Kishore Kadam

The film will tell the story of a historical reference to the Maratha Empire`s creation following several conflicts which occurred 350 years ago.

A celebrated Bollywood director Rohan Khurana stands accused by a member of his female crew, Anjali Dangle of having raped her at his residence. The case draws unprecedented media attention as arguments between criminal lawyer Tarun Saluja representing the accused and the feminist prosecutor Hiral Gandhi representing the victim heat up as they produce irrefutable evidence proving their respective client`s innocence. Will justice be served?

A remake of the 1980s eponymous film, it is a take on anger and helplessness of the common man. When Albert leaves his house one morning without telling anyone his whereabouts, his girlfriend Stella files a complaint with the police and when he doesn`t return after days, she begins to worry. Albert is traversing a road journey from Mumbai to Goa. His anger stems from his certain life experiences. It is this anger that is taking him on a journey to settle a score and enable him to lead a life of dignity and hope.

The film revolves around a professor who has dedicated his life in teaching the principles of Chhatrapati Shivaji Maharaj to common people, a young man who is trying to find a new direction to his life through the principles of Shivaji, and a politician who is using the Shivaji`s name to build his own image in politics. Based on the principles of Chhatrapati Shivaji Maharaj, the movie implies that if we can understand and imbibe his thoughts, principles, and vision, it can lead to the implementation of many great changes in the society.

Gavthi is a story of love, friendship, sacrifice, hard work, and righteousness. Gajanan, son of a farmer Shankar, goes through complex emotions when he goes to Mumbai for a work opportunity, leaving behind his family, friends and his love Gauri - cruel loan shark Babanrao's only daughter. Will Gajanan, a simple village boy, be able to survive in the fast-paced city?

The story of Theeran Adhigaram Ondru is based on a true incident of a high profile case handled successfully by the Tamil Nadu Police in the 90s. Theeran, a police officer is entrusted with the task to solve the mystery behind a series of murders. The only clue left behind is, all the murders are committed in the same pattern. How he solves the case, forms the crux.

A family entertainer, Zindagi Virat is based on the relationship shared between a father and son and features some of Marathi cinema's finest actors such as Kishore Kadam, Atul Parchure, Bhau Kadam and Usha Naik playing important roles.

An eternal bond between a father and daughter is beautifully captured through the journey of the protagonist. The father (Sandeep Khare) has a mysterious past and is very possessive about his daughter (Sanskriti Balgude). He identifies his daughter in every troubled girl he witnesses and wants to protect her. The story explores the contemporary social issues of women empowerment, child abuse and female foeticide through the journey of the protagonist.

Nilkanth Master is a love story based in the pre-independence era. A freedom fighter sacrifices his love for his country.

Janiva, which means realization, is the story of a young boy, Sameer Deshpande, who is very sensitive and believes in being charitable and helping others. Sameer and his friends are part of a rock band that donates the proceedings to charity. He enjoys his day to day life, both in college and at home, until he realizes the reality of the system he was a part of, which changes his life forever. The injustice done to Asawari Patil, a rape victim and the condition she is in makes him question the system we are a part of, where the culprit roams free and the victim suffers in a vegetative condition. He takes the situation in his hands and fights the famous battle of justice vs. injustice and right vs. wrong. Will he be punished for his actions? Is being sensitive really a crime in today`s world?

A father of 10 year old boy is struggling to buy new school uniform for his son. Son is selected for to deliver a speech before State minister on the occasion of countries independence day. With the struggle of father, story shows the struggle of common peoples of country in the light of social, economical and political influences.

A film about a paranormal tale set in the 70s. Starring Adinath Kothare and Urmila Kothare in the leads, the film explores the themes of the paranormal. They play a doctor couple who visit a village. However things start to go wrong and they are stuck in the middle of it. With their existence under threat, will they make it out alive? Or will it be too late?

A romantic musical, Rajjo is the journey of a nautch girl in the most extraordinary circumstances. It tells the love story of Rajjo (Kangana Ranaut) and Chandu (Paras Arora) set against the backdrop of the dying Kothas of Mumbai that nurtured the traditional art of singing and dancing for centuries. The story`s central characters are Rajjo, a Muslim girl and Chandu, a young Brahmin boy. When Chandu helps his team win a cricket match, the team decides to celebrate the victory by visiting the Kothas of Nagpada. This is where Chandu meets Rajjo who mesmerizes him with her elegant Mujra dance and it is love at first sight for him. Chandu belongs to a family of music lovers; he is a very good harmonium player, his mother is a Bhajan singer. Rajjo is trained under Kothewali Amma; she is naughty, sweet and quite attractive. Music is the common thread between them, as is the strong attraction that draws Rajjo and Chandu together and seals their love. Simultaneously the Nagpada area goes under the clutches of re-development and all the dancers and singers are under the shadow of this potential danger. Amidst these circumstances, Rajjo and Chandu have to deal with Begum (Mahesh Manjrekar) who runs the Kotha and Hande Bhau (Prakash Raj), a corporator with powerful political connections who has his eye set on Rajjo. With everything working against them, will Rajjo and Chandus love be able to triumph against all odds?

Deool is a multi-starrer film directed by Umesh Kulkarni and is releasing on November 4,2011. The starcast includes Dr. Mohan Agashe, Nana Patekar, Sonal Kulkarni, Dilip Prabhavalkar (who played the role of Mahatama Gandhi in Lage Raho Munnabhai), Kishor Kadam and Naseeruddin Shah (who makes his Marathi film debut with this film) among other actors. The film is about the effect of corporotisation of temple`s and pilgrimage places. The film has largely been shot in Satara district of Maharashtra.

Bal Gandharva is a richly mounted, Indian musical, period film on the incredible actor-singer-female impersonator Bal Gandharva (1888-1967), set in the early years of Indian theatre. The film has historic resonances and gives remarkable insights into how today`s Indian cinema and Bollywood musicals derived their song routines, lavish spectacles and melodrama from Indian musical theatre and epics-entirely independent of Hollywood. It is an inspiring portrait of Bal Gandharva, a cross-dressing, singing icon of the sangeet natak (musical theatre) tradition. Women were not allowed to perform onstage then, and Bal Gandharva`s singing and female impersonations in beautiful saris, jewellery and mannerisms were all the rage, and his songs are sung in India even today.

Film maker Mahesh Manjrekar comes with a comedy genre with his latest film `Shahanpan Dega Deva`. Besides acting in this film, Mahesh has also written the screenplay along with Abhijeet Deshpande. He has also contributed to dialogues along with Sanjay Pawar. The film revolves around 5 mentally disturbed people, who are being treated by a doctor. The film presents their course of their treatment with a humourous edge.

Years after years Keshav has hidden his grief within himself. At his 60th birthday, he decides to find serenity for himself and takes a major decision. Accidentally a slice of his frozen past gets scratched. He sees a glimpse of Shama, who was once the anchor of his existence. Her mesmerizing beauty, poise and silence suddenly personify his vacuum of last 30 years. He was oblivious to his soul mate`s shocking yesteryears. Shama had chosen to be a recluse - hidden from the light of sunrise. Keshav strives to learn more about her. He realizes the mockery of their fate - both had drifted apart walking their separate paths. sharing their loneliness. Why did Keshav and Shama choose to live the way they did? What was the motivation behind their present? Do they find their lost love?

A young Spanish bank employee discovers by chance that the validity of the world economic system will not exceed thirty days. In love with a young Argentine girl, he travels to the Andean country with the aim of saving her from the hecatomb, but the impossibility of telling her what is going to happen complicates everything during the month he has to elaborate his escape plan.

SS Sameer has directed and produced ``Contract``. JD Chakravarthi, Arjun and Minissha Lamba are the film`s leading actors. Subash Anand has composed this love triangle`s music, the film also contains an item number featuring Mallika Sherawat.

Ramanbhai is the criminal don of Bombay, and most criminal activities are linked indirectly to him. He has a rival in Vilas Pandey, who is furious with Ramanbhai, and wants to get a larger part of his share from the wealth generated by crime. Ramanbhai's attempts to woo a woman, Pooja, are met with oppostion from Pooja's boyfriend, Aditya, and this results in Aditya, Pooja, Malika, and Rajesh running for their lives, as they know Ramanbhai will leave no stone unturned in order to hunt Aditya down, and make him pay for daring to oppose the underworld king. —rAjOo (gunwanti@hotmail.com) Ramanbhai, played by Ashish Vidyarthi, is a dreaded don. His once-upon-a-time associate, Vilas [Saurabh Shukla] has now turned into his rival as he wants a larger part of the share in the wealth generated by extortion etc. In parallel, the infidelity of Aditya [Nirmal Pandey] who is married to Pooja [Tara Deshpande] but having an affair with Mallika [Smriti Mishra] is revealed. In two terrible ensuing mix-ups, Aditya inadvertently insults Ramanbhai, while Vilas' wife is accidentally shot dead by a member of Ramanbhai's gang. As soon as Aditya comes to know the identity of Ramanbhai, he knows that he has no option but to be on a run. Ramanbhai, being a don, can obviously not tolerate this insult by a commoner and decides to leave no stone unturned in order to hunt Aditya down and make him pay. On the other hand, a blood-thirsty Vilas (who essentially blames Ramanbhai for his wife's death) adds another level to the chase, turning it into a grim & bloody trail... all in a single never-ending night! —Anonymous

Parmino is a small village in Central India, headed by a Village Committee comprising of all males. When the Government of India notifies the Committee that a third of them must be women, including people in schedules caste and tribes, the Sarpanch, Ratan Singh, decides to let women run for the election as well have seats in the Panchayat. After the meeting gets over, he asks his son, Inder, to get Manju, his wife, to sign the nomination papers. Also asked are the wife of another Panchayat member, as well as Vidya, the newly marred bride of a poor store owner, Bhanwar, who is indebted to Inder and Ratan Singh. In this way, Ratan and Inder hope to control the women through their respective husbands, and rule over the Panchayat as they have done before. They are in for a surprise when Vidya turns the tables on them, asking them to account where the funds for the partially built school were misappropriated as well having the rest of the village attend Gram Panchayat meetings and voice their concerns and grievances. Watch what happens when Ratan and Inder decide to use their influence in the community as well as over Bhanwar to throttle Vidya's voice. —rAjOo (gunwanti@hotmail.com)

Mammo moves to Pakistan during the Partition. Years later, with nowhere else to go, she visits Bombay to meet her sister and grandson but struggles to extend her visa. 13 year old Riyaz lives a poor lifestyle in Bombay, India, with his grandmother, Fayyuzi, and her sister, Mehmooda alias Mammo. Quite outspoken and embittered over his dad abandoning him, Riyaz does not have many friends, save for Rohan. When Mammo plans a surprise birthday party for him, Riyaz is offended as he believes his friends will make fun of him as his lifestyle is not as good as their's. Fayyuzi and Riyaz have an argument with Mammo, and she leaves for the Mosque at Haji Ali, but returns when both apologize to her. Although Mammo was born in Panipat during the British Raj, she was one of thousands of Muslims who left for Pakistan. She was married over there, could not conceive, was branded a "barren woman", and asked to leave. Having nowhere else to go, she came to live with her widowed sister in Bombay on a temporary Visa. Every month she would walk to the nearest Police Station and get an extension. She finally paid a Rs.4800/ as a bribe in order to get a permanent visa through Inspector Apte. When Apte was transferred, a new Police Inspector took over, processed her papers, held her to be an illegal immigrant, arrested her, had her escorted to the Bombay Central Railway Station, board the Frontier Mail, which would return her to Pakistan. Riyaz and Fayyuzi make every possible attempt to trace and bring her back, which was all in vain. Now 20 years later, Riyaz has grown up and has written a book about his Mammo, hoping that someday, somewhere she will find it and they will be reunited again. —rAjOo (gunwanti@hotmail.com)