Kaushik Ganguly

In a fading North Calcutta Rajbari, Titli clings to routine after her husband Shaon vanishes. As Durga Puja nears, Megh arrives, an unexpected guest who brings warmth and a painful revel of thought. Amid rituals and memories, unspoken grief surfaces, stirring buried emotions, silent longing, and the ache of unfinished stories.

People battling their inner demons in a gripping melting pot of memories in mind, where justice, morality and humanity clash in an electrifying showdown full of unpredictable twists!

Pratiksha, 27, arrives in London three months after her marriage and shortly finds herself entrapped in a vortex of lies, deceit and danger. If she does not get out of the mess, everything in her life is at risk.

Bismillah is a Bengali movie starring Kaushik Ganguly, Riddhi Sen, and Shubhasree Ganguly in prominent roles. It is a drama directed by Indradeep Dasgupta forming part of the crew.

Narasingha is a lonely old man, who is a master in the dying art of ventriloquism. Isolated and ridiculed by his neighbours, he spends his time making up conversations with people from his past by mimicking their voices. Then one day he gets an old, regal armchair and he finds himself becoming bold and confident like he wasn`t before.

On receiving the news of his father`s death, Indrajith, a famous superstar of Bengali cinema, rushes back to the hometown he left behind a long while back. As long-buried memories resurface, his introspections set him on a journey of self-discovery.

A profound examination of life, death, hope and immortality, Tarikh gives us a peep into the inner worlds and beliefs of three people: Anirban an idealist, Ira a conformist and Rudrangshu a realist; all of whom are bound by friendship. Directed by Churni Ganguly, the film stars Raima Sen, Saswata Chatterjee, Ritwick Chakraborty and Kaushik Ganguly in central roles

Parimal is born a boy, but there has always been another identity hidden within Parimal's male physical appearance. The only way out for him is to escape from his parents, his family, and his neighborhood in search of a world that did not seem so unidentifiable. In his quest, Parimal reaches a new city, Kolkata where he is welcomed by a transgender shelter. And Parimal soon becomes Puti. There, he meets Madhu and falls in love with him. As Madhu discovers more about Puti's physicality, he wonders how he could feel attracted to a woman who has a male body? Were these things even possible in reality? Will their love survive the guillotine of societal barriers?

When Mr. Mitra, a successful lawyer, crosses paths with Ms. Sen, a complex woman, it marks the beginning of a unique relationship. What starts off as a professional association between a lawyer and a client soon evolves into a great friendship, and over time, something even more meaningful blossoms between the two. An astute examination of the intricacies of a relationship, Drishtikone is the story of a romance unlike any other.

Based on a real-life incident, Cockpit follows the story of a flight going from Mumbai to Calcutta, which gets hit due to bad turbulent weather on air. The challenges that the pilot faces in order to land the airplane, after the engines were damaged, forms the crux of the film.

Padma, a Hindu widow, finds an injured man near a river in Bangladesh. After bringing him home, she finds out that he is a Muslim from India and decides to hide his true identity from the villagers.

Khaad is a story of hope and survival. It recounts the tale of a group of tourists who are on their way to the mountains of North Bengal. Their bus, however, meets with an accident and they fall into a cliff. Shaken but still alive, they must now make their way out of this abyss before it is too late.

This is a story of isolation and hope, of a writer in exile. The writer is banished for her attack on religious fundamentalism and patriarchy and her cat is suddenly left alone.

Chatushkone is about human relationships, more of unconventional ones. Its also about ambition and vengeance. Chotushkone is a bevy of Bengali film actors and directors and has four short stories in one film. The film blurs the lines between reel and real with actors, who are playing themselves in this movie.

The film is about the struggles of an individual who is a school teacher and accidentally losses his sight. Fighting irritation and helplessness does he make it through the events of life is the story of the film.

Jeet is very ambitious which leaves him with very little time for his wife, Tanuka. Consequently, their relationship gets strained. Another character, Rajarshi also gets involved in a complicated relationship...

`Aborto` talks about the relentless pursuit of prominence in one`s career, and the resulting alienation from loved ones in terms of sensitivity, feeling and emotion. The film portrays a vortex of emotions, drama and relationships between Shyamal, Charu, Hari, Duli and Runu, characters which were influenced by protagonists in various Satyajit Ray`s Films.

Rang Milanti is a story about four central characters: Rick - an honest, intelligent and docile software engineer; Tito - An uberpassionate film buff with high flying dreams of winning a Palm D'Or & an Oscar in the near future; Laden - Economically challenged, living in the slums of Park Circus, a skilful craftsman and an unputdownable human being and DJ - an intensely youthful disc jockey enjoying his role under the spotlight in Kolkata's charismatically lazy nightlife. Ridhima Ghosh plays Kamalika, a spirited young woman of stunning beauty who shares similar feelings for all four of them. Rang Milanti is a game to find the perfect match, a search for the exact shade to compliment the colour of your soul and Kamalika's wild adventure to find the ace in the pack of four.

Seth, a loner, rescues Natasha, a romantic, from a drunk one night on Brooklyn Bridge. Brooklyn Nights follows them as they talk, sing, laugh and cry their way through five summer evenings. The film explores the ups and downs a love triangle in a small corner of Brooklyn, providing a moving portrait of a relationship that is true both to Dostoevsky's vision and to the film maker's interpretation of that vision. —Anonymous