Nat Wolff

Documentary about the most serious mass-poisoning in the history of Spain.

A young American soldier in Afghanistan is disturbed by his commanding officer's behavior and is faced with a moral dilemma. Technically gifted Andrew Briggman joins the US troops in Afghanistan. After his incompetent sergeant pays for arrogance by being blown to pieces by a booby-trap, seasoned veteran sergeant Deeks is flown in by helicopter to take charge and shape them into a lean, mean fighting machine. Deeks is soon respected, feared yet popular, but also plays ambitious boys against each-other, especially for promotion, which Briggman wins, albeit Phyrric. Even in grim war, Andrew sticks to his conscience, which is seen as fatal weakness, so he gets sidetracked as 'tank commander' left with the armored vehicle wile the others terrorize all Afghans, even hurting innocent villagers. It gets worse after Deeks tests Andrew's unwillingness to resort to illegal torture, and a 'sub-standard' comrade is beaten up in his bunk. He probes only his father William Briggman about informing the authorities, but may be overheard and someone beats him to it. —KGF Vissers

A 70-year-old widower realizes retirement isn`t all it`s cracked up to be. Wanting to get back in the game, he becomes an intern at an online fashion site, run by Jules Ostin.

A teenager facing an unplanned pregnancy seeks help from her acerbic grandmother, a woman who is long estranged from her daughter. Lily Tomlin stars as Elle who has just gotten through breaking up with her girlfriend when Elle's granddaughter Sage unexpectedly shows up needing six hundred dollars before sundown. Temporarily broke, Grandma Elle and Sage spend the day trying to get their hands on the cash as their unannounced visits to old friends and flames end up rattling skeletons and digging up secrets. Elle Reid, a feminist poet with some renown, was in a thirty-eight year same sex relationship until her wife, Violet, passed away eighteen months ago. Since then, Elle has been in transition in her life in many facets, although returning to writing has not been one of those facets, she long ago having given that up. She has just ended a four month relationship with a grad student named Olivia, that May-December relationship, her first relationship since Vi, which she states will just be an inconsequential blip in her life. Elle has an adult daughter, Judy Reid, the product of a one night stand as she wanted a child but obviously, as a lesbian, not a husband. Judy, a driven businesswoman, in turn has a teenaged daughter, Sage Reid, the sperm which produced her being from a sperm bank in Judy not having the time to have a relationship. Sage and Elle are scared of Judy, the two more senior Reids who rarely speak to each other, especially since Vi's death. On this day, Sage turns to her grandmother for six hundred thirty dollars to get an abortion, Sage not wanting to ask her mother in the otherwise need to tell her she's pregnant. Elle, currently broke having just paid off Vi's extensive medical bills, wants to help Sage, and knows that asking Judy, for both her own and Sage's sakes, is out of the question. As such, Elle and Sage go on a quest to find that six hundred thirty dollars. In the process, Elle revisits much of her past, some of that past which has long been buried even before Sage and Judy. Elle and Sage may also, in the process, come to a better understanding of each other and their dysfunction with Judy. —Huggo Self-described misanthrope Elle Reid (Tomlin) has her protective bubble burst when her 18-year-old granddaughter, Sage (Garner), shows up needing help. The two of them go on a day-long journey that causes Elle to come to terms with her past and Sage to confront her future.

Tina Fey (Date Night, 30 Rock) and Paul Rudd (I Love You Man, Knocked Up) star in 'Admission', the new film directed by Academy Award nominee, Paul Weitz ('About a Boy'), about the surprising detours we encounter on the road to happiness. Straight-laced Princeton University admissions officer, Portia Nathan (Fey) is caught off-guard when she makes a recruiting visit to an alternative high school overseen by her former college classmate, the free-wheeling John Pressman (Rudd). Pressman has surmised that Jeremiah (Nat Wolff), his gifted yet very unconventional student, might well be the son that Portia secretly gave up for adoption many years ago. Soon, Portia finds herself bending the rules for Jeremiah, putting at risk the life she thought she always wanted but in the process finding her way to a surprising and exhilarating life and romance she never dreamed of having.