John Hurt

It has been years since the man once known as Tarzan left the jungles of Africa behind for a gentrified life in London as John Clayton III, Lord Greystoke, with his beloved wife, Jane Porter at his side. Now, he has been invited back to the Congo to serve as a trade emissary of Parliament, unaware that he is a pawn in a deadly convergence of greed and revenge, masterminded by the Belgian Captain Rom. But those behind the murderous plot have no idea what they are about to unleash.

A tormented soul walked the earth that was neither man nor god. Hercules was the powerful son of the god king Zeus, for this he received nothing but suffering his entire life. After twelve arduous labors and the loss of his family, this dark, world-weary soul turned his back on the gods finding his only solace in bloody battle. Over the years he warmed to the company of six similar souls, their only bond being their love of fighting and presence of death. These men and women never question where they go to fight or why or whom, just how much they will be paid. Now the King of Thrace has hired these mercenaries to train his men to become the greatest army of all time. It is time for this bunch of lost souls to finally have their eyes opened to how far they have fallen when they must train an army to become as ruthless and blood thirsty as their reputation has become.

Making their final stand upon the ramparts of Hogwarts School of Witchcraft and Wizardry, Harry Potter and his friends face their greatest foe and make the ultimate sacrifice.

In an airport, a mysterious man, known only as 'Lone Man' (Isaach De Bankole) is being instructed on his mission by another man known only by his alias Creole (Alex Descas). The mission itself is left unstated and the instructions are cryptic, including such phrases as "Everything is subjective," "The universe has no center and no edges; reality is arbitrary," and "Use your imagination and your skills." After the meeting at the airport, he travels to Madrid and then on to Seville, meeting several people in cafés and on trains along the way. The Lone Man's contacts include a middle-aged Frenchman (Jean-François Stévenin), a violin playing man (Luis Tosar), an adrogynist blonde British woman (Tilda Swinton), a Japanese woman (Yuki Kudo), and an elderly British man with a guitar (John Hurt). Each meeting has the same pattern: he orders two espressos at a cafe and waits, his contact arrives and in Spanish asks, "You don't speak Spanish, right?" in different ways, to which he responds, "No." The contacts tell him about their individual interests such as molecules, art, or film, then the two of them exchange matchboxes. A code written on a small piece of paper is inside each matchbox, which Lone Man reads and then eats. These coded messages lead him to his next rendezvous. One contact that Lone Man encounters repeatedly is a woman (Paz de la Huerta) who is always either completely nude or wearing only a transparent raincoat. She invites him to have sex with her but he declines, stating that he never has sex while he is working. One phrase that Creole, the man in the airport, tells him is repeated throughout the movie: "He who thinks he is bigger than the rest must go to the cemetery. There he will see what life really is: a handful of dirt." This phrase is sung in a peteneras flamenco song in a club in Seville at one point in his journey. In Almería, he is given a ride in a pickup truck - driven by a companion of the Mexican (Gael García Bernal) - on which the words La vida no vale nada ('life is worth nothing') are painted, a phrase Guitar says to him in Seville, and he is taken to Tabernas desert. There lies a fortified and heavily guarded compound. After observing the compound from afar, he somehow penetrates its defenses and waits for his target inside the target's office. The target, an American business (Bill Murray) asks how he got in, and he answers, "I used my imagination." After the assassination which the Lone Man kills the American with a guitar string, he drives back to Madrid, where he locks away the suit he has worn throughout the movie and changes into a sweatsuit bearing the national flag of Cameroon. Before exiting the train station onto a crowded sidewalk he throws away his last matchbox.

This second installment in the franchise pits Hellboy against a marauding army of creatures set on the world by a diabolical villain from another realm.

This second installment in the franchise pits Hellboy against a marauding army of creatures set on the world by a diabolical villain from another realm.

Indiana Jones teams up with a young biker and his spirited original love Marion to outrace a brilliant and beautiful agent for the mystical, all-powerful crystal skull of Akator.

A shadowy freedom fighter known only as V uses guerrilla tactics to fight against his terrorist, totalitarian society. Upon rescuing a girl from the secret police, he also finds his best chance at having an ally.

A nurse is hired to care for an old woman`s ill husband in their decrepit mansion. Armed with a skeleton key that unlocks every door, she finds a room that holds a deadly secret.

During World War II, the Third Reich has joined forces with the evil Grigori Rasputin (Karel Roden), who has used his occult powers to summon up a young demon from the depth of Hell to be used as the ultimate Axis weapon. However, the demonic creature is captured by American forces, and put in the care of Professor Broom (John Hurt), the founder of a top-secret organization called the Bureau for Paranormal Research and Defense. Under Broom`s tutelage, the creature develops empathy and a desire to do good while his physical powers and paranormal talents are honed to a fine point. Sixty years later, the demon, now known as Hellboy (Ron Perlman), is part of an elite secret defense team alongside Liz Sherman (Selma Blair), a beautiful young woman who can create fire with her mind, and Abe Sapian (Doug Jones), an aquatic humanoid with the power of telepathy. Despite his many years of fighting for right, Hellboy finds himself facing his greatest challenge when the powerful Rasputin returns, determined to bring the demon back to the forces of darkness so that evil may finally rule the world.

This guy kills this old lady. Then he turns himself in.

Cage starts as Captain Antonio Corelli, an Italian officer whose company of soldiers is sent to Cephallonia, a beautiful Greek island untouched by war. A free spirit with a passion for music and romance, Corelli is enchanted by Cephallonia and its people -- especially Pelagia (Cruz), the gorgeous, proud daughter of the island's doctor (John Hurt). Engaged to a local fisherman (Christian Bale), Pelagia resists Corelli's attentions, but the kind and charming captain weakens for her defenses. Surrendering their hearts, Corelli and Pelagia begin a heated affair. But before their love can grow, the war crashes on Cephallonia's shores, forcing Corelli and Pelagia to make dangerous sacrifices for country and homeand risk losing each other forever.

The early career of legendary lawman Wild Bill Hickock is telescoped and culminates in his relocation in Deadwood and a reunion with Calamity Jane. Maverick Writer and Director Walter Hill's version of the famous Wild Bill Hickok legend is a dreamscape western that is told entirely in flashback. Hickok's friend Charley Prince (Sir John Hurt) narrates the events of Wild Bill's life while sitting at Bill's graveside. Hickok is played by Jeff Bridges as a mean, high-spirited, but gallant outlaw. He wanders the West, adding to his reputation with some well-chosen gunfights, and he meets up with characters such as Calamity Jane (Ellen Barkin), who becomes his sidekick for a time. After becoming a legend, Hickok signs up for a stint with Buffalo Bill Cody's travelling variety show. Eventually, he falls in love with Susannah Moore (Diane Lane), and his love leads him to tragedy in the town of Deadwood, South Dakota. Wild Bill Hickok, famed lawman and gunman of the Old West, is haunted by his past and his reputation. He is loved by, but cannot love, Calamity Jane. Dogging his trail is young Jack McCall, who blames Bill for abandoning the boy's mother and destroying her life. McCall has sworn to kill Bill, and Bill's ghosts, his failing eyesight, and his fondness for opium may make McCall's task easier. —Jim Beaver <jumblejim@prodigy.net>

The story is set in early 18th Century Scotland. A group of Scots highlanders are tracking another clan who have stolen cattle from a lord. The protection of the lord's property, including his livestock, is managed by Robert Roy MacGregor, the man leading the trackers. One of his men, Alan McDonald, tells Rob and the rest of the party that they are about a day behind the thieves. The search party finally spots the thieves, camped out in a valley. Knowing that an attack at night would be unwise, Rob orders his party to get some sleep. He also says that he'll personally approach the thieves in the morning and try to negotiate with them. When Alan asks Rob why he thinks speaking to them will accomplish anything, Rob tells him "I know one of them." The next morning, Rob makes good on his word and wakes up the thieves in their camp. He tells them that the cattle belong to his lord and they'll all live if they lay down their weapons and surrender the animals. To prove his point, Rob tells his men to reveal their positions, which surround the camp. Their leader, Sibbald, mocks Rob's authority. When he tries to kill Rob, he is killed himself. Rob allows the rest of Sibbald's party to live and they leave. Rob returns home to his proud wife, Mary, and his two young boys. He spends a few days at home and he and Mary make passionate love under a tree. Rob Roy's village is under the protection of John Campbell, Duke of Argyll. While watching his best duelist, Guthrie, in a sword match, one of Campbell's vassals the Marquis of Montrose, meets with him. Montrose is accompanied by a foppish young man, Archibold Cunningham. Archie had been sent to Scotland by his mother, who had grown irritated by his promiscuous playboy behavior. Archie challenges Guthrie to a duel and Duke Campbell and his vassal Montrose wager heavily on the outcome. Campbell is surprised when Archie, who's speed and skill allow him to wield his sword much faster, easily bests Guthrie, and Montrose wins a hefty sum. Rob meanwhile devises a plan to make money droving cattle: he decides he will ask Campbell to loan him 1000 guineas that he will use to buy cattle at a nearby port. He will raise the cattle and sell them back to Campbell at a profit. Campbell tells Rob to to draw up a loan agreement with Montrose. Montrose's chief banker, Killearn, is a treacherous businessman who is secretly loyal to Archie, whom Killearn believes is more ambitious than Duke Montrose. Killearn reveals to Archie that Rob will be receiving the 1000 guineas as coin and that Archie should prepare to steal it. The next day, Rob meets directly with Killearn and signs the papers to receive the credit. Rob leaves, charging his man MacDonald with collecting the credit slip. Killearn deliberately makes MacDonald wait all day while he deals with all his other clients. When Killearn finally calls MacDonald in to receive the loan, Killearn tells him that he cannot give him a credit slip and MacDonald must take coins instead, violating the agreement with Rob. MacDonald is reluctant but finally accepts the coin. On his way to deliver the money to Rob, he is pursued through the woods by Archie, who has prepared an ambush. MacDonald's horse carry's him into a rope strung across the path, and he is injured and thrown from his horse. He staggers away, hiding the money in a tree however, the crafty Archie finds and kills him, taking the money. When MacDonald doesn't show up, Rob goes back to Killearn, demanding to know what happened. Killearn tells him that he'd given MacDonald the money and he left. Killearn also suggests that MacDonald had stolen the money for himself and may have boarded a ship to America. (MacDonald had earlier told Rob he wished to leave Scotland for Virginia.) Rob refuses to believe that MacDonald would betray him and decides to take his case directly to Montrose. When he meets with the lord, he tries to strike a new deal for more money. Montrose will agree, provided Rob falsely testifies that Campbell is a Jacobite. Rob refuses, only knowing Campbell by reputation. When he suggests that Montrose is crooked, Montrose orders Archie to arrest Rob. Rob pulls a hidden knife and holds Archie at bay, shoving him to the ground and running off. Montrose instructs Archie to find Rob and bring him to justice, "broken, but not dead." Archie sets out with Killearn and a small unit of soldiers. Rob returns home and tells Mary that he'll be leaving their home until he can figure out a plan to clear his name. Mary is angry, saying he'll be hiding like an animal. Rob leaves his younger brother Alasdair and a couple of other men loyal to him to guard Mary and the farm. Very soon, Archie, Killearn and the unit of soldiers sail across the lake in front of the MacGregor home, arriving early one morning. Mary gathers her boys and tells them to hide in the hills behind the house. She goes out to meet the landing party, frightened but confident. She defiantly calls Archie a fool when he demands to know where her husband is. Archie orders the soldiers to burn her house and kill the livestock. Killearn suggests that Mary step aside, but Archie grabs her hair and drags her into the house. He forces her over a table and brutally and gleefully rapes her. Her house burning around her, Mary gathers her dignity and walks out, shaken but proud. The noblemen and their soldiers depart on their boat as Alasdair arrives, yelling for the marauders to return and fight. They fire a warning shot at him and bleat like sheep as they sail back across the lake. Mary furiously washes her groin in the lake, and Alasdair realizes that she's been raped. Mary compels him to promise not to tell Rob, because she doesn't want him to get killed in his desire to avenge her honor. Alasdair reluctantly promises Mary he won't say anything. Mary formulates a plan of her own to prove Rob's innocence and honor. She discovers that Archie's lover, Betty, one of Montrose's servants, is pregnant with Archie's child. Spurned by Archie, Betty agrees to testify that she overheard Archie and Killearn conspiring to steal the money given to MacDonald. Mary comforts her when she admits that she's pregnant and becomes upset, saying she still loves Archie despite his evil nature. Mary tells Rob about Killearn's and Archie's dealings and Rob vows to bring them both to justice. Rob finds Killearn in a tavern. Guthrie attempts to defend him, and Rob kills him. When Rob arrives at a secret location with Killearn, he sends Alasdair to retrieve Betty, but when Mary goes to find her, she finds that Betty has hanged herself and is dead. Mary demands to meet with Killearn privately, demanding that he testify to restore Rob's honor. Killearn refuses, gaining the upper hand when he mentions that he remembers how Archie raped her and that the child Mary is now pregnant with may be Archie's and not Rob's. Enraged, Mary stabs him in the neck, bringing Rob and Alasdair. Rob tries to calm Mary down, leaving Killearn to Alasdair. Alasdair drowns Killearn in the lake. Rob and Mary's plan is foiled and Rob tells his brother to drop the body in the middle of the lake since Montrose will search for him. Alasdair joins Rob in the Highlands. They observe Archie's war party from a distance burning the house Rob & Mary had occupied after their own home was destroyed. Rob orders a retreat before Archie notices them; his own men are out-armed and outnumbered. Alasdair, angry over Archie's violation of Mary, takes a potshot at Archie, missing and killing one man and revealing their position. Archie orders his men to chase Rob's party into the mist covering the peaks. As he runs to catch up with Rob, Alasdair is shot, paralyzing his legs. Rob grabs him and carries him into the mist. As he dies from his wound, Alasdair tells Rob that Mary was raped by Archie. A soldier finds them and finishes Alasdair off. Rob overpowers the man and mounts his horse to escape, but it's shot out from under him and lands on his leg, trapping him. He's captured by Archie, who binds his hands and drags him behind his horse. At night, Rob is tied to a tree. He tells Archie that he a thief and rapist, and Archie tells him that Campbell's wife Mary was more enjoyable when raped than others who were willing, and that "not all of her objected." Rob lunges forward and bites at Archie ripping his coat. Archie beats him and has him gagged for the rest of the march home. When they reach the Bridge at Glen Orchy, Montrose is waiting. Rob is allowed to speak in his defense. He claims that Archie killed MacDonald and stole the money. Archie denies the charges and Montrose orders his men to hang Rob from the bridge. Rob quickly grabs the rope binding his hands, loops it around Archie's neck and jumps from the bridge. The rope pulls Archie to the edge where one of the soldiers uses a sword to cut it, freeing Rob, who plunges into the stream below. Archie however, is still alive. Rob washes downstream with the current, going over a small waterfall. On the bank, he finds the rotting carcass of a dead ox and quickly guts it, using the animal to hide from the search party, who won't approach because of the stench. Rob rejoins Mary at a safe house, which Mary had earlier negotiated from Campbell himself and secured the property under his protection. Rob confronts Mary about the rape but realizes she still loves him and that the child she bears is definitely his. Rob recovers from his wounds and visits with Campbell, seeking a way to settle his dispute with Archie. Knowing Archie's skill with a sword, Campbell reluctantly agrees to sponsor Rob in a fair duel. He tells Rob that as a prudent man he ought to bet on Archie. Rob tells him to bet any way he chooses. Rob bids his family farewell, telling his sons to ask their mother about the new addition to their family. Mary asks Rob what to name their child if Rob doesn't return: he tells her to name it for himself if it's a boy and for herself if it's a girl. On the way to Montrose's court. Rob convinces Campbell to pay Mary's and his children's living expenses if he loses the match with Archie. They agree on a high sum and Campbell exclaims that he likes Rob's negotiating style. Rob arrives at Montrose's court where he and Archie will duel to the death with swords. Campbell and Montrose agree on a wager. After laying out the customary rules about backstabbing and quarter, "no quarter being given or asked." The two duel, and Archie has obviously superior skills to Rob Roy. He toys with Rob, slashing him superficially several times on his torso, and then on his dueling arm, disarming him. He lifts Rob's chin with his blade, and receives a nod from the moderator to end the duel and Rob Roy's life. Rob suddenly grasps Archie's sword blade with his bare hand. Rob grabs his own sword and swiftly cuts Archie deeply from his shoulder to his sternum, opening a wide wound. Archie is shocked, gasps, blood spilling from his mouth, stumbles, and falls dead. Rob settles his wagers with Campbell and Montrose and leaves. Montrose tells Archie's sponsor that he will hold him to their wager, meaning that all of Rob Roy's debts are wiped clean. Rob returns home to Mary who is overjoyed to see him.

When a Vegas lounge singer is found to be the only living heir to the British throne, the reluctant monarch must learn proper etiquette and thwart the evil plans of Lord Graves.

When a field (which has been farmed by the McCabe family for generations) goes up for auction, the patriarch of the McCabe family will stop at nothing to prevent a rich American from buying it. "Bull" McCabe's family has farmed a field for generations, sacrificing endlessly for the sake of the land, and when the widow, who owns the field, decides to sell the field in a public auction, McCabe knows that he must own it. But while no one in the village would dare bid against him, an American with deep pockets decides that he needs the field to build a highway. The Bull and his son decide to convince the American to give up bidding on the field, but things go horribly wrong. —Kathy Li

This is an anthology film featuring 10 different segments told entirely in the song of opera. "Un ballo in maschera" A fictionalized account of a 1931 assassination attempt on King Zog of Albania (Theresa Russell) in Vienna, Austria during his visit to an opera house. It is notable for his shooting back at his three would-be assassins and surviving. Directed by Nicolas Roeg (14 minutes) "La vergine degli angeli" from La forza del destino (Filmed in black and white) Three London teenagers named Marie (Nicola Swain), Travis (Jackson Kyle), and Kate (Marianne McLaughlin) skip school and steal a car. They go for a joyride around North London until the police give chase. They wreck the car and flee on foot after setting it on fire and get away with no one the wiser. Directed by Charles Sturridge (5 minutes) "Armide" Two cleaning women (Marion Peterson and Valérie Allain) try to attract the attention of oblivious bodybuilders at a local gym in Paris. But the bodybuilders are too focused on their workouts then pay attention to the two young women... even when they strip off all of their clothes and pose completely naked. Directed by Jean-Luc Godard (11 minutes) "Rigoletto" A hilarious bedroom farce set in San Luis Obispo's famous Madonna Inn, in which a Hollywood movie producer named Preston (Buck Henry) cheats on his wife Phoebe (Anita Morris) with a fashion model Gilda (Beverly D'Angelo), unaware that Phoebe, too, is there with a clandestine lover of her own named Jake (Gary Kasper). Despite never running into each other, Preston and Phoebe return home and watch a lovemaking tape of their adventure, only to discover that the motel valet switched tapes with them by accident and Preston and Phoebe's infidelity is exposed. (This is one of the few segments with actual dialogue.) Directed by Julien Temple (14 minutes) "Glück, das mir verblieb" from Die tote Stadt" A look at the seemingly-dead city of Bruges, Belgium. Scenic footage of the empty streets and cemeteries is inter-cut with a opera duet of two lovers, as a beautiful virgin named Mariette (Elizabeth Hurley) is stripped naked by her lover Paul (Peter Birch) and, after she expresses her affection for him, she loses her virginity to him. Directed by Bruce Beresford (5 minutes) "Les Boréades" A re-creation of opening night at Paris's Théâtre Le Ranelagh in 1734. The audience is filled with a raffish assortment of inmates from an insane asylum. Featuring Julie Hagerty, Geneviève Page, Sandrine Dumas, and Chris Campion as some of the inmates. Directed by Robert Altman (7 minutes) "Liebestod" from Tristan und Isolde Two young teenage lovers (Bridget Fonda and James Mathers) arrive in Las Vegas. After driving down Fremont Street, they check into a hotel room where they have very hot and passionate sex. Afterwords, while taking a bath, they both kill themselves in a suicide pact by slashing their wrists and die holding one another in the bathtub. Directed by Franc Roddam (7 minutes) "Nessun dorma" from Turandot After a car crash, a lovely young woman (Linzi Drew) has a near-death experience where she imagines her body is being adorned by jewels mirroring her injuries, in a tribal ritual parallel to the procedures of the surgical team treating her, until she wakes up in the operating room after resuscitation. Directed by Ken Russell (7 minutes) "Depuis le jour" from Louise A veteran opera singer (Amy Johnson) gives her final performance, inter-cut by 8mm home movies of an early love affair between her younger self (Tila Swinton) and a guy (Spencer Leigh). Directed by Derek Jarman (6 minutes) "Vesti la giubba" from Pagliacci A has-been actor (John Hurt) remembers his happier days while arriving at an opera house, visiting the dressing room to put on his clown makeup, and performing the aria for his audience of one; a young woman (Sophie Ward) who sits in the only occupied box in the theater. (This story provides a vague framing narrative to link together the other segments.) Directed by Bill Bryden (4 minutes)

Set in a dystopian April 1984, nearly 40 years after the end of the second world war, and a few years after the so-called Atomic Wars, Winston Smith (John Hurt) is a middle-aged man who endures a squalid existence in the totalitarian superstate of Oceania under the constant surveillance of the Thought Police. The story takes place in the decaying city of London, the capital of the territory of Airstrip One (formerly Great Britain). Winston is just another lowly Politcal Party official in the Ministry of Propaganda. He lives in a small, dirty flat, and works in a small office cubicle alongside dozens of other men and women at the Ministry of Truth, rewriting history in accordance with the dictates of the Party and its (probably mythical) supreme figurehead, Big Brother (Bob Flag), a Joseph Stalin--esq leader who is never seen in public and whom appears only on propaganda posters, advertising billboards, and television monitors. Winson's task, like many in his office, is to "erase" anyone who has fallen afoul of the government from the official histories whom becomes "unpersons". Automaton-like, he goes through his daily routine, under constant surveillance from the "telescreens" (two-way TV monitors) and his fellow citizens. Winston occasionally attends public rallys at Victory Square where the citizens are shown propoganda films of the current war situation as well as contraditing and false news stories about Oceana's war effort to unite the civilized world under the rule of Big Brother. While his co-worker and neighbor, Parsons (Gregor Fisher), seems content to follow the state's laws, Winston, haunted by painful childhood memories and restless carnal desires, keeps a secret diary of his private thoughts, thus committing thoughtcrime: the crime of independent thought either contrary or superfluous to the aims of the Party. The so-called 'Party' is the former English parlament which follows Ingsoc (Newspeak term for "English Socialism"); the political ideology of the government of Oceania. His life takes a fatal turn when he is accosted by a fellow Outer Party worker; a mysterious, bold-looking young woman named Julia (Suzanna Hamilton) a print machine mechanic who works in the Ministery of Truth, and they begin an illicit affair. Their first meeting takes place in the remote countryside where they exchange subversive ideas and have a sexual encounter in the woods out of view and earshot of the nearest telescreen. Shortly after, Winston rents a room above a pawn shop (in the supposedly safe proletarian neighborhood) where they continue their liaison. Julia, a sensual, free-spirited young woman, procures contraband food and clothing on the black market, and for a brief few months they secretly meet and enjoy an idyllic life of relative freedom and contentment together. It comes to an end one evening in June 1984 when the Thought Police suddenly raid the flat and arrest the two of them. It is revealed that there is a small telescreen hidden behind a picture on the wall in their room, and that the elderly proprietor of the pawn shop, Charrington (Cyril Cusack), is in fact a covert agent of the Thought Police. Winston and Julia are then separated and taken away to be detained, questioned and brutally rehabilitated. Winston is brought to a fortress-like building which is called the Ministry of Love, where he is systematically tortured and brainwashed by O'Brien (Richard Burton), a high-ranking member of the Inner Party whom Winston had previously believed to be a fellow thoughtcriminal and agent of the resistance movement led by the archenemy of the Party, Emmanuel Goldstein (who, like Big Brother, perhaps does not exist). O'Brien instructs Winston about the state's true purpose and schools him in a kind of catechism on the principles of "doublethink" the practice of holding two contradictory thoughts in the mind simultaneously. Doublethink entails the willful denial and destruction of all self-evident truths, memories, and/or physical proofs which run contrary to the supreme "reality" that is invented by the Party at any given time. For his final rehabilitation, Winston is brought to Room 101, where O'Brien tells him he will be subjected to the "worst thing in the world," designed specifically around Smith's personal phobias and traumas. When confronted with this unbearable horror which turns out to be a cage filled with vicious, carnivorous rodents, Winston's psychological resistance finally and irretrievably breaks down, and he hysterically repudiates his allegiance to Julia. Now completely subjugated and purged of any rebellious thoughts, impulses, or personal attachments, Winston is restored to physical health and released. Winston returns to the Chestnut Tree Café, where he had previously seen the rehabilitated thought criminals Jones, Aaronson, and Rutherford (themselves once prominent but later disgraced members of the Inner Party) who have since been "vaporized" and rendered unpersons. While sitting at the chess table, Winston is approached by Julia, who has also been brainwashed and rehabilitated. They share a bottle of Victory Gin and unemotionally exchange a few words about how they have betrayed each other. After Julia leaves, Winston watches a TV news broadcast of himself on the large telescreen confessing his "crimes" against the state and imploring forgiveness of the populace in the humbled and remorseful manner of a prodigal son come back to the fold. Upon hearing a news report declaring the Oceanian army's utter rout of the enemy Eurasian forces in North Africa, Winston silently and tearfully professes his gratitude and love for Big Brother as he anticipates the date of his execution. Having been deprived of his freedom to think and feel for himself, and reduced to a mere shell of a man, Winston is soon to be deprived of his very physical existence as well. He now welcomes his final subjugation to the absolute power and supremacy of the state as he says "I love you" to the glowering, ever-watchful visage of Big Brother on the telescreen.

A heterosexual police detective is unnerved when ordered to go undercover with a homosexual police clerk, as a couple, to solve a series of murders in the gay community. Sergeant Benson (Ryan O'Neal) is a Police detective. After a series of murders in the gay community he is ordered to go undercover with a gay Police clerk named Kerwin (Sir John Hurt) as his partner. In order to be noticed, they have to be flamboyant enough to attract attention, which Benson finds rather disturbing. Can an uptight heterosexual and a mousey homosexual form a meaningful relationship? —John Vogel <jlvogel@comcast.net> With the local police department being accused of sexism, and the murderer of a gay model in Los Angeles still on the loose, Chief Wilkins enlists the help of an unlikely couple to infiltrate the gay community. As a result, the macho, straight police officer, Sgt. Benson has to team up with the meek gay file clerk, Kerwin, to conduct the investigation, while posing as a couple. But, can the mismatched partners make their awkward relationship work, and find the killer in time before someone else dies, too? —Nick Riganas

A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.

The film begins with wild African elephants killing Merrick's mother to death. After Merrick's mother was dead, we see the smoke rising upward, with a baby wailing in the background, resembling John Merrick being born. In 19th-century Victorian England, Dr. Frederick Treves (Anthony Hopkins) wanders through an urban carnival in search of freak shows. He happens on a hideously deformed creature called The Elephant Man (John Hurt), and pays the owner Mr. Bytes (Freddie Jones) to examine it. Treves purpose is to present a paper to the Pathological Society and enhance his medical reputation. The Elephant Man returns from the seminar to Bytes and is beaten severely for wondering off. The man's injuries, as well as an attack from bronchitis, leads Treves to admit him to the hospital. In an attempt to convince the authorities to allow the man to stay, Treves endeavors to communicate with the person. During a meeting, Treves discovers that the man can talk and is educated. The Elephant Man's name is John Merrick and he reveals that he has had this strange disease since he was 14 which benign tumors grow all over his body, face and hands, in which he must sleep sitting up or he will die from suffocation. Merrick is given a room to live in and gradually becomes accepted by most members of the hospital staff. But one hospital night porter (Michael Elphick) sees a money spinner and each evening gathers a drunken crowd of people who will pay any price to see the freak. Treves attempts to introduce Merrick to London society and brings him over to meet with his wife (Hannah Gordon), who hides her shock at Merricks appearance. Soon the local newspapers run articles on Merrick. One is read by actress Mrs. Kendal (Ann Bancroft) who visits Merrick, tells him about her life in the theater and gives him a copy of Shakespeares plays. However the night porter is still in business in displaying Merrick. One evening, Bytes joins the throng and after a particularly humiliating brawl, kidnaps Merrick and takes him to France. Severely neglected and very ill, Merrick is once more put on display as the Elephant Man for the local crowds. Bytes' son (Adam S. Gottbetter) tells his father that he can take no more of seeing him humiliate a human being, but Bytes tells his son to mind his own business. That night, Bytes' son, with the help of other carnival freaks, releases Merrick and assists his escape back to England. In Liverpool Street Station, three boys harass him. Merrick flees and accidentally knocks down a girl, prompting an angry mob to chase him. Defenseless, he cries out, "I am not an elephant! I am not an animal! I am a human being! I am a man!" and faints. Reunited with Treves, it appears that Merrick does not have long to live. Merrick visits the theater with Treves and his wife where Mrs. Kendal has her performance dedicated to him. Treves prompts Merrick to show his face to the crowd, which gives him a standing ovation. After the theater scene and before the hospital scene, we see the peacocks sitting outside the hospital. Back at the hospital, Merrick thanks Treves for a splendid evening and afterwards discards all pillows from his bed, determined to lie down like everyone else. Merrick lies down and sleeps one final time before quietly passing away, where his late mother welcomes him to the bright glory of Heaven.

Billy Hayes, a young American, faces physical and emotional brutality in a Turkish prison after being caught smuggling drugs.

Based on the true and horrifying story, 10 Rillington Place revolves around mass murderer John Christie and the unwary young couple who become his new neighbors.

Cardinal Wolsey (Orson Welles), summons Sir Thomas More (Paul Scofield) to his palace at Hampton Court. Desiring his support in obtaining a divorce from the Pope so that the King can marry Anne Boleyn, Wolsey chastises More for being the only member of the Privy Council to argue against him. When More states that the Pope will never grant a divorce, he is scandalized by Wolsey's suggestion that they apply "pressure" in order to force the issue. More refuses to support continued efforts to secure an annulment for Henry VIII from the Pope as legal and religious options having been exhausted, provide no grounds for the Pope to issue an annulment. Returning by a River Thames ferry to his estate at Chelsea, More finds Richard Rich (John Hurt), a young acquaintance from Cambridge waiting by the dock for his return. An ambitious young man, who is drawn to the allure of power, Rich pleads with More for a position at Court, but More, citing the various corruptions there, advises him to become a teacher instead. Entering the house, More finds his daughter Meg (Susannah York) with a young Lutheran named William Roper (Corin Redgrave), who announces his desire to marry her. More, a devout Catholic, announces that his answer is "no" as long as Roper remains a heretic. Wolsey dies banished from Court in disgrace, having failed to coerce a divorce from the Pope. King Henry (Robert Shaw) appoints More as Lord Chancellor of England. Soon after, the King makes an "impromptu" visit by barge at More's home in Chelsea to inquire about his divorce. Sir Thomas, not wishing to admit that his conscience forbids him to dissolve what he considers a valid marriage, remains unmoved as the King alternates thinly veiled threats with promises of unbounded Royal favor. When More finally refers to Catherine as "the Queen," the King explodes into a raging tantrum. Storming off in a huff, King Henry returns to his barge and orders the oarsmen to cast off. His courtiers are left to run through the mud and into the river to catch up as the King laughs hysterically at their predicament. At the embankment, Rich is approached by Thomas Cromwell (Leo McKern), a member of Henry's court, and political adversary of More. Cromwell subtly inquires whether Rich has information that could damage More's reputation, in exchange for a position at Court. Roper, learning of More's quarrel with the King, reveals that his religious opinions have altered considerably. He declares that by attacking the Catholic Church, the King has become "the Devil's minister." A terrified More begs him to be more guarded as Rich arrives, pleading again for a position at Court. When More again refuses, Rich denounces More's steward as a spy for Cromwell. Now, More and his family, including wife Alice (Wendy Hiller) learn the ugly truth: Rich is being manipulated by Cromwell to spy on him. As a humiliated Rich leaves, More's family pleads with him to have Rich arrested. More refuses, stating that Rich, while dangerous, has broken no law. Still seeking a position at Court, Rich enlists Cromwell's patronage and joins him in attempting to bring down More. King Henry, tired of waiting for an annulment from the Vatican, redefines the Catholic Church in England by declaring himself "Supreme Head of the Church in England." He demands that both the bishops and Parliament renounce all allegiance to the Holy See. More quietly resigns his post as Chancellor rather than accept the new order. As he does so, his close friend, Thomas Howard, 3rd Duke of Norfolk (Nigel Davenport), attempts to draw his opinions out as part of a friendly chat with no witnesses present. More, however, knows that the time for speaking openly of such matters is over. The King will not be appeased. He demands that More attend his wedding to Anne Boleyn (Vanessa Redgrave). More refuses and is summoned again to Hampton Court, now occupied by Cromwell. More is interrogated on his opinions but refuses to answer, citing it as his right under English Law. Cromwell angrily declares that the King now views him as a traitor. More returns home and is met by his daughter. Meg informs him that a new oath about the marriage is being circulated and that all must take it on pain of high treason. Initially, More says he would be willing to take the oath, provided it does not conflict with his principles. One issue for More is that the King cannot declare himself to be the head of the Catholic Church as the head of the Catholic Church is the Pope. However, an expert in the law, More knows that if he does not state why he is opposed to taking the oath, he cannot be considered a traitor to the King; More refuses to take the oath and is imprisoned in the Tower of London regardless. In spite of the bullying tactics of Cromwell, the subtle manipulation of Archbishop Thomas Cranmer (Cyril Luckham), and the pleadings of both Norfolk and his family, More remains steadfast in his refusal to take the oath. When he is finally brought to trial, he remains silent until after being convicted of treason on the perjured testimony of Richard Rich. He is then informed that Rich has been promoted to Attorney General for Wales as a reward. Now having nothing left to lose, More angrily denounces the illegal nature of the King's actions, citing the Biblical basis for the authority of the Papacy over Christendom. He further declares that the immunity of the Church from State interference is guaranteed both in Magna Carta and in the King's own Coronation Oath. As the spectators scream in protest, More is condemned to death. A narrator intones the epilogue. Thomas More's head was stuck on Traitor's Gate for a month. Then his daughter, Margaret, removed it and kept it 'til her death. Cromwell was beheaded for high treason five years after More. The Archbishop was burned at the stake. The Duke of Norfolk should have been executed for high treason, but the King died of syphilis the night before. Richard Rich became Chancellor of England and died in his bed.