Marc Forster

A grumpy widower named Otto forms an unlikely friendship with his new neighbors that turns his world around.

Former United Nations agent Gerry must help stop the pandemic that has gripped the world. He fights to save his family, while looking for an answer before the outbreak destroys everything.

Quantum of Solace is the 22nd James Bond 007 film produced by franchise holders Eon Productions. Daniel Craig returns from 2006`s Casino Royale to play James Bond. Betrayed by Vesper, the woman he loved, 007 fights the urge to make his latest mission personal. Pursuing his determination to uncover the truth, Bond and M (JUDI DENCH) interrogate Mr White (Jesper Christensen) who reveals the organization which blackmailed Vesper is far more complex and dangerous than anyone had imagined. In a minefield of treachery, murder and deceit, Bond allies with old friends in a battle to uncover the truth. As he gets closer to finding the man responsible for the betrayal of Vesper, 007 must keep one step ahead of the CIA, the terrorists and even M, to unravel Greene`s sinister plan and stop his organization.

Harold Crick (Will Ferrell) is an auditor for the Internal Revenue Service, living his entire life based on the timing of his wristwatch. He is given the job to audit an intentionally tax-delinquent baker, Ana Pascal (Maggie Gyllenhaal) to whom he is awkwardly attracted. On the same day, he begins hearing the voice of a woman that is Omnisciently narrating the events in his life, but he is unable to communicate with the voice. On his way home, Harold's watch stops working and he resets it using the time given by a bystander; the voice narrates "little did he know that this simple, seemingly innocuous act would result in his imminent death". Worried over this prediction, Harold turns to a psychiatrist (Linda Hunt) who attributes the voice to schizophrenia; though they also consider that if it is not schizophrenia and there really is a narrator, he should then visit an expert in literature. Crick visits Jules Hilbert (Dustin Hoffman), a university literature professor, and relates his story. Jules first comes to the same conclusion as the psychiatrist, as Harold's dull life is not something commonly seen in novels. However, Jules then recognizes aspects of a literary work in Harold's story ("little did he know"), and encourages him to help identify the author, first by determining if the work is a comedy or a tragedy. As Harold proceeds to audit Ana, the two begin to fall for each other, but when Harold refuses to accept cookies that Ana made for him on the grounds that they could be viewed as a bribe, Ana angrily tells him to leave, making Harold believe the story is a tragedy. On the advice of Jules, Harold spends the next day at home to try to control his own destiny and stop the plot of the book by doing absolutely nothing, but his apartment is partially demolished by a wrecking crew mistaking the building for an abandoned one. Jules then believes that since Harold cannot control the plot that has been set for him, he should accept that he will die and enjoy whatever time he has left to the fullest. Harold takes this to heart: he takes an extended vacation from work, develops his friendship with his co-worker Dave (Tony Hale), fulfills his dream of learning to play the guitar and starts to see Ana on a regular basis. Harold believes he may have mistaken his story and now reassesses it as a comedy. When he returns to Jules with this revelation, Harold inadvertently identifies the voice in his head from a television interview as noted author Karen (Kay) Eiffel (Emma Thompson). Jules, an admirer of Eiffel's work, reveals that every book she has written is about the main character's tragic death. Karen (who has been appearing throughout in a parallel story) has been struggling from writer's block for years and is currently researching numerous ways to have Crick die. Her publisher has sent an assistant, Penny Escher (Queen Latifah), to make sure the book gets completed (ironically, the book's title is "Death and Taxes", a snippet from a famous statement by Benjamin Franklin). Harold finds Eiffel through her tax records. When Karen learns that Harold is a real person and has experienced everything she's written, she is horrified by the thought that all of her previous books may have also resulted in the deaths of real people. She tells Harold she has finally written a draft of the ending and his death but has not typed it up yet; the pair realize that all the events in the book become true when she strikes the period key. Penny suggests Harold read the book and the drafted ending to get his opinion. Harold is unable to bring himself to read it and gives the manuscript to Jules to review. Jules confirms its excellence, labeling it as Karen's masterpiece, and makes clear that Harold's death is integral to its genius. Though Harold is deeply distressed over his fate, Jules comforts him by stating the inevitability of death: this one death, at least, will have a deeper meaning by completing the book. Harold reads the manuscript himself over the course of a day; he returns the manuscript to Karen, telling her the death she has written for him is "beautiful" and that she should keep it as it is. Accepting his fate, he spends one last night with Ana. The next day, Harold prepares to return to work after his vacation, despite Karen's voice narrating the fateful day as she types up her planned ending. Because Harold's watch is three minutes fast (owing to the imprecise time given to him when he reset his watch) he arrives at the bus stop early, and watches as a young boy on a bicycle ride in front of the arriving bus but falls. Karen continues to write, narrating as Harold leaps from the curb and pushes the child out of the way, saving the boy at the cost of being struck by the bus, however Karen is unable to complete the sentence confirming Harold's death. Harold wakes up to find himself in a hospital, severely injured but alive, Ana by his side. He learns that fragments of his wristwatch helped to block the right ulnar artery in his body after the collision, preventing him from bleeding to death. When Jules reads Karen's final manuscript, he notes that the story is weaker without Harold's death. Karen admits the flaw, although she points out that the story was meant to be about a man that dies unexpectedly; with Harold knowingly and willingly sacrificing himself, the story would have lost its tragic impact. In place of Harold, his wristwatch-Anthropomorphized throughout most of the film-is now the character who died tragically.

In 1903 London, following the dismal reception of his latest play (the play is taken down after a few days of opening night), Little Mary, Barrie (Johnny Depp) meets the widowed Sylvia (Kate Winslet) and her four young sons (George (Nick Roud), Jack (Joe Prospero), Peter (Freddie Highmore) and Michael (Luke Spill)) in Kensington Gardens. A strong, close friendship develops among them. He proves to be a great playmate and surrogate father figure for the boys, and their imaginative antics (they imagine whole worlds and create characters and play them with conviction. Injuns and the westerners. Exploration of Africa in the backyard. kite flying) give him ideas which he incorporates into a play about boys who do not want to grow up, especially one named after troubled young Peter Llewelyn Davies. Barrie gifts Peter his first diary and encourages him to write stories coming out of his vivid imagination. Barrie is shown to be friends with Arthur Conan Doyle (Ian Hart). Barrie's wife Mary invites Sylvia, her kids and her mother to dinner. Barrie misses meals at home and suggests that they loan their own cook to Sylvia, as she is short of helping hands in her own house. Although Barrie sees this family as wonderful and inspirational, people question his relationship with the Llewelyn Davies family. Sylvia was a widow: her husband died from cancer and left her with four boys to bring up on her own. Arthur makes Barrie understand that people are questioning his relationship with Sylvia and even her boys. Barrie brushes them aside and takes Sylvia and her boys to his summer cottage for the summer. This is where the script for Peter Pan takes shape. Barrie's wife Mary (Radha Mitchell), who eventually divorces him (she started an affair with Gilbert Cannan (Oliver Fox). When Barrie tries to reconcile she demands that he return home at the end of the rehearsals and stop his forays into the countryside with Sylvia's family), and Sylvia's mother Emma Du Maurier (Julie Christie), object to the amount of time Barrie spends with the Llewelyn Davies family (a grown man spending so much time with the kids, and that Barrie is hurting any future prospects that Sylvia might have for settling down into a married life again). Emma also seeks to control her daughter and grandsons, especially as Sylvia becomes increasingly weak from an unidentified illness (which started at the summer cottage). Along the way, Barrie goes on adventures with Sylvia and her boys. He too is a boy at heart and spending time with the family is special. Barrie takes those adventures he has with the boys and makes them into a play called Peter Pan. Peter blames Barrie for Sylvia's illness. Producer Charles Frohman (Dustin Hoffman) skeptically agrees to mount Peter Pan (The play demands a ship on stage, surrounded by huge amounts of water, which requires huge amount of money. But Barrie says that they can fake the water), despite his belief that it holds no appeal for upper-class theatergoers (doctors, lawyers, and so on with their wives). Barrie asks Charles to set aside 25 seats in the audience, scattered all over the place. George breaks his hand when Jack and Michael let go of the ropes helping him fly in the air (in the theatre). George insists that Sylvia undergoes medical examination, before he will allow the doctors to set his hand right. Barrie peppers the opening night audience with children from a nearby orphanage, and the adults present react to their infectious delight with an appreciation of their own. The play proves to be a huge success. Barrie is all set for his play, but when Peter arrives alone to the play (as Sylvia had a coughing fit and was in no position to attend), Barrie goes to Sylvia's house to check up on her and misses the show. Peter attends the play and realizes the play is about his brothers and Barrie. Mary attends the opening and realizes that Barrie could never have written anything like this, without Sylvia's family. She understands and apologizes to Barrie. Sylvia is too ill to attend the premiere, so Barrie arranges to have an abridged production of it performed in her home. He gets the actors, props and musicians together in the Llewelyn Davies house. At the end of the play, Peter Pan points to the back doors and implies that Sylvia should go off to Neverland. She takes the hands of her boys and slowly walks out into Neverland. The living room and back garden transform into Neverland and Sylvia continues to walk on her own. In the next scene, everyone is at Sylvia's funeral. Barrie discovers that her will says that he and her mother should look after the boys, an arrangement agreeable to both. The film ends with J. M. Barrie finding Peter on the bench in the park where they first met after Peter ran off from the graveyard. Peter is holding his book where he wrote the plays that he ripped apart and that his mother glued back together for him. Barrie sits down and puts his arm around Peter to comfort him. They both fade, and all that is left is the bench.

Hank Grotowski (Billy Bob Thornton), a widower, and his son, Sonny (Heath Ledger), are corrections officers in a Georgia State Prison. They reside in Jackson with Hank's ailing father, Buck (Peter Boyle), a racist whose wife committed suicide. The audience is first introduced to Sonny through a series of telling incidents: he has an encounter with a local prostitute, Vera, which is startlingly empty; with her back to her client, Vera strips and bends over a desk, telling him to go easy because she's sore, to which he replies, "Yes ma'am." Their "lovemaking" is over in less than a minute, and a minute after that, Vera is out the door, having refused Sonny's almost pathetic offer to have something to eat or just talk. Hank, meanwhile, as a deputy warden oversees the execution of convicted murderers and begins the finalization of each execution date by vomiting in his bathroom. When he and Sonny are assigned the execution of Lawrence Musgrove (Sean Combs), the proceedings prove too intense for Sonny, who begins to vomit and then collapses as he is leading Lawrence to the electric chair. Ironically, Hank (having thrown up at home) attacks Sonny in the jail's bathroom afterwards for being so "soft" and ruining a man's last walk. The attack continues even after Hank and Sonny are home, with father confronting son in his bed and telling him to get out of the house. Sonny grabs a gun, and threatens his dad, who backs off. The confrontation ends in their living room with Hank at gunpoint, lying on the carpet, and Sonny in Buck's customary chair. Sonny asks his father if he hates him. After his father calmly confirms that he does and always has, Sonny responds, "Well, I always loved you," and then shoots himself in the heart. Hank subsequently buries Sonny in the back garden with no real funeral; Buck offers the only comment: "He was weak." Hank prevents the preacher from speaking, saying all he wants to hear is the sound of dirt hitting the casket. But he's not as unmoved as he looks. Hank subsequently quits his job, burns his uniform in the backyard, and bolts shut the door of Sonny's room. During the years of Lawrence's imprisonment, his wife, Leticia (Halle Berry), has been struggling to raise their son, Tyrell (Coronji Calhoun), who has inherited his father's artistic talent. She goads the boy to the point of abuse over his obesity, proving to be not much more sensitive a mother than Hank was a father. Along with her domestic problems, Leticia struggles financially, leading to the loss of the family car and, worse, the start of the eviction process whereby she'll lose her house. In desperate need of money, Leticia takes a job at a diner frequented by Hank. Their first encounter is a disaster: she spills his coffee and jams the cash register, annoying Hank, who has made a date with Vera-the same prostitute Sonny frequented. Told how much the bill is, Hank makes his displeasure known by leaving Leticia eight cents as a tip. But his rendezvous with Vera-move for move, an exact duplicate of Sonny's, in which there is no touching, no foreplay, no real lovemaking, but only a rear entry while Vera leans casually over the same desk she leaned over with Sonny-turns out to be a bust too. As Hank is preparing for this round of ice-cold sex, Vera asks, "How's Sonny?" After which Hank is unable to perform. But Hank and Leticia are destined to meet again. One rainy night, Leticia and Tyrell are walking down a soaked highway when Tyrell is struck by a car. Hank happens to be driving along and sees Leticia and Tyrell. After some hesitation, he picks up mother and son and takes them to a hospital, but Tyrell dies upon arrival. At the suggestion of the authorities at the hospital, Hank drives Leticia home. A few days later, Hank gives Leticia a ride, this time home from the diner. They begin talking in the car about their common losses, and she invites him in. Hank finds out that Leticia is Lawrence's widow, though he does not tell her that he participated in her husband's execution. He "celebrates" this discovery by vomiting in her bathroom, after they've drowned their grief with alcohol and, in a particularly raw and graphic display, have had sex as Leticia repeatedly groans, "Make me feel good!". Hank starts the session by turning her around, for the same sterile doggie-style sex he's had with Vera. But Leticia doesn't let that go on for long, turning around and wrapping her entire body around her lover. Afterward, Hank confesses that it's been a long time since he felt anything at all. After this encounter, Hank decides to eliminate at least one of Leticia's problems: he gives her Sonny's old car. She doesn't know how to drive a standard and says she just can't accept such an extravagant gift, but she's clearly thrilled to have it. In return, she pawns her wedding ring to buy Hank a gift: a new weatherproof Western hat. Leticia stops by Hank's home with her present but finds that he is out. Instead, she meets Buck, who promptly tells her that in his younger days, he had "a thing for nigger juice", and that Hank takes after his old man in wanting to "split dark open." Hurt and repulsed, Leticia leaves, refusing to interact with Hank, who arrives just in time to see her storming out of the house. That incident proves to be the last straw for Hank: he is changing and wants different choices, so he decides to send his father to a nursing home. Leticia is evicted from her home for non-payment of rent and Hank invites her to move in with him. She later discovers Hank's involvement in her husband's death when she enters Sonny's room, finally unlocked to accommodate Tyrell's things, and finds drawings of Hank and Sonny done by Lawrence before his death. She erupts, and seems to be at a crossroads, but is there waiting for Hank when he returns from town with ice cream. She is still stunned, but Hank tells her simply, "You look real pretty. Wanna come out on the steps?" The two of them end up eating ice cream together on the back porch, content with each other.