Isabelle Adjani

Our Longest Drive is a documentary about four guys who drive to the Arctic Circle to play golf. One of them is dead. The dead guy is along for the ride, his ashes precious cargo in a cherry wood box. Together, the men drive 5000 miles in an RV from Chicago to Inuvik, Northwest Territories, Canada - as far as the road will take them - to tee up on a three-hole grassless course at midnight of the summer solstice. Coping with health issues and all past retirement age, they have only two things in common - a love for each other and a history of having played golf together for over 20 years. Our Longest Drive is a documentary about friendship, adventure, aging, death and triumph. —Anonymous

In New York City, two singer/songwriters, Chuck Clarke (Dustin Hoffman) and Lyle Rogers (Warren Beatty), stare at the window of a Sam Goody record store. Chuck insists the only difference between them and hit makers like Simon and Garfunkel or Bruce Springsteen is that they do not have an essential ingredient: an agent. Soon, Chuck invites talent agent, Marty Freed (Jack Weston), to watch them perform their material at the store Song Mart. Afterward, Marty informs the duo that they have no stage talent. They need patter, "shtick," and gimmicks. For their next tryout, Chuck and Lyle (playing as their duo act called 'Rogers and Clarke') cover a familiar song with awkward choreography at a local nightclub. Despite audience booing, Marty offers them two bookings, one in Honduras at a hotel frequented by American journalists, and another longer engagement in Morocco. Chuck and Lyle mull Marty's offer at a nearby bar. In a series of flashbacks to five months earlier, Lyle was working by driving an ice cream truck, writing song lyrics as he worked. He played new songs for his speechless wife, Willa (Tess Harper). At a restaurant, Chuck played piano for customers. Afterward, as Chuck and his girl friend, Carol (Carol Kane), chatted, a waiter delivered a note from Lyle saying how much he enjoyed Chuck's performance. The songwriters met and had instant rapport, furiously collaborating on songs. They spent so much time composing that Willa left Lyle due to neglect. He sank into a depression, then Chuck helped him recover. Soon, Carol also felt neglected and ended her relationship with Chuck. He called Lyle and threatened suicide. Lyle promised to come to Chuck's aid, but his friend asked him not to alert the police because it would ruin his show business career. However, Lyle called the police, and Chuck climbed onto the ledge of his building when an officer appeared at his apartment. As Lyle joined Chuck on the ledge, Rabbi Pierce appeared to calm Chuck. Lyle grabbed Chuck's hand, and guided him back into his apartment. At the bar in the present day, Chuck remembers all that he and Lyle went through and decides they should take their act to Morocco. In Ishtar, Morocco, as a desert archaeological camp is attacked, Professor Barnes orders his associate, Omar (J.C. Cutler), to escape with an important, newly discovered ancient map that could provoke war in the Middle East. Omar barely has time to give his sister, a left-wing French-Moroccan agent named Shirra Assel (Isabelle Ajani), the map before he is killed. His last words promise that no one will find the map except "two messengers of God." At the Ishtar airport, Shirra Assel, disguised as a man, approaches and persuades Chuck to exchange passports and suitcases with her so she might travel to Marrakesh. She quotes: "It is a matter of life and death." She convinces him that he can visit the American Embassy and have his passport easily replaced. When the duo learns that a new passport will take days to process, Chuck convinces Lyle to travel to nearby Marrakesh and do the show alone, while he checks into a hotel in Ishtar. At the Marakesh Hotel, another American, named Jim Harrison (Charles Grodin), invites Lyle to dinner. After Chuck chats about show business, Jim reveals he works for the Central Intelligence Agency (CIA). He is in Morocco to prevent the Communists from staging a coup to overthrow the royal Moroccan government. Jim hints that his agency likes to recruit people like Chuck as operatives. At his solo show, Lyle launches into a rendition of "Bridge Over Troubled Water," and is soon drowned out by an apathetic crowd. Suddenly, Chuck appears and belts out "That's Amore," and show tunes that revive the audience. The new act of Rogers and Clarke, are a hit and are applauded. Later, Chuck says he is going for a drive to get some air. Later that night, Shirra wakes Lyle in his hotel room as she tries to reclaim her suitcase. As Lyle tackles her, she claims Chuck is a CIA agent, and the contents of the suitcase are necessary to overthrow the tyrant running her country. Lyle is skeptical about her story, but she convinces him to help her find a camel seller named Mohammed, and buy a blind camel. She leaves carrying the heavy suitcase. Meanwhile, Chuck secretly meets Jim Harrison, and learns his movements have been tracked through a pen with a hidden microphone that Jim gave him as a gift. The CIA has reason to believe that dictator Muammar Gaddafi in Libya is interested in Shirra's map, and the CIA wants to take possession of the document before Gaddafi does. Chuck claims not to know where Shirra is. However, Jim Harrison believes Lyle knows where to find her after appearing to have a sexual encounter with her at the hotel, and being recruited by her as a left-wing terrorist. Chuck does not believe any of Harrison's assertions but Harrison gives Chuck a beeper to stay in contact. In the morning, Lyle sneaks out of the hotel room, and Chuck follows him. The friends meet and CIA agents follow them to an outdoor market. Chuck and Lyle are kidnapped, but Harrison's associates shoot the captors and panic breaks out. The two friends run, and ask an enterprising local to help them hide. The youth takes them into his uncle's rug shop. The kidnappers confiscate two rolled up rugs, thinking the songwriters are hidden inside. Dressed in Moroccan garments, Chuck and Lyle escape over the rooftops. Meanwhile, Harrison visits Emir Yousef (Aharon Ipalé) at his palace in Ishtar to explain that the Americans, Chuck and Lyle, are merely pawns. The Emir insists the songwriters will be mistaken for "messengers of God." If radical Shiites gain possession of the map they will use it as a sign to overthrow the Emir. The Americans must be killed to demonstrate that God does not favor those who oppose the Emir. As Lyle negotiates for a blind camel at the Ben Sheli Camel Market, Chuck confronts Shirra in a nearby hotel room. He accuses her of recruiting Lyle as a Communist but she denies it. She thinks he stole her map and gave it to Jim Harrison. He denies it but promises to keep her secret. When Chuck finds Lyle, he has bought a blind camel with poor teeth. As Lyle leaves to change his disguise, Harrison appears and warns Chuck that the Emir's men want to kill them. Harrison hands Chuck two canteens with water, and a compass with escape instructions. When they reach a safe hotel at a desert oasis, CIA agents are supposed to rescue them, but it is a ruse. Harrison hopes that the desert trek will result in their deaths. Meanwhile, Shirra's associates convince her the songwriters must be executed. Shirra gives Lyle a beaded necklace with instructions to drop a trail of beads, heading into the desert. At night, the beads will glow and the friends can find their way back to town. The next morning in the desert, Chuck collapses from heat exhaustion. As Lyle helps his friend, vultures appear. Elsewhere, an associate of Shirra's tells Prof. Barnes they plan to announce over radio that they are in possession of the ancient map. The songwriters survive a sandstorm and think they see Moroccans with a truck. Chuck instructs Lyle, dressed in flowing robes, to get water. The Moroccans are actually Australian gunrunners who mistake Chuck for an auctioneer. As Chuck pretends to auction guns to the locals, CIA agents see that the songwriters have stopped moving through the desert and send a helicopter to retrieve their bodies. When the helicopter pilot realizes they are alive he retreats, and the auction is cut short. At his palace, the Emir tells Harrison he wants the "the messengers of God" killed and the helicopter returns to the desert. Parched and exhausted, Chuck and Lyle think of song lyrics to keep alert, and soon discover Shirra's map sewn into the lining of Chuck's jacket. Just then the helicopter appears and when the pilot shoots at the songwriters, they return fire with guns they collected from the auction. The helicopter leaves but returns with a second Apache attack helicopter. However, Shirra appears in a truck. She arms Chuck and Lyle with powerful guns, and the two helicopters are forced to abort their mission. Chuck and Lyle manage to smuggle the map into the United States. Back in New York, Marty, the talent agent, negotiates with Harrison to implement social reforms in Morocco, get rid of the Emir, and back and promote an album and worldwide tour for Chuck and Lyle. If the CIA succeeds, the songwriters promise not to sell the map to the KGB or anyone else. As a show of support, Harrison arranges for American forces and CIA agents to attend Chuck and Lyle's show at Chez Casablanca. Shirra thinks their songs are wonderful. In the final scene, back in America, Chuck and Lyle's "Live in Concert" album can be seen in the window of Sam Goody records.

Trelkovsky (Roman Polanski), a quiet and unassuming Polish immigrant living in France, rents an apartment in Paris whose previous tenant, Egyptologist Simone Choule, attempted to commit suicide by throwing herself out the third-floor window and through a pane of glass below. He visits Choule in the hospital but finds her entirely in bandages and unable to talk. Whilst still at Choule's bedside, Trelkovsky meets Simone's friend, Stella (Isabelle Adjani), who has also come to visit. Stella begins talking to Simone, who becomes aware of her visitors. Initially showing some signs of agitation upon seeing them, Choule soon lets out a disturbing cry, then suddenly dies. It isn't clear which of the two has caused this reaction. Apparently unaware that Choule is now dead, Trelkovsky tries to comfort Stella but dares not say that he never knew Simone, instead pretending to be another friend. They leave together and go out for a drink and a movie (Bruce Lee's Enter The Dragon), where they fondle each other. Outside the theatre they part ways. As Trelkovsky occupies the apartment he is chastised unreasonably by his neighbors and landlord, Monsieur Zy (Melvyn Douglas), for hosting a party with his friends from the clerical office where he works, apparently having a woman over, making too much noise in general, and not joining in on a petition against another neighbor. Trelkovsky attempts to adapt to his situation, but is increasingly disturbed by the apartment and its tenants. He frequently sees his neighbors standing motionless in the toilet room (which he can see from his own window), and discovers a hole in the wall with a human tooth stashed inside. He receives a visit and a letter from one Georges Badar (Rufus), who secretly loves Simone and has believed her to be alive and well. Trelkovsky updates and comforts the man and spends the night out with him drinking at various bars around the city. Gradually he changes his breakfast habits like Simone and shifts from Gauloises to Marlboro cigarettes. One evening, Trelkovsky has a run-in with Stella who is with some friends of hers at a local bar where they talk about the late Simone. After a gathering at friend's house, Stella invites Trelkovsky back to her apartment where she tries to seduce him. Trelkovsky is quite drunk and does not respond to her advances. He tells Stella about finding the human tooth in a wall in his apartment. He then tells a story about a man who lost his arm in an accident and wanted it buried. Trelkovsky instead passes out, leaving Stella to instead sleep beside him. The next day, Trelkovsky returns to his apartment where be becomes severely agitated and enraged when he sees that his apartment has been robbed, while his neighbors and the concierge (Shelley Winters) continue to berate him for making too much noise... despite the fact that he appears to tiptoe around the apartment and watches his TV set without sound. He complains about the robbery to Zy, but the landlord is unsympathetic and refuses to allow Trelkovsky to call the police for he wants the building to remain quiet and respectable. Over the next several days, Trelkvosky becomes hostile and paranoid in his day-to-day environment (snapping at his friends, slapping a child in a park) and his mental state progressively deteriorates as he isolates himself from society. One evening, he imagines himself being attacked by a derelict in the hallway of the lobby in his apartment building while imagining it to be one of his neighbors Madame Dioz (Jo Van Fleet). He buys a wig and woman's shoes and goes on to dress up (using Simone's dress which he had found in a cupboard) and sits still in his apartment in the dead of night. He begins to suspect that Zy and neighbors had driven the previous tenant, Simone, to commit suicide by harassing her, and in his increasingly twisted state of mind, believes that they are trying to subtly change him into Simone so that he too will kill himself. He has visions of his neighbors playing football with a human head in the apartment courtyard, and begins to see himself staring out of his own window and finds the toilet covered in hieroglyphs. After a night of drinking at a local bar, Trelkovsky runs off to Stella for comfort and sleeps over at her apartment and confides in her about his fear that his neighbors are trying to kill him, but she calmly tells him that it is all in his mind. The next morning, after Stella has left for work, he concludes that she too is in on his neighbors' conspiracy when a delivery man arrives outside her apartment with a packaged delivery. In his twisted mind, Trelkovsky looks through the peakhole of the front door and sees Zy there. After the delivery man leaves, Trelkvosky proceeds to wreak havoc in her apartment before departing, and steals her hidden supply of money. That evening, Trelkvosky is drinking at a local bar again when he makes the mistake of asking the barman where he can buy a gun. The barman and the manager throw him out of the bar from where the drunk Trelkvosky wanders into the street where he gets hit by a passing car driven by an elderly couple. The old man and woman stop and exit the car to check on him, and he is not wounded too seriously. An doctor appears and gives him a sedative injection due to his odd behavior. As a result, Trelkvosky perceives the elderly couple as landlord Zy and wife after which the couple return him to his apartment. By this point, a deranged Trelkovsky dresses up again as a woman and throws himself out the apartment window in the exact same manner of Simone Choule, before what he believes to be a clapping, cheering audience composed of his neighbors in the courtyard. The suicide attempt, in fact, wakes up his neighbors (whom Trelkovsky sees as humanoid monsters decending upon him). The neighbors arrive at the scene together with the police just in time for the wounded Trelkovsky to crawl up to his apartment and jump one more time. The end of the movie is enigmatic. Trelkovsky is bandaged up at the local hospital in the same fashion as Simone Choule in the very same hospital bed. When Trelkovsky looks up, two visitors come to visit him the next day. It happens to be Stella... and his own self standing before him in the exact same manner when Trelkvosky and Stella visited Simone in the hospital earlier. Trelkovsky then lets out the same disturbing scream that Simone had screamed. There is the possibility that this scene is not a flashback but that Trelkovsky is really Simone Choule and the whole supernatural cycle is about to start all over again.