Nicole Kidman

A high-powered CEO puts her career and family on the line when she begins a torrid affair with her much younger intern.

This action-filled epic follows a young Viking prince who witnesses his father`s brutal murder. As an adult, he sets out to take revenge against his father`s killers.

The film is told from three perspectives: interviews with the show's three lead writers: Jess Oppenheimer (who was also the show runner) (Tony Hale), Madelyn Pugh (Alia Shawkat), and Bob Carroll Jr. (Jake Lacy); flashbacks; and preparations for a live filming in 1953. Today a show with 15 MM viewers is a mega hit. I Love Lucy had 60 MM viewers. In 1939, Lucille Ball (Nicole Kidman), 28, is an actress contracted to RKO Pictures. She gets small parts in big studio productions, but featured mainly in low budget films which gives her the moniker "Queen of the B-Movies." She is cast in the comedy Too Many Girls, a film Pugh describes as a bad stage play made into an even worse movie. She meets one of the film's casts, charismatic 22-year-old Cuban singer Desi Arnaz (Javier Bardem) and they fall in love instantly. Months after filming, they marry and buy a home in Hollywood. Arnaz has a successful stint fronting the Desi Arnaz Orchestra that tours around the country, while Ball continues her film career with little success. After Arnaz serves in World War II, he resumes his success with his orchestra, with Ball having to accompany him because of his infidelity. Ball finally gets a break when she is cast in 1942's The Big Street. The film is only a modest hit, but Ball's performance is praised. She meets with RKO President Charles Koerner (Brian Howe) confident she will get better scripts on par with established stars like Rita Hayworth and Judy Holliday. Instead, he terminates her contract as several actresses RKO loaned to other studios will be returning and there will be nothing for her (Plus she is 35 years old now). He suggests she use her voice for radio, and with no substantial film roles coming, she does. In 1948, she is cast in the radio show My Favorite Husband, which becomes a massive success. The show draws interest from CBS (Producers Howard Wenke (Clark Gregg) & Joe Strickland (Nelson Franklin)) and cigarette company Philip Morris (rep by Roger Otter (Jeff Holman)), who suggested to turn "My Favorite Husband" into a television show. Ball agrees but only if Arnaz plays her on-screen husband. The executives initially refuse because Arnaz is Cuban, but later concede after Ball refuses to give them the copyright of the show. She also hopes that working with Arnaz will decrease his infidelity and save their marriage. By 1953, the show is renamed I Love Lucy and becomes a smash hit with nearly 60 million viewers each week. A three-camera system, designed by Arnaz, allows viewers on the East Coast of United States to see the show live and without static (since the show is filmed on the West Coast). During production, Ball deals with several issues on the show; Vivian Vance (Nina Arianda) and William Frawley (J.K. Simmons), who play the Ricardos' married neighbors the Mertzes, do not get along, and Frawley is often drunk on the filming set. The crew goes about their normal production day. The dynamics are complex. Lucille is very particular that her character on the show should not come across as dumb or dimwitted. Ball also clashes with the directors (Donald Glass (Christopher Denham), to whom she declares that she has no confidence in his abilities to direct the show) and writers during table reads and scene blocking. Lucille has the ability to imagine the scenes as they are being narrated to her, and this gives her the ability to almost predict audience reactions to the jokes and sense check if certain situations and premises would make sense or not. Particularly troublesome is a scene where Arnaz comes home and covers Ball's eyes while she is setting the table, and she names several different men before he reveals it's him. The couple announce to CBS and Phillip Morris executives that Ball is pregnant. Jess is troubled as Desi wants the pregnancy to be shown on air, while Jess knows that CBS will never allow it. Jess and Desi clash over Lucille's rude attitude towards the other crew members of the show. The executives insist Ball hide the pregnancy behind large objects, but the couple refuses and proposes the pregnancy be shown (though they are never allowed to say the word "pregnant" on air). Lucille continues to undermine Donald's authority during the scene rehearsals. Lucille also comes down hard on Vivian for losing weight. She says that losing weight is not in line with Vivian's character of Ethel. She says that most women want to see themselves on the show, which is a fat, plump Ethel. Ball also deals with Arnaz staying out late, and a photo emerges in the tabloids of him with another woman. Desi tells Lucy that he plays cards on a boat with some other celebrities and sleeps there when he is too tired to come home, and that the picture was taken six months ago. She reluctantly believes him. Frawley has Ball understand that Arnaz's infidelity may stem from her making the business and creative decisions on the show which makes him feel emasculated, though she explains to everyone that he is the one who makes all the decisions. She asks Oppenheimer to give Arnaz a producer credit, hoping it will stop Arnaz's infidelity and save the marriage. Instead, Oppenheimer reminds Arnaz he has top billing, as he is the person saying "I" in I love Lucy, in attempt to placate him. Arnaz responds by sharply scolding Oppenheimer for trying to patronize him. The night of the live filming, a newspaper article deems Ball a Communist, though she was cleared during a HUAC hearing months ago. Ball admits she registered as a member of the Communist Party when she was young and influenced by a relative, but Arnaz insists she lie to the public and claim she accidentally marked the wrong box. Ball refuses to lie to the public, fearing she will be humiliated. Arnaz cancels his usual show warm up with the audience, and instead addresses the audience about the accusations (It's a big gamble, because if the gamble doesn't work, then the show is over then and there). He takes a live call with FBI Director J. Edgar Hoover, who assures all of the audience that Lucy has been cleared of all the charges. As the couple celebrates backstage, Ball shows Arnaz a handkerchief with lipstick on it. Arnaz says it's hers, but Ball shows him another handkerchief with her own lipstick on it, proving Arnaz's infidelity. When filming begins, Ball momentarily loses her concentration. They start over, with Ball being more focused. The film ends with a title card saying Ball filed for divorce after the taping of their last show in 1960.

Tragedy changes Theodore Decker`s life after his mother is killed in a bombing at a museum. He holds on to a painting as a piece of hope from that tragic day - The Goldfinch.

Aquaman reveals the origin of half-human, half-Atlantean Arthur Curry and takes him on the journey of his lifetime, to discover if he is worthy of who he was born to be...a king.

Immediately following the events of Justice League, Arthur Curry, the reluctant heir to the underwater kingdom of Atlantis, tries to balance the world of the surface dwellers and his own people. But where does his loyalty lie? In the water or on the land? While Aquaman finds himself at crossroads with these questions, closer to home a known foe tries to dethrone him.

Childhood videos of a sweet, innocent boy (real life footage of the film's star Lucas Hedges) play. The boy now grown, Jared, is a teenager sitting in church while his dad, Marshall Eamons (Russell Crowe), gives a sermon about how nobody's perfect. Jared's mom, Nancy (Nicole Kidman), is cheerful as she listens to the sermon while Jared gets the attention of a young lady nearby. We flash forward to shortly after when Jared, now 18, is being driven by his mom to some location. He puts his arm out the window to simulate surfing the air and his mom tells him not to do that. When he asks why, she says that a kid's arm was once taken off by a truck driver that way. He relents and rolls up the window. Jared gets to a facility where he has to sign in and also give up all his belongings until his mom returns to get him at 5 PM. Michael, an effeminate employee of the clinic, is rather sharp with him regarding him having to give up his belongings (including cell phones which were becoming common in 2004, when the story is set) and tells him that he has to delete anyone from his phone that will be a problem. They will dial numbers at random to verify that he has, so he'd better be honest about it. He takes Jared's journal and says it will have to be reviewed by Victor Sykes, who is in charge. Jared is given a tour of the facility and sees many young people in different rooms, all in various forms of therapy. At orientation, all the incoming teenagers and young adults read the rules out loud, one at a time - females are told they have to wear bras at all times; men are told can't make physical contact with each other except for the briefest of handshakes. Nobody can go into a bathroom without any staff member supervising them. It becomes clear the clinic, called Love in Action, is a gay conversion program. Victor Sykes (Joel Edgerton, also writer/director) gives a sermon to the group. He holds up a dollar bill and tells them that even if he crumples it, it still has its value. Even if he rips it, you can tape it together - it will have a scar but still have value. He considers their homosexual feelings to be sins and a choice they made. He gestures towards a robust teen, Cameron, and points out he plays football though he wasn't born a football player - he chose to play football - and likewise he chose to have homosexual thoughts. Among the other students are Gary (played by musician Troye Sivan) and Jon (played by Xavier Dolan). Jon enters late and we learn he has done the program before and has been forced back - when we first meet him, he has a scratch on his nose and later he has a black eye, alluding to an abusive father. There is also a young woman named Sarah who seems very shy and nervous about being in attendance. The group is told that they have to make a sort of family tree and list all the hardships people in their family have faced. which is a direct line to why they are having homosexual thoughts. Among the list is homosexual/same sex attraction, drugs, alcoholism, gang affiliation, criminal behavior, and use of pornography. Jared makes his tree but can't think of a single thing to attribute to any of his relatives except suggesting that maybe his Uncle Chris is an alcoholic. Victor stops by and notes that his family's lack of toxic behavior is the sign that Jared is truly the son of a preacher. He encourages him to consider his Uncle Chris as an alcoholic since Jared has put a question mark next to the one and only affliction he felt was applicable. We flashback to Jared in high school. He is living a normal life in his Texas high school. He is on the basketball team (but only plays for five minutes) and dates a cheerleader. His dad, revealed to own a Ford dealership in town, grants him a new Ford vehicle for his upcoming birthday. Jared takes his girlfriend to the lake with friends and they have a fun night out. When he drops her off at home, they kiss in the car. She pressures him to do more, but he suggests maybe they should wait. She points out that they're going to college soon. In present day, Jared goes to collect his belongings and returns back to the hotel with his mom. He realizes that pages of his journal have been ripped out. Michael, the bitchy "ex-gay" employee, tells him journaling isn't allowed and Victor will have to evaluate the material to see if it's suitable to have written. Outside, Jared meets Jon, who says he had done the therapy before and is being forced to participate again. Jon has a scratch on his nose and explains his saluting people as a purposeful way to avoid male contact. That night, Jared and Nancy go out to dinner and he passes Sarah in the hall, staying at the same hotel with her parent. At the restaurant, Jared asks her if any of their relatives had any problems on the list; she tells him their family has always been "normal" and after reading the list, laughs about the idea that they could be related to someone with the kinds of problems listed. At night, she jokes that she was once in prison because of her gang affiliation and drug problems, showing her sense of humor and relationship with her son. The next day at Love in Action, Victor mocks the term LGBT (Lesbian Gay Bisexual Transgender) and the idea of inclusion for people with various sexual orientations. The group is introduced to an older man with a lot of tattoos named Brandon (played by Flea from the Red Hot Chili Peppers) who tells the group that he doesn't relate to their afflictions (same sex attraction) but he's guilty of a lot of others - implying he was a drug addict and alcoholic - and that his commitment to God had turned his life around. He says that all the counselors there were once like them, and that's when Jared learns that Victor is actually an "ex-gay" (shocking because he comes off so homophobic). Brandon evaluates the men on their masculinity and points out that some are sitting with crossed legs, which is not manly. The young men are next lined up outside and evaluated on the way they stand - telling them they have to put their hands on their hips so it forms the strong shape of a triangle. He berates one boy for having his hands turned inward on his hips. He then has female student Sarah line the boys up in terms of masculinity based on how they come off, using her instincts as to who is the least masculine. Cameron, the boy who was applauded earlier for being a football player, is placed at the very end of the line. Brandon berates him nonetheless and makes him feel like he is not masculine enough. The boys are then forced into a batting cage to try to make them more manly. One very small and fey boy is afraid of the ball, yet Victor demands he get close to where the balls are being loaded - one hits the boy in the helmet and he is knocked down. When Jared goes up to bat, he's the only one who is able to hit the ball with ease, which impresses Victor. Each group member has to make a Moral Inventory list of impurities they've suffered. Jared ponders what to write down. At Love in Action therapy, each student/client is required to get up in front of class and give a speech about all their impurities. Called up, Sarah nervously tells people that she ran away from home and stayed with a girl who "put her mouth on, touched" and can barely explain that she is referring to intercourse by adding "my vagina." It's obviously very painful for her to talk about this in a way where she has to be apologetic and ashamed, but Victor blows off her struggle with a congratulatory response. Afterward, seeing how wounded this public disclosure has left her, Jared tries to console Sarah but, left raw, she absolutely wants to be left alone. An outside ruckus draws everyone's attention. The boy who was beaned by a ball in the batting cage is being removed from the facility by his angry parents, who've paid $3,000 for the course where his son was put in danger and could have had a concussion. Afterward, Victor Sykes hotly admonishes everyone against talking about therapy outside of therapy. Back at the hotel with nothing to say to his mom, Jared writes down Henry's name in his Moral Inventory page. We flash back to Jared starting college. As he struggles to move a lot of heavy boxes, a young man, Henry (Joe Alwyn), assists him and helps him to his room. Henry takes an intense liking to Jared and the two go jogging together, the loser to attend the other's church. One night, Jared and Henry are in Jared's dorm while Jared's roommate is out of town. At Jared's invite, Henry decides to stay the night and goes to sleep on the top bunk. Later, Jared hears Henry tossing and turning and asks if he's having trouble sleeping. Henry climbs down and gets into bed with Jared. There's mutual but cautious attraction at first, but Henry soon climbs unexpectedly atop Jared and begins to rape him, covering Jared's mouth to muffle his screams. This goes on for a while until neighbors, beating on the wall, tell them to be quiet. Henry gets off of Jared, breaks down, admits he has a problem, and confesses that there was a guy at his church (whom Jared met earlier) that Henry'd done "bad things" with. (It is later implied he had sodomized that guy, too - not that they were in a consensual relationship). Now a victim of rape and crying in shame, Jared sits distracted in his classrooms and begins blowing off Henry. Henry, infuriated and nervous that Jared will tell authorities what he's done, calls Nancy, pretending to be a counselor at the school, and tells her that her son seems to be a homosexual and she should have cause for concern. Jared is forced to come home where Marshall confronts him about this and Nancy stands by. Jared explains it wasn't a counselor but another student who had admitted to raping someone at his church and made the call because he was afraid Jared would report it. There is still the lingering question of whether or not Jared has had homosexual feelings. After he takes some time, he finally decides to be forthright to his parents and admits that he has had thoughts of men. Both parents seem very distraught by this information. That night, two men come over and have a chat with Marshall. When Jared inquires about this, Nancy tells him that they are people from the church who were asked for advice on the situation. One of them, a pastor, has had a son in the same exact situation over ten years earlier, and they suggest Marshall respond in the same fashion -- to put Jared into gay conversion program. When Jared is asked if he wants to change (his homosexuality), he sees his mom's desperation and replies, "Yes." They all pray together. Jared is sent to a doctor (Cherry Jones) to give blood because his dad wants to check his testosterone levels. The doctor says she is a lover of God but also went to medical school and knows that they're not going to find anything except that Jared's a healthy teenage boy. She asks about his sexuality but he skirts the issue, now determined to not disappoint his mother and father. Victor discusses a story by Jared he read and ripped from his journal, a fictional love story about a boy and a girl. Victor asks if Jared secretly meant the two characters to be both boys. Jared says it's just a story for college. Victor tells him that colleges assign books like Dorian Gray and Lolita to students and he thinks it's not the right place for Jared to be right now. Jared always expected the gay conversion therapy to be a very short term thing but he starts to realize he might be forced to stay at the housing instead of returning to school. In therapy, client Gary gives a speech about how he had been living in sin by committing sodomy over am entire year, but now he's "awakened" to his sins and thanks everyone, especially Victor, for helping him get back on the path to righteousness. While riding again with his mom, Jared puts his hand out the window to surf the rush of air. She tells him again how she's nervous (that a truck will come by and take off his arm) and he tells her he knows that's never happened. Nancy admits that moms just worry about their kids and want them to be safe. Lying for that reason is a good thing. Growing distant from her at dinner, Jared decides to go on a late night run. While on the street, he passes an advertisement with a sexy male model. He touches the image then throws something at it, breaking it and shouting "FUCK YOU," angry at having feelings for men. Back at the hotel, Jared finds Nancy reading his program book to understand more about what he's going through. In his Moral Inventiory list, he scratches out Henry and writes "Zavier." In flashback back to college, Jared meets Xavier at an art school "God Vs. Science" exhibit. Xavier is a handsome young Viennese man and the two go back to Xavier's place after the show and discuss the belief of God. Xavier asks Jared if he believes in the devil and then wonders if he considers Xavier the devil (because he senses that Jared is attracted to him). Xavier promises to prove that God will not smite him. He crosses to his bedroom. stays clothed, and sits on the bed. (The scene ends here.) In therapy, Cameron, the boy praised for being a football player, is chosen to do an exercise where he has to talk to an invisible chair as if it was his father and tell him why he hates him - the implication being that hatred of a father is why a man has sexual feelings for other men. Cameron struggles with this, reluctant to call his homosexual yearnings "my sins" rather than "my problem. Coming to his defense, Jared volunteers to do the exercise in his place, but Victor shoots this down and says it's Cameron's task. He then embarrasses Cameron for struggling. Victor releases the class for a break, all but Cameron, who has to stay seated in the chair until he's ready to tap into his anger and show it convincingly to everyone. Sympathetically, Jared squeezes Cameron's shoulder as he passes. On the break, Gary (sporting a black eye) tells Jared that everyone saw his shoulder squeeze and that it violates the rule against touching other men. It's best if Jared abides by the rules and for all to succumb to what is being demanded of them. Jared says they're all struggling to make this work and that he's having a tough time, just like Gary. Gary claims he's fine, but Jared says it doesn't seem that way. Jared, winding up in am institute bathroom by himself, sees Victor outside the window, sneaking a cigarette while nervously looking around, apparently afraid he'll be caught. Brandon finds Jared and scolds him for being in a bathroom unattended. Jared tries to leave but Brandon encourages him to pee as planned. Pee shy, the stream comes off intermittently and Brandon says it sounds like he's using Morse code, asking "Are you sending me a message, faggot?" Jared says nothing in response, too afraid to say anything. Outside, Jon tells Jared that he has to "lean into" what is being requested of him by the staff or else they will decide that he, like Sarah, has to be housed (in an adjacent building) where he'll have to stay for a year instead of leaving daily like everyone else at 5:00 PM. He should get back home and then figure out what to do next, which could mean walking away from everything and everyone he knows. On the phone, Jared tells his dad he wants to leave, but Marshall tells him to find the strength and commitment inside himself to stick it out. Jared complies. The next morning, Nancy finds a note from Jared saying he's walking to the center and will meet her at 5:00. At Love in Action, the counselors stage a funeral for Cameron. Cameron's family attends, crying over a coffin and pretending that Cameron has died by "Satan's wishes." Victor asks Cameron if that's what he wants then invites others to come and "strike this demon down." Cameron's dad steps forth, takes a Bible, and beats Cameron with it to exorcise his demons, being very aggressive with how hard he hits Cameron. Cameron's sister is next invited to step forth and have a whack. Jared steps outside to avoid seeing more and to think about this. Jon grabs his arm to compel him to stay; Jared looks at this and both realize that Jon has broken his long-standing practice of not touching another male. While outside, Jared spots Sarah (as she does him). She looks isolated, friendless and trapped. It seems evident that Jared must fall into the program in order to make it through and out. At the next therapy session, Victor says he feels invigorated and asks Cameron how he feels. Cameron says he feels great with the true presence of God in his heart. Flashback: Jared and Zavier lie in bed together, fully dressed but looking at each other, lightly caressing each other's face. It's Jared's turn to give the inventory of his past sins, so he talks about being with Xavier. As he relays this to the class, Victor tells him he is leaving something out. Jared denies he had any other "gay" experiences, but Victor tells him his father told him about Henry. Jared says that's not applicable (since it was actually rape), but Victor insists he had slanted the truth to protect himself (upon explaining the situation to his father) and that he needs to stop lying. Jared tells him he isn't lying. He could make something up and say what Victor wants to hear, but then he WOULD be lying, and the whole purpose is to denounce sins. Noting his anger, Victor forces him to parlay that into the exercise where he yells at his invisible dad in the empty chair. Victor encourages him to tell his dad why he hates him and Jared says he doesn't hate his dad. This doesn't assuage Victor, who points out Jared is angry. Yes, Jared is angry, but at Victor, not his dad. As Victor refuses to believe this and keeps insisting Jared is lying to himself, Jared gets fed up and storms out of the room, saying that everyone there is crazy. Jared, chased by Victor and followed by the rest of the class, bursts into the administration area to retrieve his things from the storage unit where they keep the bins with everyone's belongings. Michael, the flamboyant staff member, chases after Jared but Victor tells Michael to let the counselors handle it. Jared runs to the bathroom, with Victor in pursuit, and asks Victor to give him a minute. From a stall, Jared then calls his mom with his retrieved cell phone; fortunately she picks up right away and he tells her, sobbing, that she needs to come get him. Jared then goes out in the hall and says his mom coming to pick him up and they can't keep him anymore. He is pursued and Jared says that if Victor puts his hands on him, the entire class is there and they will be witnesses. When Nancy arrives, Victor and other counselors are holding Jared down while they recite prayers. Nancy is locked out but can see her son through the window in the door. Victor tries to get her to come back later but she refuses and demands they open the door. Compelled, Cameron steps forward, shoves Victor aside, tells them to let Jared go, then guides Jared to the door. They finally unlock the doors and Nancy takes Jared out into the parking lot, pursued by Victor. As Victor tells her she's ruining the boy, she fires back and points out that he's not a legitimate counselor nor qualified to educate or psychologically evaluate, and she should have known better than to give him authority over her son. As she drives away, she shouts, "Shame on them, then says, "and shame on me, too." Jared waits for his mom at an empty restaurant while she has a phone conversation with his father. She returns and tells him his father wants him to go back to the center. While this sinks in, she explains that she had sat idly by while the men decided what would happen to Jared. She now needs her husband to sit by while she makes a decision. Jared returns home but his father has resentment towards him. At church, his dad gives a strong sermon about how you can show up at church but it doesn't make you a Christian, focusing his gaze at Jared. The rest of the congregations shouts "amen" to this but Nancy shoots a look of disgust at her husband and clutches Jared tightly. Sometime Jater as Jared packs, the doorbell rings and Nancy asks Jared if he knows Cameron (the football player given a fake funeral who ushered Jared to freedom). Jared wonder in surprise if Cameron's at the door, but Nancy tells him she just learned from police that he had killed himself and the officers have come by to ask questions of him about Love in Action. He answers there questions but has no interest in talking with his dad. Four years later. Jared is now living in New York and has a lot of friends. He is a writer and working on an article. His mom emails him that she was right - he clicks on a link and it's an article about a kid who had his arm ripped off while sticking it out a car window. He Instant Messages her, asking if she's read the article. She has and is proud of him. He then asks if his dad has read it but she changes the subject, asking if he's coming for Thanksgiving. He doesn't drop the subject and says it's important for his father to read about his experience with the gay conversion therapy. She says he'll read it on his own time. When he learns that she's staying with his aunt, he wonders what is happening with their relationship. Nancy says it's only temporary, but it's obvious her relationship with Marshall is strained because she remains supportive of their son and he has not. When Jared next returns home, his dad is out and he asks his mom about their marriage. She says she knows that she has love for God and love for her son and the two don't conflict - for her father it's not that simple. That night, Jared waits on the patio for his dad and then asks him to read his article from the New York Times and tells him there are talks of him turning it into a book. Marshall is cordial but definitely doesn't exhibit any signs of unconditional love - it's clear he still wants his son to "choose" not to be gay anymore. One night, Nancy comes into the room with Marshall and gives him a folder - he opens it up and finds the article. He begins to read. When Jared and Marshall are next seen, it is at the Ford dealership Marshall owns. Marshall says he has a present for Jared. He suspects it will be a Ford vehicle, like when he was in high school, but it's actually an expensive pen that Marshall uses for sermons and says he wants to give it to him, "from one writer to another." Jared tells him he's gay and that will never change and he thinks they should stop forcing a relationship if it results only in small talk and no connection. Marshall admits he is disappointed he won't have grandkids and also that the dealership won't be Jared's - explaining he always pictured him taking over the family business. Even though Marshall still has issues with him, they seem to find a peace between the two of them. In the end, title cards reveal that the inspiration for Jared, Garrard Conley, now lives with his husband in NYC. The man who inspired Victor Sykes left Love in Action in 2008, and now lives in Texas with his husband. It also informs the audience that, in 36 states in the country, it is still legal to force a minor into gay conversion therapy, which has affected 700,000 people.

While imprisoned in a Confederate girls boarding school, an injured Union soldier cons his way into each of the lonely womens hearts, causing them to turn on each other, and eventually, on him.

A tight-knit team of rising investigators - Ray and Jess, along with their supervisor Claire - is suddenly torn apart when they discover that Jess` teenage daughter has been brutally and inexplicably murdered. Now, thirteen years later, after obsessively searching every day for the elusive killer, Ray finally uncovers a new lead that he's certain can permanently resolve the case, nail the vicious murderer, and bring long desired closure to his team. No one is prepared, however, for the shocking, unspeakable secret that will reveal the enduring, destructive effects of personal vengeance on the human soul.

David's grandfather KÃ¥re has always been a fearless adventurer, an inventor with fabulous ideas and a collector of memories - but also David's childhood hero and inspiration source as a director and photographer. When KÃ¥re is diagnosed with dementia, David fears the memories of their life together will be lost. But Grandpa KÃ¥re is not ready to seal his fate, and inspires David to keep on looking for new adventures and memories to keep. Moonwalk with Grandpa is a warm and humorous film, a playful reflection on how new memories emerge as others disappear, shot over a period of 9 years.

Danny Maccabee (Adam Sandler) meets the girl of his dreams (Brooklyn Decker) but has to enlist his loyal assistant Katherine (Jennifer Aniston) to pretend to be his soon-to-be ex-wife in order to cover up a careless lie. When more lies backfire, Katherine`s kids become involved, and everyone heads off to Hawaii for a ridiculous, out-of-control weekend that tests the limits of how far we`ll go for love.

Bounty killers compete for body count, fame and a fat stack of cash. They're ending the plague of corporate greed and providing the survivors of the apocalypse with retribution. This is the age of the BOUNTY KILLER. It's been 20 years since the corporations took over the world's governments. Their thirst for power and profits led to the corporate wars, a fierce global battle that laid waste to society as we know it. Born from the ash, the Council of Nine rose as a new law and order for this dark age. To avenge the corporations' reckless destruction, the Council issues death warrants for all white collar criminals. Their hunter's - the BOUNTY KILLER. From amateur savage to graceful assassin, the BOUNTY KILLERS now compete for body count, fame and a fat stack of cash. They're ending the plague of corporate greed by exterminating the self serving CEO and providing the survivors of the apocalypse with retribution. These are the new heroes. This is the age of the BOUNTY KILLER. —PR It's been 10 years since the corporations took over the world's governments. Their thirst for power and profits led to the Corporate Wars, a fierce global battle that laid waste to society as we know it. Born from the ash, the Council of Nine rose as a new law and order for this dark age. To avenge the corporations' reckless destruction, the Council issues death warrants for all white collar criminals. Their hunters -- the bounty killer. From amateur savage to graceful assassin, the bounty killers now compete for body count, fame and a fat stack of cash. They're ending the plague of corporate greed by exterminating the self serving CEO and providing the survivors of the apocalypse with retribution. These are the new heroes. This is the age of the BOUNTY KILLER. —balicollie In a post-apocalyptic world destroyed by the corporation's war, the Bounty Killers are very popular, hunting down former executives and receiving large amounts as reward. Mary Death and her mentor, Drifter, are the most popular bounty killers. Drifter hires the gun caddy Jack LeMans and soon he learns that he is wanted by the Council of Nine. He decides to travel to see the council to clarify the death warrant and teams-up with Jack, Mary Death and his acquaintance Jimbo in a dangerous journey to learn what has happened with the Nine Council. —Claudio Carvalho, Rio de Janeiro, Brazil

Set in a parallel universe, Lyra struggles to save her best friend and other kidnapped children from horrendous experiments being conducted on them.

A space shuttle crashes in Washington DC and there is something alien in the wreckage. Soon, the city is being swept by a strange epidemic. People are slowly becoming totally unfeeling and inhuman. Psychiatrist Carol Bennel and her friend, Dr Ben Driscoll, find out that people are infected when they are asleep only. Carol does her best to stay awake long enough to find her young son, who probably holds the answer to the whole mess.

Margot and her son Claude decide to visit her sister Pauline after she announces that she is marrying less-than-impressive Malcolm. A slice of family life: sisters, husbands, children, history, secrets, jealousies. Margot and her teen son, Claude, travel from Manhattan to her family's Long Island home, occupied by sister Pauline, Pauline's daughter, and Malcolm, the slacker Pauline will marry outdoors that week under a tree neighbors want removed. Backbiting marks family discussion, particularly between the sisters and in Margot's cutting remarks to Claude. Pauline tells Margot a secret that Margot promptly tells Claude. Margot dislikes Malcolm and undermines him. She also has marital problems and a lover nearby. People are cruel, inside and outside their families. Is there a refuge for Margot or for Pauline? —<jhailey@hotmail.com> Margot and Pauline, two of four siblings, have been estranged for years, largely because of their fundamental differences. Margot, a successful Manhattan-based writer, is judgmental yet neurotic. She believes anyone stupid is clinically retarded or autistic. She has written about their family, including Pauline and their abusive father, as therapy, although she does not admit publicly that her stories are autobiographical. Pauline, a divorced college professor with a preteen daughter named Ingrid, is a free spirit who largely goes where life takes her, which is nowhere. Despite that estrangement, Pauline invites Margot and her family to her wedding at Margot and Pauline's childhood Long Island home where Pauline now lives with her fiancé, Malcolm. Margot, in turn, accepts, also despite she not approving of Malcolm either on principle or on first sight, he who dabbles in many different areas, none of which earns him any money. Margot and her preteen son Claude arrive a few days in advance of the wedding, while the rest of their family, including Margot's husband Jim, plan to arrive the day of. Margot's unyielding ways have had a negative affect on Claude, although he needs the emotional connection to his mother. Pauline learns that while in the area Margot plans on doing some work, she who is collaborating on a screenplay with local writer, Dick Koosman, whose twenty year old daughter Maisie is friends with Pauline and Malcolm. As such, Pauline can't help feel that Margot accepted the wedding invitation solely because of that work. Margot and Pauline feel the need to be close to each other emotionally, which manifests itself in each telling the other issues about their personal life which they have not divulged to anyone else. These revelations and what they do with the information may either bring them closer together or tear them apart even further as those revelations also affect their relationships with others in the same way. —Huggo Margot (Kidman) is a successful writer, and decides to attend her estranged sister Pauline's (Leigh) wedding. On arrival she takes an immediate dislike to Malcolm (Black), Pauline's hopeless and unemployed fiancé. With her unnerving and brutal honesty, Margot stirs up trouble and plants the seed of doubt in her sister's mind about the union.

.Coming Soon!

A U.N. interpreter overhears a conversation in the General Assembly Hall, learning a deadly secret that could topple a government. Now she just has to live long enough to tell it.

After a couple of movies flopped badly, a film star, Jack, agrees to a TV role as Darrin in a revival of Bewitched. His intent is to make Darrin the major part. He wants an unknown to play Elizabeth Montgomery's role (Samantha) so she won't try to upstage him. A real witch trying to act human becomes romantically interested in Jack and is cast as Samantha because she can do the nose twitch. But the audience prefers her to him. She becomes disillusioned when she realizes what an egotistical jerk he really is. After quarrels in which she uses her powers, Jack finally realizes he's been a jerk and reforms. -------------------------------- Isabel Bigelow (Nicole Kidman), who has been a real witch her whole life, moves to San Fernando Valley to try to be a normal person. Isabel wants to feel the hardships that mortal people experience everyday by not using her powers. Jack Wyatt (Will Ferrell) is a movie star whose career has gone down since his last picture lost millions. His agent gets him a job on a remake of the Bewitched television show as Darrin Stephens. Jack wants an unknown actress to play the part of Samantha. The casting call goes out and the search is on. Jack sees Isabel twitch her nose at a book store and follows her. Jack thinks she is the perfect choice to play Samantha. What they don't know is that Isabel is a witch. While filming the show, Isabel uses her witchcraft to get events to go her way. Isabel has a little help from her father (Michael Caine). Douglas Young (the-movie-guy) Will Ferrell is Jack Wyatt an actor with minimal talent whose career has been declining steadily. Desperately seeking something that will boost his sagging career and his self esteem, Jack agrees to star in a re-make of the TV show Bewitched on the condition that he gets a complete unknown for the female lead to play opposite him. This will ensure that the audience will only be left with Jack to see with lots of screen time. Jack and the producers audition a long roster of wannabes, and in a period of frustration, he sees Isabel (Nicole Kidman) at a caf and begs her to become an actress and work in his TV show. He is confused when she initially rebuffs his advances, mistaking his attention as declaration of love. Since she is a witch and has been brought up in a world of spells and goblins, without TV, she is unaware of Elizabeth Montgomerys role of Samantha Stevens and the legacy of the TV show Bewitched. Isabel is trying to be a regular mortal person, and ultimately trying to catch a normal husband form the mortal side of reality. During the course of events she finds she must use her magical powers to help things along. But in the end she discovers that she must decide finally between a life spent on earth with mortal man or return home, where she will be a witch forever more.

After a career setback, Joanna and her husband move their family from Manhattan to Stepford, a quiet suburb. But her fresh start is threatened by a dark secret behind the women of Stepford.

Dogville is a very small American town in the Rocky Mountains with a road leading up to it, but nowhere to go but the mountains. The film begins with a prologue in which we meet a dozen or so of the fifteen citizens. They are portrayed as lovable, good people with small flaws which are easy to forgive. The town is seen from the point of view of Tom Edison (Paul Bettany), an aspiring writer who procrastinates by trying to get his fellow citizens together for regular meetings on the subject of "moral rearmament." It is clear that Tom wants to succeed his aging father as the moral and spiritual leader of the town. It is Tom who first meets Grace (Nicole Kidman), who is on the run from gangsters who apparently shot at her. Grace, a beautiful but modest woman, wants to keep running, but Tom assures her that the mountains ahead are too difficult to pass. As they talk, the gangsters approach the town, and Tom quickly hides Grace in a nearby mine. One of the gangsters asks Tom if he has seen the woman, which he denies, and so the gangster offers him a reward and hands him a card with a phone number to call in case Grace shows up. Tom decides to use Grace as an "illustration" in his next meeting - a way for the townspeople to prove that they are indeed committed to community values, and willing to help the stranger. They remain skeptical, so Tom proposes that Grace should be given a chance to prove that she is a good person. Grace is accepted for two weeks in which, as Tom explains to her after the meeting, she has to convince the townspeople to like her. On Tom's suggestion, Grace offers to do chores for the citizens - talking to the lonely, blind Jack McCay (Ben Gazzara), helping to run the small shop, looking after the children of Chuck (Stellan Skarsgård) and Vera (Patricia Clarkson), and so forth. After some initial reluctance, the people accept her help in doing those chores that "nobody really needs" but which nevertheless make life better, and so she becomes a part of the community. In tacit agreement, she is expected to continue her chores, which she does gladly, and is even paid small wages in return. Grace begins to make friends, including Jack, who pretends that he is not blind. Grace tricks him into admitting that he is blind, earning his respect. After the two weeks are over, everyone votes that she should be allowed to stay. But when the police arrive to place a "Missing" poster with Grace's picture and name on it on the mission house, the mood darkens slightly. Should they not cooperate with the police? Still, things continue as usual until the 4th of July celebrations. After Tom awkwardly admits his love to Grace and the whole town expresses their agreement that it has become a better place thanks to her, the police arrive again to replace the "Missing" poster with a "Wanted" poster. Grace is now wanted for participation in a bank robbery. Everyone agrees that she must be innocent, since at the time the robbery took place, she was doing chores for the townspeople every day. Nevertheless, Tom argues that because of the increased risk to the town now that they are harboring someone who is wanted as a criminal, Grace should provide a quid pro quo and do more chores for the townspeople within the same time, for less pay. At this point, what was previously a voluntary arrangement takes on a slightly coercive nature as Grace is clearly uncomfortable with the idea. Still, being very amenable and wanting to please Tom, Grace agrees. At this point the situation worsens, as with her additional workload, Grace inevitably makes mistakes, and the people she works for seem to be equally irritated by the new schedule and take it out on Grace. The situation slowly escalates, with the male citizens making small sexual advances to Grace and the female ones becoming increasingly abusive. Even the children are perverse: Jason (Miles Purinton), the perhaps 10-year-old son of Chuck and Vera, asks Grace to spank him, until she finally complies after much provocation. Soon thereafter Chuck returns home and rapes Grace, as it becomes obvious that she is hardly able to defend herself against exploitation. After Tom discusses the possibility of escape with her, Grace is blamed by Vera both for spanking Jason and for being raped by Chuck. In revenge, Vera threatens Grace with destroying the porcelain figurines created by the town shop that she had acquired with the little wages she was given, Grace begs for mercy, reminding Vera of how she taught her children about stoicism. In response, Vera challenges Grace to stand up without shedding a tear while she destroys the first two of the porcelain figurines. Grace not being able to hold her tears, Vera destroys the remaining figurines. The symbol of her belonging in the town gone, she now knows that she must leave. With the help of Tom and Ben, the freight driver, she attempts escape in his apple truck, only to find herself raped by Ben and then returned to the town. The town agrees that they must not let her escape again. The money that she used to pay Ben had been taken by Tom from his father, and Grace is blamed for the theft. Tom refuses to come forward because, he explains, this is the only way he can still protect Grace without people getting suspicious. At this point, Grace's status as slave is finally confirmed as she is collared and chained to a large iron wheel which she must carry around with her, too heavy to allow her to move anywhere outside the town. More humiliatingly still, a bell is attached to her collar and announces her presence wherever she goes. Tom is the only male citizen of the town that does not rape her. This culminates in a late night general assembly in which Grace following Tom's suggestion relates calmly all that she has endured from everyone in town. Embarrassed and in complete denial, the townspeople finally decide to get rid of her. When Tom informs Grace to console her, he attempts to make love to her, having been the only adult male townperson who hasn't had sex with her. Grace, however, refuses to have sex with him. Angry partly at Grace's rejection, but even more at himself for his realization that he would eventually stoop to force himself upon her like everyone else in the town, Tom ends up personally calling the mobsters, and later proposes to unanimous approval that she be locked up in her shack. When the mobsters finally arrive, they are welcomed cordially by Tom and an impromptu committee of other townspeople. Grace is then freed and we finally learn who she really is: the daughter of a powerful gang leader who ran away because she could not stand her father's dirty work. Her father confronts her in his big limousine and tells her that she is arrogant for not holding others to the same high standards to which she holds herself. At first she refuses to listen, but as she looks again upon the town and its people, she is compelled to agree: she would have to condemn them to the worst possible punishment if she held them to her own standards, and it would be inhumane not to do so. So she accepts to be again her father's daughter, and immediately demands that the whole town be eliminated. In particular, she gives the order to have Vera look on at the murder of each of her children, having been told that it would stop if she can hold back her tears. The film ends in a crescendo of violence: the town is burned and all its citizens are brutally murdered by the gangsters on direct order from Grace, with the exception of Tom, whom she kills personally with a revolver. As the ashes of Dogville smolder around her, she finds and spares the only surviving resident, Moses the Dogville dog. Ironically, the only "dog" that hasn't wronged her was the town dog that had disappeared while the town was revealing its true nature. (Source: WikiPedia, Bangs_McCoy)

At the film's inception Jude Law plays a young man named W. P. Inman at a provincial North Carolina town. He meets Ada (Nicole Kidman) and is at the fledgling stages of a relationship with her when he marches off to war as a Confederate soldier. The film opens early in the morning of July 30, 1864. Confederate troops are entrenched outside Petersburg during its siege. The teen-aged Oakley (Lucas Black) is handing out clothes from a wheelbarrow while Inman reads letters from Ada. The soldiers are tired and bored. Most are seasoned veterans who have been fighting for over three years. But meanwhile Union engineers are filling a mine under the Confederate trenches with gunpowder barrels while above, hundreds of Union troops are waiting to attack. Suddenly back at the Confederate siege works, a rabbit hops into the trench. Just as one of the men is about to capture it the ground rises from under him and there is a huge explosion. The Union lit the barrels and most of the trench exploded. As Inman and Oakley get up dazed from the blast, they see Union troops charging at them. As the Union charge, they run right into the crater where the trench used to be and are trapped in a kill zone. The Confederates fire down at them, but the fighting becomes hand to hand and Oakley is pulled down in by a Union soldier and Inman goes after him. Before Inman can reach him, Oakley is bayoneted but survives. Inman shoots the Union soldier with a LeMat revolver he finds and pulls Oakley out of the chaos. The battle ends with a decisive Confederate victory. As the Confederates are cleaning up after the battle, Inman comforts Oakley as he is pulled to the hospital on a cart. Later that day Oakley dies in the hospital with Inman and Stobrod Thewes (Brendan Gleeson) beside him. The next night, Inman, Swimmer (Jay Tavare) and his platoon are sent out to kill surviving Union troops trapped behind the lines. During the raid other Confederate troops open fire killing several Confederates and wounding Inman. While lying in the hospital he has letters read to him from Ada. Inman then decides to desert and go home to Cold Mountain. On his journey he meets the corrupt preacher Reverend Veasey (Philip Seymour Hoffman) who is trying to kill his pregnant lover. After Inman dissuades him, he joins Inman on his journey. They help a young man named Junior (Giovanni Ribisi) butcher his cow and join him and his family for the feast. Junior leaves the house after the feast, and the women in Junior's family seduce Veasey, and Junior's wife, Lila, tries to seduce Inman. Junior returns home with the Confederate Home Guard and both Inman and Veasey are taken prisoner. While the home guard officers attempt to hide from a group of Union soldiers, Inman is able to escape with a wound. An old and wizened woman (Eileen Atkins) care for him and feeds him. He then meets a young widow named Sara (Natalie Portman) who is raising her infant child alone. After staying a night with her, three Union soldiers arrive demanding food. Sara rushes Inman away to avoid his being killed, but he hides only a few feet away from the house. Two of the soldiers harass Sara and leave her baby in the cold, though one (Cillian Murphy) attempts to keep the baby warm. The lead soldier attempts to sexually assault Sara but is killed along with the other soldier by Inman. The kindhearted soldier is shot by Sara. Parallel with Inman's adventures, the film follows Ada's wartime experiences. Ada is a city woman who only recently moved to the rural farm named Black Cove. She met Inman on her first day at Cold Mountain and had a brief romance with him the night before he left for the army. Shortly after Inman leaves, her minister father (Donald Sutherland) dies, leaving her alone on the farm and with little prospect for help, as the young, able-bodied men are off at war. She is completely inept at working the farm, having been raised to become a southern lady and is struggling to survive at the farm. She manages to survive thanks to the kindness of her neighbors, one of whom eventually sends Ruby Thewes (Renee Zellweger) to her. Ruby is a young woman who has lived a hard-scrabble life and is very adept at the tasks needed to run the farm. Ruby lives at the farm with Ada and together, they take the farm from a state of disaster to working order. During this time, Ada writes constant letters to Inman in hopes of meeting him again and renewing their romance. The two women form a close friendship and become each other's confidantes. They also are friends with the Swangers (James Gammon and Kathy Baker), who live down the road from Black Cove. It is at the Swangers' well that Ada "sees" a vision of Inman coming back to her in the snow along with a flock of crows. During the war, Ada and Ruby, and other members of their community, have several tense encounters with men who are members of the Home Guard. This branch of the Home Guard is led by Teague, whose grandfather once owned much of Cold Mountain. He and his deputies hunt deserters partially with the goal of Teague seizing their land. Teague also lusts after Ada. Although the purpose of the Home Guard was to protect the south and its citizen population from the North, they have become violent vigilantes who hunt and often kill deserters from the Confederate Army and terrorize citizens they believe are housing or helping the deserters, including the Swangers' sons, who by torturing their mother they coax out of hiding to be killed. Esco Swanger - the family patriarch - is also killed in protection of his sons. Ruby's estranged father Stobrod (Brendan Gleeson), also a Confederate deserter and a violin player, arrives and reconciles with her. He convinces her to make a coat for his intellectually devoid banjo player Pangle (Ethan Suplee). Ruby also finds herself drawn to mandolin player Georgia (Jack White). While camping, Stobrod, Pangle and Georgia are cornered by the Home Guardsmen led by Teague. Pangle unintentionally reveals the band as the deserters Teague is seeking. Georgia is hidden a few feet away and witnesses the shooting of Pangle and Stobrod. He informs Ruby and Ada, who rush to the campsite to find Pangle dead and Stobrod injured. They decide to stay at some cabins in the woods to avoid Teague and his men. It is at this moment that the two-story lines re-converge when Inman finally reaches Cold Mountain and is almost killed by Ada before she recognizes him. They later consummate their love and spend the night together. The Home Guardsmen, however, soon find the couple in the mountain and determine to kill Inman, as they know he's a deserter. While fighting off the hunters, Inman is shot by the young and violent Bosie (Charlie Hunnam) but manages to kill him as well. Ada goes to him and finds him just as she saw in the well earlier when he was coming back to her. He dies in her arms. The film ends several years later with Ada, Ruby and their families celebrating Easter. Ruby has married Georgia, and the two have an infant child. Her father Stobrod is revealed to have survived, and it is revealed that Ada's night with Inman had given her a child, Grace Inman.

The film begins with British writer Virginia Woolf (Nicole Kidman) putting stones inside her pockets before drowning herself (in real life, she walked in to the River Ouse on 28th March 1941). Laura Brown (Julianne Moore) lives in 1951 in a wealthy Los Angeles suburb. Her husband, Dan Brown (John C. Reilly) is having a birthday. While he's at work, she makes a chocolate cake for him. Their son, Richie (Jack Rovello), asks if he can help her with it. As he sifts the flour, he wants to know why they are making the cake. "So Daddy will know we love him?" he asks. She answers yes and then he asks, "He won't know it, if we don't?" She answers him, "no". She is heavily pregnant with their second child. She is also reading a hardback copy of Mrs Dalloway, which is considered Virginia Woolf's best novel. Clarissa Vaughan (Meryl Streep) lives in modern 2001 New York and is planning a party for her prize-winning poet and close friend, Richard Brown (Ed Harris). Rich has been suffering AIDS for many years. He's a celebrated poet, and Clarissa is his editor. Clarissa worries about Richard a lot, and takes care of him as if she were his mother. Back at home, when she is preparing the party almost on her own, she has trouble with her girlfriend Sally Lester (Allison Janney), who has been unfaithful to her for some time. Several people appear for the party: Clarissa's daughter Julia (Claire Danes) and the most cherished of Richard's ex-boyfriends, Louis (Jeff Daniels), who has another relationship with a younger man but who is still a bit sad and melancholic. Back to the UK, where Virginia has just started to write a novel. She and her husband Leonard Woolf (Stephen Dillane) have moved to a village outside London, because London's hectic and frenzy life has affected Virginia's psychological health. She had tried to commit suicide twice, and used to hear voices. Leonard is busy with his printing press business, but he watches over her tenderly. One sunny day they are visited by Vanessa (Miranda Richardson), Viriginia's sister, and her two sons Quentin and Julian (George Loftus and Charley Ramm) and daughter Angelica (Sophie Wyburd). They are talkative and full of life, but their visit causes some anxiety to Virginia. To have lunch and tea prepared as she wants, having to force the cook and main maid Nelly Boxall (Linda Bassett) to travel to London to buy some things and then travel back is an ordeal to the lady of the house. Virginia has problems to make herself obeyed by their servants, especially by pushy Nelly. In real life, many pages on Woolf's diary were about Nelly, a person she used to fear so much that she wouldn't even dare to give the sack. This time Virginia had to be obeyed. Angelica finds a dead bird recently deceased at the Woolfs' garden. They bury it with much pomp, and this puts a bigger strain on Virginia's damaged emotions. At the end of the day, the four visitors go back to London merrily and Virginia and Leonard stay at home. Back in LA, Laura's friend, Kitty (Toni Collette) stops by. Laura complains about the cake not turning out right for her husband's birthday. Kitty says she doesn't understand why and that baking is easy to do. Kitty then says that it's ok, that everyone has different things that they're good at. Kitty is dressed perfectly and seems to have the perfect life. Laura learns that Kitty is about to have surgery performed, as she is seriously ill, and that's why she couldn't have any children. Kitty starts to let her guard down and seems to get emotional over her problem. Laura and Kitty kiss each other. However, Kitty behaves and talks as though nothing had happened. After Kitty leaves, Laura throws the first cake away and then makes a perfect one. Meanwhile, Richie is sitting quietly while he watches his mother. She stops, looks at him and asks, "What?" while he looks on. She then takes him to a neighbor's (Margo Martindale) while she goes out, which Richie highly protests to. She proceeds to drive around. She sees the sign for a hotel and decides to book in. There, she takes out all the medicines that she took from the cabinet in the bathroom from her home and puts them on the bedside table next to her. She puts herself on top of the perfectly-made bed and reads Mrs Dalloway but falls asleep whilst reading her book. For her, death is like a flood, a river overgrown which will drown her from under the hotel bed. Suddenly she wakes up. She has just decided that she will wait for her second child to be born and then she will leave her family. When she comes back home as though nothing special had happened, Richie knows that she's lying. That night, Laura's husband dines with his family and eats the cake. He is a contented quiet men and says that the cake is delicious, and appreciates the fact that Laura has done it. He talks of how perfect his birthday was thanks to his family. In New York, Richard Brown (Laura's older son, now a grown-up man) wants to skip the party. He tells Clarissa that she has been the only reason he had to live, but that now, she has to let him go. Clarissa is a lesbian, but she wonders if she is still in love with Richard. However Clarissa cannot prevent Richard from jumping from the window. Instead of a party, she has to prepare Richard's funeral. Richard's mother, Laura Brown appears. She has become -according to Julia- a sweet old lady, not the monster as late Richard Brown used to describe her. Laura tells how she moved to Canada to lead an independent life as a librarian in Canada, but she won't apologize for the hurt she has caused to her family because her pain doesn't make any difference now to her late husband (who died of cancer) and children (her younger daughter had also died). In the UK, Virginia has changed her mind: her character Mrs Dalloway won't die, another character in her novel, a rambling poet married to his lonely Italian nurse, will do so. When Leonard asks her why somebody must die in her novels, she tells him "so that we all appreciate life." Anyway, Virginia tries to run away to London, but Leonard catches her while she is waiting at the train station. Virginia talks to him, and Leonard can't put up with her anymore: he promises they will be back to London soon. As the audience knows, Virginia will end up committing suicide there. And that's how the film ends: as it has begun, with Virginia Woolf committing suicide. In real life, she wrote some other novels after Mrs Dalloway and before committing suicide.

Grace Stewart (Nicole Kidman) is a Catholic mother who lives with her two small children in a remote country house in the British Crown Dependency of Jersey, in the immediate aftermath of World War II. The children, Anne (Alakina Mann) and Nicholas (James Bentley), have an uncommon disease, Xeroderma Pigmentosa, characterized by photo-sensitivity, so their lives are structured around a series of complex rules designed to protect them from inadvertent exposure to sunlight. The new arrival of three servants at the house - an aging nanny and servant named Mrs. Bertha Mills (Fionnula Flanagan), an elderly gardener named Mr. Edmund Tuttle (Eric Sykes), and a young mute girl named Lydia (Elaine Cassidy) - coincides with a number of odd events, and Grace begins to fear that they are not alone. Anne draws pictures of four people: a man, a woman, a boy called Victor, and an old woman, all of whom she says she has seen in the house. A piano is heard from inside a locked room when no one is inside. Grace finds and examines a "book of the dead," which shows mourning portraits taken in the 19th century of recently deceased corpses. Doors which Grace believes to have been closed are found mysteriously ajar. Grace tries hunting down the "intruders" with a shotgun but cannot find them. She scolds her daughter for believing in ghosts - until she hears them herself. Eventually, convincing herself that something unholy is in the house, she runs out in the fog to get the local priest to bless the house. Meanwhile, the servants, led by Mrs. Mills, are clearly up to something of their own. The gardener buries a headstone under autumn leaves, and Mrs. Mills listens faithfully to Anne's allegations against her mother. Outside, Grace loses herself in the heavy fog, but she miraculously discovers her husband Charles (Christopher Eccleston), who she thought had been killed in the war, and brings him back to the house. Charles is distant during the one day he spends in the house, and Mrs. Mills is heard telling Mr. Tuttle, "I do not think he knows where he is." Grace later sees an old woman dressed up like her daughter. Grace says, "You are not my daughter!" and attacks her. However, she finds that she has actually attacked her daughter instead. Anne refuses to be near her mother afterward, while Grace swears, she saw the old woman. Mrs. Mills tells Anne that she too has seen the people, but they cannot yet tell the mother because Grace will not accept what she is not ready for. Charles is stunned when Anne tells him the things her mother did to her. He says he must leave for the front and disappears again. After Charles leaves, Anne continues to see things, including Victor's whole family and the old woman. Grace breaks down to Mrs. Mills, who claims that "sometimes the world of the dead gets mixed up with the world of the living." One morning, Grace wakes to the children's screams: all of the curtains in the house have disappeared, as Anne had said they might. When the servants refuse to help look for them, Grace realizes that they are somehow involved. Hiding the children from the light, she banishes the servants from the house. A series of loud noises from the upper story of the house follows this event. That night, Anne and Nicholas sneak out of the house to find their father and stumble across the hidden graves. They find that the graves belong to the servants. At the same time, Grace goes to the servants' quarters and finds a photograph from the book of the dead and is horrified to see that it is of the three servants. The servants appear and follow after the children, who make it back into the house just as Grace emerges to hold off the servants with a shotgun. They then say that they had died of tuberculosis more than 50 years before. The children run upstairs and hide but are found by the strange old woman. Downstairs, the servants continue talking to Grace, telling her that the living and the dead have to learn to live together. Upstairs, Anne and Nicholas discover the old woman is acting as a medium in a seance with Victor's parents. It is then that they learn the truth: the real ghosts are none other than Anne, Nicholas, and their mother, who is believed to have killed them in a fit of psychosis before committing suicide. Grace loses her temper and supernaturally attacks the visitors by ripping and throwing pieces of paper that lay on the table. However, the visitors are only able to see the paper ripping of its own accord, further confirming Grace and her children are indeed the ghosts. The truth finally clear to Grace, she breaks down with the children and remembers what happened just before the arrival of their new servants. Stricken with grief for her missing husband and increasingly frustrated by living in isolation, she went insane, smothered her children with a pillow, and then, in shock after realizing what she had done, put a rifle to her forehead and pulled the trigger. When nothing happened and upon hearing the laughter of Nicholas and Anne, Grace assumed that God had granted her family a miracle by offering them a second chance at life. Grace and the children realize that Charles is also dead, but he is not aware of it. Mrs. Mills appears and informs Grace that they will learn to get along, and sometimes won't even notice the living people who inhabit their house. She also informs them that since the children no longer have their mortal bodies, they are no longer sensitive to light, and for the first time the children freely enjoy the sunlight coming through the windows. From the window, Grace and her children look out as Victor's family moves out.

A thirtysomething bank clerk from St Albans has his small-town life exploded by the arrival of his Russian mail-order bride. Internet love connections and mail-order brides rarely ever work out, and John should have known. Having never been lucky in the game of love and tired of waiting for the perfect woman to come along, John decides to take his chances and orders a mail-order bride from Russia online. At first, things seem perfect: his new bride Nadia is a gorgeous woman, and although she may not speak much English, her skills in the bedroom more than make up for any communication problems. When Nadia's 'cousins' unexpectedly arrive to celebrate her birthday, John is drawn into their web of corruption and crime. —Anna <dimenxia@yahoo.com>

When Maria, the witch ancestor of our protagonists, realizes that her lover is never going to come for her, she casts a spell on herself to never fall in love again. Unfortunately, the spell goes awry and becomes a family curse: any man that falls for an Owens woman will die. And that's exactly what happens to Sally (Sandra Bullock) and Gillian (Nicole Kidman) Owens' father, causing their mother to die of a broken heart. The young girls then live with their two aunts (Stockard Channing, Diane Wiest), who teach them the ways of being a witch and how to deal with the ridicule that comes with the family profession. But one night when they witness their aunts casting a love spell for a neighbor, Sally decides she will never fall in love and dreams up a man that will never exist... Until one day she goes to town with her aunts and she meets the man she falls for. The next thing you know, Sally is happily married to Michael (Mark Feuerstein) with two daughters of her very own. Her sister, in the mean time, has been living in Florida where life is constant parties. But when the 'death watch beetle' sounds, Sally know it is only a matter of time before she loses Michael like her mother lost her father...and like all the Owens women have lost the men they love. It is only when the curse plays out that she learns her aunts cast the spell on her to fall for him in the first place. She allows her daughters to live with the aunts who raised her, telling them that her daughters are to never do magic. With Michael's tragic death, the sisters reunite and it's Gillian who presses Sally to forgive herself and move on. But tragedy strikes twice when the sisters again reunite, this time when Gilly calls because her boyfriend, Jimmy (Goran Visnjic), begins beating her. It is his accidental death that makes them toy with nature; hoping to bring him back so they won't be arrested. They succeed, but are forced to actually kill him this time when he tries to strangle Gilly. Jimmy, however, is haunting them. And the aunts leave when the girls won't confess what happened. Which only becomes a bigger problem when an officer comes looking for Jimmy with a letter Sally had written to Gilly. Why? Because a woman has turned up dead and naked. But this one is special. He happens to be the man that Sally conjured up all those years ago and the girls realize it. Gary, however, isn't there simply because of his case. He fell in love with Sally's letter and now has to reconcile his duty to the badge, and arresting Jimmy's murderer, and duty to the woman he loves, the woman he wished for. Jimmy's ghost isn't gone. He's possessing Gilly and the only way to save her is to form a coven and banish him...which Sally does by using all the townspeople who have called her names for years. But only the love of the sisters can send him away...well that and a little magic. When Jimmy's death is declared accidental, Gary returns to Sally for that chance at happiness. And the girls embrace their magic roots. So maybe normal is relative...and a witch can have her happy ending.

Outside a church celebrating an Eastern Orthodox baptism in Pale, Bosnia, the Bosnian Finance Minister, a moderate pushing for peace in the ongoing Yugoslav Wars, is murdered. At a missile base in Kartaly (Chelyabinsk Oblast), Russia, ten nuclear warheads that belong to a SS-18 Satan ICBM are loaded onto a train for transport to a dismantling facility. However, Russian Army General Aleksandr Kodoroff (Aleksandr Baluev), along with a rogue Spetznaz unit, kills the soldiers on board while the train is on its way. The Spetznaz unit boards the train by jumping on to it from another train which was running on a parallel track. Kodoroff transfers nine warheads to this other train while they are running parallel to each other. Kodoroff then activates the timer on the remaining warhead and sends the transport on a collision course with a passenger train. Kodoroff hides his train inside a nearby tunnel to protect himself from the nuclear blast. First, the 2 trains collide and then a few minutes later. the 500-kiloton warhead eventually detonates, killing thousands of civilians and delaying an investigation of the accident. The detonation attracts the attention of the US government. Dr. Julia Kelly (Nicole Kidman), head of the NSC Nuclear Smuggling Group, believes that Chechen terrorists are behind the incident. Terry Hamilton (Gary Werntz) is the National Security Advisor and Appleton (Holt McCallany) is Julia's immediate boss. Julia tells Terry that the nuclear blast occurred 4.5 minutes after the trains collided (as captured by satellite imagery) and is 100% sure that a nuclear detonate cannot be triggered by a train collision. Which means that someone deliberately set off a nuclear explosion. Meanwhile, Kodoroff transfers the warheads from the train onto a waiting truck for transport through the Ural Mountains. The truck is disguised as a Red Cross vehicle as they are allowed to cross borders under the Russian nuclear protocol. Former US Army Ranger and Special Forces turned Military Intelligence Lieutenant Colonel Thomas Devoe (George Clooney) interrupts her briefing to suggest that the incident was staged to hide the hijacking of the warheads (satellite photos indicated people jumping off the passenger train before the collision, but nobody jumping off the warhead train as they were all dead). A functioning nuke is worth $200 million on the open market. Julia realizes that she does not know how many nuclear warheads were on the train. Russian nuclear command confirms that there were 10 nuclear warheads and a list of military personnel who were on the train. Devoe is shocked to see Kodoroff's name on the list as that would be like Ivanka Trump riding the subway. Kodoroff is deemed alive as intel confirms that someone has been calling his mistress in Helsinki, at the usual time that Kodoroff calls her daily. A call to Devoe's friend and Russian counterpart, FSB Colonel Dimitri Vertikoff (Armin Mueller-Stahl), adds reliability to his theory, and he is assigned as Kelly's military liaison. Kelly and Devoe secure information about the terrorists' hijacking operation through an Austrian trucking company that works as a front for the Russian Mafia. They meet Vertikoff in Vienna and assume identities to visit Shummaker (Alexander Strobele), who organizes the Russian's trucking. After Devoe tortures Shummaker for information (and takes information from his computer), he and Kelly leave the building and get in Vertikoff's car. They are chased by Shumaker's men, who kill Vertikoff while he is offering a bribe. Devoe shoots at the attackers and drives away but finds he and Kelly are being followed. Another chase ensues, followed by a crash, but Devoe and Kelly escape, after Devoe kills all the men involved in Vertikoff's death. Information from the trucking company says that the nukes are going to Iran via Azerbaijan. When US spy satellites place the truck in a traffic jam of refugees in Dagestan, Devoe uses a ruse to identify it. He calls Kodoroff directly, who was riding in the truck, and makes him believe that a missile his headed for his position. Kodoroff panics and moves the truck, which is picked up by American satellites. This information is passed on to Russian authorities in hopes of stopping the transfer to Iran. The Russian military stops Kodoroff at a roadblock, but he and his men kill the soldiers. Devoe leads an airborne Special Operations team from a U.S. base in Turkey to stop them. Denied entry into Russian airspace in Azerbaijan, one of the three Special Ops helicopters is shot down by a Russian missile, but the remaining two manage to locate Kodoroff's truck. Firing missiles which disable Kodoroff's truck, they then engage in a gunfight, killing Kodoroff and securing the warheads. However, interrogation of the group's surviving member, a U.S. educated Pakistani nuclear scientist Amir Taraki (Harsh Nayyar), reveals that one warhead had been sent off with an operative before the truck was intercepted. The scientist says that the last warhead is now mobile and fits inside a regular backpack. Julia knows that a mobile primary will still take out 10 city blocks and kill 100,000 people in a densely populated are with a yield of 1 to 2 KT. The information from the trucking company leads IFOR to a Sarajevo address. Inside is a video cassette of Dusan Gavric (Marcel Iures), a Bosnian who disclaims allegiance to any particular faction in the Yugoslav Wars, but blames other countries for supplying weapons to all sides in the conflict. Kelly's further analysis of the trucking company documents suggests that Gavric intends to bomb a meeting at the UN headquarters in NYC. The invoice had a code 44E, which Julia translates to 44th East, which is the address of the UN building in NYC. Gavric arrives in Manhattan with the Bosnian diplomatic delegation, having replaced the murdered Finance Minister. Gavric actually wants to avenge the death of his wife and daughter, who died in Sarajevo during a sniper attack. Julia orders the shutdown of all airports in the US, but Gravic makes it out as he was travelling on a diplomatic passport and smuggled the nuclear bomb in the same way. Julia tracks the Bosnian delegation's hotel, but Gravic had left by then. She knows that the backpack is leaking radiation and orders trackers on all streets. A copter picks up the radiation source. Gravic and his brother are later found by Devoe and Kelly. When his brother is killed by Devoe, a wounded and enraged Gavric flees into a parochial school. Devoe and Kelly confront Gavric, who commits suicide, knowing that the bomb is set to go off in minutes. With only seconds to spare, Dr. Kelly manages to remove part of the bomb's explosive lens shell and stop the primary explosion from establishing critical mass within the plutonium core. The primary explosives detonate, wrecking the church, as Devoe and Kelly dive out of a window. However, Kelly's efforts prevent it from causing a nuclear explosion. Kelly later is seen swimming laps in a pool. Devoe stops by and asks her out for a drink, which she accepts.

Criminal kingpins The Riddler and Two-Face present a threat to Gotham that only the dynamic duo Batman and Robin can stop.

A young college coed is leaving school for the day. She jumps on her bike and heads home. Upon arriving, she calls out to her cat to come for her meal. She spies the cat cowering under a table, growling softly. Just as she comes close to reassure her cat, a mysterious figure comes out from the shadow and violently attacks her. Quick cut to college professor Andy Safian (Bill Pullman) and Detective Dana Harris (Bebe Neuwirth) at the hospital discussing the ongoing problems with campus security. Jed Hill (Alec Baldwin), the new surgeon at St. Agnes hospital works feverishly to save the girl, even though he is told "we're going to lose her." The surgery is successful. In the locker room, Hill tells the surgeon who made the comment that while he wants to make new friends, if he ever says something like that again, he will remove his lungs with a ice cream scoop. Andy and Jed meet to discuss the girl's condition. After a moment, Andy realizes that he knew him from their old high school, Van Buren. They hope to see each other around. Andy goes to see his wife, Tracy Kessinger (Nicole Kidman), at work. As they talk in the elevator, Dr. Hill steps in with a colleague. They are invited to a reception to welcome Jed to the hospital. They politely decline and leave. As they walk along the street, they talk about the new plumbing for their Victorian house will cost them $14,000. Tracy suggests renting out the third floor to a tenant, but Andy refuses. He also suggests that she be very careful coming home from work, a maniac being on the loose. When she arrives home. Andy notices his wife getting out of the car with a man, who gives her a gentle peck on the cheek. She had told him she was coming home with a woman. She claims the man is a lawyer who is handling old business with her mother's estate. Andy apologizes. Later, they are eating Chinese food in bed and she seductively feeds him and she gently gyrates on his lap. They begin to have sex, when Andy quickly turns off the light, noticing their next door neighbor's young son is watching them. (He assumes this because of the silhouette in the window). Tracy doesn't seem bothered by it, since the mother works nights and the boy might just be lonely. The next morning, Andy is sanding the stair railing, and is surprised by Jed's appearance in the front doorway. They have a pleasant conversation and Jed invites him to go out for a drink. Jed happens to point out a Degas statue and asks if it's the real thing. Andy assumes it is. As they are drinking, Andy lets it slip that his wife has been having trouble getting pregnant. He mentions a doctor named Lillianfield that Tracy has been going to. Jed says he "is a good man." When he gets home, he suggests to Tracy that Jed take the third floor as a tenant. Tracy does not seem thrilled with the idea, even suggesting that Andy is doing it to relive his high school years again, hanging with the star quarterback. When she finds out that Andy discussed her problem with Jed, she is annoyed, but not mad. She gives in and says it's OK for Jed to move in. The doorbell rings and she asks Andy if he wants to bet if it's Jed. He says no. "Because when money is involved, you take me seriously," she mutters. Detective Harris comes in while Andy is in the middle of a session with Paula Bell (Gwenyth Paltrow). He asks his secretary to make sure she gets a wake up call in order to not miss her next class. Harris tells Andy that not much progress is being made on getting the rapist. Andy laments that he is tired of seeing students leaving the school for fear of their safety. She asks for a list of people who have access to the student's schedules. Tracy comes home and prepares to take a bath. Her pain shoots up again and she is startled when Jed appears in the bathroom to check on her. They share a long glance as they hear Andy announce that he is home. Later that night, Jed is involved in a sexual marathon with one of the nurses from the hospital. Tracy is extremely annoyed because the noise is keeping her awake. As Andy is about to go ask him to hold it down, the noise stops. The nurse jokes with him that the only reason he is a doctor is for the money and women. He laughs, and jokes about his tolerance with alcohol. After coming out of the bathroom, Tracy stares coldly as the nurse runs naked to the upstairs bathroom. The next day. Andy is annoyed that Paula still has not shown up for her appointment. After talking to his secretary, he decides to go to her house to check on her. He arrives and the house is completely quiet. He calls out for her, but gets no answer. The front door is open, so he lets himself inside. He then notices the back door is slightly ajar and that a lock of her hair is on the floor. He walks out back and notices one of her shoes. He then approaches the hedges and finds her brutalized body hidden inside. Detective Harris says he will need to provide a statement. Leter, Jed tries to cheer up Andy at the bar. He relays a story about the first time he saw a dead body in medical school. After Jed makes a comment about pro athletes not being able to stay clean for a million dollars, Andy says he would "give his right arm" for a million. Jed presses him on it, saying what if was a surgical procedure. Would he do it? Andy says no, as does Jed after cracking an ice cube in his mouth. Andy heads home as Jed decides to check on the local women playing darts. Andy comes home and Harris is waiting for him. She tells him there is circumstantial evidence tying him to the rapes. He is outraged at being considered a suspect. She then tells him he needs to come to the station to provide some sperm to rule him out. Reluctantly, he agrees to go. Tracy comes home and her pain is now unbearable. She calls out for Andy, but he is still at the station. She calls 911. While chatting it up with the dart ladies and drinking bourbon, Jed is paged to the hospital, where he sees that Tracy is the person he needs to operate on. Back at the station Andy is ruled out as a suspect and as he is leaving, is told his wife called 911. He rushes to the hospital. It turns out one of her ovaries has ruptured and needs to be removed. They discover that she was four weeks pregnant, but she miscarries due to the trauma. A doctor notices a problem with the second ovary and Jed says they need to get a histology report to make sure it isn't still a live ovary. They realize they don't have the time to do it. Jed goes out and tells Andy the options. They can remove the ovary and she'll be fine (but never able to have kids). Or they can leave the ovary in and hope she does not die from toxic shock. Andy says to do whatever he needs to. He tells Andy that she was four weeks pregnant, but the baby is gone. Jed goes in and against the advice of fellow surgeons, he removes the other ovary. Later, it comes to light that he removed a healthy ovary. Jed has the chance to bury the report, but declines. He stands by his judgement call. The turn of events destroys Tracy. She tells Andy she is leaving him, and she files a lawsuit against Jed Hill, for $20 million. At the deposition, Jed is made out to be a top notch surgeon, but has a "God-complex". He states that when people go into the chapel and pray to God that their loved ones will be alright, who does the lawyer think they are praying to. "You ask me if I have a God complex. Let me tell you something. I am God." He then gets up and walks out. Tracy's lawyer then mentions they know he was drinking the night of her surgery. They decide to settle. Tracy doesn't seem to care about the money. As she exits the building, she notices Andy across the street. She shoots him a cold stare and then leaves in her lawyer's car. Back at work, Andy is working late into the night, when one of his bulbs goes out. He goes downstairs and finds the janitor (Tobin Bell) has a makeshift place and is living down there. He finds a lock of hair on the night table as well as in a cigar box. He is startled when he appears behind him. He explains that he got kicked out of his old place and this is just temporary. Andy says not to worry about it and leaves. As he is walking away, he is jumped from behind and he ends up fighting him off and rendering him unconscious. At the station, Detective Harris invites Andy to get a drink. While there, she talks about how her family accuses her of wielding her honesty like a blunt instrument. She tells him that there is something he needs to know about his wife. Something important. He goes back to the station with her. Later, he goes to Jed's hotel to tell him that the baby was not his. It turns out that Andy is sterile (which cleared him of the rapes). Jed tells him it doesn't change anything regarding his situation. He feels bad for Andy and says that bad things happen to good people all the time, for no good reason. Andy, suspecting that maybe Tracy's lawyer is the father, goes to confront him. Andy barges in and accuses her lawyer (Peter Gallagher) of having an affair with his wife. He says he did not. But since he cannot give him any information about where she is, he should talk to her friends or mother. Andy says he should know her mother is dead, since he handled her estate. He says he never did. As he is leaving, he suggests that Andy bring her a bottle of scotch. Andy arrives and uses the bottle of scotch to entice Tracy's mother (Anne Bancroft) to open the door. They talk about Tracy's childhood, how she always stashed away any money she had, how her father abandoned her and took her hidden money. As she is drinking, she laughs about how gullible Andy is. He says he knows she has been there because of the Degas statue on her mantle. She laughs and say you can get one of them anywhere. She then tries to get him to do a card trick, and asks him to bet. He says no. "Because when money is involved, you take me seriously." She then tells him he should just "get into the game" and go for the $20 million himself. When he brings up Dr. Lillianfield, she smiles and tells him "Welcome to the game." He finds Lillianfield's address through a ruse using a change of address excuse. He finds out the address and lies in wait inside the house. He hears Tracy as she comes in the door. To his horror, Dr Lillianfield turns out to be Jed Hill. They kiss passionately as she orders him to take her upstairs and have sex with her. After they go upstairs, Andy leaves the house, devastated. He goes home and knocks a bunch of items from her dresser to the floor. But, he notices something odd. There is a syringe with some liquid still inside of it. He then notices the neighbor's son's silhouette again, playing on his keyboard. As they walk along the beach the next morning, Jed laments about how his mentor wrote him a letter saying he was sorry about everything. While Tracy finds it amusing, Jed is upset that his mentor never apologized about not giving him the chief of staff job at Mass General. They kiss and head back to the house to make love again. While she is laying on the bed, a syringe sticks her. Jed realizes that now Andy knows what it going on, that he has been in the house. Jed rehashes the plan and lets Tracy know the improvised part of her getting pregnant was what tipped Andy off. He figured out there was no Dr Lillianfield. Tracy says to let her handle him. At a bar/restaurant, Tracy acts all loving and seductive with Andy, trying to convince him that things can go back to normal. She runs her foot up his leg, until Andy tells her that she dropped her shoe. She realizes that her ploy is not working. She then goes on the attack, trying to intimidate him, saying that if he goes to the police, that will make him look crazy. She gets up and wishes him "happy hunting." Andy then tells her to sit down. He tells her he knows what was in the syringe and that the lab guys told him that the substance in the syringe could cause the ovarian cysts she got if injected in massive doses. He then suggests that maybe he should have put curtains up in the bedroom because someone might have seen her injecting herself to cause the cysts. Enraged, she shatters a wine glass in her hand. He then warns her that if anything is to happen to him, the police will go to her neighbor's son. He wants half the money. Back at the house, Jed suggests strongly they give him the money and they should leave the country. He tells her they don't have a choice. She then suggests that without the kid, there is no case. He is horrified by the suggestion. He then slaps her and tells her not to bring it up again. If something happens to the kid, he will be the state's star witness against her. She then pulls out a gun and kills him. Tracy waits outside her former neighbor's house and waits for her to leave. She calls Andy and tells him she has his money. He gives her a meeting place and then heads out in his car. After he leaves, she approaches the neighbor's house. She then silently walks upstairs and slowly approaches the boy with plastic wrap, while he is playing his keyboard as usual. She puts it around his head, only to find that it is really a CPR dummy from the police station. Tracy goes ballistic, smashing the dummy on the keyboard. Andy turns out the light and taunts her saying, "Like shooting tuna in a barrel, huh?" She lunges for him and they fall through a bannister and land on the floor. As she is about to get up, Detective Harris, dressed as the neighbor (she is a nurse), stomps on a piece of wood Tracy is preparing to pick up saying "I won't mind shooting you." She tells Andy he may need a doctor. He laughs. Tracy is led out to the police car and sees the neighbor and her blind son go back into the house. She is stunned. She looks at Andy with a mixture of sadness, shock and, belatedly, respect. The car drives off and Harris and Andy sit on his porch. She suggests he needs ice. He says he'll take his with some scotch. They head off in her car.

A poor Irishman and a wealthy landlord`s daughter become two unlikely travel companions who find love and new possibilities in the dangerous frontiers of America.

Race driver Cole Trickle is discovered by a businessman and teamed up with legendary crew chief and car-builder Harry Hogge to race for the Winston Cup at the Daytona 500.