Liana Liberato

This is a story of the effect of Vatican II (1962-65) on the Catholic Church, as seen in one convent, through the eyes of the tough old-fashioned Mother Superior, the kinder, younger, and more modern nuns, and the Postulants and Novices, particularly Sister Cathleen. In 1954, seven-year-old Cathleen Harris (Eliza Manson) lives in rural in Tennessee with her mother, Nora (Julianne Nicholson), a factory worker, who is non-religious but wants to show Cathleen a church and let her make her own decision. Cathleen's father, Chuck (Chris Zylka), comes home late, drunk, and argues with his wife. Chuck eventually leaves. Nora supports herself and picks up a series of men for one-night stands. At age 12, Cathleen (Sasha Mason) seeks love of her own, and finds it in Catholicism when two nuns visit her home and offer her enrollment at a Catholic girls' school. The school offers her free tuition and a full scholarship to any college Cathleen chooses if her grades are excellent. At the school one day, a young nun befriends Cathleen and describes how she is married to Christ. At age 17 in the year 1964, after Cathleen (Margaret Qualley) comes home from school and runs into another one of her mother's pickups, Cathleen decides to leave home and give her life to God. With twenty other girls, Cathleen joins the Sisters of the Beloved Rose. She will be a postulate for six months in their convent, after which she will become a novice for a year and a half, and then make her final vows to become a nun. The Abbess, Reverend Mother Marie Saint-Clair (Melissa Leo), is tough, cold, traditional and largely responsible for training and disciplining the postulates. She leads the postulates through the weekly "chapter of faults," in which they must publicly confess to all their faults and face the accusation of the other postulates, for which Mother Superior assigns extreme, humiliating penances, including "The Discipline," a knotted whip that they use to flagellate themselves. Sister Mary Grace (Dianna Agron), a young, warm, kind, and progressive nun, is the Postulant Mistress, who tries to make life easier for them. Most of the day is heavily regimented, but sometimes the postulates fall into girlish activities and giggling. Cathleen tends to avoid interacting with the other girls and spends her free time alone and reading from the Bible. Mother Superior keeps getting envelopes from Archbishop McCarthy (Denis O'Hare) about Vatican II, which she ignores. Sister Mary Grace sees the documents, and says that change would be good. Mother Superior cuts her off with, "The Church is perfect exactly the way it is." Later, they argue, and Sister Mary Grace challenges Mother Superior's authority. Sister Mary Grace goes off to pray, and decides to leave the convent. After six months, Cathleen takes her Simple Vows and becomes a novice. As Reverend Mother grows increasingly harsh, 18-year-old Sister Cathleen undergoes a sexual awakening. Cathleen stirs one night after masturbating in her sleep. She stops eating and interacting with the other novices and nuns over her "impure thoughts". When her mother visits the convent to deliver news about her father Chuck's passing, she notices Cathleen's pale and emaciated appearance. Nora threatens the Reverend Mother over her daughter's treatment, but Reverend Mother bushes it off, saying that Nora no longer has a daughter but that Cathleen has now given her life to the Church. Cathleen eventually collapses during dinner one evening from starvation and dehydration, she is sent to the infirmary for several days where she confides in another young nun, Sister Emanuel (Rebecca Dayan). Later on, Cathleen sneaks out of the infirmary and into Sister Emanuel's room where Cathleen tells her that she longs for "comfort," leading to a kiss and their having lesbian sexual intercourse. After this, Cathleen leaves the infirmary and shows signs of recovery, is eating again and showing quiet happiness, but neither she or Sister Emanuel ever discuss their sexual encounter. Meanwhile, Archbishop McCarthy pays a visit to the convent. He tells Mother Superior that "this order in particular" is having difficulty embracing the changes of Vatican II. She dismisses the "ridiculous reforms." He tells her that if she can't adapt to the changes, she will be replaced. As for "that old medieval stuff," the extreme penances, "That's gotta stop." Mother Superior is devastated. She fears God has abandoned her. At a subsequent Chapter of Faults, a novice confesses that she questions God's existence. Mother Superior tells her she's tired of hearing of her spiritual wretchedness and assigns her no penance at all. When Cathleen goes next and confesses feeling the need to be emotionally comforted and about her one-time sexual encounter with another nun. Cathleen refuses to give away the nun's name and only asks for penance. Mother Superior forces Cathleen to crawl on her hands and knees and to beg for penance from each of the other novices, which finally brings Cathleen to tears. Mother Superior grants penance to Cathleen anyway. Afterwards, Sister Emanuel leaves the convent without saying goodbye to Cathleen. Eventually, Mother Superior calls the congregation and reads aloud the Archbishop's memo about Vatican II. Priests will say the Mass in English, and face the congregation. Catholics must embrace religious tolerance. Nuns are no longer required to wear habits and can wear whatever they wish as their status is now reduced and equal to any lay Catholic. Of the original twenty postulates, only five are left to profess their final vows to become solemnly professed nuns, among them is Cathleen. At their mass of Solemn Profession, the priest asks each of the novices, "What do you seek?" One answers that she wants to take her vows and marry Jesus Christ. The priest then asks Cathleen the same question. She answers, "I seek something more."

A struggling Midwest farm family descends into dysfunction and chaos when threatened with the loss of their home.

Mia Hall (Moretz) thought the hardest decision she would ever face would be whether to pursue her musical dreams at Juilliard or follow a different path to be with the love of her life, Adam (Blackley). But what should have been a carefree family drive changes everything in an instant, and now her own life hangs in the balance. Caught between life and death for one revealing day, Mia has only one decision left, which will not only decide her future but also her ultimate fate.

Bounty killers compete for body count, fame and a fat stack of cash. They're ending the plague of corporate greed and providing the survivors of the apocalypse with retribution. This is the age of the BOUNTY KILLER. It's been 20 years since the corporations took over the world's governments. Their thirst for power and profits led to the corporate wars, a fierce global battle that laid waste to society as we know it. Born from the ash, the Council of Nine rose as a new law and order for this dark age. To avenge the corporations' reckless destruction, the Council issues death warrants for all white collar criminals. Their hunter's - the BOUNTY KILLER. From amateur savage to graceful assassin, the BOUNTY KILLERS now compete for body count, fame and a fat stack of cash. They're ending the plague of corporate greed by exterminating the self serving CEO and providing the survivors of the apocalypse with retribution. These are the new heroes. This is the age of the BOUNTY KILLER. —PR It's been 10 years since the corporations took over the world's governments. Their thirst for power and profits led to the Corporate Wars, a fierce global battle that laid waste to society as we know it. Born from the ash, the Council of Nine rose as a new law and order for this dark age. To avenge the corporations' reckless destruction, the Council issues death warrants for all white collar criminals. Their hunters -- the bounty killer. From amateur savage to graceful assassin, the bounty killers now compete for body count, fame and a fat stack of cash. They're ending the plague of corporate greed by exterminating the self serving CEO and providing the survivors of the apocalypse with retribution. These are the new heroes. This is the age of the BOUNTY KILLER. —balicollie In a post-apocalyptic world destroyed by the corporation's war, the Bounty Killers are very popular, hunting down former executives and receiving large amounts as reward. Mary Death and her mentor, Drifter, are the most popular bounty killers. Drifter hires the gun caddy Jack LeMans and soon he learns that he is wanted by the Council of Nine. He decides to travel to see the council to clarify the death warrant and teams-up with Jack, Mary Death and his acquaintance Jimbo in a dangerous journey to learn what has happened with the Nine Council. —Claudio Carvalho, Rio de Janeiro, Brazil

Beacon Theatre Live from New York rips through 20 songs spanning Bonamassa s career with smoky vocals complementing the guitar wizardry and rapid-fingered ease with which his fans know and love. Alongside the great chemistry he shares with his formidable bandmates Carmine Rojas (bass), Tal Bergman (drums) and Rick Melick (keyboards), the performance is mesmerizing to watch. He kicks it off with Slow Train, from 2011's solo album Dust Bowl and rolls through a number of fan-favorites including: Cradle Song, Dust Bowl, When The Fire Hits The Sea, Bird On A Wire, Blue & Evil, Mountain Time, and many more.