they get half way through, he manages to pull her away from Frank's grasp. Frank carries on floating towards Heaven, as Johnny and Patricia stay hovering in the middle of the tunnel. He shouts to Frank that they're returning to Earth to get some more victims. Frank is just about to leap down after them but a voice stops him. It's Cyrus with Stuart. Frank looks down at Johnny and Patricia as their laughing turns to fear and panic. The spiritual looking, electric like portal gradually turns into the inside of a huge worm, with dozens and dozens of smaller worms wrapping themselves around them,strangling them and gouging out their eyes. The huge worm swallows them up and takes them down into the burning flames of Hell. Frank watches in disbelief and turns around to have a look around Heaven. Cyrus and Stuart tell him that it's really something. Frank sees his wife Debra approach him smiling. She tells him it's time to go home. The higher powers have said that it's not his time to die yet. Cyrus pushes him and he starts to float along the clouds. He wakes up in the derelict hospital in Lucy's arms. He demolishes his old house in order to start a new life with Lucy. Walt pulls up and tells Frank that the investigation is over. They found a stash of Ouija boards at the house and Patricia was using them to bring Johnny back from the dead. Her mother was trying to do her best to keep her sedated but there was no chance of her stopping Johnny. As Walt gets into his car and drives off, Frank sees the ghost of Dammers in the back seat. To his surprise Lucy can see him as well. She says to Frank "sometimes when you've had a traumatic experience it can alter your perception". Then Lucy uses a blanket to imitate the Reaper and laughingly chases Frank as the movie ends.

A group of small but vicious alien creatures called Crites escape from an alien prison transport vessel and land near a small farm town on earth, pursued by two shape-shifting bounty hunters. A massive ball of furry creatures from another world eat their way through a small mid-western town followed by intergalactic bounty hunters opposed only by militant townspeople. —Keith Loh <loh@sfu.ca> A Kansas farm is attacked by a hoard of hungry flesh-eating monsters from outer-space with razor sharp teeth and a witty attitude! The family who inhabit the farm must seek the help of a local drunk and his critter-fighting bounty hunting pals before its too late... —Joe Collins

Donna Trenton (Dee Wallace) is a frustrated housewife whose life is in turmoil after her husband Vic learns about her having an affair. Brett Camber (Billy Jacoby) is a young boy and a son of a mechanic, Joe, (Ed Lauter) whose only companion is a St. Bernard named "Cujo." While chasing a rabbit into a cave, Cujo is bitten by a bat with rabies and his behavior begins to change. While the dog begins to succumb to the disease, Brett and his mother leave for Connecticut to visit his mother's sister, using money from a lottery won by Mrs. Camber. When Donna and her young son, Tad (Danny Pintauro), drive out to the home where Cujo and the Cambers live, in order to fix Donna's car, the once-gentle Cujo, now driven mad by the disease, attack the Cambers' neighbor, Gary Parvier (Mills Watson). Gary engages the dog in a fight and drives it off briefly, retreating to his home. He tries to arm himself with a shotgun, but as he searches for the shells Cujo enters through a back door and attacks him again. A wild struggle follows in the front of Gary's house, and eventually he is overpowered and killed by Cujo. Joe Camber, after heading down to Gary's, looks for Gary but doesn't find him. He does find blood on the porch and goes inside - and discovers Gary's body on the floor, his throat torn open. Joe goes to call the police but Cujo suddenly enters the house, and Joe immediately recognizes that their once-beloved family pet is now rabid - and a dangerous menace. While trying to defend himself, Camber unwittingly backs himself into a corner and Cujo attacks & kills him too. When Donna & Tad reach the Camber house, their Ford Pinto car's alternator dies. They are ambushed by Cujo while still in their vehicle, sending Tad into a panic. Donna and Tad are trapped inside the Pinto while the massive dog waits outside, attacking repeatedly, all while Vic is out of town on a business trip. Donna's repeated attempts to start the car are in vain and the 200-lb St. Bernard charges the car with each attempt. Vic returns home to find his house trashed - the result of vandalism by Steve Kemp (Christopher Stone), the man Donna had the affair with. He calls the Sheriff and tells him that he suspects Kemp is also responsible for the disappearance of Donna and Tad, having called the home repeatedly but gotten no answer. The Sheriff puts an alert out for Kemp's vehicle and Kemp is soon picked up. While he admits to trashing the house, Kemp denies having even seen Donna and Tad. The Sheriff believes him and when informed by Vic that Donna was taking the car to Joe Camber's for repairs, goes out to the Camber house to investigate. The hot sun makes the conditions nearly unbearable, but Donna knows that certain death awaits them outside. Donna decides that she must do something before they both die from either heatstroke or dehydration, but the dog could be anywhere, however, and attempts at escape are foiled by repeated attacks by the mad dog, who tries to get into the car. After speaking to Vic following the break-and-enter, the local Sheriff arrives at the house. As he approaches he is ambushed by Cujo before he can draw his weapon. The gun is knocked from the Sheriff's hand by Cujo and the fight carries on inside the barn. Eventually, the Sheriff, too, is knocked from a catwalk and killed by the massive dog. Donna decides that she must risk going outside to save Tad, but the dog jumps out from underneath the car and bites her in the leg, forcing her back into the car. Eventually, a badly wounded Donna makes an attempt to dash for the house but is attacked by Cujo, the only safety being the car. She spots a baseball bat at the base of a tall tree in the yard, and gets an idea. While Cujo is distracted by a ringing telephone, Donna gets out of the car and retrieves the baseball bat. Cujo turns around on the porch to face her and she challenges him. After a prolonged, brutal struggle between the desperate mother and the relentless animal, Donna takes advantage of a momentary distraction and beats Cujo with a baseball bat several times until the bat breaks off, leaving only a jagged handle. The dog jumps at her, only to land on the broken handle, impaling him. The dog stops moving, apparently dead. Donna pushes the dog off and uses the sheriff's revolver to break open the back window and retrieve Tad, as Cujo had broken all of the handles. Reaching the house, Donna revives her son, who had passed out due to the extreme heat and dehydration. Without warning, Cujo bursts through the kitchen window and uses the last of his strength to try to kill the two. Before he can attack, though, Donna pulls out the Sheriff's pistol and shoots Cujo at point-blank range, killing him instantly. Vic, arriving at the Camber home, sees the Pinto and the Sheriff's car, but no signs of Donna or Tad. Beginning to panic, he calls out for Donna, who joins her husband outside, carrying Tad, and the credits begin to roll.

Director Steven Spielberg`s Academy Award winning movie about the unforgettable journey of a lost alien and the children who befriend him.

Karen White (Dee Wallace) is a popular television anchorwoman. As the film opens, she is part of a sting operation intended to lead to the capture of a serial killer. The murderer, who has been dubbed "Eddie the Mangler" by the press, has developed an obsession with Karen, sending her messages and making phone calls to her. Under police surveillance, Karen agrees to meet with Eddie, much to the concern of her husband, Bill Neill (Christopher Stone). Wearing a hidden microphone, Karen makes her way to an appointed meeting place with Eddie, which turns out to be an adult bookstore. As instructed, she makes her way to the peepshow booths at the back and finds Eddie's booth. Meanwhile, Karen's wire transmitter has stopped functioning, and without her knowledge, she is cut off from the police. They frantically send out an all-points bulletin to track her down. As Karen talks with Eddie, she sits with her back to him and he does not allow her to turn around and look at him. His sexual obsession with her becomes clear, and something about Eddie seems to change. He tells Karen to turn around and she sees something about him that terrifies her. As she breaks away from Eddie, police arrive and fire rounds into the video booth, gunning down Eddie. Outside, reunited with Bill and her colleagues, Karen can remember nothing about what happened inside the booth. Although Karen makes an attempt to return to work after her encounter with Eddie, she finds she is unable to perform when it's time to go on the air, suffering an embarrassing breakdown during the live broadcast. In an endeavor to recover from her severe trauma, Karen visits her psychiatrist, Dr. George Waggner (Patrick Macnee). Waggner is also a well known author, and has written a popular psychology book that likens modern man to wild animals. Waggner decides to send Karen to the Colony, a rural retreat were select patients go to relax and participate into group therapy. Karen and Bill reach the Colony and discover that it is scenic, but the inhabitants are more than a little strange. The isolated forest location makes them feel cut off from the rest of the world, and Karen is disturbed by the strange howling that she hears at night. Karen befriends a woman named Donna (Margie Impert), and the two of them investigate strange animal noises one night to find a deer that's been torn to pieces by some other animal. Back in the city, Karen's colleagues Terry (Belinda Belaski) and Chris (Dennis Dugan), continue their investigation of "Eddie the Mangler". After finding out where Eddie used to be employed, they are able to locate his former apartment, covered in news clippings of his murders. They also find numerous sketches of people and places, one of them being a sketch of Karen. Terry plans on getting Dr. Waggner on board for a news piece she is developing, and Waggner seems surprised that Terry and Chris have uncovered Eddie's last name, which is Quist. Terry and Chris make the connection between Eddie and werewolves due to his drawings, which depict human beings transforming into animals. Investigating this as an angle to their story, they research the history of lycanthropy. A bookstore owner (Dick Miller) informs them about some elements of werewolf lore, including the fact that they cannot be killed by anything except fire or silver bullets. He even shows them a cache of real silver bullets that a customer ordered but never claimed. Following up on this information, Chris and Terry visit the morgue and ask to see Eddie's body, but it is mysteriously missing, and the door to the freezer compartment is severely damaged from the inside. Karen's group therapy sessions are not going well, as she becomes terrified every time she tries to remember what happened in the video booth. Her relationship with Bill is suffering as well, particularly their sex life. One of the Colony residents, a seductive woman named Marsha (Elisabeth Brooks), seems to have designs on Bill. Karen's new friend Donna says Marsha is a nymphomaniac, but Dr. Waggner says Marsha is simply misunderstood. Marsha seems to disagree with the doctor about his theories; she cares for a brother named T.C. (Don McLeod) who seems to be somewhat deficient, and she reacts with hostility when she finds him reading one of Waggner's books. Bill, who is a vegetarian, is pressured by the Colony men into going on a rabbit hunt with them, and he returns with a fresh kill. T.C. tells him to take it to Marsha and she will prepare it; Marsha instead tries putting the moves on Bill, who is obviously attracted to her. Instead, Bill angrily refuses her out of respect for Karen, and leaves her cabin. As he walks back to his own cabin, he is attacked by a large wolf, which pins him down and bites him on the shoulder. Dr. Waggner administers a rabies shot and bandages the wound. After Bill's attack, Karen is even more distressed, and she makes a frantic phone call to Terry and Chris asking them to come to the Colony. Chris sends Terry on her own ahead of him, planning on joining her there later. Karen is relieved to see Terry, telling her all about the strange things she has seen at The Colony. That night, Bill leaves the cabin after Karen falls asleep and meets Marsha in the woods, where they make love by an open campfire. In the middle of their lovemaking in the moonlight, they both have undergone a frightening transformation into werewolves. The next day, Terry goes out on her own, taking photographs and exploring the resort, and she is startled to discover that a particular vista overlooking the ocean from a cliff is the exact image of one of Eddie's sketches. A voice that seems to call her name lures her to Marsha's cabin, which is now deserted, and while Terry is taking pictures, a raging beast attacks the cabin, unseen by Terry. It chases her from room to room, breaking through each door, until she leaps from a window, injuring her ankle. She climbs inside a basement room for shelter but the beast corners her there, reaching inside with limbs that seem both animal and human. Terry seizes a Swedish carpenter's axe and amputates its hand, and it escapes, howling in pain. Terry watches in horror as the wolflike hand morphs into a human hand. Terry rushes to Waggner's office, finding it deserted. She phones Chris and tells him about how she was attacked, and how Eddie's drawings are of real places at the Colony. She is convinced that Waggner must be in on whatever is going on, and with Chris on the phone, she begins to go through Waggner's files. Terry finds a series of folders labeled Quist, one for Eddie, Marsha and T.C., but before she can look at them, she is confronted by a huge wolflike creature that kills her while Chris listens helplessly on the phone. Panicked, Chris rushes to the bookstore and buys the silver bullets from the shop owner, then rushes to The Colony. Karen has a fight with Bill about the fact that he left the cabin in the middle of the night, and she knows he went to meet Marsha, especially when she sees him without his shirt and realizes he has long scratches on his back. Bill slaps Karen across the face and she leaves the cabin in a fury, taking her bag and going over to Dr. Waggner's office. She finds nobody there, but an examination table is set up with somebody lying on it. She pulls back the curtain and discovers Terry's body, the throat torn out and bloody. Karen is horrified, and suddenly she is confronted with Eddie, in human form. He speaks menacingly to her, angry that she tricked him by arriving with police. "I'm going to give you a piece of my mind," he says, and pulls a bullet out of his forehead. In a long montage, we see Eddie transform from a man into a werewolf. Karen watches in shock, but she finds a bottle of acid and hurls it into Eddie's face, scarring him and allowing her to escape. Chris arrives at Waggner's office shortly after the attack and is confronted by Eddie, who seizes Chris' rifle. Eddie is in human form again, but now hideously scarred from the acid attack. He replays Chris a cassette recording of Terry's murder, relishing her screams, and dares Chris to shoot him with the rifle. Of course Eddie does not realize it is loaded with silver bullets, and he dies when Chris shoots him. Chris meets up with Karen and they try and escape, but they're stopped by the colonists, who take them back to the main meeting barn. Inside is Terry's body, surrounded by all of the colonists, who are all werewolves. Karen is dismayed to realize that even Waggner is a werewolf, and that they plan to kill both herself and Chris. However, Chris still has the rifle, and he begins to shoot the werewolves. They soon realize that the gun is loaded with silver, and they begin to panic, transforming into wolf form and retreating from Chris back into the barn. Chris bolts them inside and together, Karen and Chris pour gasoline all around the barn and set it on fire. Inside, they can hear werewolves screaming in agony as they are burned alive. As they try and escape, they are confronted by more werewolves who try and stop them, but they make it to their car. In one last attack, a werewolf lunges through the back window of the car and bites Karen on the shoulder. They shoot it and it morphs back into human form--it is her husband Bill. Karen says sobbing "We have to warn people, Chris. We have to make them believe." Some time after the ordeal, Karen is ready to return to her news anchor position. She speaks kindly to her colleagues and is introduced to give a news report about her experience at the Colony; the blaze killed many people there, and has made headlines. Karen begins by veering from the approved script that appears on the teleprompter; people think she is having another breakdown, but Chris insists that Karen be allowed to continue. Karen tells the live audience that there is a secret society among them of shapeshifters, and that she has experienced it firsthand. She calls for everybody to aware of the threat, and in a final action, she announces that she will offer proof of her story. Karen begins transforming into a werewolf on live television, and people in the viewing audience give mixed reactions. Some people think it is a movie, while others think it's simply a hoax. After Karen is fully transformed, she looks sadly at Chris, who shoots her with a silver bullet, gunning down her. Watching from a tavern, one man announces that it was real, that Karen really did morph into a werewolf and they shot her. Also sitting at the bar is Marsha, who has obviously escaped the blaze, along with other werewolves. The cycle will continue.

During a surprise 42nd birthday party for George Webber, a well-known composer of popular music, he finds himself coping badly with incipient middle age. When he catches a glimpse of a mysterious woman en route to her wedding, he is instantly obsessed by her beauty, and - despite the presence of his lover Samantha Taylor - follows the woman to the church where he crashes into a police cruiser and is stung by a bee. George visits the priest, and learns that the woman is Jenny Miles, daughter of a prominent Beverly Hills dentist. Later that night, Sam and George have an argument about George's failure to give her the attention she needs, his use of the term "broad", and the fact that he and his neighbor (a wealthy porn producer) watch each other perform carnal acts using telescopes. The final straw for Sam occurs when George makes a remark subtly impugning her femininity at which point Sam leaves in a huff. The following day, George and Sam suffer a series of mishaps that prevent them from reconciling, including George spying on his neighbor until hitting himself with his telescope and falling down an embankment, causing him to miss Sam's phone call. In addition, George schedules a dental appointment with Jenny's father, and while in the dentist's chair, subtly leads the dentist into disclosing that his daughter and her husband went to Mexico for their honeymoon. The examination also reveals a mouthful of cavities, requiring the dentist to spend the entire afternoon inserting fillings in George's teeth. The after effects of the novocaine, which are aggravated by his heavy drinking immediately after, leave him completely incoherent and when Sam finally reaches him on the phone she mistakes him for a madman and calls the police. The police storm his house, but recognizing him they leave amicably. He visits his neighbor's house to take part in an orgy just as Sam arrives at his house, and she spots him through his telescope, widening the rift between them. Later, George impulsively follows the newlyweds to their exclusive hotel in Manzanillo, Colima, Mexico. In the bar, George encounters an old acquaintance, Mary Lewis, who suffers from a lack of self-confidence because she blames herself for a series of failed relationships. When they attempt a fling that night, she interprets George's inadequacy in bed as confirmation of her insecurities despite her better-than-average looks and easygoing disposition. One hot day at the beach, George sees Jenny - suntanned and dressed in a one-piece swimsuit and her hair braided in cornrows - which furthers George's obsession. He notices that David, Jenny's husband, has fallen asleep on his surfboard. Pretending to inquire about renting a surfboard, George learns that beyond a certain point are powerful currents that can sweep a swimmer or surfer dangerously far from land. George rents a catamaran, clumsily but successfully rescues David, and becomes a hero. Both Sam and his songwriting partner see him on TV Network News and Sam tries to call him, but George (unaware that it is Sam) refuses the call. David, badly sunburned, stays in the hospital, allowing Jenny and George to spend time alone together, culminating in Jenny seducing him to the sounds of Ravel's Boléro. Although George is initially elated to find all of his fantasies being fulfilled, he is horrified when Jenny takes a call from her husband while in bed with him and casually informs him of George's presence. He is even more confused when David responds with a complete lack of concern (he had called to thank George for saving his life). When Jenny explains their open relationship and mutual honesty, George is appalled; with the thrill of enjoying forbidden pleasures extinguished, he loses interest in Jenny (Jenny, for the opposite reasons, loses interest in him as well) and he heads back to Beverly Hills. At the end of the film, he reconciles with Sam by demonstrating a new maturity and, taking an idea from Jenny, he starts Ravel's Boléro on the phonograph and they make love with the music playing in the background. This is in full view of the neighbor's telescope shortly after the neighbor has walked away in disgust, complaining that he has had enough of providing erotic entertainment to George and getting nothing in return.