Jingchun Wang

The four members of the China Everest Climbing Commando confront the most difficult mount. The first four failures have cost them too much physical strength until the wind and snow stop the gap.

Two married couples adjust to the vast social and economic changes taking place in China from the 1980s to the present. 'We're waiting to grow old'. This sentence briefly sums up Yaoyun and his wife Liyun's bitter realization about their lives. They were once a happy family - until their son drowned playing by a reservoir. And so Yaojun and Liyun leave their home and plunge into the big city, although nobody knows them there and they cannot even understand the local dialect. Their adopted son Liu Xing does not offer them the comfort they had hoped for either. Defiantly rejecting his 'foreign' parents, he one day disappears altogether. The married couple are repeatedly enmeshed in their memories. Finally, they decide to return to the site of their lost hopes. In this family saga spanning three decades of Chinese history, the private and the political merge and the individual gets caught up in the gears of a society in the throes of constant change. Part melodrama, part critique of the times, this film takes us from the country's upheaval in the 1980s following the Cultural Revolution to the prospering turbo-capitalism of the present day. Told in sweeping tableaux, it makes visible the deep scars that lie beneath the surface of an ostensibly unbroken success story. SO LONG MY SON traces the lives of two families over three decades of social, political and human upheaval in China. Following the loss of a child in a tragic accident, their paths separate. Destinies ebb and flow, and fortunes are transformed under the impact of a country's changing face. Yet even as their lives diverge, a common search for truth and reconciliation around the tragedy remains. But sometimes it can take a lifetime to say farewell. SO LONG MY SON chronicles people and a society in full transformation - in which human relationships and the tumultuous evolution of a nation are inevitably and inextricably intertwined.

Dona Caçula is a biker-recycler who balances metal and plastics in her cargo bike. She is part of a group of workers comes from Northeast of Brazil to Brasília with a dream to change the "prosperous garbage" in an opportunity to live.