Joan Allen

Escaping from the captivity in which they have been held for half a decade, a young woman and her five-year-old son struggle to adjust to the strange, terrifying and wondrous world outside their one-room prison.

Written and directed by Paul Anderson, this is a remake of the 1975 movie Death Race 2000. Jensen Ames (Jason Statham) is framed for his wife`s murder and lodged in Terminal Island Prison. The warden (Joan Allen) introduces him to a car race that promises to set the victor free from prison. The catch, however, is that to win you should be able to kill. Other racers in the fore are Machine Gun Joe (Tyrese Gibson) and Frankenstein (David Carradine). Will Jensen take the bait?

When the Chinese vice-premier is murdered, the CIA suspects Jason Bourne. Haunted by his past, he must battle through the waters of international espionage to prove his innocence.

David (Tobey Maguire) and Jennifer (Reese Witherspoon) are twins and attend the same high school. Jennifer is concerned mainly with her appearance, relationships and popularity, while David watches a lot of television, has few friends, and is socially awkward. Their mother (Jane Kaczmarek) leaves Jennifer and David alone at home while she heads out of town for a rendezvous with her younger boyfriend. The twins begin to fight over the use of the downstairs TV; Jennifer wants to watch an MTV concert with her date, Mark Davis, while David hopes to watch a marathon of his favorite show, Pleasantville. Pleasantville is a black-and-white '50s sitcom, a cross between Leave It to Beaver and Father Knows Best that centers around the idyllic Parker family George (William H. Macy), his wife Betty (Joan Allen), and their two children, Bud and Mary Sue. David is an expert on every episode and wants to watch the marathon so he can win a $1,000 trivia contest. During the fight between David and Jennifer, the remote control breaks and the TV cannot be turned on manually. A mysterious TV repairman (Don Knotts) shows up uninvited, and quizzes David on Pleasantville before giving him a strange-looking, retro-styled remote control. The repairman leaves, and David and Jennifer promptly resume fighting. However, through some mechanism of the remote control, they are transported into the television, ending up in the Parkers' black and white Pleasantville living room. David tries to reason with the repairman (who communicates with him through the Parkers' TV set) but succeeds only in chasing him away. David and Jennifer must now pretend they are, respectively, Bud and Mary Sue Parker. Jennifer is dismayed to be stranded, but she and David begin exposing the town to issues such as sex, personal freedoms, styles of art, and literature. Pleasantville soon begins changing at a rapid pace, and previously black and white objects and people begin to develop full and vibrant colors. After initially wanting to leave, David discovers a sense of belonging he lacked in the real world, so when the TV repairman returns and berates him for altering the show so much, David turns off the TV, relinquishing his ability to go home in the process. While the mayor is concerned, people in Pleasantville begin to explore hidden abilities and revel in their new freedoms. The town fathers, who see the changes as eating away at the town's moral values, remain unchanged. Certain youths, such as Skip and Whitey and their friends, also remain unaffected. They resolve to do something about their increasingly distant wives and disaffected youths. Behavior similar to Nazism, as well as racial segregation and subsequent rioting similar to that of the African-American Civil Rights Movement start to occur, incited by a nude painting of Betty on the window of Bud's boss Bill Johnsons soda shop; the window is smashed with a park bench, and the soda shop is destroyed, books are burned, and anyone who is "colored" is harassed in the streets. Bud begins to grow into a strong leader, advocating resistance to the new "Pleasantville Code of Conduct", a list of regulations preventing people from visiting the library and Lovers' Lane, playing loud music, or using colorful paints. Bud/David and Bill are arrested and tried in court for violating the paint rules, but ultimately everyone in the court room changes colors and Mayor Bob leaves in horror when he is exposed as having changed as well. Eventually, the entire town becomes colored, and the people of Pleasantville are finally introduced to the rest of the world. Televisions at the television repair shop now display full-colored images of various scenic vistas around the world, and Main Street, which had previously been a circuit that led back to its beginning again, now leads away to other towns and cities. Jennifer chooses to stay behind in neighboring Springfield, while says goodbye to Betty and his new girlfriend David returns home using the remote control after promising to return and check up on her soon. He finds his mother crying in the kitchen, distraught over her life and her failed relationship. She complains to him that her life was not supposed to run this undesirable course. David replies, "It's not 'supposed' to be 'anything'." Back in Pleasantville, the citizens and Jennifer are enjoying their new freedoms and colors. Betty is seen sitting next to George on a park bench. George asks what will happen next and Betty admits incredulously that she doesn't know. When she asks George, he laughs upon realizing that he doesn't know either. The camera focuses on Betty for a second as she relaxes against the bench, then she turns once more toward the other side of the bench. The camera pans to the side to reveal Bill Johnson sitting where George had been. He says "I guess I don't know either," and smiles.

Searching for Bobby Fischer was inspired by the life of chess prodigy Josh Waitzkin, as written by his father Fred Waitzkin. Josh (Max Pomeranc) is a "regular kid" who begins evincing signs of being a genius at chess. His father (Joe Mantegna) encourages this, hoping that it won't fundamentally change his son's healthy outlook on life. But Josh is taken under the wing of cold-blooded chess instructor Bruce Pandolfini (Ben Kingsley), who indoctrinates the boy in the "Bobby Fischer" strategy. Unfortunately, Pandolfini emphasizes all of Fischer's negative traits, especially his contempt for his opponents. Josh is in danger throughout the film of sacrificing his essential decency, but in a rousing conclusion, the boy is able to successfully blend ruthless competition with good sportsmanship. ~ Hal Erickson, All Movie Guide

A young girl whose father died in the Vietnam War becomes determined to find out more about him and his experiences. Samantha Hughes, a teenage Kentucky girl, never knew her father, who died in Vietnam before she was born. Samantha lives with her uncle Emmett Smith, who also served in Vietnam. Emmett hangs around with Tom, Earl and Pete, three other Vietnam veterans who, like Emmett, all have problems of one kind or another, that relate to their war experiences. Sam, as Samantha is known, becomes obsessed with finding out about her father and his experiences, but Emmett and the other veterans don't want to talk about the war. Sam pushes everyone to attend a dance honoring the town's veterans, but Pete and Earl get into a fight, Emmett disappears, and Tom takes Sam home for an unsuccessful tryst. When Sam reads her father's diary, she begins to understand what his life and death meant, and with a trip to the Vietnam Veterans Memorial, she and Emmett at least temporarily come to terms with the war in their lives. —Jim Beaver <jumblejim@prodigy.net>

Will Graham (William Petersen) is a former FBI criminal profiler who has retired because of a breakdown after being attacked by a cannibalistic serial killer, Dr. Hannibal Lecktor (Brian Cox). Graham is approached at his Florida home by his former FBI superior Jack Crawford (Dennis Farina), who is seeking help with a new serial killer case. Promising his wife (Kim Greist) that he will do nothing more than examine evidence and not risk physical harm, Graham agrees to visit the most recent crime scene in Atlanta, where he tries to enter the mindset of the killer, now dubbed the "Tooth Fairy" by the police for the bite-marks left on his victims. Having found the killer's fingerprints, Graham meets with Crawford. They are accosted by tabloid journalist Freddy Lounds (Stephen Lang), with whom Graham has a bitter history. Lounds' paper had run photographs of Graham taken secretly while he was hospitalized. Graham pays a visit to Lecktor, a former psychiatrist, in his cell and asks for his insight into the killer's motivations. After a tense conversation, Lecktor agrees to look at the case file. Lecktor later contrives to obtain Graham's home address by deceit. Graham travels to the first crime scene in Birmingham, Alabama, where he is contacted by Crawford, who tells him of Lounds' tabloid story on the case. Crawford also patches Graham through to Frederick Chilton (Benjamin Hendrickson), Lecktor's warden, who has found a note in Lecktor's personal effects. Reading it, they realize it is from the Tooth Fairy, expressing admiration for Lecktor and an interest in Graham. Crawford brings Graham to the FBI Academy at Quantico, where a missing section of the note is analyzed to determine what Lecktor has removed. It is found to be an instruction to communicate through the personals section of the National Tattler, Lounds' newspaper. The FBI intended to plant a fake advertisement to replace Lecktor's, but they realize that without the proper book code the Tooth Fairy will know it is fake. So they let the advertisement run as it is, and Graham organizes an interview with Lounds, during which he gives a false and derogatory profile of the Tooth Fairy to incite him. After a sting operation fails to catch the killer, Lounds is kidnapped by the Tooth Fairy (Tom Noonan). Waking in the killer's home, he is shown a slideshow of William Blake's The Great Red Dragon paintings, along with the Tooth Fairy's past victims and slides of a family the killer identifies as his next targets. Lounds is forced to tape-record a statement before being set on fire in a wheelchair and killed, his flaming body rolled into the parking garage of the National Tattler as a warning. Graham is told by Crawford that they have cracked Lecktor's coded message to the Tooth Fairy: it is Graham's home address with an instruction to kill the family (ending with "Save yourself. Kill them all," revealing that Lecktor believes Graham would find the Tooth Fairy). Graham rushes home to find his family safe but terrified. After the FBI moves Graham's family to a safehouse, he tries to explain to his son Kevin why he had retired previously, and he does so at a supermarket, of all places. At his job in a St. Louis film lab, Francis Dollarhyde (the Tooth Fairy) approaches a blind co-worker, Reba McClane (Joan Allen), and ends up offering her a lift. They go to Dollarhyde's home, where Reba is oblivious to the fact that Dollarhyde is watching home-movie footage of his planned next victim. She kisses him and they make love. Dollarhyde is confused by this newfound relationship, though it helps suppress his bloodlust. Just as Graham comes to realize how much the Tooth Fairy's desire for acceptance factors into the murders, Dollarhyde watches as Reba is escorted home by another co-worker. Mistakenly believing them to be kissing, Dollarhyde murders the man and abducts Reba. When she calls him Francis, he tells her: "Francis is gone. Forever." Desperately trying to figure out a connection between the murdered families, Graham realizes that someone must have seen their home movies. He and Crawford deduce where the films were processed. They identify the lab in St. Louis and fly there immediately. Dollarhyde has been casing the victims' homes through home movies, enabling him to prepare for the break-ins in extreme detail. Graham determines which employee has seen these films and obtains Dollarhyde's home address, to which he and Crawford travel with a police escort. At Dollarhyde's home Reba is terrified as he contemplates what to do with her. As he struggles to kill Reba with a piece of broken mirror glass, police teams assemble around the house. Seeing that Dollarhyde has someone inside with him, Graham lunges through a window. He is quickly subdued by Dollarhyde, who retrieves a shotgun and uses it to wound Crawford and kill two police officers. Wounded in the firefight, Dollarhyde returns to the kitchen to shoot Graham, but misses because of his injuries and is killed himself when Graham returns fire. Graham, Reba, and Crawford are tended to by paramedics before Graham returns home and retires permanently.

Peggy Sue, on the verge of a divorce, faints at her 25th high school reunion, and wakes up to find herself back in 1960, leading her to try to spot and correct the mistakes that led to disappointments and an unhappy marriage. Peggy Sue Bodell (Turner) attends her 25-year high school reunion after separating from her cheating husband, Charlie (Cage). She regrets the decisions she has made in her life, such as getting pregnant by Charlie in high school. When she faints at the reunion, she wakes up in 1960 - and is given the chance to relive her life. Peggy Sue was one of the most popular girls in high school, enjoying life with her friends and her boyfriend Charlie. It was the typical high school dream, until she finds herself married to Charlie and becoming a young mother. However, her life takes a serious turn, leaving her depressed and facing divorce when Charlie runs off with another woman. At her high school reunion, Peggy Sue faints and wakes up back in high school. Despite her confusion about what has happened and how to get back to her own time, Peggy realizes that she has a chance to start her life over, to avoid her depression and her marriage to Charlie. However, just because she knows the future, does that mean she can really avoid it? —Lex Forty-three year old Peggy Sue Bodell (née Kelcher) is in an unsatisfying marriage to her high school sweetheart, Charlie Bodell, a marriage which includes money issues and infidelity. They got married when she got pregnant at age eighteen. He still dreams about the musical career he wanted that never materialized. She feels he blames her for that failure. They are on the verge of divorce. At a pivotal moment related to her high school life, Peggy Sue mysteriously gets transported back twenty-five years to her senior year of high school. Initially, she is most concerned about what has happened to her, not knowing if what she's experiencing is real or if perhaps she's dead. But after the initial shocks of revisiting her youth, Peggy Sue thinks that she can rewrite her past and make different decisions that will affect her future, one she hopes will be happier than what she experienced the first time around. But she also learns some things about why Charlie made the decisions he did. —Huggo