Paul Benjamin

On the hottest day of the year on a street in the Bedford-Stuyvesant section of Brooklyn, everyone's hate and bigotry smolders and builds until it explodes into violence. This film looks at life in the Bedford-Stuyvesant district of Brooklyn on a hot summer Sunday. As he does everyday, Sal Fragione opens the pizza parlor he's owned for 25 years. The neighborhood has changed considerably in the time he's been there and is now composed primarily of African-Americans and Hispanics. His son Pino hates it there and would like nothing better than to relocate the eatery to their own neighborhood. For Sal however, the restaurant represents something that is part of his life and sees it as a part of the community. What begins as a simple complaint by one of his customers, Buggin Out - who wonders why he has only pictures of famous Italian-Americans on the wall when most of his customers are black - eventually disintegrates into violence as frustration seemingly brings out the worst in everyone. —garykmcd Life over twenty-four hours during a heatwave along one small section of Stuyvesant Avenue in the Bedford-Stuyvesant neighborhood of Brooklyn is presented. It is a historically black section, with the exception of Sal's Pizzeria, which has been located there for twenty-five years, Sal, who now operates it with his two young adult sons Pino and Vito, making the very conscious decision on location due to the overabundance of pizzerias in his own Italo-centric neighborhood, in the process doing good business. Sal's customer base has largely been the black residents of the neighborhood, he currently employing black Mookie as a delivery boy. However, the makeup of the neighborhood has slowly been changing with Latinos moving in - Mookie's girlfriend, Tina, also the mother to his son, being Latina - gentrification leading to well-off Caucasians buying properties, and a recent immigrant Korean family opening a general store across the street from the pizzeria. There has been an underlying tension between the races as each tries to stake out his or her place: competing boomboxes blaring Caribbean music from one and black music from another; Pino, in particular among those in Sal's family, not liking the business largely due to the clientele and neighborhood; and contempt by some for the seeming success of the general store operated by a visible racial exception in the neighborhood, despite that property having sat empty for years. But on this day, the seeming spark that may ignite that tension is black Buggin Out taking exception to Sal only posting the photos of ethnic Italian celebrities on the pizzeria's Wall of Fame, instead of including "brothers and sisters" to reflect the makeup of Sal's customer base. —Huggo As the dog days of summer drag on in the Bed-Stuy neighbourhood of Brooklyn, an unexpected incident is about to bring tensions to a boiling point. After all, among the businesses on the lively block, it is hard not to notice Love Daddy's storefront radio station, Sonny's convenience store, and Sal's Famous Pizzeria. And then, in just one day, the residents' once-peaceful interactions become explosive confrontations as pressing demands to give voice to the frustrations of people of colour echo through the streets. Now, there is no turning back. But when you have put everything on the line to make yourself heard, what does it take to do the right thing? —Nick Riganas Salvatore "Sal" Fragione (Danny Aiello) is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out (Giancarlo Esposito), becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise. —maschzentertainment

A Vietnam veteran returns home as a hero, but is quickly forgotten and discovers the harsh realities of survival in his own country. A Vietnam vet returns home from a prisoner of war camp and is greeted as a hero, but is quickly forgotten and soon discovers how tough survival is in his own country. —JD-2 <Badge19@hotmail.com>

Based on a true story, the film portrays the fascinating account of the only three men ever to escape from the infamous maximum security prison at Alcatraz.

A trade of drug money is occurring between two Italians (from the South of 110th street in New York) and three blacks (from Harlem to the North of 110th Street). Suddenly, two men (Paul Benjamin & Ed Bernard) uniformed as police officers knock on the door. When they enter one of the two men dressed as cops holds the drug dealers hostage with a machine gun. When one of the black hostages reaches for his pistol, the man shoots everyone in the room to death, except his partner. When the two killers rush out with the drug money, they hop in a car with their driver (Antonio Vargas). When the driver nervously hits a few of the cars around them, it attracts the attention of an African-American cop, who is shot to death by the man with the machine gun before he realizes what's going on. Another cop (this one white) comes upon the situation and pulls his gun, but is fatally hit by the getaway car. Seemingly before the cops are aware of the situation, the two crime syndicates are aware that they've been ripped off. Mafioso Nick D'Salvio(Anthony Franciosa) is coached by his Don (who is also his father-in-law) that this is an opportunity to keep the blacks in check and that he must severely punish the men responsible for the robbery and the murder of the two Italians. D'Salvio pays a visit to the black crime boss in Harlem, Doc Johnson (Richard Ward). Johnson promises to put his main henchman, Shevvy (Gilbert Lewis), on the the trail of the thiefs. But D'Salvio threateningly intones that, while Shevvy may find them, the punishment must be left to the Italians. Johnson, unintimidated, taunts D'Salvio as a "punk errand boy", causing D'Salvio to try to attack him. However, D'Salvio's henchman hold him back and calm him before they leave. The police have finally arrived and are all over the building where the drug theft and massacre occurred. Aging Cpt. Mattelli (Anthony Quinn) arrives prepared to oversee the investigation. However Mattelli's chief lets him know to his chagrin that the much younger (and African-American) Lt. Pope (Yaphet Kotto) will be leading the investigation. Pope mistrusts Mattelli because he rightly believes Mattelli to be a drunk, a racist, and a crooked cop who doesn't hestitate to beat up suspects or even crime witnesses. The mostly black residents in the surrounding neighborhood of the crime (although we know many of them witnessed the crime) refuse to disclose information to the police. However, they gladly let Doc Johnson know the vehicle that was used in the getaway. Shevvy and D'Salvio use this track down it's new owner, Henry J. Jackson, who we recognize as the getaway driver of earlier. Meanwhile, tipped off to the vehicle's location, Mattelli and Pope have the car pulled out of the Hudson River. However, before they can figure out who was driving, Shevvy and D'Salvio have tracked down Jackson to a whorehouse. D'Salvio smashes Jackson in the face with a glass and then beats him to the floor until Jackson is a bloody pulp. Before they leave, Shevvy is given Jackson's clothes and finds a note from a dry cleaners. The police find Jackson tied up in crucifixion and that he's been castrated. Pope and Mattelli try to get Jackson to tell them the identity of his killer in an ambulance, but Jackson is only able to scream in agony before he dies. Joe Logart (Bernard), who we recognize as one of the thieves dressed as a cop at the beginning, nervously sees the TV report of Jackson's murder. He is an employee at the same dry cleaner that Jackson had a note from. He goes to see the other, more trigger happy thief, Jim Harris (Benjamin), to let him know that he's going to try and leave the area. Logart suggests that Harris should escape as well, but Harris refuses and wishes Logart well. We find that Harris lives with his girlfriend and has told her about the robbery. Harris is a 42-year-old ex-con and tells her that there's no way he could make money other than by crime. Mattelli takes Pope to Doc Johnson's office. Mattelli warns Johnson "no more crucifixions!" However, Johnson is again unfazed and denies involvement in Jackson's murder. For Pope's benefit, Johnson announces that Mattelli has long since been paid off by Johnson for looking the other way in numerous crimes. Mattelli nearly attacks Johnson but sadly backs away. Johnson makes it clear that he no longer wants to deal with Mattelli and offers Pope to take his place. However, the honest Pope tells Johnson to take his money and "stick it up your ass". When Shevvy tries to manhandle Mattelli out of Johnson's office, Mattelli assaults him and beats him badly. However, Pope manages to pull Mattelli away. Logart, bags all packed, hails a cab. The cab driver acts suspicuously and calls into say that this be his "last fare of the night". Suddenly, two cars, containing D'Salvio, Shevvy and their henchmen, pull in front of the taxi. The cab driver runs off, but Logart manages to jump to the driver's seat and drive off. He runs down one of Shevvy's men and shoots another. Logart speeds off, but hits traffic with the two cars coming after him. Logart abandons the taxi and runs into an empty high rise being built. He manages to kill a couple more henchman, but Logart is soon surrounded and overpowered on one of the highest floors. D'Salvio and his men hang Logart by his ankles and swing him off the edge of the building. They threaten to let him fall to his death if he doesn't disclose the identity of his crime partner. He eventually does tell them about Harris, but D'Salvio still lets Logart die. Mattelli and Pope go to visit Jackson's estranged wife. They let her know that Jackson has been killed, but Pope claims it was in a car accident. When they question her about Jackson's associates, she recalls Jim Harris's name. Going through police records, Mattelli and Pope narrow the various suspects down to the most likely "Jim Harris". Mattelli soon offers to confess to his various illegal activities so Pope can take his position, but the angry Pope refuses, saying he wants to become Captain on his own terms. Harris leaves his girlfriend's apartment to go to an abandoned hideout nearby. However, he seems to have forgotten his medicine and goes into a seisure. When his girlfriend rushes to his hideout to give him his medicine, she is followed (without her knowledge) by Shevvy, who concludes that she must be going to see Harris. Shevvy and Johnson tip off D'Salvio to Harris's location, after which Johnson claims to know how this situation is going to turn out. The next morning, D'Salvio and a few henchmen go to the building where Harris and his girlfriend are hiding. D'Salvio knocks on his door and claims to be police. Harris immediately opens fire through the door, killing one of D'Salvio's henchmen. D'Salvio returns fire into the apartment, shooting and killing Harris's girlfriend. D'Salvio and Harris shoot it out through the hideout door. Harris eventually shoots D'Salvio and then knocks him over with the door, sending D'Salvio down the stairs to smash his face through a window . D'Salvio dies screaming. Harris goes out the street and mows down all of D'Salvio's henchmen with his machinegun. When a cop car pulls up, Harris also guns down both cops inside. Soon, the building is surrounded by cops, including Mattelli and Pope, and Harris takes refuge inside. The police trade fire with him until he is cornered on the roof. We see an unnoticed Shevvy crouched on the roof a nearby building, armed but seemingly enjoying the violent spectacle. Although Harris kills a few more cops, some snipers shoot him in the side and the arm. Harris throws his bag of hard-fought drug money over the side of the building into a crowd of onlookers, who fight over it. Mattelli climbs up to confront Harris, but lose his footing and is soon at Harris's gun point. However, before Harris can kill Mattelli, Pope arrives, shooting and finally killing Harris. Shevvy sets up his sniper gun on a mount and then shoots Mattelli. Mattelli falls into Pope's hands and dies.