Priscilla Pointer

Dudley Moore and director Blake Edwards are reunited in this laugh-packed romp about a lovable bigamist. TV reporter Rob Salinger (Moore) longs for a baby. But his career-minded wife, Micki (Ann Reinking), is too busy for motherhood. A romantic fling with a seductive cellist, Maude (Amy Irving), leads to her pregnancy. Rob receives another shock when Micki announces that she's also expecting! In love with both women, he marries Maude and starts leading a double life full of complicated and riotous situations. MICKI & MAUDE reaches the heights of hilarity when both women are delivering babies in adjoining rooms while Moore serves double duty as the frantic father-to-be!

At the beginning of the film, we see Joan Crawford (Faye Dunaway) as she rises very early in the morning to prepare for a work day at the MGM Studios. She engages in a slightly neurotic morning ritual where she scrubs her face vigorously with soap and hot water, then plunges it immediately into ice with alcohol in it to close the pores. We learn early on that Joan is obsessed with cleanliness and wants those around her to follow her instructions to the letter; when a new maid thinks she has Joan's living room in spotless condition, Joan finds one minute detail that the maid overlooked and momentarily loses her temper over it. She very clearly intimidates the maid, as well her new live-in personal assistant, Carol-Ann (Rutanya Alda). Joan is in a steady romantic relationship with Hollywood lawyer Gregg Savitt (Steve Forrest), but her career is in a bit of a downswing. She reveals to Gregg that what she really wants is a baby, but that she can't get pregnant; no less than seven pregnancies when she was married to actor Franchot Tone all ended in a miscarriage. When she is denied an application for adoption through a legal agency, she enlists Gregg's help to secure a baby through means which are not made clear. Finally Joan gets what she wants; a blonde haired, blue eyed little girl whom she names Christina Crawford. The film moves abruptly to when Christina is approximately eight or nine years old (a plot hole, since Joan Crawford won the Oscar for Mildred Pierce when Christina was six). Joan has adopted another child, a boy she calls Christopher, but the focus of the film remains on Christina (Mara Hobel). Joan lavishes her with attention and luxuries such as an extravagant birthday party, yet enforces a strict code of denial and discipline as well. Joan makes the decision to donate all but one of Christina's birthday presents to an orphanage, making Christina take responsibility for the gesture, which has been documented in the press (presumably garnering publicity for Crawford). As Christina begins to rebel against her mother's stringent demands and standards, a series of confrontations emerges that forms the movie's core. Joan easily overtakes Christina in a swimming pool race, then becomes enraged at the young girl when she reacts with childish disappointment. When Joan discovers Christina putting on makeup at her dressing table and imitating her, Joan takes offense and cruelly cuts off Christina's hair with a pair of scissors. Joan's relationship with Greg abruptly ends after a night at her favorite restaurant because she believes Greg did not display the proper protocol of chivalry to escort her in and they were insisted by her shady studio boss, Louis B. Mayer (Howard DaSilva) and other executives to join them for dinner. Joan gets drunk and Greg leaves. Quickly these tantrums grow even more bizarre and violent, as when Joan is asked to leave MGM by studio boss Louis B. Mayer (Howard Da Silva). Presumably later that evening, she flies into a bitter rage and hacks down her prize rose garden with a pair of large gardening shears and an axe, dragging Carol-Ann, Christina, and Christopher into the madness. In the film's most notorious scene, Joan stalks into Christina's bedroom in the middle of the night, her face covered with white beauty cream, and discovers one of the child's fancy dresses hanging on a wire hanger. Joan instantly becomes furious and launches into a frightening tirade, screaming at the girl that she had forbidden wire hangers, viciously tearing apart her closet, and then beating the girl with the hanger. The fight continues when Crawford stumbles into Christina's bathroom and feels that she has not obeyed her orders to scrub the floor that day. Furious that the child doesn't understand her notion of cleanliness, Joan destroys the bathroom as well, beating Christina with two cans of scouring powder and hurling the cleanser over everything. Finally she leaves the girl with an angry order to clean up the mess all by herself. Eventually Crawford sends Christina away to attend a boarding school, and the story advances to when Christina seems to be about 16. She has taken up theater acting classes and appears to have genuine talent. Her mother claims to be losing her financial stability and works out an arrangement that allows Christina (now portrayed by Diana Scarwid) to perform chores around the school for her board and tuition. Meanwhile, Christina begins to realize that her mother's erratic behavior is fueled in part by her alcoholism. Christina's grades are excellent and she seems to be proud of her schoolwork, but things change drastically when she is caught in a compromising position with a boy. Although the encounter was innocent and the boy will be disciplined according to the rules of the institution, Joan arrives at the school furious and removes Christina permanently after screaming in rage at the school's headmistress, Mrs. Chadwick (Priscilla Pointer), claiming the school is a den of iniquity and that the boy be expelled. Joan even refuses to accept Mrs. Chadwick's explanation that it was an innocent encounter between two curious teens. Joan brings Christina home with her, where Barbara Bennett (Jocelyn Brando), a reporter from Redbook magazine, is in the house writing a puff piece on Crawford's supposedly idyllic balance of career and home life. Joan tells Bennett that Christina was expelled from Chadwick, a claim Christina angrily denies in front of Bennett. An argument erupts and Christina accuses her mother of adopting her children simply to give herself free publicity. Joan accuses her daughter of being disrespectful and wonders aloud why she will not treat her like anyone on the street would. Christina counters, saying she isn't one of her mother's fans. Joan slaps Christina several times across the face and then becomes completely unhinged, dragging Christina to the carpet and attempting to choke her to death. Carol-Ann and Barbara witness the attack and intervene, but there are apparently no repercussions for Crawford, who sends Christina to a strict convent school. The film's final act takes place after Christina matures and sets out on her own. Joan marries Alfred Steele (Harry Goz), CEO of Pepsi Cola, and urges him to take on a great deal of debt to fund their lavish home and lifestyle, including an expensively-renovated apartment in New York City. After his death, she remains on the company's board of directors, but not without a bitter confrontation with the all-male board, who slyly try to force her out. Christina and her mother enter into a somewhat amicable phase in their relationship, despite the fact that Joan seems to sabotage Christina's attempt to establish herself as an actress. In a disastrous move, when Christina is unable to attend the taping of a soap opera because of appendicitis, Joan takes her place, attempting to step into a role calling for a much younger actress. It comes as a complete shock to Christina and Christopher that, upon Joan's death at the end of the film, they are both disinherited in her will "for reasons that are well known to them". Her final exchange with her brother hints that Christina has decided to write a book about her experiences growing up with "Mommie Dearest" and thus avenge Christopher and herself, saying that their mother doesn't have "the final word."

The film begins in the locker room full of teenage girls, including Carrie White (Sissy Spacek). Carrie gets her first period, and after becoming distressed, cries out for help. Instead of helping, the other girls ridicule and harass her, throwing out tampons, sanitary towels and toilet paper to her. Teacher Miss Collins (Betty Buckley) rushes in to stop the commotion. White, who appears to be bottling extreme rage, snaps a light bulb. After questioning Carrie, Miss Collins realizes that Carrie is unaware of the concept of menstruation. Because of this, Miss Collins asks the school principal to excuse Carrie from gym class for a week because of the trauma. Upon her way home, Carrie uses her recently discovered telekinesis to stop a boy from teasing her. While at home, Carrie is tormented by her delusional mother (Piper Laurie), who locks Carrie in a closet and forces her to pray--she believes that Carrie received her period due to sinning. Miss Collins, still livid about the incident, berates the other girls and forces them through a detention, deliberately physically exhausting them. The leader of the clique, Chris Hargensen (Nancy Allen), refuses to participate, and as punishment, is banned from the upcoming prom. Furious, she blames Carrie for her misfortune. Meanwhile, another one of the girls, Sue Snell (Amy Irving), feels guilty about her part in teasing Carrie, so she asks her boyfriend, Tommy Ross (William Katt), to take Carrie to the prom. Tommy begrudgingly agrees. After Tommy asks her to the prom, Carrie refuses, thinking that yet another trick is being played on her. After a comforting pep talk with Miss Collins, and after Tommy's further insistence, Carrie finally agrees to go to the prom with Tommy. While everyone else is getting ready for the prom, Chris schemes with her boyfriend Billy Nolan (John Travolta) and best friend Norma (P.J. Soles) to get revenge on Carrie. They go to a farm and slaughter some pigs, drain their blood into a bucket, and place the bucket on one of the rafters in the school gym. Carrie asks her mother's permission to go to the prom. Her mother becomes unhinged at the suggestion, commenting that Tommy is only after her for sex and that this will lead her down a road to perpetual sin. This leads to a violent argument between Carrie and her mother; who uses her telekinesis to slam windows and doors in her home. After another fight between Carrie and her mother the night of the prom, Carrie uses her powers to push her mother into a bed and tells her that she must stop worrying. Carrie and Tommy arrive at the prom, and Carrie begins to feel accepted by Tommy's peers. Miss Collins relates to Carrie the story of her own prom, telling her she should cherish the memory forever. Carrie and Tommy dance together; Tommy has since fallen for Carrie and kisses her. As per Chris' instructions, Norma and some of Billy's friends fix the ballots so that Carrie and Tommy are elected prom king and queen. They make their way to the stage, and Carrie finally feels what it's like to be accepted. Meanwhile, Sue sneaks into the prom and sees Chris and Billy under the stage. She realizes their plan: Chris is going to yank a cord and dump the pig's blood all over Carrie as she is declared prom queen. Sue rushes toward the stage frantically but is intercepted by Miss Collins, who thinks that Sue is out to make trouble for Carrie after seeing that Carrie and Tommy are together. Miss Collins throws her out of the gym, thinking that she was to spoil Carrie's moment. At that exact moment, Chris yanks the cord, drenching Carrie in pig's blood. The students gasp and look on in horror. Tommy is furious, but the bucket falls and knocks him unconscious. Carrie snaps and imagines that all of the students and faculty are actually laughing at her, which her mother had warned her would happen. Carrie uses her telekinesis to destroy the gym and kill her peers and teachers, including Miss Collins. As Carrie walks home, a firetruck is seen passing her. Chris and Billy, who safely witnessed Carrie cause the death of the entire student body, attempt to run Carrie over with Billy's car. Carrie uses her telekinesis to destroy the car. When Carrie returns home, she draws a bath. After she cleaned herself, her mother appears and tells her she was the result of a strange marital rape. Then, convinced that her daughter is an evil witch, she takes out a chopping knife and stabs Carrie in the back. Carrie falls down the stairs and stumbles away from her mother. When her mother corners her in the kitchen, Carrie uses her power to crucify her mother with kitchen knives & tools. After the death, Carrie becomes wrought with guilt and using the lit candles, sets her house ablaze. The home eventually collapses and Carrie dies amongst the debris. Sometime later, Sue, having survived the prom night catastrophe, is suffering from depression over the death of her peers. She experiences a nightmare in which she visits the location of Carrie's house. As she reaches down to put flowers on the burnt lot, Carrie's blood-stained hand reaches up from the rubble and grabs her. Sue then wakes up screaming in the arms of her mother.