Jennifer Beals

A post-apocalyptic tale, in which a lone man fights his way across America in order to protect a sacred book that holds the secrets to saving humankind.

Elizabeth, a vet assistant, falls for Max, who brings in an abused dog. His jealousy burdens their relationship as does talk of marriage. Lena wants Max and she schemes. A story told from three angles. Max meets Elizabeth; they live together, but when she talks of marriage, he balks. He becomes extremely jealous, probably without cause, and thinks she's taken up with a friend of his, Jack. Elizabeth, stung by Max's refusal to marry, catches Jack's eye, but the friendship seems innocent. Lena, who works with Max, likes him and realizes she can manipulate his jealousy and maybe engineer his split from Elizabeth. When she's sure Elizabeth is with a man, she calls Max at work, sending him home to confront the lovers. Then, Lena feels guilty and takes off for Max's apartment. What's really going on? Who's with Elizabeth? —<jhailey@hotmail.com>

In 1948 Los Angeles, Easy Rawlins has seen better days. So he accepts a job to locate the mysterious Daphne Monet but ends up in a web of murder, brutal cops and city politics.

The film begins with Ted the Bellhop (Tim Roth) in a room filled with hotel memorabilia, talking to Sam the Bellhop (Marc Lawrence) about what a bellhop is. It's New Year's Eve. "The Missing Ingredient" begins with a bunch of women (including Madonna and Lili Taylor) converging in the Honeymoon Suite, where there's a huge cauldron in the room's center. The women send Ted to get a bunch of ingredients, mostly from the kitchen. With the ingredients in hand, the women, some of them topless, enact a ritual. They are witches. One says they intend to reverse the spell that turned their goddess Diana into stone in this very room 40 years ago. The witches dance around, then they begin putting ingredients into the huge cauldron. Eva (Ione Skye) was required to get the key ingredient: fresh semen. Alas, instead of keeping the sample, she swallows it. Ted returns to the room. A witch gives him a $50 tip, telling him that he has to make Eva smile. The witches leave Ted alone with Eva, whom Ted tries to entertain by acting silly. Eva says it doesn't matter if she smiles or not, and explains that she and her friends are a coven, as well as the situation with Diana. After Ted resists Eva's advances, she casts a spell on him, causing him to be swept away with her. Ted kisses Eva. Later, we see them kissing some more. Ted leaves the suite as the witches plus one more return. Eva says she's a woman now, telling them that she and Ted did it in the cauldron. The witches continue the ritual. Diana rises from the cauldron in physical form. The second segment is "The Wrong Man." Ted walks into a darkened room 404. The light comes on. A man (David Proval) points a gun in Ted's face. A woman (Jennifer Beals) is tied to a chair and gagged behind the man. The man swallows some pills. He accuses Ted of being the woman's beau. She is the man's wife. Ted says there's a mistake. The man hits Ted in the face with the gun, knocking him down. The man pulls Ted up and says he demands an apology. He puts the gun down and has Ted mouth an apology for saying he f---ed another man. The man tells Ted not to move a nose hair, picking up the gun. The man dances over to the bathroom. The woman mumbles at Ted and he pulls the gag from her mouth. She tells him to untie her. He argues that they're complete strangers, and she says, "it's where we end up that counts." They realize the man is coming back, and Ted puts the gag back into her mouth. The man catches Ted doing this and points the gun at him. He tells Ted to "nibble" on his wife. The man calls Ted "Theodore." Ted corrects him, telling him to call him "Ted." The man says his name is Siegfried. He agrees to call Ted by his chosen name. He then kisses Ted, twitches, says "my heart," and collapses. He tells Ted to get his nitro pills from the bathroom. Ted enters the bathroom and searches the medicine cabinet. He sees the window and worms his body halfway through it. Ted notices a man halfway out of the window above his window. Ted asks the man to call the police. The man twitches and vomits, just missing Ted, who jumps back into the bathroom. Ted exits the bathroom, finding the woman and Siegfried on the floor. He picks the woman up and ungags her. She yells at him to get the nitro pills. Suddenly, Siegfried stands up. He tells them that it was a test, saying he's happy because he knows the woman loves him now. The woman takes a wry attitude, accusing Ted of having sex with her. Ted asks what he ever did to her and Siegfried. The woman mentions that Ted has "a huge cock." Ted denies this. Siegfried tells Ted to show him his cock. The woman does, too. Siegfried tells her to stop talking about Ted's cock. The woman says countless synonyms for the male phallus, driving Siegfried into a fit. Ted sees an opportunity and hurries out of the room. The third segment, "The Misbehavers," starts with Ted answering a call at the front desk. A man (Antonio Banderas) orders a bottle of champagne. His wife (Tamlyn Tomita) combs her and the man's son Juancho's (Danny Verduzco) hair, trying to get the right look. The man takes over combing Juancho's hair, while the wife goes to work on their daughter Sarah's (Lana McKissack) hair. The man and wife finish the kids' hair. The kids go into the other room to watch television. The wife asks the man if they're going to have fun tonight. The man mentions that they could leave the kids in the room with the television set. The man tells the kids that he and his wife are going to leave them alone and to be in bed before midnight. He tells them, "Don't misbehave." Juancho opens a window, saying it stinks in the room. The man comes back in, saying, "Behave." Ted arrives with the champagne. The man gives Ted $500 to check up on the kids every thirty minutes. The man and his wife leave. Ted and Sarah argue a bit as to when the kids should call him. Ted says to call only when necessary, and that if the kids are good, he'll bring them some milk and cookies. He leaves. Sarah tells Juancho that his feet stink. Juancho turns on a station on the TV with a half-naked female dancer (Salma Hayek) dancing. Sarah calls Ted on the phone, telling him to turn "the nudie station" off. The kids keep complaining about the bad smell in the room. Sarah finds a syringe in a drawer and calls Ted to mention it to him. Ted tells her not to bother him again unless it's an emergency. Juancho shakes the champagne bottle until it blows its cork. He drinks some champagne. The kids use a framed picture in the room as a target to throw the syringe at. Ted comes back with milk and saltines, telling the kids that they're going to bed. The kids dislike the saltines. Ted has the kids lie down and tells them to close their eyes. He pulls out some mentholatum ointment. He dabs the ointment over their eyes, telling them not to open them or it will burn. Ted exits the room. Fireworks go off outside the room's window. Sarah walks with her eyes closed to the bathroom and rinses them off. She opens her eyes. She turns on the TV and drinks some champagne. Juancho steps to the bathroom and washes his face off, too. Vexed by the bad smell in the room, the kids get off of the bed. Sarah pulls the bed's top mattress aside and they find a dead woman stuffed in its bottom mattress. Sarah calls Ted, who becomes livid. Sarah tells Ted to get his ass to the room. A discombobulated Ted sees the man walk into the hotel, carrying the passed-out wife. Ted runs to the elevator and goes upstairs. He rushes into the room to find Sarah drinking and Juancho smoking. Ted slaps the cigarette out of Juancho's mouth. Sarah moves the bed's top mattress aside and reveals the dead woman. Ted vomits. He knocks the champagne bottle out of Sarah's hand. Champagne spills from the bottle, and some of it moves toward the lit cigarette on the floor. Ted calls the police, saying there's a "dead whore" in the room. Sarah tells Ted not to call her a dead whore. Ted does it again, so Sarah stabs him in the leg with the syringe. Ted screams, dropping the telephone. He steps on the TV's remote, accidentally changing the TV to the station with the dancing woman. The man gets to the room's door, carrying his wife. Flames erupt around the room due to the champagne catching fire. Ted grabs the dead woman's leg and yanks the syringe out of his thigh. The man walks in to see Ted standing with his hand on the dead woman's leg, along with the syringe in his other hand, Juancho smoking, Sarah holding the champagne bottle, the "nudie station" on the TV, and the room on fire. The man asks, "Did they misbehave?" The last segment is "The Man From Hollywood." Ted knocks on a penthouse door. The formerly tied-up woman from the second segment opens the door and announces that the bellhop is here. Men's voices shout in appreciation and Ted steps into the penthouse. The actor Chester Rush (Quentin Tarantino) struts over to Ted and offers him some Cristal that Ted refuses at first, but later drinks. Chester invites Ted in and introduces him to his friends: the woman whose name is Angela, Norman (Paul Calderon), and Leo (Bruce Willis). Chester notices that a bottle of Cristal has gone flat and goes off on a tirade against his friends for leaving it open. He opens another bottle of the champagne. Chester talks about his movies. Ted shows Chester and Norman the objects he's been asked to bring to the room, which include a block of wood and a sharp hatchet. Leo argues in a bedroom with his wife over the phone, and it ends badly. Leo has a temper tantrum, yelling and cursing. Leo asks Ted if he's seen a TV episode called "The Man From Rio" starring Peter Lorre and Steve McQueen. In the episode, Lorre makes a bet with McQueen that McQueen can't light his cigarette lighter ten times in a row. If McQueen lights his lighter ten times in a row, McQueen gets Lorre's car. If he doesn't, Lorre gets to chop off McQueen's pinky. Leo says Norman has bet his pinky that he can light his cigarette lighter ten times in a row. Either Norman will do it, thus winning Chester's 1964 Chevy Chevelle or not, getting his finger cut off, as in Lorre and McQueen's bet. Ted tells the guys that they're drunk. Norman says they'd probably chicken out if they weren't intoxicated. Chester says in the event that Norman loses his finger, after they put it on ice, it can hopefully be reattached. Chester says the men want Ted to be the finger-cutter, since he's a neutral stranger. Ted says, "I've gotta get out of here" and runs to the door. Chester offers Ted $100 to sit and listen to what he has to say. Ted sits down. Chester stacks a thousand dollars on the counter, and persuasively asks Ted if he'll want to remember for the rest of his life that he refused it for a second's work. Ted agrees to be the finger-cutter. The men get into their positions. Norman gets his thumb on his lighter and flicks it once. It doesn't light, and Ted instantly drives the hatchet through Norman's pinky, severing it. Norman screams in agony. Ted scoops up his money and sashays off, getting onto an elevator. Leo and Chester scramble to get the shrieking Norman and his severed pinky into the elevator.

Dorothy Parker remembers the heyday of the Algonquin Round Table, a circle of friends whose barbed wit, like hers, was fueled by alcohol and flirted with despair.

A car thief and a punk rocker fall in love as they become embroiled in deaths attributed to an aphrodisiac.

When a boxer is killed because he wouldn't take a dive, his brother tries to find a way to avenge him even if only symbolically.

Baron Charles Frankenstein (Sting), Dr. Zalhus (Quentin Crisp), and Frankenstein's assistant, Paulus (Timothy Spall), attempt to create a female mate, Eva (Jennifer Beals), for his creation (Clancy Brown). The team of scientists succeed in creating Eva, who is physically identical to a human and lacking the deformities of the monster. As such, she is disgusted by the monster and rejects him. A confrontation between the monster and Frankenstein regarding Eva lead the monster to become deadly angry and destroy the laboratory. Believing the monster has perished, Frankenstein escapes with Eva back to Castle Frankenstein. There he falls in love with her and, with the help of his friend Charles Clerval (Anthony Higgins) and housekeeper Mrs. Baumann (Geraldine Page), educates her with the goal of making her a perfect human mate. Having survived, the monster wanders into the countryside where he makes friends with a circus dwarf, Rinaldo (David Rappaport) after he stops children from physically abusing him. As they learn more about each other, Rinaldo eventually gives the monster more humanity by gracing him with a name: Viktor ("he will win"). The men travel by foot through Europe, eventually arriving in Budapest, where they became involved with a circus owner named Magar (Alexei Sayle), who hires them despite his dislike of Rinaldo. Meanwhile, as Eva acquires language and develops furtive cognizance, she begins to question her origin and, while visiting a weakened mausoleum with Baron Charles, tells him that she wishes to "go home". The Baron has Eva accompany him to a formal party held by the Countess (Veruschka von Lehndorff), where he introduces her. Eva is initially well-spoken and formal, impressing the Countess, Captain Josef Schoden (Cary Elwes), and other guests, but becomes agitated when a cat enters the room. Having no knowledge of the animal, Eva begins to scream at it, embarrassing the Baron. Several days later, while riding her horse near the castle, Eva is come near by Josef, who attempts to romance her. Josef informs Eva that the Baron was thrown out of the university while studying medicine. She eventually begins to question the Baron and his intentions. Meanwhile, during a trapeze performance with the circus, Rinaldo is injured in a deadly fall. Viktor is immediately heartbroken at the loss of his friend, a feeling that Eva apparently feels. Hinting the two share a type a psychic connection, as Viktor mourns, Eva suddenly feels a great sense of loss and cries in her room. Viktor learns the circus performer Bela (Phil Daniels) deliberately tampered with Rinaldo's harness, causing the fall, he becomes deadly angry, flipping Magar's caravan over before murdering Bela. The next morning, Viktor returns to the castle and finds Eva outside on the grounds. However, Eva mistakes him for a vagrant and does not recognize him. A mob from the circus later arrives in the village in search of Viktor, and shackle him to a wall. Meanwhile, Eva disappears from Castle Frankenstein. The Baron inquires of her whereabouts, and Mrs. Baumann reluctantly reveals that she has runaway with Josef. Soon after, the Baron locates the two lovers. Much to Eva's shock, Josef reveals he doesn't care much or ever about Eva and walks away from her not looking back. The Baron drags an extremely defiant Eva back to Castle Frankenstein. During an argument, the Baron finally reveals to Eva how he created her, using part of corpses, and bringing her to life via an electric charge. This information humiliates Eva. The Baron states he's glad the monster is dead because giving her to him would have been a waste. His possessive nature shows as he demands he will take Eva as his bride, whether she consents or not. Though Eva tries to keep him away from her, she's virtually trapped and feels powerless. Viktor eventually senses her extreme fear and desperation. He breaks free from his shackles and escapes by horse to Castle Frankenstein. Back at the castle the Baron fights Eva, a fight she loses. Before the Baron can force himself on Eva, Viktor confronts him. A fight ensues, and Viktor is chased to the top of the laboratory, where he throws the Baron to his death. In the castle, Viktor returns to a sleeping Eva, and when she awakens, he turns to leave. Eva asks him never to leave and he introduces himself to her with his name. She tells him the meaning of his name, which pleases him. She asks if he knows who made him and he reveals that it was the Baron. Reunited, they begin moving away to Venice to carry out Rinaldo's dream.

The film opens with "Flashdance... What a Feeling," which is a recurring theme throughout the entire film. During the opening credits 18-year-old Alexandra 'Alex' Owens (Jennifer Beals) rides her bicycle through Pittsburgh on her way to work as a welder at one of the city's steel mills. After work, Alex moonlights as a dancer at Mawby's Bar, which features dancers in a go-go atmosphere. Nick Hurley, one of the steel mill bosses, enters the bar as Alex performs a dance to "He's a Dream." Nick is intrigued by Alex. His friend tells him that she works for him at the mill. Richie, the bar's cook, wants to be go to Los Angeles to become a standup comedian. He tries out some of his material on Jeanie, one of the waitresses. At work the next day, Nick introduces himself to Alex, tells her he saw her dance and asks why a dancer would be working as a welder. She responds, "a girl's got to make a living." Their first meeting ends when Nick is called away to another area of the mill. Alex lives by herself in a converted warehouse loft with her pit bull, named Grunt. When she gets home from work, she channel surfs for something worth watching on TV. She stops on some ballet dancers performing to "Adagio for Strings" and attempts to copy their moves. It is Alex's dream to study at a local, prestigious school of dance, the Pittsburgh Dance and Repertory Company. She changes into exercise clothes, tapes her bare feet and feverously exercises to "Maniac." The song's lyrics reflect her passion to become a serious dancer. After her strenuous workout, she's exhausted. The next day Alex bikes to the Repertory building to obtain an application, but is discouraged when she finds several girls waiting for applications. The lady in the admissions office instructs them to list all their previous years of training. Alex leaves without an application and bikes to work. When Alex and Nick share an elevator ride at work, he asks her to lunch or dinner, but she tells him she doesn't have dinner with the boss. Later Alex visits Hanna Long, a retired professional dancer, who has become her mentor. Hanna encourages Alex to pursue her dream of becoming a professional ballet dancer, but Alex makes excuses for not auditioning for the Rep. After she leaves Hanna's, Alex bikes to a nearby church where she confesses to the priest that she thinks a lot about sex and she told a lie. Hanna was badgering Alex to get the application for the Rep, but she didn't want to make her friend unhappy by telling her that she didn't have the courage to go through with it. In the next scene Johnny C., who runs the Zanzibar strip club, and his not-too-bright bodyguard, Cecil, try to entice customers into his club. At a self service laundry, Alex notices that Jeanie is washing Richie's underwear, confirming that these two are a serious couple. Jeanie's father is giving her a hard time because Richie hasn't proposed. Jeanie has dreams of becoming a professional ice skater. Next, Alex and several of the dancers from Mawby's exercise with weights and use workout machines to "I Love Rock 'n' Roll." As Jeanie and Alex walk down the street, a group of African-American guys breakdance and moonwalk to music played on their jambox. Quite a crowd gathers to watch their demonstration. As the girls continue their walk, a policeman directs traffic. When Alex helps the traffic cop with his duties, it turns into a traffic signal dance, as an excerpt from Georges Bizet's "Carmen Suite No. 2: Garde montant" is heard. At dinner at Jeanie's parents house, Alex defends her friend's dream of becoming a professional ice skater even though her parents don't seem to have much confidence in their daughter's abilities. After dinner the two girls go to the ice rink where Jeanie showcases some of her skating skills. In the following scene Richie is backstage practicing some of his jokes waiting to go on while one of the dancers finishes her routine on stage. Alex and a couple of the other dancers are in the audience rooting for him. Jeanie stops her waitressing to listen. At first, Richie's jokes bomb. Only after he threatens to put cockroaches in the hamburgers does the audience warm up to his humor. At the end of his routine, he introduces Tina Tech, who dances to "Manhunt." Johnny C. visits Mawby's to recruit some of the dancers to work at the Zanzibar. When he stops Alex and squeezes her buttocks, she pours beer on his crotch. Later after work as Richie and Alex are walking through a parking lot, Johnny and Cecil stop them. After Cecil socks Richie in the nose, Nick breaks up a potentially violent payback. Afterwards, Alex thanks Nick for his help and bikes home. Nick follows her in his Porsche and asks her to dinner again. Once again she reiterates that it isnt a good idea to go out with her boss, so he kiddingly fires her and sets a date for the next evening. On their date, Alex and Nick first attend Jeanie's ice skating competition. Jeanie's parents and Richie are also there to watch her skate to "Gloria." Unfortunately, Jeanie falls a couple of times. Afterwards, Alex tries to cheer Jeanie up, but she is discouraged that she has spent so much time and practice towards something that now seems like a waste. Her father, who hasn't been very supportive of his daughter's dream, reassures her of his love. After the ice skating competition Nick and Alex decide to have pizza for dinner. They pick it up and take it back to her warehouse apartment. She immediately changes into a much more comfortable sloppy sweatshirt. Alex tells Nick about the time her father took her family to the symphony. At first, she was bored, but her father suggested that if she closed her eyes she could see the music. Before the evening is over, Nick and Alex end up in bed. The next day the two lovers walk on the railroad tracks as "Lady, Lady, Lady" is heard. They go inside an old building where Nick sees Alex spin like a ballet dancer. When he asks her to do it again, she says she was just fooling around. She explains that she has never studied dance; she's read books on ballet and watches ballet, but has never taken classes. Then she explains how she does what she does at Mawby's. She just feels the music, something clicks inside and she becomes somebody else. And she loves to get up there and disappear into the music. In the following scene, Alex dances an avant garde routine in white face makeup to "Imagination." The number has a lot to do with fantasies becoming reality. Nobody seems to understand Alex's dance except for one of the other dancers in the club, Heels. During the song Johnny C. asks Jeanie why she doesn't dance. She tells him she's been practicing. After he makes a suggestive remark about doing the horizontal mambo, he gives her a big tip. Alex attends a ballet performance of Claude Debussys "Prélude à lAprès-midi dun Faune (Prelude to the Afternoon of a Fawn)" at the Repertory with Hanna. When the ballet is over, Alex happens to see Nick with another woman. She is furious! Still in her concert dress, she rides her bike to his house, throws a rock through one of his windows, calls him a son of a bitch and retreats quickly. Back at the warehouse, her radiator has sprung a leak. While she is on her knees mopping up the water in her concert dress, Richie comes by to tell her goodbye; he's headed for L.A. When she asks about Jeanie, he admits he loves her, but he says he can't continue to cook hamburgers at Mawby's and pretend to be a comedian. The next day at the mill, Nick tries to pay for Alex's lunch at the lunch truck, but she is still very mad. She demands to know who the blond was that was with him the previous evening. He explains that it was his ex-wife. Since they have friends on the Arts Council, he takes her to the benefit once a year. Now Alex feels guilty that she broke his window. When they reconcile, the workers who are sitting around eating their lunch applaud. That evening Nick and Alex have dinner at a fancy restaurant. Alex, who is dressed in a tuxedo coat, eats her lobster with her fingers. During the meal, just as Alex puts her foot on Nick's crotch, his ex-wife, Katie, stops by their table. After a few catty remarks from Katie that are aimed at Alex, Alex takes her tux coat off to reveal she is only wearing a shirt bib and cuffs. Then she proudly announces that on her first date with Nick: "I fucked his brains out!" Later that evening, Nick and Alex talk about his marriage to Katie; she was high class, educated, from a good family and it made him feel like he had made it. But one day he realized that wasn't what he really wanted. So he started over and went after what he really wanted to do. Alex asks, "How did you do it?" Nick answers, "I took a deep breath and jumped." Their conversation gave Alex the renewed desire to pursue her dream, so the next day she goes to the Rep for an application. There she is reminded that auditions to the school are by invitation only. Nick sees her leave the building, so he goes inside and finds out about her getting an application. He immediately telephones a friend on the Arts Council asking for a favor. At Mawby's Halloween Party, the owner and his guests are dancing to "Romeo." During the party, Richie returns from L.A. Jeanie is very cool towards Richie and leaves the party with Johnny C. When Alex gets a letter from the Repertory, she's afraid to open it. Finally she musters enough courage and is ecstatic when she discovers she's been invited to audition. She runs to find Nick to break the news, who suggests they celebrate at dinner that evening. Later in the day, she bikes to Hanna's to tell her the good news. Hanna congratulates and encourages her. On an after dinner drive later that evening, Nick commits a faux pas: he says he called the restaurant the previous night and told them this was a special occasion. Alex immediately realizes that he knew she was going to be invited to audition before she received the letter. She makes him stop the car in the middle of a tunnel, gets out and walks away. He tries to make her understand that he just made a phone call to a friend. She, however, yells that she doesn't want his help. Afterward Alex needs to talk to a friend, so she calls Mawby's to talk to Jeanie. They inform her that Jeanie now works at the Zanzibar. Alex immediately heads for the nude club. Before she arrives, we see several of the nude or semi-nude girls performing to "Seduce Me Tonight." Once Alex enters the club, she spots Jeanie (clad in only high-heeled shoes and a G-string) dancing, and Alex literally drags her off the stage. When Johnny C. tries to stop her, Alex pushes him out of the way. Outside in the rain, Jeanie asks Alex why she came after her. Alex responds, "Because you're my friend." Later that evening, when Alex returns to her warehouse apartment, Nick and Grunt are waiting outside in the rain. When Alex didn't show up at work that day, Nick came to investigate. He accuses her of being scared to audition for the Rep and of using him as an excuse. Just before he leaves he says, "When you give up your dream, you die." The next day Alex bikes to Hanna's, but sadly discovers that her mentor had died the previous day. As Alex mourns the loss of her friend and mentor, she picks up a pair of Hanna's ballet slippers to take as a memento. During this and the following scene, "I'll Be There Where the Heart Is" is heard. Back at her apartment Alex continues to mourn; the song continues as she sits alone on the floor of her bathroom and wanders aimlessly around her warehouse apartment. Alex returns to Mawby's to pick up her stuff, then goes to confession. She tells the priest "I want it so much." The next scene is Alex's audition for the dance school before five stuffy judges. She puts on a recording of "Flashdance... What a Feeling," starts her dance, stops and starts again. During the slow beginning of the song, the judges seem completely unimpressed and maybe even bored, but when the tempo picks up the stodgy judges begin to loosen up. The lyrics are very germane to the plot. They sing about a dream that is hidden because of fear and about crying in a world made of steel. This dancer hears the music, closes her eyes and allows it to invade her body (like her father had suggested when he took her to the symphony). Then she is the music, she is the rhythm, and she dances as if her life depended on it. The song continues as Alex exits the building with a huge smile on her face. Waiting for her are Nick and Grunt. After Alex hugs Nick, he presents her with a bouquet of roses (like most ballerinas receive after a brilliant performance). When she takes out one rose to give to Nick, the scene freezes to end the film (we are left to speculate whether Alex was accepted into the dance school, but we are confident that she was). As the closing credits begin, "Flashdance... What a Feeling" continues, followed by "Manhunt," "Imagination," and "Maniac."