Faye Dunaway

Three friends stumble upon the horrific origins of the Bye Bye Man, a mysterious figure they discover is the root cause of the evil behind man`s most unspeakable acts. The students find that there is only one way to avoid his curse: don't say or think his name, because once The Bye Bye Man gets inside your head, he takes control. The more they think and speak about the bye bye man he starts controlling their mind.

Ex-con Leo tries to go straight, but his plans are derailed after reuniting with his old crew and a well-connected railway contractor. In the rail yards of Queens, contractors repair and rebuild the city's subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he finds his aunt married to Frank Olchin, one of the big contractors; he's battling with a minority-owned firm for contracts. Willie Gutierrez, Leo's best friend, is Frank's bag man and heads a crew of midnight saboteurs who ruin the work of the Puerto Rican-owned firm. Leo needs a job, so Willie pays him to be his back-up. Then things go badly wrong one night, a cop IDs Leo, and everyone now wants him out of the picture. Besides his ailing mom and his cousin Erica, to whom can Leo turn?

Thieves infiltrate the Metropolitan Museum of Art inside an actual Trojan horse, preparing to steal an entire gallery of paintings, but are apprehended. In the confusion, billionaire Thomas Crown (Pierce Brosnan) - the crime's secret mastermind - steals Monet's painting of San Giorgio Maggiore at Dusk. NYPD Detective Michael McCann (Denis Leary) heads the investigation into the theft of the $100 million artwork, with the unwelcome assistance of insurance investigator Catherine Banning (Rene Russo). Banning says that according to McCann, the thieves shut off the AC to drive out the crowd from the museum (but they were themselves among the crowd). Plus, the theory of trying to steal 1000 pounds of artwork (plus 800 pounds of their own weight) doesn't seem plausible with a chopper that has a 600-pound effective load. There is also a mystery of a titanium briefcase that was used to keep open a specific gate of a section from where the Monet was stolen. Banning figures that the Monet section had thermal cameras. When the air was cut off, the temp rose so much that the entire camera feed was wiped off. But the rest of the sections were fine. She then figures that the desk in front of the Monet had 3 legs in the video and only 2 actually. (the 3rd leg was another briefcase placed by Thomas earlier in the day, in which he took the Monet home). Banning reckons that the bench briefcase also had a heater that increased the temp around the Monet more than the rest of the museum. Banning watches as Thomas comes in to identify the perpetrators. She interrogates one of them and figures that they were hired to conduct the robbery by a middleman. They were given schedules and timetables and everything. Banning thinks they were hired to create a diversion. Crown donates a Pissarro to fill the Monet's space in the museum and falls under Banning's suspicion. Banning meets Thomas and tells him that she suspects him of stealing the Monet. Thomas is intrigued and asks her out to dinner. She convinces McCann to begin surveillance of Crown, deducing that the wealthy playboy is motivated not by money but the sheer thrill of the crime. Banning accepts Crown's invitation to dinner. Before the date, Crown's therapist correctly guesses that he has found "a worthy adversary" in Banning. Before dinner Thomas takes Banning to the museum. Banning taunts Thomas by saying that personally she would have taken an irrelevant painting rather than the Monet (and points to the painting of a boat on a lake). At dinner, Banning has a copy of Crown's keys made; she and her team search his home and discover the Monet, which is revealed to be a taunting imitation, painted over a copy of Poker Sympathy from the Dogs Playing Poker series. Banning confronts Crown and the two give in to their mutual attraction, spending a passionate night together. Banning and Crown continue their cat-and-mouse game and their trysts, despite McCann's surveillance. Accompanying Crown on a trip to Martinique, Banning realizes he is preparing to run and rejects his offer to join him when the time comes. Banning is having full blown feelings towards Thomas but continues to look for clues for the missing Monet. After she returns, McCann presents Banning with photographs of Crown with another woman, Anna (Esther Cañadas), complicating her feelings toward the case and her prime suspect. when confronted Thomas maintained that he allowed himself to be photographed with Anna as he wanted to know Banning's true feelings towards him. Banning and McCann discover that the fake Monet is in fact an expert forgery that could only have been painted by someone with access to the original; they visit the likeliest forger in prison, to no avail, although his attitude suggests to them that he recognizes the work. Later, Banning finds Crown packing his belongings with Anna. He promises Banning his interest lies with her alone, stating that Anna works for him, but he would be compromising her to define the nature of their association, and offers to return the Monet, giving her a time and place to meet him when he's finished. Tearfully, Banning leaves and informs McCann. The following day, the police stake out the museum, waiting to arrest Crown. Banning learns that the fake Monet was painted by Anna; the imprisoned forger is her father, a partner of Crown, who became her guardian. Crown arrives but quickly blends into the crowd, aided by lookalikes in bowler hats a la Magritte's The Son of Man. Evading police, Crown sets off the museum's fire sprinklers. His donated Pissarro, hanging in the Monet's place, is washed clean by the sprinklers to reveal the real Monet. Crown's plan is made clear; upon stealing the Monet, Crown had Anna forge the Pissarro over it, and "returned" it to the museum. However, Crown has now vanished with another painting (the one that Banning had pointed to early on), but Banning's employer and McCann consider their case closed as this painting is not covered by Banning's employer. Banning races to meet Crown but finds only the missing painting. Devastated, she sends the painting to McCann, and boards a plane back to London. Taking her seat, she finds Crown sitting behind her and the two are passionately reunited.

Fleeing robbers stumble into a staked-out bar in New Orleans. Three petty thieves who the police believe to be major criminals are chased into a basement bar where they take five hostages including all the bar employees. The rest of the movie deals with the cops lurking outside the bar while the trio try to get hold of the situation inside. —Danny Paikov <deepee@netvision.net.il>

A young man fresh out of law school tries to win a reprieve for his racist grandfather who is on death row. Having survived the hatred and bigotry that was his Klansman grandfather's only legacy, young attorney Adam Hall seeks at the last minute to appeal the old man's death sentence for the murder of two small Jewish boys 30 years before. Only four weeks before Sam Cayhall is to be executed, Adam meets his grandfather for the first time in the Mississippi prison which has held him since the crime. The meeting is predictably tense when the educated, young Mr. "Hall" confronts his venom-spewing elder, Mr. "Cayhall," about the murders. The next day, headlines run proclaiming Adam the grandson who has come to the state to save his grandfather, the infamous Ku Klux Klan bomber. While the old man's life lies in the balance, Adam's motivation in fighting this battle becomes clear as the story unfolds. Not only does he fight for his grandfather, but perhaps for himself as well. He has come to heal the wounds of his own father's suicide, to mitigate the secret shame he has always felt for the genetic fluke which made this man his grandfather, and to bring closure -- one way or another -- to the suffering the old man seems to have brought to everyone he has ever known. But, would mercy soften his grandfather's heart? —Mark Fleetwood <mfleetwo@mail.coin.missouri.edu>

A psychiatrist must cure a young patient who presents himself as Don Juan, the world's greatest lover. Well-respected psychiatrist Dr. Jack Mickler is only 10 days away from retirement. A week before he's supposed to leave, he encounters a young man who attempts suicide--a pretty straightforward case, except that the young man claims to be Don Juan, the fabled Spanish nobleman and world-renowned seducer/lover of women. Despite original hostility from his co-workers, Jack manages to persuade his associates to put the youth in his care for 10 days after which the youth will undergo an evaluation to be either released from psychiatric care or sent to a mental institution. However, as the days progress, Dr. Mickler and the other staff are gradually drawn into the young man's exotic world of love, passion, and pleasure as he tells them the story. While he speaks, the young man's philosophies and zeal for life and love start to revive Dr. Mickler's somewhat-passionless relationship with his wife Marilyn, as well as challenging his own views and ethics to the point where both he and the audience begin to question: could this young man actually be Don Juan? —LadyN1 In present-day New York, a young man believes he is Don Juan, aware of where he is and that this is the 20th century. Regardless of the validity of his claim, he is able to seduce women in his complete conviction of who he is. He becomes under the psychiatric care of soon-to-be retired Dr. Jack Mickler at Woodhaven State Hospital when he becomes suicidal over losing whom he believes is the love of his life, Doña Ana. Don Juan believes that Jack is nobleman Don Octavio de Flores. As Jack tries to convince him that he is not Don Juan in what are Jack's final 10 days of practice, the two come to an agreement that Don will do whatever Jack says, including being medicated and possibly being committed, once Don cannot convince Jack of who he says he is. As Don tells Jack his story, Jack eventually meets people who purportedly know Don and provide Jack conflicting stories both to each other and to Don's account of his life. Beyond what Don tells him, what Jack decides to do is influenced by the pressure he is receiving from the hospital's chief of staff, Dr. Paul Showalter, not to confirm the notion of Jack having chosen his work over these last few years of his practice, and the type of retirement life he wants with his wife of 32 years, Marilyn Mickler. —Huggo Feeling rejected, a mysterious masked man catches the eye of the highly regarded clinical psychiatrist, Dr Mickler. But with only ten short days standing in the way of his scheduled retirement, Dr Mickler is sceptical of the stranger's claims: in all seriousness, the young man believes he is the legendary Don Juan, the world's greatest lover. Having a few days to evaluate and cure the delusional patient whose big doleful eyes make a woman's heart melt, Dr Mickler starts falling under the sad Don's spell, ushering in a new era of change in his uneventful life. However, the question remains. Who is the man behind the leather mask? —Nick Riganas

A young New Yorker goes to Arizona where he finds freedom to both love and dream. An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist's gofer. He's happy there, but a messenger arrives to bring him to Arizona for his uncle's wedding. It's a ruse to get Axel into the family business. In Arizona, Axel meets two odd women: vivacious, needy, and plagued by neuroses and familial discord. He gets romantically involved with one, while the other, rich but depressed, plays accordion tunes to a gaggle of pet turtles. —Greg Pribyl <gpribyl@isd.net>

Nice guy junior exec Peter doesn't play dirty but unfortunately, some of his colleagues do. In comes Kris, his new temp, who is bright and efficient and saves him. She's willing to play dirty for Peter. A cookie company takeover has employees scrambling to make a case for continued employment. An executive's administrative assistant takes paternity leave, and he gets a temp who is too good to be true, doing tasks at a fast pace and doing quite a bit of creative work for the project. The executive starts noticing that all the obstacles to his climb up the corporate ladder are disappearing, including the death of some of his rivals. When his regular admin returns to work, his temp, who has made it clear that she wishes to stay with him, begins her own accelerated climb up the ladder, and he begins wondering if she was responsible for the removal of the obstacles. —Ed Sutton <esutton@mindspring.com>

Under a dystopian religious tyranny, most women cannot conceive children. Those young women who can live in a form of sexual slavery to provide children for influential families. In a future dystopian land (formerly the United States of America), the story tells of Kate, a "handmaid". Kate is a criminal, guilty of the crime of trying to escape and sentenced to become a Handmaid. Handmaids' sole function is to bear the children of influential men whose wives (like most women) have been rendered infertile due to pollution. After rigorous group training by "Aunt" Lydia ("Aunts" train and discipline handmaids) in the proper way to behave, Kate is assigned as Handmaid to the Commander. Kate is attracted to Nick, the Commander's chauffeur. At the same time, a resistance movement begins to challenge the regime. —Reid Gagle (updated by R.M. Sieger) In the not-too-distant future, the USA has become the Republic of Gilead. It is a tyrannically run state that brutally suppresses all opposition, whose policies are based primarily on the Old Testament and which downgrades women in particular to mere child bearers and deprives them of all rights. Former librarian Kate therefore tries to flee Gilead with her husband and their daughter. However, she is intercepted at the border and ends up as a "servant" of the state in the household of Commander Fred, one of the leading military officers in Gilead, and his wife Serena. They need Kate primarily for the purpose of procreation and henceforth call her "Offred". However, when she learns that Fred is incapable of procreating, Kate sees her position in jeopardy, as her predecessors have also been solely blamed for her failure to conceive. In her situation, Kate believes the best strategy is to maintain a good relationship with both the commander and his wife, especially as they both have ways of finding out where their daughter is. Through the commander's chauffeur, Nick, Kate hopes to escape, but must continue to be obedient. Her situation becomes untenable over time, and when she sees how her friends treat servants who do not fulfill their duties, she wants to act as quickly as possible. —Arte Following a coup, America is a country still at war with itself and ruled by a repressive Bible-inspired regime. Past pollution means only 1% of women can bear children, and anyone committing a crime and found to be a potential mother is put into an institution run by "Aunts" to be indoctrinated. One such young woman is Kate, who is turned over to Fred, a high ranking member of the security forces, to attempt to procreate. Kate then becomes known as "Offred" (for property "of Fred"). Serena, Fred's wife, is jealous and vicious. The state's grip seems to be tightening but Kate still has her own mind and she finds some other people who are prepared to resist. —Jeremy Perkins {J-26} (updated by R.M. Sieger)

At the beginning of the film, we see Joan Crawford (Faye Dunaway) as she rises very early in the morning to prepare for a work day at the MGM Studios. She engages in a slightly neurotic morning ritual where she scrubs her face vigorously with soap and hot water, then plunges it immediately into ice with alcohol in it to close the pores. We learn early on that Joan is obsessed with cleanliness and wants those around her to follow her instructions to the letter; when a new maid thinks she has Joan's living room in spotless condition, Joan finds one minute detail that the maid overlooked and momentarily loses her temper over it. She very clearly intimidates the maid, as well her new live-in personal assistant, Carol-Ann (Rutanya Alda). Joan is in a steady romantic relationship with Hollywood lawyer Gregg Savitt (Steve Forrest), but her career is in a bit of a downswing. She reveals to Gregg that what she really wants is a baby, but that she can't get pregnant; no less than seven pregnancies when she was married to actor Franchot Tone all ended in a miscarriage. When she is denied an application for adoption through a legal agency, she enlists Gregg's help to secure a baby through means which are not made clear. Finally Joan gets what she wants; a blonde haired, blue eyed little girl whom she names Christina Crawford. The film moves abruptly to when Christina is approximately eight or nine years old (a plot hole, since Joan Crawford won the Oscar for Mildred Pierce when Christina was six). Joan has adopted another child, a boy she calls Christopher, but the focus of the film remains on Christina (Mara Hobel). Joan lavishes her with attention and luxuries such as an extravagant birthday party, yet enforces a strict code of denial and discipline as well. Joan makes the decision to donate all but one of Christina's birthday presents to an orphanage, making Christina take responsibility for the gesture, which has been documented in the press (presumably garnering publicity for Crawford). As Christina begins to rebel against her mother's stringent demands and standards, a series of confrontations emerges that forms the movie's core. Joan easily overtakes Christina in a swimming pool race, then becomes enraged at the young girl when she reacts with childish disappointment. When Joan discovers Christina putting on makeup at her dressing table and imitating her, Joan takes offense and cruelly cuts off Christina's hair with a pair of scissors. Joan's relationship with Greg abruptly ends after a night at her favorite restaurant because she believes Greg did not display the proper protocol of chivalry to escort her in and they were insisted by her shady studio boss, Louis B. Mayer (Howard DaSilva) and other executives to join them for dinner. Joan gets drunk and Greg leaves. Quickly these tantrums grow even more bizarre and violent, as when Joan is asked to leave MGM by studio boss Louis B. Mayer (Howard Da Silva). Presumably later that evening, she flies into a bitter rage and hacks down her prize rose garden with a pair of large gardening shears and an axe, dragging Carol-Ann, Christina, and Christopher into the madness. In the film's most notorious scene, Joan stalks into Christina's bedroom in the middle of the night, her face covered with white beauty cream, and discovers one of the child's fancy dresses hanging on a wire hanger. Joan instantly becomes furious and launches into a frightening tirade, screaming at the girl that she had forbidden wire hangers, viciously tearing apart her closet, and then beating the girl with the hanger. The fight continues when Crawford stumbles into Christina's bathroom and feels that she has not obeyed her orders to scrub the floor that day. Furious that the child doesn't understand her notion of cleanliness, Joan destroys the bathroom as well, beating Christina with two cans of scouring powder and hurling the cleanser over everything. Finally she leaves the girl with an angry order to clean up the mess all by herself. Eventually Crawford sends Christina away to attend a boarding school, and the story advances to when Christina seems to be about 16. She has taken up theater acting classes and appears to have genuine talent. Her mother claims to be losing her financial stability and works out an arrangement that allows Christina (now portrayed by Diana Scarwid) to perform chores around the school for her board and tuition. Meanwhile, Christina begins to realize that her mother's erratic behavior is fueled in part by her alcoholism. Christina's grades are excellent and she seems to be proud of her schoolwork, but things change drastically when she is caught in a compromising position with a boy. Although the encounter was innocent and the boy will be disciplined according to the rules of the institution, Joan arrives at the school furious and removes Christina permanently after screaming in rage at the school's headmistress, Mrs. Chadwick (Priscilla Pointer), claiming the school is a den of iniquity and that the boy be expelled. Joan even refuses to accept Mrs. Chadwick's explanation that it was an innocent encounter between two curious teens. Joan brings Christina home with her, where Barbara Bennett (Jocelyn Brando), a reporter from Redbook magazine, is in the house writing a puff piece on Crawford's supposedly idyllic balance of career and home life. Joan tells Bennett that Christina was expelled from Chadwick, a claim Christina angrily denies in front of Bennett. An argument erupts and Christina accuses her mother of adopting her children simply to give herself free publicity. Joan accuses her daughter of being disrespectful and wonders aloud why she will not treat her like anyone on the street would. Christina counters, saying she isn't one of her mother's fans. Joan slaps Christina several times across the face and then becomes completely unhinged, dragging Christina to the carpet and attempting to choke her to death. Carol-Ann and Barbara witness the attack and intervene, but there are apparently no repercussions for Crawford, who sends Christina to a strict convent school. The film's final act takes place after Christina matures and sets out on her own. Joan marries Alfred Steele (Harry Goz), CEO of Pepsi Cola, and urges him to take on a great deal of debt to fund their lavish home and lifestyle, including an expensively-renovated apartment in New York City. After his death, she remains on the company's board of directors, but not without a bitter confrontation with the all-male board, who slyly try to force her out. Christina and her mother enter into a somewhat amicable phase in their relationship, despite the fact that Joan seems to sabotage Christina's attempt to establish herself as an actress. In a disastrous move, when Christina is unable to attend the taping of a soap opera because of appendicitis, Joan takes her place, attempting to step into a role calling for a much younger actress. It comes as a complete shock to Christina and Christopher that, upon Joan's death at the end of the film, they are both disinherited in her will "for reasons that are well known to them". Her final exchange with her brother hints that Christina has decided to write a book about her experiences growing up with "Mommie Dearest" and thus avenge Christopher and herself, saying that their mother doesn't have "the final word."

As New York City Police Detective Edward Delaney (Frank Sinatra) counts the days to his retirement, a psychotic serial killer commits random murders throughout the city with an unusual weapon. At the same time, Edward's wife, Barbara (Faye Dunaway), contracts a mysterious illness after her kidney operation that leaves her physician, Dr. Bernardi (George Coe), stumped. The seriousness of Barbara's illness could rob Edward of all he has to live for and shows his tender side as he frets over his younger wife. Every time the killer commits another murder, Barbara experiences a relapse and a thunderstorm inexplicably erupts. Although Captain Broughton (Anthony Zerbe), his superior, orders Edward off the case, he is obsessed after a coroner named Dr. Sanford Ferguson (James Whitmore) reveals the killer used an odd form of pickax. Edward teams up with Christopher Langley (Martin Gabel), a museum curator specializing in military weapons, who identifies the murder weapon as a mountain climber's ice ax. At a store specializing in mountain-climbing equipment, the owner supplies a list to Edward and Christopher of individuals that purchased the specific tool, narrowing their search. Monica Gilbert (Brenda Vaccaro), the wife of one murder victim, helps the men eliminate suspects until they home in on an individual who lived in all the neighborhoods, where the murders occurred. Edward goes to a large high-rise apartment building complex where he bribes Charles Lipsky (Joe Spinell), the doorman at the high rise block, to gain entry to a posh apartment owned by Daniel Blank (David Dukes), a publishing executive, who is revealed to be the killer. A confrontation occurs in which Edward finds the ice ax and faces the killer. Blank admits to Edward to being the serial killer, but refuses to be taken into custody and tells Edward to follow legal procedure. When Blank phones the police to report that Edward has broken into his apartment without a search warrant and is threatening him, Edward shoots Blank dead, eliminating the killer for good.... but also destroying his career. Edward escapes prosecution for entering a person's residence without a warrant and killing an unarmed suspect, but is prematurely dismissed from the police force and his pension is revoked. Never the less, Edward returns to the hospital to be at his wife's bedside before she quietly passes away.

At the Hialeah racetrack near Miami, Florida, former boxing champion Billy "The Champ" Flynn works as a horse trainer and lives in an apartment above the stables with his eight year-old son, T. J. Considering a comeback after seven years away from the sport, Billy returns to the Ninth Street Gym for a meeting with manager Charlie Goodman and brings along T. J., who is thrilled that his father, whom he idolizes and calls "Champ," might fight again. At the gym, Billy is still revered as a boxer, and Georgie, a training assistant, has saved Billy's old gloves. However, Billy feels disrespected when Goodman keeps him waiting, and shouts that he will return in thirty minutes, leaving his son at the gym. Later, T. J. finds his father drunk at a bar and helps him home. In the middle of the night, Billy steals $20 dollars from T. J.'s piggy bank and drives to a casino. Returning the next morning, he announces to the stable employees and T. J. that he won $6,400 and bought gifts for everyone. Just as T. J. thinks his father has forgotten him, Billy presents him with a racehorse, named "She's a Lady." T. J. becomes the center of attention as he rides around the stable, the proud owner of a filly. On race day at Hialeah, T. J. prepares his horse and jockey for the next heat. Nearby, Annie Phillips, a rich, successful fashion designer who is part of the society crowd in attendance, overhears T. J. bragging that "She's a Lady" will win. Charmed by the boy's gumption, Annie promises T. J. that she will bet $10 dollars on the horse. During the race, "She's a Lady" is on the verge of taking the lead when she falls. From the stands, Annie watches through her binoculars as T. J. runs across the track to his stricken horse. When she recognizes her ex-husband, Billy Flynn, following the boy, she realizes that T. J. is the son she left seven years before. At the stables, T. J. and Billy wait anxiously for the veterinarian to decide the fate of "She's a Lady." As soon as Billy sees Annie approaching, he yanks her aside to disclose that he explained her seven-year absence by telling T. J his mother had been killed in a car accident. Annie understands that she gave up custody during the divorce, but wants to see her son. T. J. interrupts their argument with the good news that his horse's wound is only superficial. Annie reintroduces herself to T. J., but Billy takes his son and walks away. After reconsidering, Billy allows T. J. to visit Annie one afternoon, without revealing that Annie is his mother. Dressed in a suit, T. J. spends the day on the Phillips' yacht. Afterward, he is enthusiastic about the visit, telling his father that Annie and her husband, Mike, are not snobby like most "turf clubbers." Sometime later at a casino, Billy's winning streak comes to an end and he incurs a debt of $2,000 dollars, which he must pay in forty-eight hours or the backer, Whitey, will take possession of "She's a Lady." After unsuccessfully pursuing other options, Billy borrows the money from Annie. Later, he is furious when Whitey arrives at the stables to collect T. J.'s horse, since Billy assured him that he would deliver the $2,000 dollars that afternoon. Billy pulls Whitey from the car and punches him. When security guards try to intervene, Billy attacks them until police arrive and arrest him. In jail, an attorney informs Billy that Annie wants to look after T. J. while the case is settled. Billy tells his son about the arrangement, but T. J. does not understand. To convince his devoted son that he is "a bum," Billy declares that he is tired of taking care of T. J. and slaps him. On the yacht, Annie helps T. J. unpack when she accidentally reveals that she is his mother. As she tries to explain, T. J. says that his mother is dead and screams for her to go away. After being released from jail, Billy returns to the racetrack where he sees T. J. in the stands with his suitcase. They hug, and Billy says that he will never leave again. That evening, Annie arrives at the stables to confer with Billy about T. J., since the boy will need an explanation now that he knows his mother is alive. As Billy becomes emotional about his own needs, Annie realizes that Billy still loves her. Motivated to start earning a decent living for his son, Billy commits to a boxing comeback. His former trainer, Jackie, arrives in Miami, but expresses concern about Billy's previous blows to the head and recommends a medical evaluation. However, Billy dismisses his headaches and says he has made up his mind. Jackie agrees to help, and they begin training. Meanwhile, Billy encourages T. J. to respond to his mother's letters. At her residence in New York City, Annie explains to her husband that she wants to be in Miami for Billy's fight, sensing that her presence will make a difference. On the night of the match at Miami's Forum, T. J. and Billy are excited to see Annie in the crowd. During an early round, Billy looks strong and knocks his opponent, Bowers, to the floor. In the next round, Billy receives a cut near his eye, but fights back. As the match continues, Billy is briefly knocked down and staggers to his feet, experiencing double vision. When he goes down a second time, the referee considers stopping the fight as Billy's cut continues to bleed. Jackie and T. J. also want to end the fight, but Billy assures them he is okay. All of a sudden, Billy finds a second wind and knocks out Bowers for the victory. He holds up his son as the crowd cheers, but T. J. is alarmed by his father's disorientated and swollen appearance. While leaning against Jackie on the way back to the locker room, Billy collapses. He lies on the table and tells his son that Annie is a good person and to be happy because he won the fight. As Billy dies, T. J. calls for "The Champ" and asks the other trainers to wake him, but Jackie announces Billy is gone. When she enters the room, Annie goes to her son and hugs him.

In this disaster epic, 135 floors below the opening gala of the world`s tallest skyscraper, a fire ignites a conflagration that traps hundreds of partygoers in a Towering Inferno.

While investigating a socialite`s husband, a private eye is swept into a storm of lies and a web of scandals that come crashing together for an unforgettable night in Chinatown.

In 1913, in Oklahoma, oil derrick owner Lena Doyle (Faye Dunaway), aided by her father (Sir John Mills) and a hobo (George C. Scott), is stubbornly drilling for oil despite the pressure from major oil companies to sell her land. It's oil boom time in Oklahoma, and Lena Doyle (Faye Dunaway), a hard-bitten, cyncial feminist has a fight on her hands. The big oil companies don't like the fact that she's working a potentially profitable wildcat rig. Reluctantly, Lena must accept the aid of her estranged father Cleon Doyle (Sir John Mills), and Noble Mason (George C. Scott), the man he hires to help. The three form an unlikely team: Lena hates men, Mason is out for himself, and Lena's father is trying to make up for a lifetime of neglecting his daughter. But together, they take on the big guys and put up a terrific fight. —A.L.Beneteau <albl@inforamp.net> It's the early twentieth century. Lena Doyle (Faye Dunaway) is an independently minded woman who has no need for others in her life, men or women. She owns a piece of property on the Oklahoma plain on which she is speculatively drilling for oil. She is approached by Pan-Oklahoma Oil who want to pay her for the oil rights to her property, they figure that they easily have the resources to drill a hundred wells, and even if one comes through, it will have made up their investment. Lena, however, vehemently declines their offer, wanting instead to drill on her own terms. Lena's decline of their offer leads to a stand-off of sorts between the two. Although Lena does not want his help, her father, Cleon Doyle (Sir John Mills), who was largely not there for her when she was growing up, hires an itinerant oil worker, Noble Mason (George C. Scott), to be her right-hand man. Lena accepts their help only on the condition that she remains the boss. Of what naive Cleon is unaware, when he hired Mason, is that Mason is the type of person whose allegiance goes to the highest bidder, and as such, he has no loyalty to Lena. But as the stand-off between her and Pan-Oklahoma, led by the vicious Captain Hellman (Jack Palance), increases, as Lena receives unofficial legal advice on the matter, and as Mason begins to get to know Lena, the two may begin to have a different type of relationship, one that doesn't have much of a chance against the wranglings of Pan-Oklahoma unless they strike oil quickly. —Huggo

Doc Holliday, the cold-blooded sharp-shooter, reunites with his old friend, Marshall Wyatt Earp, to take down the Clanton gang in the dusty town of Tombstone, in Arizona. One night of 1881, Doc Holliday, a famous poker gambler, enters the 'No Name Saloon'. There, he challenges a man to poker, betting his horse against his opponent's fiance. Doc wins and from now on, Katie Fisher, also known as Katie Elder, will follow him wherever he goes. Their next destination is Tombstone, where the law is represented by Sheriff Wyatt Earp. When they arrive, the election campaign is in full swing. Earp runs for candidate but the Clantons, a family gang of outlaw cowboys, are not among his keenest supporters. Conflict erupts following the failure of some shadowy bargaining and Doc decides to join Wyatt and his brothers. The four of them gather at the O.K. Corral where the seven Clanton brothers are waiting for them.

Millionaire businessman-sportsman Thomas Crown (Steve McQueen) accomplishes a perfect crime by orchestrating four men to steal $2,660,527.62 from a Boston bank ($22,389,167 in 2022 dollars), along with a fifth man Erwin who drives the getaway car with the money and dumps it in a cemetery trash can. None of the men ever meet Crown face to face, nor do they know or meet each other before the robbery. For planning, men were summoned to a hotel room, where they faced a set of bright lights, and a man speaking into a microphone. They are promised a payment on $50,000 in monthly installments, so they don't spend it all quickly. Thomas asks Erwin to buy a used car, with cash money provided by Thomas. The 4 men are Carl (Yaphet Kotto), Dave (Sam Melville), Benjy (Todd Martin) and Abe (Adison Powell). Thomas coordinates the actions of the 4 men via public telephones. Abe and Carl get into a bank and take control of an elevator. Dave takes control of the security room. They take possession of a money trolley, when it is being moved by the elevator to the vault. Once the money is in their possession, they move it to Erwin's car waiting outside. Erwin dumps the money in a garage can in a cemetery and then changes his number plates. Crown retrieves the money from the trash can after secretly following the driver of the getaway car. He deposits the money into an anonymous Swiss bank account in Geneva, making several trips, never depositing the money all at once so as not to draw undue attention to his actions. The police are not able to find anything. All suspects were wearing sunglasses and hats. They cannot find the getaway car. Independent insurance investigator Vicki Anderson (Faye Dunaway) is contracted to investigate the heist; she will receive 10% of the stolen money if she recovers it. Vicki believes that the money has been moved to numbered accounts in Switzerland. The money would have to be moved by plane, and in multiple trips. She asks the Boston police to make a list of people who made multiple trips to Switzerland recently. Vicki believes that the robbery was masterminded by an unknown entity, who orchestrated the robbers, who probably never even met each other before the day of the heist. Vicki runs an advertisement in the papers for news on the heist, against a reward of $25,000. When Thomas first comes to her attention as a possible suspect, she intuitively recognizes him as the mastermind behind the robbery, and shortly thereafter guesses that he organized the robbers so none of the men knew him or met each other. Thomas does not need the money, and in fact masterminded the robbery as a game. Vicki makes it clear to him that she knows that he is the thief and that she intends to prove it. They start a game of cat and mouse, with the attraction between them evident. Vicki declares to Thomas that she is after him. Thomas already has $4 Million as net worth, and there is no motive for him to steal any more. Their relationship soon evolves into an affair, complicated by Vicki's vow to find the money and help detective Eddy Malone (Paul Burke) bring the guilty party to justice. The reward offer entices the wife of the bank robbery's getaway driver, Erwin Weaver (Jack Weston) to "fink" on him for $25,000 ($210,383 in 2022 dollars). There are 2 witnesses who saw Erwin drive away from the bank and Erwin paid for the Ford station wagon in cash. Erwin gets monthly payments into his bank account, from a numbered account in Geneva. Vicki finds out that he was hired by a man he never saw, but whose voice he heard (via a microphone). She tries putting Erwin in the same room as Thomas, but there is no hint of recognition on either one's part. Thomas knows that by now his home has been bugged by the police. He invites Vicki for a game of chess. They end up having sex. Vicki asks Eddy to keep the pressure on Thomas. Vicki believes that Thomas is bound to make a mistake. While Vicki continues to spend personal time with Thomas. News of their romance reaches Eddy. Eddy cannot make up his mind about what Vicki is up to. Eddy tells Vicki that Thomas has been cheating on her. He says that after leaving Vicki, Thomas goes to meet another girl. However, while Vicki is clearly closing in on Thomas, using the Internal Revenue Service (IRS) as leverage against his liquid assets, he forces her to realize that she is also becoming hemmed-in by her emotions. When she (seemingly) persuades him to negotiate an end, his point is proven when Eddy stubbornly refuses to make any deal. Thomas organizes another robbery exactly like the first with different accomplices and tells Vicki where the "drop" will be, because he has to know for sure that she is on his side. The robbery is successful, but there are gunshots, and the viewer is left with the impression that people might have been killed, raising the stakes for Vicki's decision. Vicki and the police stake out the cemetery, where they watch one of the robbers make the drop and they wait for Thomas to arrive so they can arrest him. However, when his Rolls-Royce arrives, she sees that Thomas has sent a messenger in his place, with a telegram asking her to bring the money and join him - or if not, "you keep the car". She tears the telegram to bits and throws the pieces to the wind, looking up at the sky with tears in her eyes. Crown flies away in a jet.

In the middle of the Great Depression, Clyde Barrow and Bonnie Parker meet when Clyde tries to steal Bonnie's mother's car. Bonnie, who is bored by her job as a waitress, is intrigued with Clyde, and decides to take up with him and become his partner in crime. They do some holdups, but their amateur efforts, while exciting, are not very lucrative. The duo's crime spree shifts into high gear once they hook up with a dim-witted gas station attendant, C.W. Moss. The three are joined by Clyde's brother, Buck and his wife, Blanche, a preacher's daughter. Soon a long-simmering feud between Bonnie and Blanche begins; the once-prim Blanche views Bonnie as a harpy corrupting her husband and brother-in-law, while Bonnie sees Blanche as an incompetent, shrill shrew. Bonnie and Clyde turn from pulling small-time heists to robbing banks. Their exploits also become more violent. When C.W., the get-away driver, botches a bank robbery by parallel parking the car, Clyde shoots the bank manager in the face after he jumps onto the slow-moving car's running board. The gang is pursued by law enforcement, including Texas Ranger Frank Hamer, who is captured and humiliated by the outlaws, then set free. After a raid kills Buck, injures Bonnie and Clyde, and leaves Blanche sightless and in police custody, Hamer tricks Blanche, whose eyes are bandaged, into revealing the name of C.W. Moss, known in the press only as an unnamed accomplice. The Ranger locates Bonnie, Clyde and C.W. hiding at the house of C.W.'s father, who thinks Bonnie and Clyde -- and an elaborate tattoo -- have corrupted his son. He strikes a bargain with Hamer: in exchange for a lenient jail sentence for C.W., he helps set a trap for the outlaws. When Bonnie and Clyde are ambushed while stopped by the side of the road, the police riddle their bodies with bullets in a blood bath.

Drama of a ruthless Southern opportunist who tries to buy his cousin's land, and when thwarted, brings several tragedies to the lives of his loved ones. Following World War II, a northern cannery negotiates for the purchase of a large tract of uncultivated Georgia farmland. The major portion of the land is owned by Julie Warren, and has already been optioned by her unscrupulous husband Henry. Now the combine must also obtain two smaller plots; one owned by Henry's cousin Rad McDowell, the other by Reeve Scott, a young black man whose mother had been Julie's childhood mammy. But neither Rad nor Reeve is interested in selling, and they form a partnership to improve their land. Although infuriated by the events, Henry remains determined to push through the big land deal. —alfiehitchie