Edward Herrmann

Intolerable Cruelty is an all-out battle of the sexes between a fabulously successful divorce attorney and a marriage-for-money gold digger who is seeking revenge.

Semi-true story of the Hollywood murder that occurred at a star-studded gathering aboard William Randolph Hearst's yacht in 1924. In November of 1924, a mysterious Hollywood death occurred aboard media mogul William Randolph Hearst's yacht. Among the famous guests that weekend were: film star Charlie Chaplin; starlet Marion Davies (who was also Hearst's mistress at the time); silent-film producer Thomas H. Ince (known for creating the first Hollywood-studio facility and for creating an "assembly line" system for filmmaking); and feared gossip columnist, Louella Parsons. —Carol Lewis, Producer

Richard "Richie" Rich Jr. (Macaulay Culkin) is the world's wealthiest kid, the son of Imagineer and philanthropist Richard Rich, Sr. (Edward Herrmann), worth $70,000,000,001. Richie has loyal butler Herbert Cadbury (Jonathan Hyde) as a companion. He lacks any friends his own age. But he thinks he might get his chance at a dedication to the reopening of United Tool, a factory Richard recently acquired (intending to modernize the factory and give it away to the workers as a token of goodwill). There Richie encounters a group of sandlot kids playing baseball. Unfortunately, the too-strict head of security, Ferguson (Chelcie Ross), stops Richie and pulls him sharply away. Cadbury warns Ferguson against being too rough with Richie. Richard tries to keep in touch with Richie and spend time with his son whenever he can. He even had the Rich family's head scientist, Professor Keenbean (Michael McShane), invent a machine called the "Dadlink" that pinpoints Richard's location in seconds, so Richie can talk to his dad whenever he's away on business. Meanwhile, the greedy CFO of Rich Industries, Laurence Van Dough, is planning to steal the Rich financial fortune, believed to be stored in the Rich family vault. Van Dough, with the help of Ferguson, plots to blow up the plane (a Douglas DC-3 christened the Billion Dollar One) carrying the Rich family to England by disguising a bomb among the presents that they were to give to Queen Elizabeth II. Cadbury, seeing Richie's loneliness, makes a suggestion to Richie's mother, Regina, and arranges for Richie to stay home in Chicago with the sandlot kids for a weekend of fun. That weekend allows Richie to earn the friendship of the sandlot kids. Thanks to the new invention of Professor Keenbean, the Smellmaster 9000 which translates smell into sound, the bomb is detected. Richard is able toss the bomb out his window, but it detonates, destroying part of the tail, sending Billion Dollar One into the Atlantic Ocean. Richie Sr. and Regina survive the crash and climb into one of the plane's inflatable rafts. Believing that Richie's parents are dead, Van Dough assumes leadership of the Rich corporation, and proceeds to cut the many charitable contributions the Rich family were known for. This includes closing the recently reopened United Tool factory, which the parents of the sandlot kids relied upon for their living. This angers Richie, who proceeds to the company headquarters and, as a living Rich family member, assumes the leadership position. Van Dough, however, saw this as a minor setback: as Richie is still underage, his ability to run the business was limited by the powers to him by someone who was able to give it to him - namely, Cadbury. Cadbury is framed for the Rich family's murder, and the Rich family's other loyal servants are all fired together by Van Dough's edict, effectively isolating Richie from the outside world and making him a prisoner within his own home. However, he does get the assistance of Keenbean, who has been distrustful of Van Dough from the start. Hiding in his lab, located in the basement of Rich Manor, Keenbean listens in on Van Dough and Ferguson playing pool. They plot to have Cadbury murdered and appear to have committed suicide. The professor manages to sneak Richie out with a plan to break Cadbury escape from prison. After Cadbury gets the supplies (a card in Latin, a language he is fluent in, to warn him and Keenbean's mixture, which will eat through literally anything), he is attacked by one of Van Dough's henchmen; surprisingly, he shows great strength for his appearance, and knocks the goon unconscious. Dressing in the goon's leather and denim biker clothes, Cadbury then regroups with Richie, his new friends and one's mother (whom Cadbury is falling for). They are willing to assist Richie in whatever it takes to get his home back. During this time, Van Dough finds out about Cadbury's escape and, with Ferguson's help, confronts Keenbean. They tie the professor up and threaten to throw him into his molecular Reorganizer, which turns garbage into whatever's typed in (a bedpan in this case), unless he gets them into the vault. Keenbean states the lock is voice-activated and only Richard and Regina can open it. Meanwhile, Richie was left with the Dadlink. However, Richard's receiver was broken in the crash, and when Richard manages to fix it, the signal is intercepted by Ferguson, who disconnects Richie's modem from the phone line, leaving Richie (remoting in from a friend's terminal) in the dark as to where his parents may be. After rescuing Keenbean from captivity, the kids manage to sneak Richie back into Rich Manor, only to discover that the Dadlink shows that Richie's parents are inside the Rich's house. He is shocked to discover that Van Dough had anticipated his own arrival and had arranged for his parents' rescue. Held at gunpoint, Van Dough forces the Rich family elders to the Rich vault, while Ferguson and his men take Richie and his friends to the molecular Reorganizer. Using his ultra-adhesive substance Cementia and his remote-controlled RoboBee, Keenbean thwarts Ferguson's plan and manages to save Richie and his friends. Richie then proceeds to take a bag full of Keenbean's inventions in a bid to save his parents. Van Dough is eventually led to Mount Richmore, a stone mountain portrait of the Rich family, where the vault is located. There, he is furious upon discovering that the vault holds the Rich family's childhood memories and treasures - nothing that was valuable to him. Demanding an explanation, he finds the Rich family keeps their money in banks, the stock market, and real estate, because they simply do not value money. Desperate to get the money, he attempts to shoot Richard and Regina, only for Richie to interfere. Van Dough attempts to shoot Richie instead, but manages to barely faze him, his clothes having turned bulletproof thanks to one of Keenbean's inventions. The Rich family then takes the opening caused by Keenbean's invention to escape. The chase eventually leads them down the side of the mountain, where they are under further attack by Ferguson (covered in pieces of towel from the Cementia) and a special rock-blasting laser that had been used to sculpt the mountain vault. Cadbury finally manages to disarm Ferguson and manages to keep the Rich family safe, while Van Dough hangs upside down for dear life, after Cadbury fires at him. Although Richard abhors firing staff, he allows Richie to fire Van Dough, who is then subsequently decked by Regina and arrested. Later, Richie plays baseball with his new friends for the United Tool team on Rich Manor's yard (with Cadbury as team coach and Keenbean as umpire) and hits a home run that's picked up by Van Dough, who's doing gardening with Ferguson as work release.

The initial scenes establish that Joanna Stayton (Goldie Hawn), is a spoiled brat who always gets her way, the ultimate rich bitch, and the pampered wife of pretentious socialite Grant Stayton III (Edward Herrmann). Using Roman numerals after your name is Hollywood shorthand for "pretentious snob", and Grant is that, and self centered to boot, however, Joanna is far worse. She is not only snobbish but also idle, pampered, sharp-tongued, impossible to please and unfailingly rude to anyone she considers her social inferior, which is virtually all of the human race. To describe Joanna as unsympathetic is a huge understatement, a better description would be "prize bitch". When Grant's luxury yacht develops engine trouble, Grant is forced to put into the small Oregon coastal town of Elk Snout for repairs. While the huge yacht is in port, Joanna hires Dean Proffitt (Kurt Russell), a poor carpenter who has just moved to Oregon, to build better shoe storage for her closet in the yacht. Dean is a skilled craftsman, rather picky about what he uses, such as the wood that should be used to protect the leather from salt spray in a ship. Joanna is also not impressed by his taking so long, as he designed intricate shelves that confuse and annoy her. An early funny scene in the movie has Joanna lecturing Andrew the butler (Roddy McDowall), on why the caviar he had just delivered her was no good, while Dean, standing in the background, has his tape measure pointing suggestively skyward. When the work is complete she refuses to pay him in a dispute over the quality of his workmanship, claiming that the closet is not up to her standards. In the ensuing argument Joanna loses her temper, pushes Dean overboard and throws his tools after him. The yacht crew has long ago gotten used to keep quiet and accept the guff from Joanna and Grant, despite that they have been treated like dirt, particularly family butler Andrew. After a typically stormy dinner that night, Joanna drops her wedding ring behind a seat on the deck. In reaching for it she loses her balance and falls overboard. A garbage boat rescues her but there is a problem: she is suffering from amnesia and cannot remember anything of her former identity. This we learn as Joanna is interviewed as she is wheeled into a psychiatric hospital. The following morning Grant returns to port, and finds Joanna is safe in a hospital but she has lost her memory, while her personality remains as nasty as ever. Grant, who is weary of Joanna, pretends that he does not recognize her, seeing his chance to be rid of her and to lead a playboy bachelor lifestyle on the yacht. When news of the unidentified amnesiac is televised throughout the city, a still angry Dean recognizes her picture and believes his opportunity for revenge has come. In a stroke of retributive genius, Dean shows up at the hospital audaciously posing as her husband and identifies Joanna as his wife "Annie". He tells her that she's his wife and the mother of his four unruly boys. His motive is not only payback for the way in which Joanna treated him but also his need for someone to do all the housework, as Dean is skilled as a craftsman but less accomplished in parenting and housekeeping. He is a widower with four young sons and finds it difficult to cope. The kids have missed a woman's touch in their home for nearly five years since their Mom died. Since the death of their mother his attitude towards his children and his household has been one of benign neglect. The boys have become undisciplined and badly behaved and the house looks like a war zone. Dean's intention is to get compensation for his unpaid work from Joanna being the household maid for a while. He figures on crediting her for 25 dollars a day. He assumes she'll be good for cleaning up around the house and looking after his four sons. The sons agree to the hoax, so Dean brings Joanna into his highly unkempt home and gets her to do all the chores. Although Joanna cannot recall her previous life with Grant, she is not convinced that she really is Dean's wife, especially as she turns out to be totally unskilled at cleaning and cooking. There isn't any sexual attraction on either side, so she sleeps on the couch in the living room and he keeps his bed. She asks Dean questions like where did we meet, what jobs did I have, and his answers are pretty low class redneck, so the muses to herself, I was a short, fat, slut? Whatever her questions, Dean manages a cover up with some silly story. When she gets curious about why there aren't any pictures of her anywhere, Dean arranges for one of his buddies to modify Deans original wedding pictures by inserting Joannas face replacing his first wife. Later on, when Joanna discovers that she is fluent in French, Dean has to make up a tall tale to explain why. Joanna, finally believing she is Annie, struggles to become a good housewife and mother. She accepts her role as the woman of the house. Gradually, however, she gets used to her situation, she gets good at it, Dean even begins to fall in love, as Joanna's hidden talents come out. While overwhelmed at first by having to do unfamiliar work, including cooking, while struggling to remember this family, Joanna slowly works things out. Joanna brings some discipline back into the lives of father and sons. She is able to moderate the wild, "bachelor's hall" lifestyle that Dean has set up for himself and his sons. The boys accept a curtailment of their freedom, which at first they resent but slowly appreciate. A breakthrough with the kids comes when she sticks up for them against a bullying school teacher. A breakthrough with Dean comes when she finds he is earning extra money at a menial moonlighting job on a night that he says he goes out bowling with the guys. Joanna gradually comes to appreciate Dean's good qualities and to sympathize with little people she had previously dismissed as worthless. Dean finds he's got a dilemma to solve, as he too begins to appreciate her. He first feels he truly cares for her when she gets a poison ivy rash and he does everything a loving husband would do to make his wife feel better. She is crucial help to him in landing a construction job for a miniature golf park, she suggests a theme of famous world landmarks, and prepares sketches that sell the concept to the investors. He's missed having a female companion with intelligence. He decides to tell her the truth, but he doesn't get his confession out fast enough, she jumps the gun to tell him she knows the secret. So once again he lies, he apologizes for forgetting her birthday instead, and takes her out on a fun birthday date with lots of music and singing. As they come back home that night, Joanna realizes she is truly happy with him, and they have their first passionate all night encounter as part of the birthday celebration. Of course the situation remains tricky, since it is endangered if Joanna recovers her memories. Meantime, Joanna's mother Edith (Katherine Helmond) has been hounding Grant on why she has not heard in weeks from her daughter, makes credible threats to hire mercenaries to track him down, and flies out to stay at the yacht. Under Edith's pressure, Grant reluctantly decides to end his partying and sail from Los Angeles to Elk Snout to retrieve Joanna. He finds her easily, drives in his limousine to the house she shares with Dean, and waits. Joanna comes towards the house, sees Grant, and her memory functions well enough that she says "Hi, Grant". With that trigger, her memories rapidly return to her and she leaves Dean to rejoin Grant and her old life of material privilege on the yacht, which soon departs Elk Snout bound for New York. However, Joanna is no longer the woman she once was and she hates the wealthy snobbishness represented by Grant, Edith and the fashionable psychiatrist (Henry Alan Miller) whose advice on how to treat her daughter is constantly used by Edith. Joanna asks for beer when she is offered champagne, and she spends time in conversations with the cook, the crew, and the butler Andrew, to whom she apologizes for treating him spitefully over the past years. Andrew helps Joanna to realize that her true happiness is with Dean and his sons, who she has been missing since the yacht left. As a result, she commands the skipper to turn back toward Elk Snout. The film is clearly intended as a satire on the ways of the ultra-rich. There is a sharp contrast between Joanna's idle, pointless existence before her transformation and her fulfilling, useful life as a blue collar housewife after it. Next morning, when Grant sees which way the yacht is heading, he confronts Joanna, who tells him that she doesn't love him anymore. Grant makes a subsequent remark that leads Joanna to deduce that Grant knew where she was all along, and had abandoned her in the hospital. Meantime, Dean and his kids are unhappy at doing nothing to get her back, and decide together to give it their all in one last grand effort. They pull some favors from buddies and get a Coast Guard boat to chase after the yacht, as long as there isn't any actual call for the Coast Guard boat to chase anyone else. As the two vessels approach, Joanna and Dean see each other. The Coast Guard boat then receives an emergency call after some salmon poachers are sighted, and on the yacht Grant, who has become insane after finding out that Joanna doesn't love him, fights for control of the bridge, overpowering both the skipper and Andrew, and the boats start to veer away from each other. Dean grabs a life jacket and jumps off the Coast Guard ship, compelling it under naval protocol to circle back and pick up the man overboard. Joanna tries to jump off her yacht, but Andrew holds her back, telling her that he cannot possibly allow her to do it ... without a life jacket. She takes the jacket Andrew gives to her, jumps off the yacht and asks him to tell Edith that she will call her later, before swimming towards Dean. Now suffering a mental breakdown, Grant furiously aims a bow and arrow towards Joanna, but Andrew saves Joanna's life by kicking Grant into the water, then gives him two weeks' notice. Needless to say, there are hugs and kisses and reunions all around. Joanna leaves Grant, and begins a happy life with Dean and the boys, only instead of Dean's shack, they are now on the yacht, after Joanna finds out and tells Dean that all of the money and the yacht actually belong to her and not Grant. In the last scene, the boys eagerly start to make out their Christmas lists, with one of them asking for the spelling of Porsche. Dean asks Joanna "What can I give you? You already have everything!". Joanna smiles as she replies "You could give me a little girl". They kiss each other as the boat sails into the sunset.

Following the divorce of their parents, Micheal (Jason Patric) and Sam Emerson (Corey Haim), along with their mother Lucy (Dianne Wiest), move to Santa Carla, California to live with their mother's father, a peculiar old man (Barnard Hughes). Known as the murder capital of the world, Santa Carla boasts a local boardwalk where a number of young people hang out. Most notable is a group of young men and their leader named David (Kiefer Sutherland). When the Emersons go out to the boardwalk for the first time, Lucy finds a video store run by a genial man named Max (Edward Herrmann (as Ed Herrmann)). They have a pleasant conversation, and Lucy is soon hired by him. Sam finds a comic shop near the boardwalk, overseen by the Frog Brothers, Edgar (Corey Feldman) and Alan (Jamison Newlander). The two give Sam a comic about vampires, which Sam reluctantly takes. Meanwhile, Michael becomes enthralled by the mysterious and beautiful Star (Jami Gertz), who happens to be the girlfriend of David. David and his gang take Michael to their hideout, which is the remnants of an old hotel that collapsed during an earthquake. While there, Michael inadvertently drinks David's blood, thinking it is wine. Michael starts to develop some side effects - including sensitivity to sounds, a lack of reflection, and even flying. At one point, Michael almost attacks Sam but is stopped by the family dog named Nanook. When Sam notices Michael's faded reflection in a mirror and him being able to fly, he realizes his brother's a vampire, and in a panic calls their Mom, who is having dinner with Max. Michael manages to calm Sam down, to the point that when their Mom arrives, Sam claims a comic book freaked him out. Needless to say, Lucy is upset at having her evening ruined. After these events, Michael returns to David's hideout, where he confronts Star. She admits that the bottle he drank from did contain David's blood, and his suspicions are true. The next day, Sam accompanies his Mom to Max's place to drop off some wine. However, they are both terrified when Max's dog Thorn attempts to attack Lucy! Feeling the attack seemed similar to something in the comic he was given, Sam tells the Frog Brothers. In regards to Michael, the brothers claim Sam has to stake Michael to kill him, but Sam refuses, confident that his brother is only a half-vampire, and that he can be saved if the head vampire is killed. After the way Thorn acted and not having seen Max in the daylight, Sam is convinced that Max is the head vampire. Lucy invites Max over to dinner a few days later. Michael leaves when Max arrives, but not before per Max's request, he invites him in. Sam has brought the Frog Brothers over for the dinner, and they attempt to expose him. However none of their plans work, and they conclude that Max is not the head vampire. Finally, Michael decides to take Star, along with a little half-vampire boy named Laddie Thompson (Chance Michael Corbitt), from David's clutches and brings Sam and the Frog Brothers with him to kill David and his gang while Michael grabs Star and Laddie. The inexperienced Frog Brothers manage to kill one vampire before waking the bunch and fleeing into the daylight. David smiles as the group escapes saying "Tonight." Sam, Michael, and the Frog Brothers prepare for the night ahead. They prepare a bathtub full of garlic. They fill squirt guns with holy water. They prepare wooden stakes. Night falls and David and the remainder of his crowd come to Sam and Michael's house to seek vengeance. Sam and Michael take out one of the vampires by electricity and the Frog Brothers are saved by Sam & Michael's dog when the dog knocks a vampire into the bathtub with garlic. Finally, David and Michael face off. Michael kills David by pushing him onto some antlers. The only problem is that Michael doesn't go back to being human, meaning David is not the head vampire. Just then Lucy comes home with Max from a date. Unseen by Max, Michael and Star hide in the shadows as Max approaches the deceased David. Max appears to be upset by the death. It's then that it is revealed that Max is the head vampire and that David and his gang were Max's "children" of sorts. Max wanted David to make Michael and Sam part of the "family" so that Lucy would agree to be with Max knowing what he is. Max wanted Lucy because his boys were in need of a mother. Even though his boys are dead he still wants Lucy. Max takes hold of Sam, telling Lucy that Sam will die if she doesn't come to him. Just then Lucy's father busts into the house in his car equipped with wooden stakes. Max is killed and the day is saved. As Lucy makes sure her boys are okay, the grandfather goes to the kitchen, pops open a root beer, and says "There's one thing about living in Santa Carla...I never could stomach - all the damn vampires."

After his aunt dies of a heart attack while fighting the IRS, Harry Johnson decides to take up the cause. Harry Johnson's aunt is a rich eccentric with an extensive collection of military memorabilia, who also happens to be in a fight with the IRS. When she dies of a heart attack, Harry blames her death on the IRS and takes up the fight himself. As Harry's cause gains attention and supporters, the 'war' soon escalates into a full-scale seige with Harry right in the center. —Jean-Marc Rocher <rocher@fiberbit.net>

A radical American journalist becomes involved with the Communist revolution in Russia, and hopes to bring its spirit and idealism to the United States. American journalist John Reed journeys to Russia to document the Bolshevik Revolution and returns a revolutionary. His fervor for left-wing politics leads him to Louise Bryant, then married, who will become a feminist icon and activist. Politics at home become more complicated as the rift grows between reality and Reed's ideals. Bryant takes up with a cynical playwright, and Reed returns to Russia, where his health declines. —Jwelch5742 The joint lives of journalists and activists John Reed - referred to as Jack in familiar circumstances - and Louise Bryant from 1915 to 1920 are presented, the former who, at the time of the making of this movie, is the only American to be buried at the Kremlin in a place of honor. In their life together, they are sometimes friends, sometimes lovers, sometimes spouses, but always idealists who hold steadfast to their beliefs. They initially meet in Portland, Oregon in 1915 when Jack returns to his hometown on a speaking engagement, he already a well known "liberal" journalist writing about how the working class is paying the price for the elitists calling the shots in the war, with Louise the repressed wife of dentist Paul Trullinger, she who has dabbled in journalism as a means of independence from her traditional life. She is protective about her writing and how to get her point of view across, which often does not mesh even with those who may agree with that point of view. Jack and Louise attracted to each other sexually and emotionally, he asks her to return to New York with him both to be with him and to give her the freedom to write what she really wants. In New York, they associate with Jack's friends - who include among others playwright Eugene O'Neill and writer/activist Emma Goldman - who largely dismiss Louise as a lightweight, just the latest of Jack's girlfriends, and/or solely, in the minds of many of the men, a sexual being to be exploited. Despite their relationship/marriage largely at its end, Jack is able to convince Louise to travel to Russia with him in 1917 to report on and be involved with the Bolshevik Revolution, which Jack feels could be the impetus for the end of the war, and if successful, a model for the American working class. It ends up being a game changer in their lives, for Jack seeing the success of the working class, and for Louise being caught up in the fervor of true idealism coming to fruition regardless of the specific issue. The Revolution will have an impact on their lives in a different way as a possible cause of them never seeing each other again, as (1) it causes Russia to be an isolated nation, (2) the scourge of Communism, Jack who is largely seen as the face of it in the US, being something that most in the mainstream of American life would like to see eradicated, and (3) Communism in Russia not being true to the academic definition of the term and perhaps not quite what Jack or his socialist associates in the US had envisioned. Through it all, an issue in the background but one that plays an integral part of their story is Jack's poor health, something that he does little to improve or care for in his goal of forwarding his leftist ideals. Interspersed with the dramatization of Jack and Louise's life are current day interviews with real life players who knew Jack and/or Louise, or who knew of the issues with which they were dealing. —Huggo Based on the true story of Jack Reed (played by Warren Beatty) and Louise Bryant (Diane Keaton), two American socialists and writers. During WW1 they actively campaigned for and wrote about socialist causes. When the news of the Russian Revolution broke this was seen as the chance for socialism to gain a greater foothold and popularity. Reed went to Russia to see what could be learned from the revolution and took the ideas back to the US, forming the Communist Labor Party of America. Things weren't all plain-sailing though, both in the relationship between Reed and Bryant and in politics. —grantss This movie tells the true story of John Reed , a radical American journalist around the time of World War I. He soon meets Louise Bryant, a respectable married woman, who dumps her husband for Reed and becomes an important feminist and radical in her own right. After involvement with labor and political disputes in the US, they go to Russia in time for the October Revolution in 1917, when the Communists siezed power. Inspired, they return to the US, hoping to lead a similar revolution. A particularly fascinating aspect of the movie is the inclusion of interviews with "witnesses", the real-life surviving participants in the events of the movie. —Reid Gagle

After WW1, an ex-pilot takes up barn-storming and chance-meets a former German ace fighter pilot with whom he co-stars in Hollywood war movies depicting aerial dog-fights. A biplane pilot who had missed flying in WWI takes up barnstorming and later a movie career in his quest for the glory he had missed, eventually getting a chance to prove himself in a film depicting the dogfights in the Great War. —Keith Loh <loh@sfu.ca> Waldo Pepper was a World War I flight trainer. Waldo believes the honor of the best WWI fighter pilot goes to German Ernst Kessler, although Waldo's flight commander Newt believes that if Waldo had entered the war earlier and had got the flight time, he would have proved himself to be the best. In the post-war era, Waldo, self-coined as the "Great Waldo Pepper", has like many war pilots resorted to barnstorming to make a living. Instead of the penny-ante flights he provides to adoring fans, Waldo wants to join Dillhoefer's flying circus. Dillhoefer will only let him join if he can prove he can perform a death defying feat that his audiences crave to see. He decides to join forces with sometimes rival pilot, Axel Olsson, to come up with such a stunt. Another possibility, with the help of plane designer Ezra Stiles, his girlfriend Maude's brother, is to complete the first ever outside loop. But when the defying part of death defying comes close to not happening, Waldo's livelihood is jeopardized. He may have to reinvent himself if that livelihood is no longer a possibility. An unexpected source may allow Waldo to show if he really was and is the greatest. —Huggo 1926. Aircraft, in the form of joyrides for cash, air shows, stunt flying and movies on the air battles of WW1, have taken off as a form of entertainment. One pilot cashing in on the trend is Waldo Pepper, a WW1 fighter pilot who now travels around, taking up people for short flights for cash. He regards himself as the second greatest pilot alive. The best? German WW1 ace Ernst Kessler. Pepper and Kessler's paths will cross in the death-defying, high-risk hurly burly that is flying in the 1920s. —grantss

A Midwesterner becomes fascinated with his nouveau riche neighbor, who obsesses over his lost love. Nick Carraway, a young Midwesterner now living on Long Island, finds himself fascinated by the mysterious past and lavish lifestyle of his neighbor, the nouveau riche Jay Gatsby. He is drawn into Gatsby's circle, becoming a witness to obsession and tragedy. —Cleo <frede005@maroon.tc.umn.edu>