Dhritiman Chatterjee

Shashi, an urbane doctor, returns to his native village, a place seemingly mired in a backward way of life, for a short visit. As he becomes closely involved with the villagers, Shashi`s short stay threatens to become permanent.

An 80-year-old criminal lawyer along with his friends has a penchant for real-life games. They conduct a mock trial and decide if justice has been served, if not they make sure justice has been served.

Based on Satyajit Ray`s iconic character, this film portrays the story of Trilokeshwar Shanku - a respected scientist and inventor who travels to Brazil for a science convention. But once he`s there Shanku gets involved in an adventure, a quest for the mythical city of El Dorado. Through the journey, he encounters native tribesmen and anacondas, but will Shanku and his friends ever find El Dorado?

A Telugu girl from a remote village undergoes training to climb Mount Everest and after a lot of struggle successfully reaches the highest peak of Mount Everest, becoming one of the youngest girls to do so.

Three independent working girls, one rock concert, a few drinks, and an assault.

Dr. Somshankar Roy, a social scientist, engages Swagato and Anwesha to create a mock crisis on the streets. The aim is to observe reactions of people to different forms of crisis happening around them, and to analyse and derive conclusions about human behaviour from them. But all theories and deductions go astray when they come face to face with a real crisis in their own lives and cannot decipher whether the crisis is mock or real.

The film is a story of college friends who embark on a road trip from Kerala to Nagaland. The incidents that they face and the interesting things they come across during the trip form the plot of the film.

Vidya Bagchi, a pregnant woman, travels to Kolkata to search for her missing husband. When all clues lead to a dead end, she realises that there is more than what meets the eye.

The story is based on the novel by Sunil Gangopadhyay. Set during the period of the naxalite movement in Bengal, Pratidwandi tells the story of Siddharta, an educated middle-class man caught within the turmoils of social unrest. Corruption and unemployment is rampant, and Siddhartha cannot align himself with either his revolutionary activist brother, or career-oriented sister.

Abhishek is a young man in search of recognition. He relocates to the big city to figure out what the future has in store for him. In Kolkata, he encounters the quirkiness of everyday realities. Strange people bump into him at unexpected turns and make his journey a roller coaster ride. His dream of becoming a hero is intertwined with his nightmarish experiences in the city. But, Abhishek's ability to see things in a different light keeps him going.

Manohar (Madhavan) and family move into their new apartment on the 13th floor. The women of the house are hooked onto a new television serial `Sab Khairiat Hai` ( All`s well). As the TV show unfolds, all the incidents that happen in the show start happening to Manohar and family. Things take a turn for the worse and shocking incidents start happening in the TV show. Will the same happen to Manohar and his family? Will Manohar be able to solve the mystery in time before it consumes him and his entire family?

A well-off family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long-lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels. A well-off family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long-lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle-class perspective on the world. —Anonymous The film sees Anila receiving a letter from a man claiming to be her uncle, a man who disappeared thirty-five years prior. He turns up at her family home professing to be an anthropologist, a globally seasoned traveler en route from the United States to Australia. The family is suspicious of the stranger, believing him to be an impostor pushing a financial scam. After a grilling from the family's lawyer, he leaves as unexpectedly as he arrives, leaving behind a stunned family, and some very insightful observations. —Mr Bongo This tells the story of a woman and her husband who are visited by a man who claims to be the woman's long-lost uncle. The couple is initially skeptical of the man's identity but gradually come to accept him. The film explores themes of civilization, humanity, and the nature of truth, and is known for its philosophical depth and simplicity. "Agantuk" is notable for its introspective and thought-provoking narrative, a hallmark of Ray's filmmaking style. It reflects on the ideas of cultural identity and the clash between traditional Indian values and modernity, themes Ray frequently explored in his works.

In this adaption of the Ibsen stage play, an idealistic physician discovers that the town's temple waters are dangerously contaminated. But with the community relying on the holy attraction for tourist dollars, his warnings go unheeded. Ashoke Gupta is an idealistic doctor working in a town near Calcutta. He discovers that the water at a popular temple is the source of an outbreak of typhoid and hepatitis. In order to save lives, he risks his career to try and call attention to this polluted water source, while a local group of building contractors attempt to discredit him in various ways.

A political activist escapes the prison van and is sheltered in a posh apartment.

A political activist escapes the prison van and is sheltered in a posh apartment owned by a sensitive young woman. A political activist escapes the prison van and is sheltered in a posh apartment owned by a sensitive young woman. Both are rebels: the activist against political treachery and the other on social level. Both are bitter about badly organized state of things. Being in solitary confinement, the fugitive engages himself in self-criticism and, in the process, questions the leadership. Questions are not allowed, obeying that is mandatory. Displeasure leads to bitterness, bitterness to total rift. The struggle has to continue, both for the political activist, now segregated, and the woman in exile. —Swarup Basak