Nicolas Coster

A radical American journalist becomes involved with the Communist revolution in Russia, and hopes to bring its spirit and idealism to the United States. American journalist John Reed journeys to Russia to document the Bolshevik Revolution and returns a revolutionary. His fervor for left-wing politics leads him to Louise Bryant, then married, who will become a feminist icon and activist. Politics at home become more complicated as the rift grows between reality and Reed's ideals. Bryant takes up with a cynical playwright, and Reed returns to Russia, where his health declines. —Jwelch5742 The joint lives of journalists and activists John Reed - referred to as Jack in familiar circumstances - and Louise Bryant from 1915 to 1920 are presented, the former who, at the time of the making of this movie, is the only American to be buried at the Kremlin in a place of honor. In their life together, they are sometimes friends, sometimes lovers, sometimes spouses, but always idealists who hold steadfast to their beliefs. They initially meet in Portland, Oregon in 1915 when Jack returns to his hometown on a speaking engagement, he already a well known "liberal" journalist writing about how the working class is paying the price for the elitists calling the shots in the war, with Louise the repressed wife of dentist Paul Trullinger, she who has dabbled in journalism as a means of independence from her traditional life. She is protective about her writing and how to get her point of view across, which often does not mesh even with those who may agree with that point of view. Jack and Louise attracted to each other sexually and emotionally, he asks her to return to New York with him both to be with him and to give her the freedom to write what she really wants. In New York, they associate with Jack's friends - who include among others playwright Eugene O'Neill and writer/activist Emma Goldman - who largely dismiss Louise as a lightweight, just the latest of Jack's girlfriends, and/or solely, in the minds of many of the men, a sexual being to be exploited. Despite their relationship/marriage largely at its end, Jack is able to convince Louise to travel to Russia with him in 1917 to report on and be involved with the Bolshevik Revolution, which Jack feels could be the impetus for the end of the war, and if successful, a model for the American working class. It ends up being a game changer in their lives, for Jack seeing the success of the working class, and for Louise being caught up in the fervor of true idealism coming to fruition regardless of the specific issue. The Revolution will have an impact on their lives in a different way as a possible cause of them never seeing each other again, as (1) it causes Russia to be an isolated nation, (2) the scourge of Communism, Jack who is largely seen as the face of it in the US, being something that most in the mainstream of American life would like to see eradicated, and (3) Communism in Russia not being true to the academic definition of the term and perhaps not quite what Jack or his socialist associates in the US had envisioned. Through it all, an issue in the background but one that plays an integral part of their story is Jack's poor health, something that he does little to improve or care for in his goal of forwarding his leftist ideals. Interspersed with the dramatization of Jack and Louise's life are current day interviews with real life players who knew Jack and/or Louise, or who knew of the issues with which they were dealing. —Huggo Based on the true story of Jack Reed (played by Warren Beatty) and Louise Bryant (Diane Keaton), two American socialists and writers. During WW1 they actively campaigned for and wrote about socialist causes. When the news of the Russian Revolution broke this was seen as the chance for socialism to gain a greater foothold and popularity. Reed went to Russia to see what could be learned from the revolution and took the ideas back to the US, forming the Communist Labor Party of America. Things weren't all plain-sailing though, both in the relationship between Reed and Bryant and in politics. —grantss This movie tells the true story of John Reed , a radical American journalist around the time of World War I. He soon meets Louise Bryant, a respectable married woman, who dumps her husband for Reed and becomes an important feminist and radical in her own right. After involvement with labor and political disputes in the US, they go to Russia in time for the October Revolution in 1917, when the Communists siezed power. Inspired, they return to the US, hoping to lead a similar revolution. A particularly fascinating aspect of the movie is the inclusion of interviews with "witnesses", the real-life surviving participants in the events of the movie. —Reid Gagle

Writer Skip Donahue (Gene Wilder) and actor Harry Monroe (Richard Pryor) are fired from their jobs in New York, and leave for Hollywood to find a new way to make a living. Along the way, they take odd jobs to make ends meet. In one such job, Skip and Harry dress up as two woodpeckers, performing a song and dance routine as part of a promotion for a bank. Harry and Skip remove their costumes to take a break, and two men who have been watching steal the costumes and perform the routine as though they were Harry and Skip. The men then use the costumes to rob the bank, and in the confusion Harry and Skip are immediately arrested, whisked through a absurd speedy trial and handed 125-year jail sentences. Their court-appointed lawyer, Len Garber (Joel Brooks), advises them to wait until he can appeal their case. Life in a maximum-security prison proves difficult for both Skip and Harry. After a failed attempt at faking insanity, they make friends with Jesus Ramirez (Miguel Ángel Suárez), a real bank robber, and Rory Schultebrand (Georg Stanford Brown), a gay man who killed his stepfather. Rory takes an immediate fancy to Harry, much to Harry's chagrin. Having been there a while, Jesus and Rory inform Skip and Harry of the numerous goings-on in the prison, as well as the other members and who to watch out for, such as Jack Graham (Jonathan Banks), who runs the cell block, and is in charge of the contraband that comes in; and ax murderer Blade (Charles Weldon), who runs the "third-world" side of the cell block. The most feared inmate, however, is Grossberger (Erland Van Lidth), a convicted mass murderer of incredible size and strength who refuses to speak and is feared by the inmates and guards alike. Seeing something "kind" in Grossberger, the naive Skip attempts to talk with him, unsuccessfully. After being in prison for three months, Skip and Harry are brought to see Warden Walter Beatty (Barry Corbin) and Deputy Warden Wilson (Craig T. Nelson), the head guard. They wish to run a "test" with Harry and Skip on a mechanical bull in the warden's office. To everyone's surprise, Skip rides the bull at full power, so Beatty selects him to compete in the prison's annual rodeo competition. Out in the yard, Jesus and Rory inform Harry and Skip of the truth behind the rodeo: it's really a crooked operation run by Beatty and Warden Henry Sampson (Nicolas Coster), who heads the neighboring prison. The money from the rodeo, which is supposed to go to the prisoners, really ends up in the wardens' pockets. Knowing that Skip will be selected as the prison's new "champion", Jesus and Rory hatch a plan for escape. In order for it to work, Skip must refuse to participate in the rodeo: the longer he holds out, the better chance he has at "striking a deal" with the warden. After Skip refuses to participate, the angry warden orders Deputy Wilson to "straighten him out", which Wilson is only too happy to do. Prison life soon becomes more difficult than ever for Harry and Skip as Wilson and the guards attempt to break them down. First they are put on hard labor detail and deprived of both water and sleep. When this fails, the guards lock Skip up, overnight, hanging by his wrists and ankles. Skip awakens the next morning to discover that his bad back is cured. Wilson then puts Skip in solitary confinement; Skip asks for an extra day. Being returned to his cell, Skip discovers that he and Harry have a new cell mate: Grossberger, whom they quickly befriend. Harry and Skip are visited by Garber, along with his cousin Meredith (JoBeth Williams), who is fighting to prove their innocence. Skip takes an immediate liking to Meredith, who informs him she never gets personally involved with clients. Meanwhile, Warden Beatty is furious at Wilson for not breaking Harry and Skip yet, and decides to handle things himself. Soon afterward, Harry is sent to the prison's hospital ward for appendicitis. A prisoner in the neighboring bed (Franklyn Ajaye) tells Harry of the horrors of the ward: he himself was admitted for a hernia operation, and the doctor castrated him in the process. As soon as Harry sees the doctor (Alvin Ing), he runs screaming from the ward. Skip meets with Warden Beatty to make a deal. In exchange for Skip's participation in the rodeo, Skip requests his own crew (Harry, Jesus, Rory, and Grossberger), along with a much bigger jail cell, all according to the plan. Warden Beatty agrees, telling Deputy Wilson to have an inmate guard watch them at all times. Willson assigns Graham and Blade to the task, who anxiously voice their resentment: Graham, who resents being "pushed aside" for Skip, and Blade, who regard the group as "brown-noses". Wilson tells Graham of his own agenda: Skip will not leave the rodeo alive. Training Skip and Harry for the rodeo, Graham ensures that their lives - especially Harry's - are made difficult. While practicing for the rodeo, Skip, Harry, Jesus, Rory and Grossberger acquire the numerous tools they require for their escape, using the prison's metal shop to transform them into seemingly everyday items. In their new large jail cell, the quintet have numerous comforts: books, a television, a radio, and a guitar, among other things. While relaxing in their cell, Grossberger breaks his silence when he sings "Birmingham Jail" during an awkward moment. Meanwhile, Meredith has gotten a job as a waitress in a country western strip club, so she may search for possible suspects. When she meets the real crooks - recognized by a tattoo on one of their hands that a witness (Tracy Lee Rowe) saw on one of them - Meredith calls Len Garber, and the police. The rodeo begins, and Skip, Harry, Jesus, Rory and Grossberger all perform their tasks flawlessly, arousing no suspicions, in spite of Wilson and Graham's attempt to kill Skip: Graham spikes a horse Skip is riding, but Skip manages to stay on the horse and dismount, unhurt. Graham then puts a lock on the gate, trapping Skip inside with an out-of control bull, but Grossberger breaks the lock off, allowing Skip out through the chute with the bull. During every major event when everyone is distracted, one of them slips out through a secret opening, taking them through air vents to either a restroom, where Jesus' wife Teresa (Karmin Murcelo) waits to provide them disguises, or through a vent to a hollow pushcart, manned by Jesus' brother Ramon (Henry Kingi). Once through, they put on their disguises and re-enter the grounds as customers. Skip is set to compete against reigning champion Caesar Geronimo (Joe Massengale) to swipe the prize: a bag of money (in reality the wardens' side bet) from the horns of a large, Brahman bull. Skip asks Caesar if he's tired of being his warden's stooge, suggesting that they give the money to the prisoners, even offering to help Caesar win if he chooses to do so. Both contestants play hard, but Caesar is the winner, grabbing the bag. Inspired by Skip's words, Caesar throws the bag over the fence to the inmates, much to the shock and outrage of wardens Beatty and Sampson. Skip prepares his own escape through the secret opening, but Graham shows up, suspicious. Grossberger knocks Graham out and Skip makes his escape into the waiting pushcart. He's herded off into the waiting camper, and the group drives off. Arriving at a secret meeting spot, Jesus and Rory quickly make introductions, then bid Harry and Skip farewell as they all pile into a waiting car, heading off to Mexico. Harry and Skip hop in the other waiting car, only to be stopped by another car containing Len Garber and Meredith. She tells Harry and Skip that, thanks to her work, the police have captured the real crooks, who have confessed to the bank robbery that wrongly convicted them. Harry and Skip, ecstatic, decide to resume their original plans of heading to Hollywood. Skip asks Meredith to go with him, and Meredith, on a whim, says "yes".

A group of teenage girls from Atlanta, Georgia go to summer camp, an, unbeknownst to the adults, two of them made a bet as to which one will lose her virginity first, with all the girls in camp betting money on the contest. The girls involved in the contest are opposites and rivals: cynical, suspicious and streetwise poor girl Angel Bright (Kristy McNichol) and naive, prissy and romantic rich girl Ferris Whitney (Tatum O'Neal). The rest of the girls divide into two teams, each rooting for or egging on either Ferris or Angel. The two girls the choose guys they want to lose their virginity with. Angel targets Randy Adams (Matt Dillon), a boy from the camp across the lake, and Ferris attempts to seduce Gary Callahan (Armand Assante), the (much older) camp counselor. The girls engage in typical teenage camp behavior, like food fights and singing around a campfire. Both girls discover that sex is not what they thought it would be. Ferris thinks of sex as love and romance and wine and flowers and poetry. She imagines herself swept off her feet by Gary. When she lies about making love with him, Gary gets in trouble for having sex with a fifteen-year-old. She discovers that physical sex can have disagreeable consequences. Her attitude is now more grounded in reality; she has become more like Angel. Meanwhile, Angel approaches the same issue from the other side and learns the opposite lesson. She views the contest as a purely biological action, "no big deal" and "nothing", as her mother told her. But when she attempts making love with Randy in a boathouse, she becomes confused by scary feelings she did not know she had. She behaves defensively, like she doesn't want this. Now also confused, Randy is discouraged by her recalcitrance and leaves her behind. Angel sees that sex is more than just a mechanical function she can cynically turn on or off. This involves feelings and caring and love. Sex is important, and something she deeply wants. As Randy leaves, she tearfully protests "But I like you!" She meets Randy a few days later with a much improved attitude - one closer to Ferris'. This time she pays attention, not to condoms and clothing, but to Randy and her feelings about him. As the novel described this, "All her fear and resistance melted as they kiss. Soon, she didn't know who was touching whom, only that this was wonderful and right and fine." Angel has sex in the boathouse, but doesn't tell the other girls. Ferris remains a virgin and lies about an evening of romantic passion ("We had chilled Chablis; the darkness enveloped us"). Eventually, Ferris discovers that sex is not just a fantasy of poetry and flowers and moonlight or something from a novel, that the biological aspect is not necessarily romantic, and Angel discovers that biological sex involves powerful emotions that touch her deeply and transform her soul. Neither girl is quite ready for the emotional aspect that sex brings; When Randy seeks her out, Angel admits that while she likes him, she is not ready for that kind of a relationship (he says they can start over, but Angel observes that it's too late and wouldn't be enough), and Ferris apologizes to Gary. Together, the girls talk with the Camp Director and confess the situation, saving Gary's job. Angel and Ferris, the two outsiders, discover they are more alike than different, and as they return home to their parents, they become best friends.

Bill (George Burns) is an elderly ex-vaudevillian performer who lives alone in a large, comfortable home. He awakens to a special alarm clock that activates his home stereo system, waking him to his favorite music. Along the way, Bill looks at photographs of his deceased wife, who apparently used to be part of his act. After breakfast, Bill goes to the supermarket, driving his unique classic automobile, a meticulously preserved 1930s model Pierce-Arrow; he compulsively takes two orange parking cones out of the trunk and places them in the two parking spaces next to his, to block anybody from parking near his car. Inside the market, Bill interacts in a friendly way with two employees, charming them with a magic trick. Kate (Brooke Shields) is a young teenage girl who is in a domestic squabble with an intimidating man named Demesta (William Russ). Kate, who is apparently nude and is wrapped in a towel, has locked herself in a bathroom to hide from Demesta, who pounds angrily on the door and demands to know the details of a drug deal that Kate has fouled up. He screams at her to give him either his money or his drugs. Frightened, Kate escapes through the bathroom window, still wrapped only in a towel, while a policeman suddenly knocks on the front door of the apartment and grapples with Demesta. The policeman chases Demesta down the street while Kate goes in a different direction, slipping down over a hillside staircase and losing her towel in the process. She runs away totally nude. Bill comes out of the grocery store talking to the bag boy about magic tricks, but when he opens his trunk to replace his orange parking cones, they both see Kate lying naked in his trunk, covered only in a deflated tire tube. Stunned and suddenly in a very compromising position (with a naked teenage girl in his trunk), Bill convinces the bag boy that it was just an illusion and he drives away. He stops on a secluded side street to question Kate, who asks Bill to take her to his house. He reluctantly agrees. Bill tries to get Kate to tell him what's going on, but she avoids all his questions, telling him crazy things like that her parents died on the Titanic and that she has no last name. Bill responds sarcastically to her jibes, but he also does his best to help Kate with whatever trouble she may be in. Instead of going to the police, he allows her to take shelter in his home, allowing her to choose some of his clothes to wear and even altering them so they fit her better. Kate refuses to answer any of his questions, and she attempts to escape Bill's house by dropping out of an upstairs window, spraining her ankle in the process. This attracts the attention of Bill's neighbors, Stan (John Schuck) and Sue (Andrea Howard), a nosy couple who try and figure out who the strange girl is at Bill's house. Bill goes to visit his friend Max (Burl Ives), who is a resident of a nursing home. Max apparently lived with Bill before being confined to the facility due to his despondent condition; Max has retreated into his mind and hasn't spoken a word in years, refusing to react to external stimulus. Bill still makes a habit of visiting him daily, cheerfully telling him about everything that's going on. He tells Max about Kate, saying that he feels as if he has to help her, although he doesn't know how. Later, Bill also receives a visit from his daughter, Shirl (Lorraine Gary) and her husband, Harris (Nicolas Coster). Shirl feels Bill is becoming senile and she tries to get him to sign a document that will give Shirl control over his bank account; when Bill refuses, Shirl becomes furious, complaining that Bill is giving away all of his money, but Bill angrily rebuffs her. Meanwhile, Demesta is in a rage about Kate's betrayal. He questions Roy (Christopher Knight), a teenage friend of Kate's, in an intimidating way and tells him that he'll find Kate wherever she is. When Bill goes to get a prescription for painkillers refilled, Demesta sees him in the pharmacy, but is unaware that he is connected to Kate. Stan and Sue step up their interfering and call Shirl to tell her they saw a young girl in Bill's house. When Shirl returns, she demands to see Kate but Bill refuses to let her in the house. He also refuses to acknowledge that he's harboring a juvenile, denying anything is wrong, much to Shirl's dismay and fury. Shirl suggests to Harris in a private moment that her father has been unstable ever since his vaudeville career went bad, identifying a disatrous show in Pittsburgh as the turning point. Harris thinks Shirl just misunderstands Bill, and encourages her to accept Bill's eccentric ways. Bill and Kate have a conversation where she reveals to him that she's on the run from a drug dealer. She claims Demesta gave her money to make a connection and pay for a cache of product, which she then threw into a sewer in a moment of panic. Bill tells her to go to the police, but Kate is afraid to do this because of the consequences for herself. Bill is happy that Kate has opened up to him finally; he genuinely likes her and feels that she has never had a nurturing home, being shuttled between foster homes. He invites her to come live with him, but Kate tells him that one has to be a certain age to be a foster parent. "I'm not old enough?" he jokes. Bill's poker buddies, whom he calls the "No Shirt Gang", all arrive to play cards at Bill's house, and he introduces Kate to them. They promise to be discreet about her presence, and the evening is interrupted when Shirl makes good on her promise to return with the police. The No Shirt gang hides Kate with a magic trick, levitating her up to the ceiling. When the girl can't be found, Shirl is even more furious. The next day, Bill leaves for his daily visit to Max, and he has a conversation with Kate, explaining Max's situation to her. Kate feels as if Max may need some tough love, recalling a young boy she once knew who also refused to talk. Kate tells Bill that the boy started talking once all the other kids ignored him. When Bill visits Max, he tells Max that he will never come to see him again; unless Max talks, it's goodbye forever. As a result, Max breaks down and begs Bill not to leave, and they embrace. Bill returns to the house excitedly to tell Kate the good news, but he finds that Kate is gone and the house is empty. Bill is despondent. Meanwhile, Kate returns to her foster home and gets a few of her belongings. She meets up with Roy at school, and Roy warns her that Demesta is looking for her. Then Kate reveals what really has her scared: she never made the connection in the first place, and still has the $20,000 cash that Demesta gave her to pay for the drugs. Roy is shocked and tells Kate that Demesta will kill her if he finds her, but Kate plans to leave town with the money. When Roy tells Kate that Demesta has been questioning everybody about Bill, Kate is horrified that Demesta knows where she was hiding, and that any moment now he will track down Bill's house and confront him. She returns to Bill's house, unable to leave town without making sure her new friend is aware of the danger he's in. While she is there, Demesta forces his way into the house; Kate has the $20,000 in her teddy bear, but she and Bill manage to subdue Demesta. After a chase through Bill's house, Bill holds Demesta at bay with a sword, forcing him into a large bag covered in padlocks. When they have him incapacitated, Bill reveals that the sword is a fake, one of Max's props from his magic act. With the police summoned and Demesta arrested, Bill and Kate celebrate by drinking tomato juice. Shirl arrives and is terrified when she sees the police at Bill's house, but Bill talks to her about the strange events that have been going on. Then he asks Shirl a favor. We then see Bill back at the rest home; Max is packing his belongings, preparing to go back home with Bill. Bill explains that Shirl and Harris have agreed to act as foster parents for Kate, and that Kate will stay with Bill and Max on the weekends. The film ends as Bill and Max walk out to greet Kate, who is guarding Bill's car by making sure nobody parks near it.

As the film opens in 1962, General Douglas MacArthur (Gregory Peck) is at West Point, his alma mater. MacArthur, ramrod straight, reviews the ranks of marching cadets before delivering his poignant, bittersweet, farewell address to the Corps. The action abruptly shifts back to the tunnels of Corregidor in early 1942, where MacArthur's besieged American and Filipino troops are desperately holding out against the victorious forces of Japan. The end is near. In Washington, General George Marshall and Admiral Ernest J. King are simultaneously delivering the grim news to President Roosevelt (Dan O'Herlihy). They discuss global priorities and admit that they can't hold the Philippines. Roosevelt reluctantly decides to order MacArthur off Corregidor, knowing that he will be furious. MacArthur is ordered to board a submarine and slip away to Australia, where he can organize ongoing resistance. But MacArthur refuses to sneak away from his beloved command traveling furtively beneath the waves. He insists on boarding a PT boat, and his family insists on accompanying him on the dangerous voyage. The Japanese navy has thrown a blockade around the islands, and the heavily armed PT boats would be no match for destroyers. The pair of PT boats manage to evade the Japanese pickets and floating mines, proving that the blockade can be circumvented. Eventually arriving in Melbourne, MacArthur discovers that there is no Philippine relief expedition being organized. He addresses the adoring Australian crowds, explaining that his first priority will be the recapture of the Philippines. But he soon learns that Bataan and Corregidor have fallen, leaving 70,000 of his starving men imprisoned under unimaginable conditions. MacArthur decides to mount the defense of Australia among the jungles of New Guinea, where the battle is fought under brutal circumstances. As a result, MacArthur develops his famous island hopping strategy, bypassing Japanese strongholds through the use of Allied naval and air superiority, cutting critical supply lines and starving the isolated Japanese strong points into submission. MacArthur also develops a well-earned reputation for dramatics, self-promotion and vanity. The Allies advance steadily up the Southwest Pacific island chain over the next two years, but not without tremendous bloodshed. Ordered to Honolulu in July 1944 to meet with President Roosevelt and Admirals Leahy and Nimitz, MacArthur upstages his naval rivals with a grandiose, belated arrival. His jealous, distrustful relationship with Roosevelt is apparent. The US Navy wants to bypass the Philippines and take Taiwan first. MacArthur makes an impassioned argument that to do so would be an indelible stain on American honor. He reminds them that numerous promises have been made to the loyal people of the Philippines, including by Roosevelt himself. In the end, MacArthur's view prevails. US forces come ashore at Leyte Gulf in October 1944. In an iconic scene, MacArthur insists on going ashore right behind the second wave of troops. He steps off the landing craft into knee-deep water, wading ashore as the cameras roll. On the beach, MacArthur addresses the Filipinos by radio, exhorting them to drive the Japanese occupiers out. As the battle rages, the General receives his fifth star. He is soon taken to a prison camp where many of the brutalized, emaciated survivors of Bataan and Corregidor have been held for more than two years. Many emotional reunions follow. Back home, President Roosevelt dies in the spring of 1945. Harry Truman succeeds him and authorizes the use of two atomic weapons to bring Japan to her knees. A furious MacArthur rails against this new, impersonal brand of warfare, realizing that an era has passed. Aboard the USS Missouri in Tokyo Bay, MacArthur presides over the solemn surrender ceremonies in September 1945. As Allied military governor of Japan, MacArthur institutes liberal social reforms and oversees the complete rebuilding and modernization of Japan. When the Russian military representative in Japan curtly informs MacArthur that Russia will soon commence an illegal occupation of Hokkaido Island, MacArthur just as curtly informs the Russian that the entire Soviet delegation will be thrown in jail. The occupation never occurs. MacArthur is given one last chance at military glory in June 1950 when Communist North Korean forces invade South Korea, moving swiftly and nearly pushing American and South Korean forces off the peninsula. MacArthur is appointed Supreme Commander of UN forces in Korea. He buys time until he can devise a brilliant but risk-laden amphibious landing behind North Korean lines at Inchon. The successful operation proves to be a stroke of genius. North Korean forces are virtually cut off from supplies and reinforcements and have to retreat northward in disarray. MacArthur then carries the fight into North Korea itself. Despite MacArthur's reassurances to the contrary, the Communist Chinese suddenly enter the war in huge numbers in order to bolster their sagging North Korean ally. UN forces are again pushed southward, incurring heavy casualties. MacArthur grows increasingly frustrated, chafing at political interference from Washington. Tensions between Truman and MacArthur boil over when MacArthur's insubordination in the face of direct orders threatens to undermine Truman's authority. After a stellar military career spanning more than a half-century, MacArthur is relieved of command. He returns to a hero's welcome in April 1951 while Truman's popularity plummets. MacArthur delivers a moving retirement address to a joint session of Congress. The movie then moves forward to 1962, and an increasingly frail Douglas MacArthur is bidding farewell to West Point. One last time he utters the famous words that were the hallmark of his career: Duty. Honor. Country.