Joanna Gleason

'Time to love, a backstage tale' is the story of a group of young actors who dare to mount La Cucarachita Mandinga, a classic Panamanian play. Without previous experience on stage and under a special condition: the down syndrome. The first inclusive play in Central America. Many believe unlikely to achieve the objectives : memorizing lines , learning choreography , challenge the public. The documentary tells the artistic process as he describes the intimate world of these young people. Their fears, their hopes and their daily struggle for the adventure of their lives

Mary Fiore is a wedding planner. She`s ambitious, hard-working, extremely organized, and she knows exactly what to do and say to make any wedding a spectacular event. But when Mary falls in love with a handsome doctor, her busy yet uncomplicated life is turned upside down - he`s the groom in the biggest wedding of her career! Will she help him walk down the aisle with his internet tycoon girlfriend, or will Mary finally get to be the bride herself? When it comes to love, you can never plan what`s going to happen.

A special effects man helps his girlfriend's ex, a cop, with a sting operation, where the ex gets killed. Something's off and he investigates with help from an ex-cop PI friend. F/X man Rollie Tyler (Bryan Brown) is now a toy maker. Mike Brandon (Tom Mason), the ex-husband of Rolly's girlfriend Kim(Rachel Ticotin), is a cop. He asks Rollie to help catch a killer. The operation goes well until some unknown man kills both the killer and Mike.Mike's boss, Ray Silak (Philip Bosco) says it was the killer who killed Mike but Rollie knows it wasn't. Silak is involved with Mike's death, so he calls on Leo McCarthy (Brian Dennehy), the cop from the last movie, who is now a P.I., for help and they discover it's not just Silak they have to worry about. —<rcs0411@yahoo.com> Rollie Tyler (Bryan Brown) and Leo McCarthy (Brian Dennehy) team up once more to use their special effects and investigation skills (respectively), to find those responsible for the death of a cop (Tom Mason) who knew too much. —Rob Hartill