Kathleen Robertson

When a priest (Michael Pena) is called upon to exorcize a powerful satanic force, he enters a battle not only for a woman`s soul, but also the fate of the world.

A detective examines the mysterious death of George Reeves, the star of the television series Adventures of Superman (1952). Struggling private investigator Louis Simo treats his work more as a means to make a living than a want to do right by what few clients he has. Through connections with the investigation firm for which he used to work, Simo is hired by Helen Bessolo to investigate the death of her son, actor George Reeves. Reeves was best known for his title role in Adventures of Superman (1952), a role which he always despised, in part since it typecast him as a "cartoon", despite it bringing him a certain fame. His June 16, 1959 death by a single gunshot wound while in his bedroom in his Los Angeles home was ruled a suicide by the police, the death which occurred when the house was filled with people. Reeves' story is told in part in flashback as Simo, who is trying to make a name for himself with this case, talks to or tries to talk to some of the players involved, most specifically the wife of MGM General Manager E.J. Mannix, Toni Mannix, with whom Reeves was having a relatively open and gift-lucrative affair (she bought him that house), and Reeves' fiancée at the time of his death, Lenore Lemmon, an aspiring actress who some felt didn't love Reeves (or vice versa). As Simo proceeds with his high-profile investigation, he learns that someone doesn't want him snooping around. Through the process, Simo evaluates his own professional and personal life, the latter of which includes a somewhat strained relationship with his wife and son.

Veronica, 22, meets a writer and a drummer hunk at a club on Halloween. Why choose when she can have both? 3some? But then a third man comes along. An average, calm mid-20s girl named Veronica restarts her dead dating life all of the sudden, but with two guys: a sensitive failed writer named Abel and an airheaded drummer named Zed. At first she despairs. Then she finds a way to date both without their finding out. Then she tells both about it. Then Abel and Zed meet each other, and, after much initial conflict, they wind up living together and evolve into a very odd yet happy threesome. However, as time goes by Veronica starts growing apart from them, while Abel and Zed become brother-like (and kid-like). So when a director starts courting a pregnant Veronica, strains ensue. Will Abel and Zed be able to grow up and save the day?... —Parca Mortem <icy_shadow@rocketmail.com> A promiscuous blonde discusses her amorous affairs with the camera, seguing into each romantic coupling. She starts with a rock critic and a punk rock drummer, who are opposite ends of the romantic circle. The critic being witty and very mentally involving, while the drummer is all animal passion. She proposes to move in with both, but neither can handle the situation. She then meets a successful director, but she is pregnant and uncertain of the father. Nevertheless the director offers to marry her. —John Sacksteder <jsackste@bellsouth.net>