Ed Harris

A romance fueled by ego, desire, and the big American dream.

A former criminal's ordinary life is turned upside down when his old family shows up for a long-awaited reunion. One-time criminal Vince (Harris) turned his life around when he fell in love with Sandy (Union). Nearly 20 years later, the still-happy couple are looking forward to spending a quiet New Year's Eve in their country home with their good-natured son, DJ (Miles J. Harvey). Then Vince's other son, Rocco (Lewis Pullman), shows up unannounced with his pregnant girlfriend, Marina (Emanuela Postacchini), and Vince's first wife, Ruth (Coolidge), in tow. It is not a happy reunion. Ruth is rude, lewd, and randy, while Rocco - who never divested himself of the family business - is clearly hiding something sinister. Hot on Rocco's tail is Lefty (Bill Murray), an aging mafioso with a score to settle regarding his own son. When Lefty catches up with Vince's teeming clan, it seems likely that blood ties will yield blood spilled. —from Tiff (Canon y mus)

Searching for a break from her cosmopolitan life in Milwaukee, Julia Rabia (Lily Rabe), arrives in the close knit Reagan-era town of Owl, North Dakota for a one-semester high school teaching job. But when the small town turns out to be a wonderland of second-string poets, smoldering Marlboro Men, and a social hierarchy that echoes high school, Julia doesn't know if she's come to town to get away from home or to find it.

Set 30 years after the events of `Top Gun` (1986), the sequel hinges on Captain Pete Mitchell`s (Tom Cruise) attempts to come to terms with his past, while training his friend`s son (Miles Teller) for a dangerous mission.

When catastrophic climate change endangers Earth's very survival, world governments unite and create the Dutch Boy Program: a world wide net of satellites, surrounding the planet, that are armed with geoengineering technologies designed to stave off the natural disasters. After successfully protecting the planet for two years, something is starting to go wrong. Two estranged brothers are tasked with solving the program's malfunction before a world wide Geostorm can engulf the planet.

A psychological horror film revolving around a young couple whose peaceful life is unsettled by the arrival of mysterious visitors.

Professional Brooklyn hitman Jimmy Conlon is more commonly known as The Gravedigger. Jimmy was a mob hit-man, who was best friends with his boss Sean Maguire. But when Jimmy`s son, Michael, is marked for death by the mob, Jimmy must go up against Sean to protect Michael at all costs. Together, he and Michael must avoid corrupt cops, contract killers and the mob to survive the night.

The son of an American coffee importer forms an unlikely bond with his Colombia counterpart. This romantic comedy follows the pairing of two 20-somethings thrown together by a business feud that may result in an even more unlikely romance.

Two astronauts are on a spacewalk when disaster strikes. Tethered to only each other, with no link to Earth, the only way home is further out into the terrifying expanse of space.

From acclaimed director Michael Bay comes a new action comedy starring Mark Wahlberg, Dwayne Johnson and Anthony Mackie. Based on the unbelievable true story of a group of personal trainers in 1990s Miami who, in pursuit of the American Dream, get caught up in a criminal enterprise that goes horribly wrong.

An ex-cop and now a wanted fugitive, Sam Worthington, stands on the ledge of a high-rise building while a New York Police Department negotiator, Elizabeth Banks, tries to talk him down. It is not late before she realizes that he brings along an ulterior motive.

Two friends hired to police a small town that is suffering under the rule of a rancher find their job complicated by the arrival of a young widow. 1882, New Mexico Territory. Virgil Cole (Ed Harris) and Everett Hitch (Viggo Mortensen) are itinerant lawmen, hired by desperate towns as Marshal and Deputy, respectively. The city fathers of Appaloosa hire them after Randall Bragg (Jeremy Irons), a newly-arrived rancher with money and a gang of thugs, disrupts commerce and kills three local lawmen. Cole and Hitch contrive to arrest Bragg and bring him to trial, but hanging him proves to be difficult. Meanwhile, a widow has arrived in town, Allison French (Renée Zellweger), pretty, refined, and good-natured. Virgil falls hard, and it seems mutual, but there may be more to Allison than meets the eye. Can friendship and skill with a gun overcome a pernicious villain and green-eyed jealousy? —<jhailey@hotmail.com> Tough friends and partners Virgil Cole (Ed Harris) and Everett Hitch (Viggo Mortensen) arrive in the town of Appaloosa and they are hired as Marshal and Deputy, respectively, by the local politicians with absolute power to rule the city. In their first assignment, they face the gang of the powerful rancher Randall Bragg (Jeremy Irons), who had killed Marshal Jack Bell (Robert Jauregui) and his two Deputies, and they killed three gunmen. When refined piano player Allison French (Renée Zellweger) arrives in Appaloosa, she stays close to the needy Virgil and they decide to live together. Meanwhile, one employee of Bragg offers to testify against his boss, and Virgil and Everett bring him to court, where he is sentenced to death by hanging. While transporting Bragg in the train to be executed, two gunmen abduct Allison to force Virgil to release Bragg. Bragg escapes with his men and Allison through the desert, with Virgil and Everett on their tails. —Claudio Carvalho, Rio de Janeiro, Brazil

A former cop who now earns a wage as a crime scene cleaner unknowingly participates in a cover-up at his latest job. Tom Cutler, a retired police officer now runs a company which specialises in crime scene clean up. He is assigned a clean up job post a homicide. After doing the job he discovers that he has been conned into cleaning up a crime scene and must try to unravel the mystery behind what happened in that house. —ColiD

Two Boston area detectives investigate a little girl's kidnapping, which ultimately turns into a crisis both professionally and personally. When 4 year old Amanda McCready disappears from her home and the police make little headway in solving the case, the girl's aunt Beatrice McCready hires two private detectives Patrick Kenzie and Angie Gennaro. The detectives freely admit that they have little experience with this type of case, but the family wants them for two reasons - they're not cops and they know the tough Boston neighborhood in which they all live. As the case progresses, Kenzie and Gennaro face drug dealers, gangs and pedophiles. When they are about to solve their case, they are faced with a moral dilemma that could tear them apart. —garykmcd When four year old Amanda McCready goes missing, and the police make little headway in solving the case, the family hire Private Investigators (and partners) Patrick Kenzie & Angela Gennaro to assist the with the investigation. As the plot progresses, the probability of Amanda being found dwindles, and the investigation plunges the PI's into the dark underworld of Dorchester and a moral dilemma that could tear them apart. —BecksyKane Thirty-one year old Patrick Kenzie grew up in Dorchester, a working class neighborhood of Boston where the family names remain the same over generations. He still lives there with his personal - professional partner Angie Gennaro, the two who are private detectives specializing in missing persons cases. The police are working on a high profile case of an abducted four year neighborhood child named Amanda McCready. The Boston Police Department take child abduction cases to heart because the daughter of Jack Doyle, the police chief, had been abducted and eventually murdered years earlier. Three days after Amanda's abduction, Patrick and Angie are hired by Lionel and Bea McCready, Amanda's maternal uncle and aunt, to augment the police investigation. Despite this case being outside of the norm of Patrick and Angie's regular cases, the McCready's hope that Patrick's knowledge of the neighborhood and its people will help, especially in getting the neighborhood underlife to open up, especially if they are not willing to speak to the police. Patrick and Angie quickly learn that Amanda's single mother, Helene McCready, is no saint, she being a drug runner and involved in the theft of drug moneys. Patrick, Angie and the police believe that her criminal history has something to do with the abduction. As Patrick and Angie get further into the investigation with the police, they collectively deal with issues of whether the means justifies the ends, and whether the end goal is morally the right thing to do. —Huggo Dorchester, one of the toughest neighborhoods in all of Boston, is no place for the weak or innocent. Its a territory defined by hard heads and even harder luck, its streets littered with broken families, hearts, dreams. When one of its own, a 4-year-old girl, goes missing, private investigators Patrick Kenzie and Angela Gennaro don't want the case. But after pleas from the child's aunt, they open an investigation that will ultimately risk everything -- their relationship, their sanity, and even their lives -- to find a little girl-lost. —JustAli25

Radio is a good human-interest story that was inspired by events in 1976 in Anderson, South Carolina. Cuba Gooding, Jr., who plays the mentally challenged Radio, does such a good acting job, you will believe he is the real Radio. His real name is James Robert Kennedy, and he was nicknamed Radio, because of his radio collection and listening to the radio all the time. Radio spends his days in this small town pushing or riding a grocery cart down the street, talking to no one. After some football players harass Radio, the football coach Harold Jones played by Ed Harris takes Radio under his wing. Radio begins to help out at football practice and sits on the bench at games. In time, Radio begins to trust the coach. However, some people in town think Radio is a distraction to the team, and they want Radio to go. By this time the coach and the team are all friends to Radio and they want him to stay. Douglas Young (the-movie-guy)

In September 1942, Vassili Zaitsev (Jude Law), a shepherd from the Ural Mountains who is now a soldier in the Red Army, finds himself on the front lines of the Battle of Stalingrad. Stalingrad is the last major city standing between the rampaging German forces and Moscow. Khrushchev orders the city to be held at all costs. Stalingrad as a city stands in ruins as neither army is willing to retreat. If Germany wins Stalingrad, they will control the rich oil fields of Central Asia. Troops are brought to the other side of the Volga River in freight trains and are then crammed into flimsy boats and are made to cross the Volga River without any fire cover. The Volga River is heavily bombarded by German artillery fire and fighter planes. Several boats perish in the attempt. Any soldiers who attempt to jump into the water are shot down by the propaganda officers who are on each boat. The docks of Stalingrad are littered with bodies of soldiers crippled in the war. Soldiers are forced into a suicidal charge without a rifle but with ammunition (half the soldiers were given a rifle, and the other half were given one pallet of ammunition (with 5 bullets) and were instructed to scrounge for supplies from other dead soldiers), the charge comes under heavy German fire from machine guns & tanks around the city. If the Soviet soldiers try to retreat, they are shot down by their own seniors who do not allow them to return to Soviet lines. The German loudspeakers ask Soviet soldiers to surrender as the Germans would treat them better than their own officers. Vassili hides among a pile of corpses, while a tank shell incapacitates a car. The occupant, Commissar Danilov, takes cover in the same heap of corpses and finds a rifle. Vassili reveals himself, advising the commissar not to fire until an explosion covers the noise. Danilov gives the rifle to Vassili, who, to the former's astonishment, is able to kill five German soldiers in less than a minute. Vassili uses impressive marksmanship skills taught to him by his grandfather from a young age to save himself and commissar Danilov (Joseph Fiennes). Together, Vassili and Danilov return to the Soviet base outside Stalingrad. Nikita Khrushchev (Bob Hoskins) arrives in Stalingrad to coordinate the city's defenses and demands ideas to improve morale. While the other commissars suggest more severe discipline and terror, Danilov, now a Senior Lieutenant, suggests that the people need figures to idolize, and publishes tales of Vassili's exploits in the army's newspaper that paint him as a national hero and propaganda icon. Vassili is transferred to the sniper division, and he and Danilov become friends. They also both become romantically interested in Tania (Rachel Weisz), a citizen of Stalingrad who has become a Private in the local militia. Danilov has her transferred to an intelligence unit away from the battlefield and ostensibly to make use of her German skills in translating radio intercepts. With the Soviet snipers taking an increasing toll on the German forces, German Major Erwin Konig (Ed Harris) is deployed to Stalingrad to take out Vassili and thus crush Soviet morale. A renowned marksman and head of the German Army sniper school at Zossen, he lures Vassili into a trap and takes out two of his fellow snipers, but Vassili manages to escape. When the Red Army command learns of Konig's mission, they dispatch his former student Koulikov (Ron Perlman) to help Vassili kill him. However, Konig tricks Koulikov into revealing his position and kills him with a very skillful shot, shaking Vassili's spirits considerably. Khrushchev pressures Danilov to bring the sniper standoff to a conclusion. When Tania requests to be reassigned to the sniper division, Danilov asks Vassili to discourage her. Vassili attempts to do so but relents when Tania tells him how her Hebrew parents were murdered by the Germans. Danilov recruits young local boy Sacha Fillipov (Gabriel Thomson), who idolizes Vassili and does small jobs for the Germans in exchange for food, to act as a double agent by passing Konig false information about Vassili's whereabouts, thus giving Vassili a chance to ambush the Major. Vassili sets a trap for Konig and manages to wound him, but during a second attempt Vassili falls asleep after many hours and his sniper log is taken by a looting German soldier. The German command takes the log as evidence of Vassili's death and plans to send Konig home, but the Major does not believe that Vassili is dead. General Friedrich Paulus confiscates Konig's dog tags to prevent Soviet propaganda from profiting if Konig is killed and identified. In turn, König gives the general a War Merit Cross that was posthumously awarded to his son, a lieutenant in the 116th Infantry Division who was killed in the early days of the battle. Konig tells Sacha where he will be next, suspecting that the boy will tell Vassili. Tania and Vassili have meanwhile fallen in love. That night, Tania secretly goes to the Soviet barracks and makes love with Vassili. The jealous Danilov disparages Vassili in a letter to his superiors. Konig spots Tania and Vassili waiting for him at his next ambush, confirming his suspicions about Sacha. He kills the boy and hangs his body from a pole to bait Vassili. Vassili vows to kill Konig and sends Tania and Danilov to evacuate Sacha's mother (Eva Mattes) from the city, but Tania is wounded by shrapnel en route to the evacuation boats. Thinking her dead, Danilov laments his jealousy for Vassili and his resulting disenchantment with the communist cause. Finding Vassili waiting to ambush Konig, Danilov intentionally exposes himself in order to reveal the Major's position and is killed. Thinking he has killed Vassili, Konig goes to inspect the body, but realizes too late that he has fallen into a trap and is in Vassili's sights. He turns to face Vassili, who then kills him. Two months later, after Stalingrad has been liberated and the German forces have surrendered, Vassili finds Tania recovering in a field hospital.

A film about the life and career of the American painter, Jackson Pollock. At the end of the 1940's, abstract expressionist Jackson Pollock (1912-1956) is featured in Life magazine. Flashback to 1941, he's living with his brother in a tiny apartment in New York City, drinking too much, and exhibiting an occasional painting in group shows. That's when he meets artist Lee Krasner, who puts her career on hold to be his companion, lover, champion, wife, and, in essence, caretaker. To get him away from booze, insecurity, and the stress of city life, they move to the Hamptons where nature and sobriety help Pollock achieve a breakthrough in style: a critic praises, then Life magazine calls. But so do old demons: the end is nasty, brutish, and short. —<jhailey@hotmail.com>

The first scene of the movie introduces Fielding Pierce (Billy Crudup) as he is watching news footage showing that Sarah Williams (Jennifer Connelly) has been killed in a suspected car bombing. The reporter indicates that Sarah was an activist from Chicago involved in helping refugees from the Chilean government and that her death may cast new light on the movement. Fielding is completely distraught over hearing this news and the movie begins. The first 3/4 of the movie unfolds on parallel timelines in the 70s and early 80s: the progression of Fielding & Sarah's complicated, volatile relationship and Fielding's ascension into power as an upcoming politician dealing with the recent loss (and haunting memories) of Sarah. Fielding meets Sarah as he is returning, in uniform, from duty in the Coast Guard and meeting up with his brother, who is a editor. The brother, Fielding and Sarah all go to lunch where Fielding is very ouspoken in his political ideals about current events. Sarah and Fielding are both immediately intrigued by each other, Fielding's attraction being more sexual and blatant and Sarah's attraction more of curiousity and intrigue. A few dates quickly lead to a sexual relationship despite an obvious difference in political thinking between the two. Sarah asks why Fielding wants to be a senator and his very serious reply is that he doesn't- he wants to be president. Sarah is later quoted as saying "Ambition is the ice in the lake of emotion." And when Fielding tries to comfort Sarah's fear of his Coast Guard duty leading to a Vietnam tour, she replies "but if you go over there, you'll be shooting at the guys that I want to win." Their intense love outweighs their differences, though, and their relationship quickly becomes serious. Meanwhile Fielding is a young politician being groomed to be congressman by the current govenor because of a scandal involving Jerry Carmichael 's (Ed Harris in a cameo role) resignation due to his homosexuality. Fielding seems ambivalent about the offer to be put on the ticket, perhaps because of the nature of the resignation- as he indicates- or pehaps because of the impact of Sarah's influence on his current ambitions. Either way, the governor and his top advisor Isaac (Hal Holbrook) are not comfortable with this lack of enthusiasm and do not offer much hand holding. This confrontation sets the tone for the later timeline in Fielding's life as his insecurities and haunting memories of Sarah eventually lead to hallucinations and his emotional breakdown. Fielding is now dating Isaac's daughter, but their relationship is clearly not as intense as his past relationship with Sarah. Conversations with his sister Caroline (Janet McTeer) and visits with his dad quickly lead to discussions about Sarah and how is haunting memories are leading to him seeing Sarah again. His family is supportive without offering any helpful advice other than to focus more on the political path ahead of him. Sarah and Fielding's relationship takes them to Chicago where they share an apartment as he continues law school and she begins missionary work for a local church led by Father Steven (John Carrol Lynch). Fielding's involvement with Isaac soon begins, and Sarah's aversion to the whole political process becomes more threatening. After a uncomfortable encounter with Sarah at one of Fielding's political events, where her disdain for the situation leads to a verbal attack on one of the attendees, they attempt to reconcile on the subway afterwards. They cannot reach an agreement and she proclaims "It is so infuriating loving you!" Fielding chuckes and says that the feeling is mutual. Sarah's long hours away from home, spent working at the church, lead Fielding to foolishly suspect Sarah is having an affair with Father Steven. Their intense bond holds them together through their disagreements and insecurities. Fielding starts the campaign trail even as his memories of Sarah convince him that she may still be alive and is watching him. He even chases someone he believes to be her through town and eventually ending at a church. But his search is fruitless and only further shows his descent into emotional breakdown. His relationship with Molly becomes troubled as he emotionally withdraws from her also. When she tries to reach to him, he does not offer any recognition of her or his feelings. Sarah's missionary work leads to activist work in Chile where her and Father Steven bring back political refugees of the government. At one uncomfortable dinner at the church with Fielding. The refugees are appalled to hear that Fielding is hoping to enter politics, an american institution they feel is overrun with corruption. Fielding tries to convince them he is not entering politics to become corrupt but to affect change. They are not conducive to this idea. He chastises their hypocrisy by observing that as awful as they try to hint his government is, he can't help but to notice when they needed help they ran to this country for freedom. When he turns to Sarah for help, she offers "You are alone in this conversation." Fielding then replies he is alone in this whole room and he is "choking on the collective sense of superiority." Fielding and Sarah's political difference and growing distance is shown at its worst, as no make up scene follows. Soon after Sarah leaves for her fatal trip in Milwauke.

Isabel tries to earn the love of her boyfriend`s children but is resented by their mother Jackie. When Jackie finds she has a terminal illness, the two must find a way to connect.

Truman Burbank (Jim Carrey) is the star of one of the most popular shows in TV history. The only thing is-he doesn't know he's the star. Selected at birth and legally adopted by a television studio following an unwanted pregnancy, Truman Burbank is the unsuspecting star of The Truman Show, a reality television program filmed and broadcast worldwide, 24/7, through approximately five thousand hidden cameras. An entire other world has been fabricated for him in a special enclosure in Hollywood, to simulate a small town called Sea Haven. Truman's entire world is a huge TV set & all he knows are simply actors, including his wife. Truman's world is populated by actors and crew members who serve as his community while carefully keeping him from discovering the truth. They also earn revenue for the show through cleverly disguised product placement. Truman's hometown, Seahaven Island, is set inside an enormous soundstage, which allows Christof, the show's creator and executive producer, to control most aspects of Truman's life, including the weather. To prevent Truman from escaping, Christof has orchestrated various scenarios, such as the "death" of Truman's father in a boating accident to instill Thalassophobia, and has the cast reinforce Truman's anxieties with messages about the dangers of traveling and the virtues of staying home. The island set is surrounded by water to ensure Truman can't escape. Though the producers intend for Truman to fall in love with and marry a woman named Meryl, Truman develops feelings for Lauren, an extra. Sympathetic to Truman's plight, she tries to tell him the truth but is fired and forcibly removed from the set before she can convince him. Truman eventually marries Meryl, but their relationship is stilted and passionless, and he secretly continues to imagine a life with Sylvia and dreams of traveling to Fiji, where he was told she had moved. Meanwhile, in the real world, Sylvia joins "Free Truman", an activist group that calls for Truman's liberation. It is on day 10,909 that the trouble begins. As he's getting ready for work, a strange object falls from the sky near Truman's car. It appears to be a light of some kind. His wife Meryl (Laura Linney) & friend Marlon (Noah Emmerich) also play a role in keeping Truman on the island despite his ambitions to roaming the world. Meryl indicates Truman's financial obligations like the mortgage & car payments to scuttle his dreams. Next day, Truman sees a homeless man that looks like his dad (Brian Delate) (who supposedly died). Suddenly a lot of obstacles appear & whisk the homeless guy away. That night in basement Truman dreams of a woman he had his eye on in college, who was strangely sidelined from his life as Meryl turned up. Deducing that the city somehow revolves around him, Truman begins questioning his life and asking who he sees as his closest confidants to help him solve the mystery. A month later Truman meets that girl from high school named Lauren (Natascha McElhone) & she reluctantly agrees to speak with him. Before she can reveal the truth about the show she is whisked away by strangers. Lauren reveals her real name is Sylvia. The next day as Truman wanders around in his car, he notices even more strange things including a studio set inside an elevator. Truman picks up Marlon & decides to leave the island. The next day, Truman attempts to leave Seahaven, but finds that there are no flights available to Fiji for at least a month, and the bus he attempts to take to Chicago breaks down before it can even leave. Truman decides to leave by car, but a perfectly synchronized traffic jam appears. When he 'pretends' to give up and go home, the traffic jam magically disappears, and he heads to the town's only bridge out of town. His fear of water makes him force Maryl to drive over the bridge, but a "nuclear" power plant leak stops him & he is returned to his home. There, he confronts Meryl and challenges the sincerity of their marriage. A panicked Meryl tries to change the subject with a product placement, causing Truman to snap and hold her at knife-point. Meryl breaks character to call for help and is removed from the show. Everyone tries to tell Truman that there is no controversy. His mother (Holland Taylor) comes & explains that the homeless guy was indeed his father under the guise of him having developed amnesia after the boating accident. It soon becomes apparent that this reuniting was due to Christof (Ed Harris) the creator of the 'Truman Show,' who felt that reintroducing Truman's Father would quell his emotional turmoil. The show regains its ratings, and Truman seems to return to his routines. At the office, Truman is introduced to Vivien (Heidi Schanz) (Christof's planned replacement since Meryl as now left the cast). Christof goes on a talk show & explains that the death of Truman's father was a way to stop Truman urge to explore the world. Sylvia confronts him on air & Christof says that Truman is free to leave anytime & that he stays because he likes it there. One night, however, Christof discovers that Truman has begun sleeping in his basement. Disturbed by this change in behavior, Christof sends Truman's best friend Marlon to visit and discovers that Truman has disappeared through a makeshift tunnel in the basement. Christof suspends the broadcast for the first time in its history, leading to record viewing numbers. Mid night turns to noon as the "Sun" is brought up to assist with the search. Christof finds Truman sailing a boat to escape the island. Christof uses the weather program to stop Truman, & almost drowns him but shuts it off when Truman does not relent. Truman continues on, until he hits the side of the stage. Finding a ledge, he walks along it to a small stairwell with an exit door. As he attempts to go through, a loud booming voice is heard overhead. Christof speaks to Truman, acting as both a God and a Father to him, and revealing that Truman's entire life was a television show. Christof tries to plant doubt in Truman's mind, that he belongs in this world, and that he is afraid to leave. Truman then grows silent, before turning to the sky, and proclaiming, "In case I don't see Ya-good afternoon, good evening, and good night." Then, bowing, he steps through the door, and into a new life. Viewers around the world celebrate Truman's escape, and Sylvia races to greet him. The executive producers end the program with a shot of the open exit door, leaving Christof devastated. After the broadcast ends, Truman's viewers look for something else to watch.

During his final heist, a master thief catches the U.S. President in an extra-marital affair that leaves a woman dead. Should he run...or stay to fight the White House itself?

Karen McCann (Sally Field) lives in Santa Monica, California, and her husband Mack McCann (Ed Harris) is the owner of the McCann construction company. Karen has a good job at a museum, and she has two daughters -- 5-year-old Megan (Alexandra Kyle) and 17-year-old Julie (Olivia Burnette). Mack is Megan's biological father, but Julie was born from Karen's previous marriage. Mack still loves Julie like she's his own daughter. Karen is on her way home from the museum one day, when she gets stuck in traffic. Karen calls home on her cell phone, and Julie answers. At the time of the call, Julie is preparing for Megan's 6th birthday. While they talk on the phone, the doorbell rings, and Julie goes to answer, with Karen still on the other end of the line. The man at the door the barges in, and brutally rapes Julie, before smashing an ice sculpture over her head. Karen -- having heard the whole thing -- is completely powerless, because she's stuck in traffic, though she desperately tries to get help. A kind Bystander calls 911 for her. When Karen manages to get home, she's devastated to find that Julie has been raped and killed. Detective Sergeant Joe Denillo (Joe Mantegna) is put on the case. And a grieving Karen tries to maintain normality for Megan's sake. However, her state-of-mind is weakening, and it's evident that all she wants is for Julie's killer to be found. Denillo tells Karen that the DNA samples that they collected will help identify the killer. In support, he gives Karen the address of a support center for parents who have lost a child to violence. Mac tells her that they should attend at least one session. The support group is run by bereaved father Sidney Hughes (Phillip Baker Hall) and his friend Martin (Keith David). At the meeting, Karen and Mac meet various people in similar circumstances, including Albert Gratz (William Mesnik) and Regina Gratz (Rondi Reed), who lost their son to violence. Karen also meets Angel Kosinsky (Charlayne Woodard), a young lesbian whose son, Sean, was killed in a hit-and-run. Karen befriends Angel. While looking for the bathroom, Karen overhears Albert and Regina talking to Sidney -- in a private room -- about something that's causing Regina to feel scared. Sometime down the line, Denillo calls Karen -- the DNA samples have identified Julie's killer as Robert Doob (Kiefer Sutherland), a supermarket deliveryman who has been in and out of jail for most of his life. At the trial, even though it's clear that Robert is guilty, his attorney, Susan Juke (Natalia Nogulich), reveals a technicality -- the defense was promised a sample of the DNA that they could perform their own tests on, and they did not receive it. Judge Arthur Younger (Armin Shimerman) is forced to dismiss the charges against Robert because of the technicality. Karen and Mac are devastated as Robert walks away, a free man. Robert tauntingly says "S-s-s-sorry," dragging out the 's' sound as a way of taunting Karen and Mac. An understandably enraged Mack is coldly restrained when he understandably charges after Robert. Mac is desperate for he and Karen to get back to normal, and although Karen tries, she can't focus until Robert is brought to justice. Karen goes back to the court house, and buys a copy of Robert's arrest package. Though Robert's addresses is colored out with Tipp-Ex out, the County Clerk (Jane Morris) hints that the stuff is easy to wipe off. Karen does so, and she tracks Robert to a mostly Hispanic neighborhood. Karen observes Robert as he lives his life -- annoying his neighbors and viciously harassing stray dogs. Karen keeps a detailed record of Robert's movements, all of which bring her relief and satisfaction, though she's warned by Dolly Green (Beverly D'Angelo), her colleague at the museum, that following Robert around is not a good idea. That doesn't stop Karen. She pursues Robert, while he continues his supermarket-delivering, to a house. There, she observes him having a friendly conversation, in Spanish, with a woman named Maria (Wanda Acuna). After Maria tips him, he leaves -- before urinating in her front garden, while watching Maria from outside the window. As he finishes, he sees Karen, who has been watching him from her car window, and she quickly drives away. Karen goes straight to the police. Denillo states that the information is insufficient, and he tells Karen to stay away from Robert. Denillo then goes to Robert, who is at work, and he warns Robert that if he hears of Robert looking through anymore windows, he's dead. Denillo tells Robert to get out of the city. Desperate for support, Karen goes back to Maria, and warns her about Robert, but due to Maria not being able to speak or understand much English, she is unable to understand what Karen is saying. Maria's husband (Geoffrey Rivas) comes home, and demands that Karen leave. Later that night, at the Support Group, Karen learns that the killer of Gratz's son has been killed in a drive-by shooting, days after being released from prison. Angel invites Karen out to lunch and to the gym the following day. There, Angel tells Karen that the best way to cope with her grief is to just focus on the good times with Megan, which causes Karen to realize that -- all this time -- she's been so fixated on Robert, that she hasn't paid much attention to Megan. At the same time, Megan is in recess at kindergarten, playing in the Wendy house. A Wendy house, also known as a cubby house or play house, is a small toy house usually made of a strong fabric, for children to play in. The name originates from the character Wendy in Peter Pan, since Wendy was injured soon after her arrival in Neverland and had to recuperate in a little house built by Peter and the Lost Boys. Robert -- knowing that Megan is Karen's daughter -- crawls inside the Wendy house, and strikes up a harmless conversation with her, and Megan has no idea who he is. During their conversation, she gives Robert one of her pretend cookies, and he teaches her his crude rhyme -- "tough titty, said the kitty, but the milk's still good." When Karen picks Megan up at the end of the school day, Robert watches them, and Megan points him out to Karen. Karen is horrified as Robert walks up to Karen before whispering in her ear that girls as young as Megan is are not his thing, but he's willing to make an exception, and go after Megan, if Karen doesn't stay out of his neighborhood. Worried for Megan's safety, Karen remembers the Gratzes, and what happened to their son's killer, and she's suspicious that the killer's death may have been planned. At the support group, Karen approaches Sidney and -- remembering what she heard, on her first visit -- pleads with him for help. He's reluctant, but whispers to her to go to a place named Michael's Garage at 7:30 PM. Angel observes them from the other side of the room. Karen does as he says. She goes to Michael's Garage, where she finds Sidney and Martin waiting for her, and she learns that the drive-by shooting was indeed set up by Sidney and Martin. As it turns out, within the support group, there is a secret society of parents, led by Sidney, who kill killers that the system has horribly failed to adequately deal with. Karen demands help. They agree to help her find a weapon, train her, and plan Robert's death, but she has to kill Robert herself. Karen agrees. Unknown to Mac, Karen begins plotting to kill Robert, with the help of Sidney and Martin. She also joins a self-defense class, which helps her gain more independence. As she does that, she manages to rekindle her sex life with Mac, and her relationship with Megan, who is still reeling from losing Julie. Sometime later, Martin admits to Sidney that he's not sure whether Karen is capable of killing Robert. Sidney assures him that Karen will be fine, and he leaves, ready to pick up the gun. Just then, the phone rings. Martin answers, and it's one of his legitimate customers from the garage. Unknown to Martin, the telephone line has been tapped, and a cop is listening to all of the conversations that happen on the phone. Sidney meets with Karen in a restaurant, where he secretly passes the gun to Karen, and reminds her that she does not have to do it. But she makes it clear to him that she's prepared. That evening -- at the support group -- Angel, out of blue, says to her "Don't do it. You'll get caught. I'm telling you this, because I'm your friend." Karen is alarmed, but she says that she has no idea what Angel is talking about. That evening, Mac confronts Karen about learning to use a gun -- he found a card from the business that trains people in how to use guns. The two argue, before Mac suggests that they go on a vacation to help cope with their loss. The next day, Karen goes to see Angel at her house. When she knocks on the door, she's horrified when the door opens to reveal a little boy -- it's Sean (Ross Bagley), Angel's son, and he's alive. Karen recognizes him from the photos Angel showed her. Karen, dismayed, confronts Angel, who gently reveals to Karen that she's an undercover FBI Agent who has been investigating the support group. Angel tells Karen that killing someone is against the law, and that unless it's in self-defense, the police cold-bloodedly won't care why she killed Robert, and, most of all, Karen would end up spending the rest of her life in prison. Angel also adds "What kind of legacy are you leaving your little girl?" Reluctant, Karen is forced to call Sidney, tell him that she can't go through with it, and return to her normal life. Meanwhile, Robert is continuing with his life, delivering groceries. He goes back to Maria's home. This time, he walks into her house, and waits while she gets him his tip. Just after Maria gives Robert the tip, he grabs Maria, throws her against the wall, and forces her onto the table, where he brutally rapes and kills her, just like he did to Julie. Karen is horrified when she learns of the murder. When Karen meets with Denillo at the police station, Karen is horrified even more to learn from Denillo that although Robert has been arrested for it, he's been released for lack of evidence -- there are perfectly plausible reasons for his fingerprints to be around the house, because of him making deliveries to Maria from the supermarket, and he used a condom while raping her. A highly frustrated Karen says to Denillo, "You can't catch him! You can't punish him! You can't protect anyone else! You're completely useless!" And then Karen storms out. Karen decides, despite Angel's warning, to go back to her original plan -- only this time, alone. Karen knows that the system won't do anything about Robert, and that gives her absolutely no choice but to do it herself. As Mac and Megan get ready to leave for the vacation that was planned, Karen tells Mac that she needs to stay late at the museum, and sort out an error at work. Mac agrees to drive ahead with Megan, and for Karen to meet with him the next day. Once they have gone, Karen goes back to Robert's home, and after finding Megan's pretend cookie, Karen leaves her baseball cap there, so Robert will know that she's been there. Later that night, Robert finds the hat, and decides to teach Karen a lesson, not knowing that he's falling right into Karen's trap. As Mac and Megan are driving to their destination, Megan mutters the saying, "tough titty said the kitty, but the milk's still good." Mac asks her where she learned that, and Megan tells him that she learned it from the man that mommy watches on the video -- meaning when Karen would watch Robert, as he was arrested, on the news. Mac immediately realizes that Karen is in danger, and he turns the car around to go back home. Meanwhile, Robert forces his way into the house, storms up the stairs, and sees the shower running, with the curtain drawn and a figure behind it. Robert smiles and pulls the curtain open, only to see a towel hanging on rail, creating the image of a person. Embarrassed, he turns around -- only to be confronted by Karen, who is holding a six-shot revolver. Karen angrily says "Sorry to disappoint you." Robert says "What are you gonna do? Shoot me?" Karen says "You broke into my house with the intent to do me bodily harm. The law says I have the right to protect myself." Robert sarcastically says "What? You want me to say I'm sorry? It could've been anybody. I don't even remember what she looked like. It's nothing personal." Karen says "She was seventeen years old. She was five-foot two. She had brown eyes. Her name was Julie. She was my daughter." Robert tauntingly says "She was a great ffffuck," dragging out the 'f' sound as he says it. Robert lunges at Karen, and they struggle with each other. A shot from Karen's gun hits the ceiling, leaving five shots left in the gun, and Karen stumbles down the stairs as the gun drops out of her hand. As Robert advances on her, he says "Like I said, it's nothing personal." Karen quickly grabs the gun, and says "It's very personal." In self defense, she shoots Robert, who is on the stairs. Now there are four shots left in the gun. When Robert tries to go down the stairs after Karen, she fires the gun's last four bullets into Robert, killing Robert in self-defense. Robert's body rolls down the stairs, and comes to a stop on top of Karen. The police are called, and they, along with Mac, arrive. The police take Robert's body away in a body bag. Denillo tells Karen that he's not fooled, and that he knows that she lured Robert to the house, with the intent of making him pay for raping and killing Julie and Maria. Karen, knowing that there's no way that Denillo can prove it, says "Prove it." Denillo, who also knows that he can't prove it, tells his colleagues that it's a clear case of self-defense. Karen and Mac embrace each other.

Apollo 13 tells the story of the 1970`s ill-fated moon voyage. When a fuel leak threatens three astronauts, the ground crew and mission team must struggle to avert catastrophe.

A Harvard professor is lured back into the courtroom after twenty-five years to take the case of a young black man condemned to death for the horrific murder of a child. Bobby Earl (Blair Underwood) is facing the electric chair for the murder of a young girl. Eight years after the crime, he calls in Paul Armstrong (Sir Sean Connery), a professor of law, to help prove his innocence. Armstrong quickly uncovers some overlooked evidence to present to the local police, but they aren't interested, Bobby was their killer. —Rob Hartill The year is 1986. In Ochopee, Florida, eleven-year-old Joanie Shriver (Barbara Jean Kane) is kidnapped, raped, and murdered. Bobby Earl Ferguson (Blair Underwood) is arrested by officers Tanny Brown (Laurence Fishburne) and J. T. Wilcox (Christopher Murray), who proceed to beat Bobby into confessing to the murder. Bobby is placed on trial, where Bobby's defense attorney McNair (Ned Beatty) puts up a lousy defense for Bobby, and Bobby is sentenced to be executed. Now, eight years later, Bobby hands a letter to his grandmother Evangeline (Ruby Dee) and asks Evangeline to go to Cambridge, Massachusetts, to hire Harvard law professor Paul Armstrong (Sir Sean Connery) to clear Bobby's name. At Harvard, Paul is attacking capital punishment in a campus debate, when Evangeline arrives and hands the letter to Paul. Paul goes home, where his wife Laurie (Kate Capshaw) is throwing a birthday party for their young daughter Katie (Scarlett Johansson). Laurie reads the letter and she encourages Paul to take the case, even though he hasn't practiced law in twenty-five years. Paul, Laurie, and Katie head to Florida, where Paul meets Bobby in the prison. Bobby tells Paul his side of the story and what Tanny and Wilcox did. Paul begins to believe that Bobby was railroaded. Bobby tells Paul to speak to Blair Sullivan (Ed Harris), a man who is also on death row. Blair gives Paul some clues that could prove Bobby's innocence, and Blair's own guilt. But in the process of trying to clear Bobby, Paul learns some disturbing truths about Bobby, putting Paul and his family in a fight for their lives. —Todd Baldridge

Detective Kyle Bodine falls for Rachel Munro who is trapped in a violent marriage. After shooting her husband, Kyle reluctantly agrees to help hide the body, but Kyle's partner is showing an unusual flair for finding clues.

A group of young boys befriend a prostitute named V. Young Frank and his pals get an idea for the ultimate in excitement. They decide to pool their savings, bicycle to the nearby Big City, and hire some woman of the streets to strip for them. Things do not work out that simply, but they do meet V, a Hooker With A Heart Of Gold, who ends up giving them a ride home. Soon she is living in Frank's treehouse, unbeknownst to Frank's widowed father Tom, who thinks she is one of Frank's teachers. Soon, however, the evil Waltzer comes looking for V.

Mitch McDeere (Tom Cruise), about to graduate from Harvard Law School, accepts a generous job offer from Bendini, Lambert & Locke, a boutique firm in Memphis, Tennessee. Mitch was being courted by many companies who offered a generous starting pay package, reasonable working hours, and even perks such as court-side tickets to basketball games. Exit options include a cushy Government job as a Senator, Governor, Congressman or some such. Mitch meets senior partner Oliver Lambert (Hal Holbrook) and Managing Director Royce McKnight (Jerry Hardin) at a fancy hotel room in Boston. Olver inquiries about Mitch's family and says that family stability is important for the firm. Bendini, Lambert & Locke has 41 lawyers. The firm offers 20% more than the highest offer Mitch has (Mitch offered $96,000 a year, which is equivalent to $150,000 in New York) and adds a low interest mortgage and a leased Mercedes. Mitch and his wife Abby (Jeanne Tripplehorn) move to Memphis, and he studies to pass the Tennessee bar exam. Mitch becomes friends with Lamar Quinn (Terry Kinney) and his wife Kay (Barbara Garrick) tells Abby that the firm has had zero divorces and they don't employ bachelors or females. She says that the firm encourages children because children promote stability. All the furniture and electronics at the home are installed by companies contracted by the firm. Senior partner Avery Tolar (Gene Hackman) mentors Mitch and introduces him to the firm's professional culture, which demands strict loyalty, confidentiality, and a willingness to charge exceptional fees. Mitch is seduced by the money and perks, including a house, new car, and his student loans paid off, but Abby is suspicious of the firm's interference with employees' families. The first amber flag is when 2 associates at the firm die in a boat explosion off the Cayman Islands. Mitch finds Lamar in a pensive mood at his own backyard, deeply contemplating his own future. Mitch passes the bar exam and begins working long hours, straining his marriage. Working closely with Avery, Mitch learns that most of the firm's work involves helping wealthy clients hide money in offshore shell corporations and other dubious tax-avoidance schemes. On a trip to the Cayman Islands, Mitch hears a client state that the firm's Chicago clients break people's legs. Seduced by a local woman, Mitch cheats on Abby; this encounter was arranged by the firm's security chief, Bill DeVasher (Wilford Brimley), who blackmails Mitch with photos of his tryst to keep him quiet about the firm's activities. Learning that four of the firm's associates died mysteriously, Mitch hires private investigator Eddie Lomax (Gary Busey), a former cell mate of Mitch's brother Ray, who is shot dead, which Lomax's secretary Tammy (Holly Hunter) witnesses. Mitch is approached by FBI agents who reveal that BL&L's biggest client is the Morolto crime family of the Chicago Outfit. Most of the firm is complicit in a massive tax fraud and money laundering scheme. The dead associates had learned the truth and were killed on the firm's orders, as was Lomax. The FBI warns Mitch that his house, car, and office are probably bugged, and pressures him to provide evidence against the firm and the Moroltos. The FBI informs him that every associate who has ever tried to leave The Firm ends up murdered. His life as he knows it is forever changed. He has a choice: work with the FBI and risk being discovered by The Firm, or stay with The Firm knowing that at some point he will get involved with laundering mob money and in the end go to jail when the FBI cracks The Firm. Either way he will lose his life as he knows it. Mitch agrees to cooperate in return for $1.5 million and the release of his imprisoned brother Ray (David Strathairn) (who is in prison for manslaughter). The FBI releases Ray, planning to return him to prison once Mitch hands over the incriminating files, and gives him half the money to a Swiss account Mitch has set up. Mitch confesses his one-night stand in the Caymans to Abby, who prepares to leave him. When a client complains that he was billed for several hours of extra fees, Mitch realizes that mailing clients these padded bills is mail fraud, exposing the firm to RICO charges. Mitch finds a possible way to save his career. He secretly copies the firm's billing records with help from Tammy but needs files from Avery's house in the Caymans. Avery invites Abby to come with him to the Caymans and she declines, but he reveals his work schedule has changed, threatening Mitch's plans. Telling Tammy not to inform Mitch, Abby flies to the Caymans to seduce and drug Avery. The firm's phone tap picks up Abby's warning to Tammy, and DeVasher sends his hit-men to the Caymans. After Abby copies the files, Avery tells her the firm set up the prostitute who seduced Mitch on the beach. He warns Abby to leave and is later killed by DeVasher's hit-men, staging his death as a bathtub drowning. Mitch's plans are jeopardized when a prison guard on the Moroltos' payroll alerts DeVasher after Ray is transferred to FBI custody without the usual formalities. Evading DeVasher and his thugs, Mitch meets with the Moroltos, presenting himself as a loyal attorney looking out for his clients' interests. He claims that his contact with the FBI and his copying of files were an attempt to expose the firm's illegal over-billing and asks the Moroltos for permission to turn over their billing invoices to help the FBI's case against the firm. Revealing that he has made his own copies, he assures them that as long as he is alive, any information he knows about their legal affairs is safe under attorney-client privilege. Guaranteeing Mitch's safety, the Moroltos let him give the FBI the evidence it needs to prosecute the firm. Mitch's decision to work with the Moroltos angers the FBI, but he reminds them that the evidence he has provided is enough to make a RICO case and ensure that the firm's senior members go to prison for a long time. The McDeeres return to Boston in their old car. Ray, now with Tammy, enjoys his new life in the Caymans with the money Mitch obtained for him.

A mysterious new shop opens in a small town which always seems to stock the deepest desires of each shopper, with a price far heavier than expected. Castle Rock, New England, is a nice place to live and grow and Sheriff Alan Pangborn moves from the big city to the town expecting a quiet life. When Leland Gaunt opens the store Needful Things, he seems to have the object of desire for each dweller. He charges small amounts to the things but requests a practical joke for each of them against another inhabitant. Soon hell breaks loose in town with deaths, violence and riot and Sheriff Pangborn discovers that Leland Gaunt is the devil himself. Further, Gaunt is manipulating the population like puppets exploring the weakness and greed of each person. —Claudio Carvalho, Rio de Janeiro, Brazil Leland Gaunt comes to Sheriff Alan Pangborn's pleasant little New England town, and opens a store. What this kindly Satan sells is whatever you need, from a surcease from pain to an object which you have always coveted. The Faustian price is, of course, corruption, and soon the poor sheriff's town is wracked by jealousy, spite, and violence. —Reid Gagle The devil in disguise comes to a quiet, peaceful town and opens a store called Needful Things. The store has an item for everyone in town. All the devil asks for in return is a few dirty pranks. Little do they know, that they've sold their souls, and the pranks escalate to murder... —anonymous

An undercover officer rejoins Irish mob pals in Hell's Kitchen. Terry Noonan returns home to New York's Hells Kitchen after a ten year absence. He soon hooks up with childhood pal Jackie who is involved in the Irish mob run by his brother Frankie. Terry also rekindles an old flame with Jackie's sister Kathleen. Soon, however, Terry is torn between his loyalty to his friends and his loyalties to others.

A despondent Vietnam veteran in danger of losing his livelihood is pushed to the edge when he sees Vietnamese immigrants moving into the fishing industry in a Texas bay town.

Places in the Heart is an emotionally gripping story that centers around Edna Spalding and her unending struggle against extraordinary hardships in the 1930s in Waxahachie, Texas.

A woman finds romance when she takes a job at an aircraft plant to help make ends meet after her husband goes off to war. Jack and Kay Walsh are typical of many couples of the 1940s, where he is the breadwinner and she the housewife dependent upon him to do the man's duties around the house. Jack believes one of their neighbors in the housing complex in which they live in Los Angeles is white trash - he letting her know so at every opportunity, while Kay is quietly curious about her. That neighbor is streetwise Hazel Zanussi, an aspiring singer who does get a chance to sing on occasion at the club managed by her casual boyfriend, Biscuits Toohey, although he relegates her to being one of the taxi dancers more often against her wants, while he cheats on her behind her back despite truly having feelings for her. Hazel just wants to make an honest living. Their worlds are turned upside down on December 7, 1941 when the US enters WWII with the Japanese bombing of Pearl Harbor. Jack immediately enlists in the Navy, and while he will send money home, his decision leaves Kay largely to fend for herself. Against what she knows are Jack's wishes, Kay decides to follow the request made by the government to the female population to do their part in the war effort by getting an assembly line job at a factory, in Kay's case as a riveter at Santa Monica-based MacBride, a military aircraft manufacturer. Hazel, too, gets a job there. Despite a rocky start based on how Hazel knows Jack feels about her, Kay and Hazel become best friends in the process, largely in their and their fellow female employees needing to stand up to the taunts by their less than enthusiastic male colleagues. Working for a living and having Hazel as a friend results in Kay standing on her own two feet for the first time, including making important decisions on her own. Kay is pursued romantically by their line leadman, Lucky Lockhart, who sees himself more as a musician, a trumpeter, than a factory worker. Kay has to decide how far to go with Lucky, to whom she is admittedly attracted, but she does not want to betray Jack, especially due to the reason for his absence. With all these issues going on in Kay's life, she will be tested to see if she can go back to her previous life in all its aspects if and when Jack makes it home, especially after the war. —Huggo In 1941 America Kay and her husband are happy enough until he enlists after Pearl Harbor. Against his wishes, his wife takes a job at the local aircraft plant where she meets Hazel, the singer from across the way to whom she hadn't previously been all that nice. The two soon become firm friends and with the other girls become increasingly expert workers able to ride the jibes of the male workforce. As the war drags on, Kay finally goes on a date with her trumpet-playing foreman, and life inevitably starts to get complicated. —J-26

A stern and tyrannical father named Stan (Tom Atkins) gets angry when he finds his young son Billy (Joe Hill) reading a grisly horror comic book entitled "Creepshow". After arguing with his wife (Iva Jean Saraceni) and slapping Billy, Stan throws the comic in the garbage. A skeletal figure appears outside Billy's window, the Creep, who hosts the stories in the comic book. A wind draws the comic out of the garbage can, and the five stories within come to life, dissolving from illustrated comic frames to live-action frames at the beginning of each story, and vice versa at the end of each story (each story is linked by short, animated interludes). 1st story: "Father's Day" -- The Granthams are a wealthy family with a macabre annual celebration. Sylvia Grantham (Carrie Nye) gathers with her family members Richard (Warner Shook) and Cass (Elizabeth Regan), and the eccentric Aunt Bedelia (Viveca Lindfors) on Father's Day. While they are waiting for Bedelia to arrive, the family members explain Bedelia's back story to Cass's new husband, Hank (Ed Harris). It seems that Bedelia's father, the now-deceased family patriarch Nathan (Jon Lormer), was pathologically jealous of Bedelia. After Nathan had her lover murdered in what was written off as a "hunting accident", Bedelia went over the edge. While caring for the elderly Nathan, Bedelia snapped and bashed Nathan's head in with a marble ashtray. The family conspired to make it look like an accident, and Nathan's massive wealth was divided among them equally. Ever since the time of the murder, which occurred on Father's Day, Bedelia visits her father's grave at the family estate, then joins the others in the mansion for dinner. This year, as Bedelia sits on Nathan's grave, Nathan's rotting corpse (John Amplas) emerges from the ground and attacks her, strangling her to death. Nathan then exacts revenge on the rest of the family. Hank is squashed with a falling gravestone, the housekeeper Mrs. Danvers (Nann Mogg) is killed, and Nathan twists Sylvia's head off of her body. In a final gruesome joke, he 'surprises' Cass and Richard with Sylvia's head, decorated to look like a Father's Day cake, complete with burning candles. Story #2: "The Lonesome Death of Jordy Verrill" -- Jordy Verrill (Stephen King) is a simpleton who lives alone on his family's rundown farm. A meteor crashes to Earth, landing in his field, and Jordy has aspirations to sell the meteor to the local college for a small fortune -- two hundred dollars. He tries to pick up the meteor but it's too hot, and burns his fingers. Jordy's solution is to pour a bucket of water on it, but that causes it to split in two. A dejected Jordy sees his dream of a two hundred dollar windfall go down the drain. Still, he resolves to try and sell the halves, which are now covered in a greenish liquid. Later that night, the crater where the meteor landed is now covered in weird green plant life, as is everything the meteor came into contact with. Jordy notices his fingers have green wounds on them, presumably from the burns, but later he discovers the alien vegetation, which has now covered the entire farm. Jordy realizes that the alien plant life is now growing on his skin. As the night progresses, Jordy becomes covered in shaggy green weeds, causing him to itch. Jordy's itching skin causes him to run a bath, but before he can get in, the image of his deceased father (Bingo O'Malley) appears to him in the mirror and warns him against getting into the water, since the water is what makes the weeds grow. Jordy gets in anyway, and when morning dawns, Jordy has become a gigantic lumbering mass of alien vegetation. Desperate, he shoots himself in the head with a shotgun, revealing that the deep green weeds have even penetrated his brain. Afterwards, a radio announcer is heard forecasting heavy rainfall, suggesting that the extraterrestrial plant growth will further spread to surrounding areas. Story #3: "Something to Tide You Over" -- Harry Wentworth (Ted Danson) is awakened by a knock at his door from Richard Vickers (Leslie Nielsen). It seems that Harry has been having an affair with Richard's wife, Becky (Gaylen Ross), and Richard has come to confront him. Instead of attacking him, Richard plays him a cassette of Becky's terrified voice begging Harry for help. Harry accompanies Richard back to his private beachfront estate, where Richard forces him at gunpoint to climb into a hole in the sand on the beach. Burying Harry up to his neck, Richard then connects a television that displays live footage of Becky, also buried up to her neck in another location on the beach. The tide is already starting to come in and wash over her face. Harry realizes that they will both be dead soon; there is no reasoning with Richard, who seems to take great delight in his revenge. Richard abandons Harry and goes back to his beach house, where he watches the drowning deaths of both Becky and Harry on the video monitors. Before the last wave covers Harry's head, he vows revenge on Richard. Later that night, Richard is alone in the beach house when he seems to hear voices calling him. While he showers, two shuffling figures enter his home, defying the many security cameras and alarms that Richard has in place. When Richard emerges from the shower, he hears somebody in his house and immediately thinks it's Harry, somehow still alive. He is terrified to discover that the invaders in his home are the water-logged corpses of both Becky and Harry, both of them zombies covered in seaweed with green, pruning skin. Richard's gun has no effect; the zombies taunt him the same way he taunted them, and we finally see Richard, now completely insane, buried on the beach in the same way, waiting for the tide to come in. "I can hold my breath a looooooooooong time!" Richard yells crazily. Story #4: "The Crate" -- A janitor at Horlicks University, Mike (Don Keefer), discovers an old dusty crate behind a grate under a basement stairwell. He calls Professor Dexter Stanley (Fritz Weaver) to investigate with him, drawing him away from a stuffy faculty gathering. At the gathering is Dexter's good friend, Professor Henry Northrup (Hal Holbrook). Henry is married to an obnoxious shrew of a woman named Wilma (Adrienne Barbeau). Wilma, who is continually drunk, embarrasses herself and Henry at the party, and it seems as if she is about to ruin the friendship Henry shares with Dex. Henry, who is somewhat meek, fantasizes about ways to murder her. Back at the university, Dex and Mike pull the crate out from under the stairs and realize that it appears to have been under there since the late 1800s. A stamp on the outside of the wooden box indicates that it contains specimens from an arctic expedition. When the two of them open it, they sense movement from inside, and Mike is attacked by something when he puts his arm in the crate. Whatever it is pulls Mike inside, apparently eating him as it goes, and Dex catches a glimpse of a horrible, shaggy beast with huge teeth. Dex runs blindly from the lab and finds the only other person in the hall, a student named Charlie Gereson (Robert Harper). Charlie goes down into the the laboratory and finds it covered in blood, with no sign of the crate or the creature. Charlie and Dex find the crate back under the stairs, and when Charlie attempts to investigate, the creature attacks him and eats him, too. Dex is afraid to go to the police; instead he goes to Henry's house, and he arrives while Wilma is away for the evening. He tells Henry the story about the creature, and Henry knows Dexter has to be telling the truth. Henry hatches a plan. He gives Dex sleeping pills and leaves him locked in his study, asleep. Henry writes Wilma a note, concocting a bogus story designed to lure her to the laboratory. He gets there ahead of her and cleans up the evidence of the blood. Wilma can't resist Henry's trap, and she shows up at the university as planned. Henry lures her under the stairs and her obnoxious ranting draws the creature out of its crate. It eats Wilma before Henry's eyes; Henry then chains it inside the crate and dumps the crate into the deep water of a nearby quarry. When Dexter wakes up the next day, he and Henry vow to keep the secret of what really happened, and let the authorities deal with the disappearances. The final frames show the creature in its watery trap, tearing the crate to pieces and presumably escaping. 5th and final story: "They're Creeping Up on You!" -- Upson Pratt (E.G. Marshall) is a neurotic business tycoon who lives in a sterile, white penthouse apartment atop a skyscraper in a major city. He communicates with the outside world via the telephone, treating his employees and subordinates in a cutthroat, heartless manner. One phone caller informs him that an employee, Norman Castonmeyer, has committed suicide because Pratt fired him. Pratt seems delighted rather than upset. Pratt is obsessed with cleanliness and has a huge phobia of bugs. Unfortunately, he keeps finding cockroaches in his apartment, which sets him on a rampage to correct the situation. He places telephone calls to the building superintendent (David Early) and makes thinly veiled racial slurs in an attempt to intimidate the man. As Pratt finds more bugs in his apartment, someone gets through on his private line. Norman Castonmeyer's widow, Lenore (voiced by Gwen Verdon {credits say "Ann Muffly (voice) (uncredited)"}), calls Pratt to curse him for her husband's death. Pratt is amused by her melodramatic sadness, until the cockroaches multiply. He finds them in his food processor, bits of them surfacing in the grain cereal he eats. An electrical blackout occurs, and the roaches attack, swarming by the thousands everywhere in Pratt's apartment. Pratt retreats to his "safe room", a climate-controlled sleep chamber, just as the phone rings. Lenore Castonmeyer's voice curses him over and over "I hope you die! I hope you die!", and Pratt discovers his bed swarming with roaches. The roaches quickly cover him and Pratt suffers a heart attack. The power returns, the lights come back on, and the roaches are nowhere to be seen. Pratt's body lies inside the glass sleep chamber. The superintendent knocks at Pratt's door and laughs when Pratt doesn't answer, asking "Bugs got your tongue?" Suddenly, swarms of roaches burst from Pratt's body, so many that they nearly fill the glass chamber. The wraparound story with Billy concludes the next morning, when two garbage men (Marty Schiff and Tom Savini) discover the comic book next to the trash can in front of Billy's house. They leaf through it reverently and discover that someone has clipped a mail-in coupon for a genuine Haitian voodoo doll. Inside the house, Billy's father, Stan suddenly suffers neck pain, while up in his bedroom, Billy stabs a voodoo doll in his form of his cruel father repeatedly with a pin as payback for Stan tossing out his favorite comic book. Like each story in the comic book, this live action scene of Billy stabbing the voodoo doll becomes an illustrated comic book picture, and as the camera pulls back, we see that the comic's macabre "host", "The Creep", is holding the second issue of the "Creepshow" comic book in his boney hands, with Billy and his voodoo doll adorning the cover. The Creep titters, and a nearby candle flame goes out, plunging the scene into darkness. Credits begin to roll... (At the end of the credits, we once again hear The Creep's laughter).