Grace Zabriskie

Fleeing into the woods after committing a crime, Craig meets Walter, a man who has made his home in the forest. Walter takes Craig under his wing, and tries to help him become a new man, but this process is painful and dangerous.

An engaged young couple finds their lifetime of happiness unexpectedly compromised by a pushy minister who insists they successfully complete his comprehensive marriage-prep course before exchanging wedding vows in a matrimonial comedy starring John Krasinski, Mandy Moore, and Robin Williams.

This is taken from Wikipedia - set in chronological order, but not the order of the film. The film begins with the suicide of Peter, and ends with Karen in the hospital. This is a synopsis of the director's cut, so some events may not be featured in the original PG-13 version. Kayako Saeki (Takako Fuji), a young Japanese woman, is unhappily married to Takeo Saeki (Takashi Matsuyama). She becomes obsessed with Peter Kirk (Bill Pullman), an American college professor working in Tokyo. She writes about her feelings for him in a diary. She follows him and sends him love letters. One night, Kayako returns home and enters her bedroom upstairs. She finds her husband reading her diary. In a rage, Takeo attacks Kayako, shoving her to the floor, banging the walls while yelling and screaming. Kayako breaks her ankle and crawls down the stairs, but before she can escape, Takeo catches her and snaps her neck. Takeo looks up to see their eight-year-old son, Toshio Saeki (Yuya Ozeki), at the top of the stairs; a witness to the murder. Takeo drags Toshio to the bathroom and drowns him in the bathtub. Takeo also slits Toshio's cat's throat and tosses the carcass on the floor of the bathroom. He wraps Kayako's body in plastic trash bags and places it far in the corner of the attic. He puts Toshio's body in his bedroom closet and tapes it shut with Duct tape, and then hangs himself. In order to find out why Kayako is sending him the letters, Peter Kirk comes to the Saeki residence the next day with one of Kayako's love letters in hand. He sees Toshio's hands hanging out of the bathroom window, bruised and scratched. Peter goes inside and decides to stay with the boy until the parents return. Peter looks through the rest of the house, entering Takeo and Kayako's bedroom in the back where he finds several family photos in a pile on the floor. Kayako's face has been torn out of every one of them. He finds Kayako's diary and thumbs through it, learning more about Kayako's obsession with him. The closet door catches his eye and, upon inspecting it, he finds the cut-outs of Kayako's face nailed all over the door and smeared with blood. Kayako's lifeless corpse falls out from the attic and lands on the closet shelf. Peter runs into the hall and hears thumping noises coming from Toshio's room and finds Takeo hanging from a noose of Kayako's hair. The next morning, in front of his wife, Maria (Rosa Blasi), Peter commits suicide by jumping off the balcony just outside his apartment bedroom. Matthew Williams (William Mapother), his wife, Jennifer (Clea DuVall), and ailing mother, Emma (Grace Zabriskie) move to Tokyo as a result of Matthew's promotion. His sister, Susan (KaDee Strickland), also lives in Tokyo and helps them find a home. Matthew and Jennifer decide on a suburban house despite Emma's strange reactions to the place. Emma's health and condition deteriorate rapidly following the move. Jennifer becomes disenchanted with life in Japan as she cannot sleep during (what she assumes to be) Emma's restless stirrings, unable to speak the language, and has gotten lost once on a walk. Matthew assures her things will improve and that if they don't, the family will return to the United States. Jennifer falls asleep on a couch in the living room, after having made and partially eaten a bowl of ramen, which she left on the table. The sound of the bowl hitting the floor wakes her. She scolds Emma for making the mess, but then sees a trail of wet child's footprints leading out to the hall. She sees a cat on the landing of the stairs and sees a pair of white arms gently pick it up. She continues upstairs and enters her bedroom (Toshio's former bedroom). The door closes behind her. Matthew returns from work and finds the house in complete disarray with trash strewn everywhere. He calls out to his wife, who doesn't answer. He finally finds her on their bed, unable to move or speak and struggling to breathe. Before he can call an ambulance, he is startled by the sudden appearance of a young boy making cat sounds. He backs up against the closet as Toshio appears suddenly over his head. Later, Susan is preparing to leave the office. After attempting to call, Susan increasingly becomes concerned from not being able to reach Matthew. She then attempts to visit the house, but she is stopped by the sound of moaning coming from the hallway. She quickly exits to the stairs but is frightened when the lights start to flicker and shatter. Susan looks over the railing to see Kayako's ghost crawling up the stairs. Susan flees to the security office, seeking help. There, the security guard promises to go check it out. Susan watches the monitor as the security guard investigates. Kayako's black ghost materializes in the hallway and walks toward the security camera, and Susan runs. Susan takes a taxi cab back to her apartment. She enters an elevator, and it ascends several floors. Susan does not notice, however, that Toshio is standing outside each set of elevator doors she passes. Susan makes it safely inside when her phone rings. It is Matthew claiming to have forgotten her apartment number and asking to be buzzed inside. She tells him where to find her and activates the buzzer with the phone. Before she can hang up, the doorbell rings immediately. Thinking Matthew couldn't possibly have had time to arrive, she checks the peephole of the door. Shocked to find it is Matthew, Susan believes he is pranking her. She angrily throws open the door, but no one is there. The death rattle sound emerges loudly through the phone in Susan's hand. She drops and breaks the phone, yet the death rattle can still be heard. Cowering in bed, Susan reaches beneath the covers and pulls out the rabbit's foot phone charm from her phone and drops it in fear. A lump billows from underneath the covers and moves toward Susan. She lifts the sheets and finds herself staring into the face of Kayako's ghost. It yanks her under the covers, and the sheets fall flat upon the now empty bed. Yoko (Yoko Maki) is a girl whose work is to take care of Emma and clean the house. When picking up trash on the floor and stairs, she hears someone walking around up in the attic. Following the noise, Yoko enters a closet in the bedroom and sees a small door in the ceiling, which leads to the attic. Using a lighter, Yoko sticks her head up through the door and slowly turns around, looking for the source of the sound. She eventually comes face to face with the ghost of Kayako Saeki, who attacks her, dragging her up into the closet. Karen Davis (Sarah Michelle Gellar) is then called in to work at the house and care for Emma after Yoko disappears. While working, Karen finds a room that's been taped shut with cat-like noises coming from it. When she rips off the tape and opens the door, she finds a little boy (Toshio). The boy refuses to come downstairs so she asks him for his name. "Toshio," he says, in a toneless, eerie voice. Emma begins stirring and muttering in the other room. As Karen calms her, a dark shadow of hair emerges from a corner of the room, terrifying Emma. Karen looks up to see Kayako reaching for Emma. Kayako's hair, which was covering her face, flies back to reveal the whites of her eyes. The irises roll into place and focus on Karen as she backs away in fright. Alex, Karen's boss, finally arrives to find Emma dead and Karen in a state of shock. Karen is taken to the hospital while detectives question Alex. Detective Nakagawa (Ryo Ishibashi) asks Alex about the people that lived there, and tell him that Yoko has been missing from work. The detectives notice that the phone handset is missing from the cradle and push the page button. They trace the sounds to the attic where they discover the corpses of Matthew and his wife. They also make the grisly discovery of a human jaw and wonder to whom it belongs and where the rest of the body might be. Later in the movie, Yoko is spotted again by Alex as she is shuffling down the stairs of the caretaking facility where Alex, Karen, and Yoko work. As he is walking towards her, he accidentally slips on a liquid, which he discovers is blood when he touches it. Alex calls out repeatedly to Yoko, who does not answer in any way until she reaches the bottom of the stairs. She then turns around to reveal her face, now horribly disfigured without her jaw and her tongue is hanging out. Alex screams in terror, and the screen fades to black. Karen tells her story to detectives, emphasizing the appearance of a boy. Over the next few days, she is constantly tormented by Kayako, in her shower, on a bus, etc. Frightened but determined, she begins to research the history of the house. Eventually, she learns of the murders. Detective Nakagawa becomes convinced that the rash of deaths and missing people is connected to the house when he views the entire security video taken at Susan's office building. He watches as Kayako proceeds down the hall, then to come face to face with the camera as the video fuzzes out. He then returns to the Saeki house with two cans of gasoline. He is distracted by sounds of Toshio drowning in the bath tub. He enters and finds a boy hanging out of the tub, and tries to revive him. His eyes snap open, and Takeo appears behind him. He shoves Nakagawa into the tub and drowns him like Toshio. Karen questions Maria Kirk, Peter's widow, who does not appear to know anything about the house, its occupants, or why her husband committed suicide. She allows Karen to search through old photos. Karen discovers a living Kayako in the background of every photograph, clearly following the couple. Karen then attempts to go talk with her boyfriend, Doug (Jason Behr), at their apartment. However, she discovers he has gone looking for her after his own investigation. Karen then returns to the house in search of Doug. Inside the house, Karen experiences a flashback of Peter Kirk's visit. She watches him, reliving the experience with him finding the body of Kayako and leaving the home. Karen flees downstairs. Doug grabs her ankle before she leaves. He is incapacitated, and she tries to drag him to the door. A door opens upstairs. Kayako's ghost crawls down the stairs toward them, and Doug dies in the same way Jennifer Williams did. Karen opens the door, but Kayako's ghost is suddenly there. She slams the door and kicks over one of the gas cans. She takes Doug's lighter and tosses it onto the gas as Doug suddenly becomes Kayako. The screen goes white. (In the director's cut, there are shots of Karen being put into an ambulance van). At the hospital, Karen learns that the house was saved from burning and mourns Doug's dead body. Suddenly, Kayako's hair and arm comes from beneath the sheet that covers him, but Karen realizes that it's just her imagination. Kayako then appears behind Karen. As Kayako utters her death-rattle, the movie ends with an eyeshot of her.

U.S. Marshal Pete is transporting a prisoner when he parachutes out of the plane with deadly terrorists. He must find them even if it means sky-diving from 30,000 feet in the air.

Two best friends living on the streets of Portland as hustlers embark on a journey of self discovery and find their relationship stumbling along the way. Mike Waters lives on the street and befriends the somewhat older and streetwise Scott Favor who shows him what is necessary to survive. Waters suffers from narcolepsy and can fall asleep at any moment and in almost any circumstance. Favor comes from a rich family and is rebelling against his own background. They travel together extensively - Waters is driven by the need to find his biological mother - and spend time in Italy. Later in life however, Favor has joined mainstream society and has little time for his old friend. —garykmcd Mike Waters and Scott Favor are young male hustlers (with both male and female clients) working the Pacific Northwest, they often hanging out with other young male hustlers in an abandoned building in Portland under the mentorship of an overweight homeless gay man named Bob Pigeon. Among the group, Mike and Scott are best friends. Mike identifies more as gay, while Scott identifies more as straight, seeing his sexual encounters with male clients solely business. In their friendship, Scott sees himself as Mike's protector as Mike suffers from stress induced narcolepsy, and as such Mike passes out unconscious sometimes at the most inopportune time or place, while Mike eventually admits to Scott that he loves him more than just a friend. Mike grew up in a poor and broken family environment in Idaho, with his mother, Sharon, abandoning him and his much older brother Richard when Mike was a child, her whereabouts unknown. Especially when he is unconscious, Mike often has an idealized view of his mother. Scott grew up in a house of privilege as the son of the current Portland mayor, with his street life a manifestation of the rebellion against the oppression of that privilege. Feeling he is maturing, Scott contemplates giving up the street life when he turns twenty-one to collect his trust. Mike and Scott will do almost anything for the other, but under the circumstances of the different view of their own future, their friendship may have a limited shelf life. —Huggo In Portland, the bisexual Mike Waters is a young man from Idaho who suffers from narcolepsy and survives working as a hustler on the street. He befriends the also bisexual hustler Scott Favor, who is the son of the wealthy Jack Favor. He is waiting to be twenty-one years old to inherit a large amount. His mentor is the old rascal Bob Pigeon and Scott says that he loves him more than his own father. Mike is needy and wants to find his mother. He decides to visit his brother Richard "Dick" Waters in Idaho and Sick says that his mother is working Scott travels with him by motorcycle. Dick says that his mother is working as a maid in a hotel. However, the manager tells him that she traveled to Italy. Now the friends will travel to Rome, where their friendship will be affected. —Claudio Carvalho, Rio de Janeiro, Brazil Surreal character study focusing on the friendship between two male hustlers, Mike and Scott, in Portland, Oregon. They live on the streets, do drugs, and sell themselves to men and women. Mike is quiet, gay and suffers from narcolepsy. Abandoned as a child, he is obsessed with finding his long-lost mother. Scott is the rebellious son of a high-ranking family, who lives this life mostly to embarrass his father. Mike is in love with Scott, who still maintains he is straight and insists that his wild lifestyle on the streets is only temporary. Together, they embark on a quest to find Mike's mother, traveling from Portland to Idaho to Italy, with Scott picking up a beautiful girl along the way. —Anonymous

Sailor and Lula run away to start a new life, pursued by hitmen hired by Lula`s vengeful mother.

While Andy's mother is admitted to a psychiatric hospital, the young boy is placed in foster care, and Chucky, determined to claim Andy's soul, is not far behind. Andy Barclay has been placed in a foster home after the tragic events of the first film, since his mother was committed. In an attempt to save their reputation, the manufacturers of Chucky reconstruct the killer doll, to prove to the public that nothing was wrong with it in the first place. In doing so, they also bring the soul of serial killer Charles Lee Ray back to life. As Chucky tries to locate Andy, the body count rises. Will Andy be able to escape, or will Chucky succeed in possessing his body? —Phil Fernando A little over two years after the events of the first film, a now 8-year-old Andy Barclay (Alex Vincent), has become a ward of the state after his mother Karen was placed in a mental institute after sticking to her story about Chucky in court. CEO of the Play Pals company Sullivan (Peter Haskell) has the Chucky doll re-assembled to show nothing is wrong with it. Doing this, reawakens the soul of Charles Lee Ray aka Chucky (voice of Brad Dourif) who now goes in search of Andy. At the same time, Andy is placed in a foster home, being taken in by Joanne (Jenny Agutter) and Phil Simpson (Gerrit Graham). Andy is also introduced to his rebellious 17-year-old foster sister Kyle (Christine Elise). Chucky tracks down Andy and resumes his murderous ways in order to transfer his soul into Andy to become human, leaving Kyle as the only person who can protect Andy and help him stop Chucky. —nikeno71 When Andy Barclay is separated from his mother following the events of 'Child's Play' and housed in a tense foster home, he refuses to give up his memories of his tormentor: Chucky. However, when the killer doll suddenly returns after being repaired, Andy will need far more than confidence- he'll need the help of his fiery foster sister Kyle, who doesn't believe Andy's fearmongering about the satanic killer doll. —jamesmcook-04470 Following the terrible traumatic events of the first film, Andy Barclay is placed into foster care while his mother is admitted to a psychiatric hospital. Still having terrible memories of Chucky, he has never been the same since; unknowingly to him Chucky has returned again after being reconstructed from his charred remains, and is still determined to get his soul into Andy. After tracking Andy down in his new foster home, Andy must now find a way to save himself with the help of his new foster sister, Kyle, and stop the devilish killer doll from possessing him. —alonzovillafra

A pharmacy-robbing dope fiend and his crew pop pills and evade the law. A group of drug users in the 1970's help finance their habit by robbing drug stores. Matt Dillon's character is very superstitious and eventually his luck runs out. —Jason Ihle <jrihl@conncoll.edu> 1971. Based in Portland, Oregon, Bob Hughes is a golf aficionado and is highly superstitious. He is also a junkie who, when he's not in prison for his crimes, leads a small group of like minded people robbing pharmaceutical dispensaries throughout the Pacific Northwest of what they hope will be prescription narcotics, both to use as their fixes as well as trade for other street drugs from other junkies, such as their lowlife neighbor, David. Bob's team includes: Dianne, his wife who he's known since they were kids; Rick, his slightly dim apprentice; and Nadine, Rick's very young girlfriend who they picked up along the way in one of their robberies, and who Bob treats as the junior partner and thus the expendable one of the group. PPD Narcotics Detective Gentry and his team know that Bob is committing these crimes and has to figure out how best to nab him. Bob, in return, knows that Gentry is watching them. A specific incident that occurs during the course of their illegal activities in combination with what looks to be the fates lining up against them makes Bob reevaluate his life and contemplate going clean and straight, with or without Dianne. If Bob does make the decision to do so, he may find that saying it will happen or wanting it to happen is different from it actually happening. He may also find that a past incident with Gentry and his men will factor into what happens. —Huggo In 1971, in Portland, Bob, his girlfriend Dianne and his friends Rick and his girlfriend Nadine are smalltime thieves of drugstores and hospitals. They spend their lives drugged and Bob is chased by the abusive police detective Gentry (James Remar). They decide to move to another city and soon Nadine has an OD, affecting Bob that decides to return to Portland and be clean. But he is haunted by his past. —Claudio Carvalho, Rio de Janeiro, Brazil Matt Dillon and Kelly Lynch play a heroin-driven Bonnie and Clyde, knocking over drugstores in the Pacific Northwest. Ultimately, they must dispose of the body of one of their crew, sneaking it out from a motel where a sheriffs' convention is being held. —lwilliams <lwilliams@yankeegroup.com>

Secret Agent Leonard Parker is called out of retirement to save the world from evil genius Medusa Johnson. The C.I.A. asks for ex-spy Leonard Parker's (Bill Cosby's) help in stopping evil genius Medusa Johnson (Gloria Foster), who is brainwashing small animals into killing people. Leonard, however, has his own problems to deal with: winning back his ex-wife. —Murray Chapman <muzzle@cs.uq.oz.au> After separating from his wife, Leonard Parker (Bill Cosby) quit the spy business and became a restaurateur. His wife refuses to speak with him, and his daughter, who changes her career more often than her clothes, has begun dating a man old enough to be Leonard's father. On top of it all, the government has asked him to come back and save the world again. The evil Medusa Johnson (Gloria Foster) has hypnotized animals into doing her bidding, and plans to use them to take over the world. It's up to Leonard to save the world, as only he can battle her vegetarians and man-eating rabbits. —Mike Lira

Alex is an outwardly normal man who goes on killing and mutilating sprees. When he is finally captured and brought to trial, the district attorney is torn between his own liberal ideals on guilt and the crimes the accused is being tried. Liberal district attorney decides to seek the death penalty for a man who slaughtered a family at Christmastime, then drank their blood. He escapes, though, and starts killing again.

A corrupt lieutenant in the homicide division is threatened by the righteous DA while trying to solve a string of mysterious murders. Set in New Orleans. Remy McSwain, lieutenant in Homicide finds that he has two problems, the first of a series of gang killings and Ann Osborne, a beautiful attorney from the D.A.'s police corruption task force in his office. He begins a relationship with her as the killings continue only to have charges filed against him for accepting bribes as he stumbles on a police corruption Sting. While this is happening, the criminals insist that none of the crime gangs are behind the killings. —John Vogel <jlvogel@comcast.net> McSwain reckons he's an honest cop, though he's happy to go along with the kickbacks from the precinct 'Widows and Orphans Fund'. When it comes to murder he's definitely on the right side and is irritated to find his latest investigation being followed by Anne Osborne from the D.A.'s office. Out of work they hit it off pretty quickly, making it difficult for Anne to handle when his more questionable activities come to light and she has to prosecute him. In turn McSwain starts to suspect that he's investigating something more than mob slayings. —J-26