Julie Christie

Valerie (Seyfried) is a beautiful young woman torn between two men. She is in love with a brooding outsider, Peter (Fernandez), but her parents have arranged for her to marry the wealthy Henry (Irons). Unwilling to lose each other, Valerie and Peter are planning to run away together when they learn that Valerie's older sister has been killed by the werewolf that prowls the dark forest surrounding their village. For years, the people have maintained an uneasy truce with the beast, offering the creature a monthly animal sacrifice. But under a blood red moon, the wolf has upped the stakes by taking a human life. Hungry for revenge, the people call on famed werewolf hunter, Father Solomon (Oldman), to help them kill the wolf. But Solomon's arrival brings unintended consequences as he warns that the wolf, who takes human form by day, could be any one of them.

In 1903 London, following the dismal reception of his latest play (the play is taken down after a few days of opening night), Little Mary, Barrie (Johnny Depp) meets the widowed Sylvia (Kate Winslet) and her four young sons (George (Nick Roud), Jack (Joe Prospero), Peter (Freddie Highmore) and Michael (Luke Spill)) in Kensington Gardens. A strong, close friendship develops among them. He proves to be a great playmate and surrogate father figure for the boys, and their imaginative antics (they imagine whole worlds and create characters and play them with conviction. Injuns and the westerners. Exploration of Africa in the backyard. kite flying) give him ideas which he incorporates into a play about boys who do not want to grow up, especially one named after troubled young Peter Llewelyn Davies. Barrie gifts Peter his first diary and encourages him to write stories coming out of his vivid imagination. Barrie is shown to be friends with Arthur Conan Doyle (Ian Hart). Barrie's wife Mary invites Sylvia, her kids and her mother to dinner. Barrie misses meals at home and suggests that they loan their own cook to Sylvia, as she is short of helping hands in her own house. Although Barrie sees this family as wonderful and inspirational, people question his relationship with the Llewelyn Davies family. Sylvia was a widow: her husband died from cancer and left her with four boys to bring up on her own. Arthur makes Barrie understand that people are questioning his relationship with Sylvia and even her boys. Barrie brushes them aside and takes Sylvia and her boys to his summer cottage for the summer. This is where the script for Peter Pan takes shape. Barrie's wife Mary (Radha Mitchell), who eventually divorces him (she started an affair with Gilbert Cannan (Oliver Fox). When Barrie tries to reconcile she demands that he return home at the end of the rehearsals and stop his forays into the countryside with Sylvia's family), and Sylvia's mother Emma Du Maurier (Julie Christie), object to the amount of time Barrie spends with the Llewelyn Davies family (a grown man spending so much time with the kids, and that Barrie is hurting any future prospects that Sylvia might have for settling down into a married life again). Emma also seeks to control her daughter and grandsons, especially as Sylvia becomes increasingly weak from an unidentified illness (which started at the summer cottage). Along the way, Barrie goes on adventures with Sylvia and her boys. He too is a boy at heart and spending time with the family is special. Barrie takes those adventures he has with the boys and makes them into a play called Peter Pan. Peter blames Barrie for Sylvia's illness. Producer Charles Frohman (Dustin Hoffman) skeptically agrees to mount Peter Pan (The play demands a ship on stage, surrounded by huge amounts of water, which requires huge amount of money. But Barrie says that they can fake the water), despite his belief that it holds no appeal for upper-class theatergoers (doctors, lawyers, and so on with their wives). Barrie asks Charles to set aside 25 seats in the audience, scattered all over the place. George breaks his hand when Jack and Michael let go of the ropes helping him fly in the air (in the theatre). George insists that Sylvia undergoes medical examination, before he will allow the doctors to set his hand right. Barrie peppers the opening night audience with children from a nearby orphanage, and the adults present react to their infectious delight with an appreciation of their own. The play proves to be a huge success. Barrie is all set for his play, but when Peter arrives alone to the play (as Sylvia had a coughing fit and was in no position to attend), Barrie goes to Sylvia's house to check up on her and misses the show. Peter attends the play and realizes the play is about his brothers and Barrie. Mary attends the opening and realizes that Barrie could never have written anything like this, without Sylvia's family. She understands and apologizes to Barrie. Sylvia is too ill to attend the premiere, so Barrie arranges to have an abridged production of it performed in her home. He gets the actors, props and musicians together in the Llewelyn Davies house. At the end of the play, Peter Pan points to the back doors and implies that Sylvia should go off to Neverland. She takes the hands of her boys and slowly walks out into Neverland. The living room and back garden transform into Neverland and Sylvia continues to walk on her own. In the next scene, everyone is at Sylvia's funeral. Barrie discovers that her will says that he and her mother should look after the boys, an arrangement agreeable to both. The film ends with J. M. Barrie finding Peter on the bench in the park where they first met after Peter ran off from the graveyard. Peter is holding his book where he wrote the plays that he ripped apart and that his mother glued back together for him. Barrie sits down and puts his arm around Peter to comfort him. They both fade, and all that is left is the bench.

At the Louvre museum in Paris, the phantom Belphegor awakens and causes electrical havoc. Night guards at the museum start dying, Lisa gets possessed, and Martin tries to help her. A collection of artifacts from an archaeological dig in Egypt is brought to the famous Louvre museum in Paris, and while experts are using a laser scanning device to determine the age of a sarcophagus, a ghostly spirit escapes and makes its way into the museum's electrical system. Museum curator Faussier (Jean-Francois Balmer) brings in noted Egyptologist Glenda Spencer to examine the findings, and she announces that the mummy inside the coffin was actually the evil spirit Belphegor. Lisa, who lives across the street from the museum, follows her runaway cat into the museum after closing time and accidentally gets a shock that sends the stray spirit into her body. Soon Lisa is disguising herself as Belphegor and making off with the rare Egyptian treasures on display at the museum, convinced that they are rightfully hers. When "Belphegor" proves more than a match for the Louvre's security forces, renowned detective Verlac is brought out of retirement to find out why the museum's Egyptian collection has been shrinking.

Hamlet, Prince of Denmark, returns home to find his father murdered and his mother remarrying the murderer, his uncle. Meanwhile, war is brewing. Hamlet (Sir Kenneth Branagh), son of the King of Denmark (Brian Blessed), is summoned home for his father's funeral and his mother Gertrude's (Julie Christie's) wedding to his uncle Claudius (Sir Derek Jacobi). In a supernatural episode, he discovers that his uncle, who he hates anyway, murdered his father. In an incredibly convoluted plot, the most complicated and most interesting in all literature, he manages to (impossible to put this in exact order) feign (or perhaps not to feign) madness, murder the "Prime Minister", love and then unlove an innocent who he drives to madness, plot and then unplot against the uncle, direct a play within a play, successfully conspire against the lives of two well-meaning friends, and finally take his revenge on the uncle, but only at the cost of almost every life on-stage, including his own and his mother's. —John Brosseau <brossj5683@aol.com>

Following a knee injury, Joe Pendleton, a Los Angeles Rams second-string quarterback, practices with the team as the managers and coach comment repeatedly on his good form. Away from the football field, he focuses on fitness and relaxes by playing the saxophone. On Joes birthday, Max Corkle, a Rams trainer and Joes good friend, drops by his home with a cake and informs him that the coach wants Joe to start the game against the Dallas Cowboys instead of Tom Jarrett. Joe steps up his training, but while bicycling through a tunnel he is hit by a van. With saxophone in hand, Joe arrives at a way station to Heaven accompanied by The Escort, a celestial assistant who instructs Joe to board an aircraft for his final destination. Joe refuses, believing it is only a dream. Delicately, the archangel man in charge, Mr. Jordan, explains that this place represents the afterlife, but Joe is convinced that his death is a mistake. After verifying Joes status, a clerk announces that Joe isnt due to arrive until the year 2025, and The Escort, a rookie, admits that he pulled him away before the outcome of the collision. Since Joes body has already been cremated, Mr. Jordan says that in order for him to return to life, Joe must occupy the body of another man, as long as that mans death has not yet been discovered. Mr. Jordan and Joe proceed to scout for possible candidates. At the estate of Leo Farnsworth, a millionaire industrialist, they observe the scheming of his wife Julia Farnsworth and Tony Abbott, Farnsworths assistant. Julia and Abbott are having an affair, and they have left Farnsworth to drown in the bathtub after drugging him. Meanwhile, Betty Logan, a schoolteacher, arrives at the mansion to insist on meeting with Farnsworth about his refinery that will force the eviction of families in her hometown of Pagglesham, England. Joe is immediately smitten with Betty and wants to help her. Until they find a more athletic candidate, Mr. Jordan agrees to let Joe inhabit the body of Farnsworth temporarily. In the upstairs bathroom, Joe assumes his new identity, but only sees himself in the mirror. Mr. Jordan assures him that even though Joe can only see himself as the internal person of Joe Pendleton, others will see and hear him as Leo Farnsworth. Dressed in polo attire, Joe listens while Betty objects to the plans of Farnsworths Exo-Grey Industries. Upon seeing her husband alive, Julia screams hysterically, and Abbott quickly drags her away. Betty is confused by Joes lack of concern for his wifes outburst, and is also annoyed when Joe claims that he is not really Leo Farnsworth. Believing that he is taunting her, Betty angrily walks away, but warns him that she will be at the next company board meeting. While Joe studies Farnsworths business, Julia and Abbott wait nervously, unsure if he is plotting revenge for the murder. On the way to the board meeting, Joe invites reporters and Betty to join him. Everyone in the room is dumbfounded when Joe passionately compares Exo-Greys winning position to that of a football team that must protect its lead and do the right thing by not exploiting others. That evening, after Betty visits Farnsworth to compliment him on his courage in front of the board, Joe takes her out to dinner at a drivein restaurant. Inside the limousine, Joe confides that he cannot stop staring at her, and Betty admits that she sees something special in his eyes. As they are saying goodbye, Joe declares his plan to divorce Julia. With a new motivation, Joe tells The Escort that he wants to remain in Farnsworths body and get it into shape for football. That evening, despite rigging a heavy fixture above his bed, Julia and Abbott once again fail to murder Farnsworth. The following day, Max arrives at the estate and listens with skepticism while Joe explains that he wants to try out for the Rams quarterback and pay Max to be his trainer. Max is reluctant to jeopardize his reputation with the Rams by entertaining the whims of a millionaire. After initially seeming like at lunatic, Joe is finally able to persuade Max that he is really Joe Pendleton by playing the saxophone badly, as only Joe could. The estate immediately becomes a football training camp. After working out with the butlers of the mansion, Joe takes the next step by purchasing the Los Angeles Rams. During a locker room meeting, the players grumble when told that the new owner Farnsworth will be the quarterback in a scrimmage game and instructed to not hold back with him. At first, Joe receives no help from his offensive line and is repeatedly sacked. But, after requesting one chance to complete a play, he makes a successful pass and continues to display his skills for the rest of the practice, earning the respect of the players and defying the doubters on the sideline. Sometime later at the estate, Joe and Betty attend a gathering of The Ecology Club on the garden lawn. Watching from her bedroom window with Abbott, Julia still thinks that Farnsworth is plotting against them, and contemplates another murder. After strolling together on the property, Joe asks Betty to marry him. Just as Betty responds with excitement, The Escort interrupts Joe with the news that he must abandon Farnsworths body. Unsure what will happen to him, Joe asks Betty to remember what she saw in his eyes. Before she leaves, he embraces her and says, Theres nothing to be afraid of. Mr. Jordan visits to reiterate that he cannot change what is meant to be and that Joe must leave Farnsworths body, but Joe refuses, intent on playing in the Super Bowl and being with Betty. At that moment, Abbott shoots Joe from the bedroom window, and Joe tumbles into a well. No longer in Farnsworths body, Joe emerges from the well with his saxophone and has no choice but to follow Mr. Jordan back to Heaven. Farnsworths disappearance becomes front-page news, and Krim, the police detective in charge, gathers together the staff along with Max, Betty, Julia, and Abbott for questioning at the estate. Meanwhile, the Super Bowl between the Rams and the Pittsburgh Steelers is underway at the Los Angeles Coliseum, and Max is anxious to be there, so Krim lets him watch the game on television during the proceedings. Concerned for Betty, Joe is present in the room alongside Mr. Jordan. When the Rams quarterback, Tom Jarrett, is seriously hurt and taken off the field on a stretcher, Mr. Jordan transports Joe to the game. Mr. Jordan explains that it is Toms destiny to die at this time. Joe moves toward Toms body and occupies it, springing off the stretcher and onto the field. Watching this sudden recovery on television, Max realizes that it must be Joe. At the same time, the gardener runs into the room with Farnsworths jacket that he found in the well, which prompts Julia to scream that Abbott is the murderer, and he in turn points the finger at her. In overtime, Joe leads the Rams to a Super Bowl victory. During the celebration in the locker room, Mr. Jordan appears before Joe declares that Joe now has a permanent body in Tom Jarrett and he will no longer remember Joe Pendleton, or any of the events that happened, but he will now live out the rest of his life as Tom Jarrett with all of Tom's memories, while Joe's memories of his past life and all about Mr. Jordan and Heaven will be forgotten forever. Later that evening, Joe doesnt recognize the saxophone, and thinks Max has drunk too much champagne when he calls him Joe. Max finally realizes that Joe as he knows him no longer exists. As Joe/Tom exits through a stadium hallway, Betty enters looking for Max. After giving her directions, Joe/Tom wonders if they have met before. Betty says she doesnt know him, but she has a connection to football through her close friend, Leo Farnsworth. When the lights of the hallway are switched off, Joe/Tom assures Betty that theres nothing to be afraid of and guides her out the door. Betty is touched by what he said, recalling her last conversation with Farnsworth. Joe/Tom asks her out for coffee, and when Betty realizes that he is the quarterback, she says yes at once.

On Election Day, 1968, irresponsible hairdresser and ladies' man George Roundy is too busy cutting hair and dealing with his girlfriends and mistress Felicia Karpf, whose husband Lester is having an affair with his ex-girlfriend Jackie. Thirty-something George Roundy is a Beverly Hills hairdresser, who spends as much time sleeping with his female clients as he does doing their hair. Whether they want to admit it, all the women in his life are for the most part aware that they are are not the only one with whom he is sleeping. And some, such as the wealthy and married Felicia Karpf, have a stronger emotional dependence on George than they would like to admit. George's current girlfriend is Jill, an up and coming actress. Jill's best friend is Jackie Shawn, one of George's old girlfriends who left him because he couldn't make a true commitment to her. In turn, Jackie is currently having an affair with Lester Karpf, Felicia's wealthy businessman husband. George is unhappy working at a salon owned by Norman, with whom he is constantly butting heads. In his first act of wanting finally to be a grown up, George wants to open his own salon, but doesn't have the financial resources to do it, and no bank will lend him money for the venture. Felicia at least convinces Lester to consider investing in George. On Monday, November 4, 1968, the eve of the presidential election, this group spends the evening together, first at a dinner party hosted by Lester, and then another private party. Lester asks his potential new business partner, George, to accompany his mistress Jackie, not knowing that George and Jackie know each other. Jill, who is invited to the party by Jackie, invites director Johnny Pope as her date, he who is considering her for a role in his next movie filming in Egypt and perhaps more. Over the course of the evening, George may come to the realization of what he wants in life both professionally and personally, but achieving happiness will depend upon others in his life, they who have known George up to this time only as an uncommitted narcissist.

John Baxter (Donald Sutherland) and his wife, Laura (Julie Christie), are a married couple whom are both traumatized one day when their young daughter, Christine (Sharon Williams), falls into a pond and drowns near their English country home. Several months later, John and Laura take a trip to Venice after John accepts a commission from a bishop (Massimo Serato) to restore an ancient church. Laura encounters two elderly sisters, Heather (Hilary Mason) and Wendy (Clelia Matania), at a restaurant where she and John are dining; Heather claims to be psychic and despite being blind informs Laura she is able to 'see' the Baxters' deceased daughter. Shaken, Laura returns to her table, where she faints. Laura is taken to the hospital, where she later tells John what Heather told her. John is skeptical but pleasantly surprised by the positive change in Laura's demeanour. Later in the evening after returning from the hospital, John and Laura engage in passionate sex. Afterwards, they go out to dinner where they get lost and briefly become separated. John catches a glimpse of what looks like a small child (Adelina Poerio) wearing a red coat similar to the one Christine was wearing when she died. The next day, Laura meets with Heather and Wendy at their apartment who hold a séance to try to contact Christine. When she returns to the hotel, Laura informs John that Christine has said he is in danger and must leave Venice. John loses his temper with Laura, but that night they receive a telephone call informing them that their son (Nicholas Salter) has been injured in an accident at his boarding school. Laura departs for England, while John stays on to complete the restoration. Under the assumption that Laura is in England, John is shocked when later that day he spots her on a barge that is part of a funeral cortege, accompanied by the two sisters. Concerned about his wife's mental state and with reports of a serial killer at large in Venice, he reports Laura's disappearance to the police. The inspector (Renato Scarpa) investigating the killings is suspicious of John and has him followed. After conducting a futile search for Laura and the sisters in which he again sees the childlike figure in the red coat, John contacts his son's boarding school to enquire about his condition, only to discover Laura is already at the school. After speaking to her to confirm she really is in England, a bewildered John returns to the police station to inform the police he has found his wife. In the meantime the police have brought Heather in for questioning, so an apologetic John offers to escort her back to the hotel. Shortly after returning, John catches another glimpse of the mysterious figure in red as he is leaving Heather's hotel, and this time pursues it. Meanwhile, Heather has slipped into a trance and upon coming out of it beseeches her sister to go after John, sensing that something terrible is about to happen, but Wendy is unable to catch up with him. John follows the elusive figure to a deserted palazzo, and having cornered it, realizes (way too late) that the strange sightings he has been experiencing were premonitions of his own death. The "child" in the red raincoat that John has been seeing is NOT the ghost of Christine, but is actually a killer dwarf whom is responsible for all of the murders happening in Venice, and the dwarf kills him by stabbing him in the neck with a butcher knife. As the killer escapes, John sees his whole life flash before his eyes for several seconds as he dies. Laura, Heather, and the police arrive on the sceen too late to save John or to aprehend the killer dwarf whom has claimed John as her latest victim. The final shots of the movie show Laura along with her son, and the two sisters on a funeral barge traveling to a local church for John's funeral... just as he visioned it on the day before his own murder.

The Go-Between recounts the secret love affair between a beautiful heiress and a poor tenant farmer, told by the twelve-year-old boy who is hired to be their message bearer.