Eric Porter

After the murder of her lover Caesar, Egypt's queen Cleopatra needs a new ally. She seduces his probable successor Mark Antony. This develops into real love and slowly leads to a war with the other possible successor: Octavius.

Barney Lincoln (Warren Beatty) is a cheeky young playboy with a taste for gambling who devises the ultimate scheme to cheat the casinos. After finding out that all of the casinos use the same playing card manufacturer, he breaks in and marks the kaleidoscopic pattern on printing plates for the cards. Soon the winnings mount up as he travels across Europe beating the odds. But Barneys troubles begin when he falls for the swinging fashion designer Angel (Susannah York), who discovers his deception. Her father, Manny McGinnis (Clive Revill), is a Scotland Yard inspector who offers Barney a deal. He will keep quiet about the cards if Barney helps him catch international drug smuggler Harry Dominion (Eric Porter) through a high-stakes poker game

Beautiful mother of five Jo leaves the banality of her marriage to second husband Giles to wed her passionate screenwriter lover, Jake Armitage. As her suspicion of Jake's philandering grows, Jo's sanity spirals. Screenwriter Jake Armitage (Peter Finch) and his wife Jo (Anne Bancroft) live in London with six of Jo's eight children; the two eldest boys are at boarding school The children are spread over Jo's three marriages; only the youngest is Jake's biological child, but he treats them all as his own. Jo left her second husband Giles (Richard Johnson) after meeting Giles' friend Jake; the two were immediately attracted to each other. Their upper-middle-class life is very different from Giles and Jo's; who lived in a barn in the English countryside. But Jo is ruminating about her strained marriage to Jake, with issues on both sides. Jo suspects Jake of chronic infidelity, only confronting him with her suspicions whenever evidence presents itself. Jo's psychiatrist believes that she uses childbirth as a rationale for sex, which he believes she finds vulgar. The combination of these issues has placed Jo in a fragile metal state. Both state that they love each other, but neither seems to like the other much. As they prepare to move back to the English countryside, into a new house within sight of Jo's old barn, both Jo and Jake come to their own unspoken individual conclusions of whether their marriage can withstand these strains.