Richard Brake

Maya faces the masked killers one final time in a brutal, full-circle reckoning of survival and revenge.

The Strangers are back, more brutal and relentless than ever. After learning their victim, Maya, is still alive, the three masked maniacs return to finish the job. With nowhere to run and no one to trust, Maya must survive a horrific chapter of terror against the psychopaths, who are more than willing to kill anyone who stands in their way.

A young couple drives cross-country toward a new beginning; unfortunately, they have no choice but to stop and stay at a secluded Airbnb in Oregon, and endure a night of terror against three masked strangers.

In Korea's feudal past, the deposed Crown Prince Lee Heon (Yoo Hyun Woo) has been forced into a lonely exile by his cruel older brother, who has usurped the throne. Lee Heon fears for his life at every moment, as his brother plans to secure his place on the royal seat by killing him. Assassins and other schemes are a constant threat for Lee Heon, whose only true ally is his faithful and kind-hearted bodyguard Guem (Kim Tae Jung). Meanwhile, in modern times, a high school student named Eun Ho (Park Jun Hee) loves paintings. In fact, art is his whole world. And when he is tasked with completing a mysterious painting, he is unexpectedly drawn back into the distant past, where he meets Lee Heon. The duo starts to form a close, romantic, and tender bond. But as the acting king grows restless, hoping to kill the exiled Crown Prince as soon as possible, Eun Ho begins to understand that he may be Lee Heon's best - or perhaps only - chance of survival... "Tinted With You" is a 2022 South Korean movie that was directed by Ha Na.

Danger, deception and murder descend upon a sleepy town when a professional assassin accepts a new assignment from his enigmatic boss. A lonesome stranger, secure, nerves of steel, must track down and kill a rogue Hitman to satisfy an outstanding debt. But the only information he's been given is a time and location where to find his quarry - 5pm at a rustic diner in the dying town. No name, no description, nothing. When the assassin arrives there are several possible targets, including the county sheriff. Endangering his life, the assassin embarks on a manhunt to find the Hitman and accomplish his mission. But the danger escalates when the erotic encounters with a local woman threaten to derail his task.

Stephanie is wrecked by the loss of her family in a plane crash. When she learns it wasn`t an accident, she goes on a path of revenge to find those responsible and make them pay.

The film opens with news reports covering the events at the end of the prior film. The reports also reveal that Baby, Otis, and Captain Spaulding miraculously survived being shot and that they will be tried for their crimes. The trial is widely covered and becomes very popular, with many people protesting that the trio are innocent or were only fighting against the system. All three are found guilty and are sentenced to life in prison. Captain Spaulding is executed by lethal injection in prison, however Otis is reunited with his half-brother Winslow Foxworth "Foxy" Coltrane. The two manage to escape from jail during some outside prison work and in the process kill Rondo, who was on the same work crew but did not recognize Otis. Meanwhile Baby unsuccessfully seeks parole, as her mental state has greatly deteriorated since incarceration. Once free Otis and Foxy begin planning to free Baby from prison. To accomplish this they take the family and friends of Warden Virgil Dallas Harper hostage, demanding that he help Baby sneak out of prison or they will murder everyone. Harper follows their commands and sneaks Baby out of prison by disguising her as a guard, however Otis and Foxy still kill everyone. Now united, the three are undecided as to what to do next but eventually decide to flee to Mexico, a decision that is made more pressing due to the unstable actions of Baby. Otis, Baby, and Foxy manage to successfully travel to a small town in Mexico that is celebrating the Day of the Dead and hole up in the town's only hotel. They briefly worry about being recognized but dismiss these concerns, unaware that the hotel's owner has recognized them and has alerted Rondo's son Aquarius to their location. The owner keeps them occupied by the celebration and local prostitutes, so as to keep them from moving to another area. The following morning Baby bonds with a local worker, Sebastian, who notices Aquarius's arrival. He warns Baby of the danger before running to warn Otis, just as Aquarius's men break into the whorehouse. Otis and Sebastian manage to hold them off until Foxy arrives and rescues them, after which Otis separates from them to find and kill the hotel owner. During this time Baby manages to kill several of Aquarius's men using a bow and arrow set she took from Harper's house. Eventually Foxy and Baby are captured by Aquarius, who uses them to draw Otis out into the open. Otis and one of Aquarius's men have a knife fight while Sebastian, who had been shot and left for dead during Foxy and Baby's capture, sneaks up and silently frees Otis's kin. This enrages Aquarius, distracting his man in the knife fight and allowing Otis to gain the upper hand. He, Baby, and Foxy manage to overpower Aquarius, however Sebastian is shot and killed in the process. The film ends with the trio immolating Aquarius before walking off into the town.

The film begins with a bizarre text which reads, "When I die, Bury me deep, Lay two speakers at my feet, Wrap some speakers around my head, And rock and roll me." It then opens on a scene with a lumberjack named Red Miller ( Nicolas Cage ), working in the forest before leaving in a helicopter. It then turns to show his wife Mandy ( Andrea Riseborough ) sketching predatory animals and smoking marijuana. Red returns home to Mandy and talk about planets and stars as well as the Marvel character "Galactus." Mandy and Red are then shown in a montage that shows them in a beautiful lake on a boat, and then looking at each other through fire, looking at each other as if they know something terrible awaits them. Mandy then wanders into the woods and finds a dead fawn, symbolizing the death of innocence. Mandy tells Red of a time in which she was younger and almost peer-pressured into killing a starling. Upon reading a dark fantasy novel, Mandy begins to fear that something evil will happen to her. Upon traveling a road, she passes a truck with its passenger, Jeremiah Sand, eyeing her mysteriously. Jeremiah becomes obsessed with Mandy and tells his acolytes of how he NEEDS Mandy. Brother Swan and Lucy, apostles of Sand, call up a team of Satanic deformed Bikers. Swan gives them a jug of hideous LSD which they take and demand another sacrifice, stating, "Blood for Blood." Mandy is kidnapped by Sand's apostles, an old whore named Marlene among them, where they drug Mandy and Marlene stings her in the throat with a giant wasp, calling it "The Cherry on Top." A delirious Mandy is brought before Sand. Sand explains that he was a failed musician who "Found God" and founded a religious cult, before exposing himself to her, to which she laughs hysterically, enraging Sand into believing that he is being rejected. Sand brings his sister Lucy before Red, who he has captured and tied up with barbed wire. He seeks to demonstrate Lucy's love for Sand by forcing her to shoot herself in the temple. Red screams for her to stop but she pulls the trigger, which it revealed to be empty. Swan then comes and presents Red with a blade. Sand compares himself to Jesus and calls Red a "soulless pig" before stabbing him with the blade. Mandy is then dragged out in a bag, hung by a tree and then burned to death before Red. Red screams in horror and pulls himself free from the bonds, and mourns over Mandy's ashes. A broken Red returns home and watches a bizarre trailer of a "Cheddar Goblin." He falls asleep and has an animated nightmare before awakening and having an emotional breakdown.He goes to his friend's place in a camper, who tells Red that the satanic biker gang is called the "Black Skulls" who became deformed after taking some terrible LSD which made them hideous. Red forges an ax and heads after the Biker Gang. The title screen of "Mandy" spreads out upon the screen. Red chases after the biker gang, shooting one off his bike with a cross bow before ramming into him with his car. He falls unconscious from the collision and awakens in the "Black Skulls'" Lair, his left hand nailed to the floor. He is beaten by a Black Skull guard before gaining the upper hand by beating him down with a pipe and sending him down a deep chasm nearby. Red arms himself with a box cutter and body armor before investigating the place. He finds a dead elderly couple, obviously victims of the biker gang. He enters another room, seeing a Black Skull watching pornography and snorting cocaine. Red attacks this Black Skull and slits his throat with the box cutter after a brief scuffle, the Black Skull's blood drenching into his face with Red laughing maniacally. He is then attacked by another Black Skull who enters the room with a shotgun. Red attacks him and snaps his neck, getting caught up with joy in the violence. He rewards himself by snorting cocaine off of a broken shard of glass. He then notices a jug of the LSD the bikers have been drinking and takes a small taste of it out of curiosity. He sees a bizarre series of apocalyptic nightmarish scenes before coming to his senses. Red exits the lair and kills the remaining Black Skull with his ax. The Black Skull states, "She's still burning" to which an enraged Red hacks him to pieces after setting him on fire. Red approaches a nearby tower where he meets the chemist, who had made the LSD which deformed the biker gang. The chemist has a pet tiger which Red frees from a cage after the Chemist receives telepathic information and tells Red to head north to find Sand's lair. Red catches up with Lucy and Swan. He kills Swan by impaling him through the mouth with the bladed handle of his ax. He leaves Lucy, realizing she is merely a Puppet of Sand and no threat to him. He nears the lair of Sand, a converted satanic church where he kills Sand's attacking apostles with his ax and a chainsaw. He enters the church with Marlene who offers her services to him. Red instead decapitates her and taunts Jeremiah Sand with her severed head. Sand at first declares that he is protected by God and will not be hurt by Red, but then whimpers and begs Red for mercy. Red instead seizes him by the head. Sand screams and even offers him oral sex so that he will be saved. Telling Sand, "I'm your God now!" Red crushes Sand's head into jelly before burning the church. He enters his car and drives off, imagining that he is seeing Mandy sitting in the passenger's seat, smiling at him. It is revealed that Red is in a bizarre bloody state of deformity in reality- obviously deformed by his revenge quest and the LSD, and is hallucinating Mandy. As he drives off, it is revealed that the world he is in now is a bizarre inferno of madness that is not our own. The credits are red text on a black screen and is mute as there is no background music to be heard.

In a short flashback, Deborah Myers (Sheri Moon Zombie) visits her son, a young Michael Myers (Chase Wright Vanek), at Smith's Grove Sanitarium. Deborah gives Michael a white horse statuette as a gift. Michael says that the horse reminds him of a dream he had of Deborah's ghost, all dressed in white and leading a horse down the sanitarium halls toward Michael, telling him she was going to bring him home. Flashing forward 15 years, picking up where the first Halloween film left off, a dazed and bloodied Laurie Strode (Scout Taylor-Compton), is found wandering around in a state of shock and covered in blood after shooting the adult Michael Myers (Tyler Mane) who attempted to kill her. Sheriff Brackett (Brad Dourif) takes Laurie to the emergency room. Meanwhile, the paramedics pick up the Sheriff's daughter Annie (Danielle Harris), as well as Michael's psychiatrist Dr. Loomis (Malcolm McDowell), both of whom are still alive after having been attacked by Michael, and take them to the hospital. Presumed dead, Michael's lifeless body is loaded into a separate ambulance. When the driver has a traffic accident, Michael awakens and escapes the ambulance, walking toward a vision of his mother Deborah dressed in white and leading a white horse. Michael appears at the hospital, and begins murdering everyone he comes across on his way to Laurie. Trapped in a security outpost at the gate, Laurie watches as Michael tears through the walls with an axe, but just as he tries to kill her, Laurie wakes up from the dream. It is actually two years later and Laurie is now living with the Bracketts. Michael's body has been missing since last Halloween still presumed dead and Laurie has been having recurring nightmares about the event. While Laurie deals with her trauma through therapy, Loomis has chosen to turn the event into an opportunity to write another book. Meanwhile, Michael has been living in an abandoned cabin in the woods somewhere in the Midwest, having grown long hair and a beard, living like a mountain man while healing from his wounds he sustained in the previous film. Michael is revealed to be having visions of Deborah's ghost and a younger version of himself, who instructs him that with Halloween approaching it is time to bring Laurie home; so he sets off for Haddonfield. As Michael travels to Haddonfield, Laurie begins having hallucinations that mirror Michael's, which involve a ghostly image of Deborah and a young Michael in a clown costume. In addition, her hallucinations also begin to include her acting out Michael's murders, like envisioning herself taping Annie to a chair and slitting her throat while dressed in a clown outfitsimilar to how a young Michael murdered Ronnie White. While Laurie struggles with her dreams, Loomis has been going on tour to promote his new book, only to be greeted with criticism from people who blame him for Michael's actions and for exploiting the deaths of Michael's victims. When his book is finally released, Laurie discovers the truth: that she is really Angel 'Boo' Myers, Michael's long lost sister. With the truth out, she decides to go partying with her new friends Mya (Brea Grant) and Harley (Angela Trimbur) to escape how she is feeling. Michael appears at the party and kills Harley, then makes his way over to the Brackett house and stabs Annie repeatedly. When Laurie and Mya arrive back at the house they find Annie bloodied and dying. Michael kills Mya and then comes after Laurie, who manages to escape from the house. While Laurie manages to flag down a passing motorist, Sheriff Brackett arrives home and finds his daughter dead. Laurie gets into the motorist's car, but before they can escape Michael kills the driver and flips the car over with Laurie still in it. Michael takes the unconscious Laurie to an abandoned shed he has been camping out in. Laurie awakens to a vision of Deborah and a young Michael, ordering her to say "I love you, Mommy". The police discover Michael's location and surround the shed. Loomis arrives and goes into the shed to try to reason Michael into letting Laurie go. Inside, he has to inform Laurie, who believes that the younger Michael is holding her down. But from Loomis (and the viewers') point of view, no one is restraining her and Loomis tries to tell her that she must maintain her sanity and not fall over the edge just like Michael did. Just then, the ghost of Deborah instructs the older Michael that it is time to go home, and Michael grabs Loomis and begins repeatedly slashing his face and stabbing him in the chest. Stepping in front of a window while holding Loomis's body, Michael is shot twice by Sheriff Brackett and falls onto the spikes of some farming equipment. Apparently released of the visions, Laurie walks over and tells Michael she loves him, then she stabs him repeatedly in the chest and finally in the face. The shed door opens and Laurie walks out, wearing Michael's mask. As she pulls the mask off, the scene transitions to Laurie in isolation in a psychiatric ward, with a deranged grin on her face as a vision of Deborah dressed in white stands with a white horse at the end of her room.

In war-torn Eastern Europe, a mysterious businessman hires a group of mercenaries on a routine mission to protect him not knowing of the long-hidden secret that lies there. In a seedy bar in a town ravaged by war, mysterious businessman Hunt hires ex-marine D.C. to assemble a crack team of ex-soldiers to protect him on a dangerous journey into no-man's land. To this gang of hardened warriors, battle-worn veterans and borderline criminals killing is just a job - and one they enjoy. Their mission - to scope out an old military bunker. It should be easy - 48 hours at the most. Lots of cash for little risk, or so he says. Once at the outpost, the men make a horrific discovery that turns their mission on its head - the scene of a bloody and gruesome series of experiments, carried out by the Nazis on their own soldiers during WWII. Amid the carnage, they find something even more disturbing - someone who's still alive. As war rages above ground, and a mysterious enemy emerges from the darkness below, D.C. and his men find themselves trapped in a claustrophobic and terrifying scenario. Their mission is no longer one of safe-guarding - it's one of survival. Together they must discover why Hunt has brought them to the outpost - and what it is that's killing them off, one by one. —Anonymous Outpost follows a crack team of battle-hardened mercenaries on a routine mission to protect a mysterious businessman through the no-man's land of war-torn Eastern Europe. However, after he leads them to a long forgotten, underground outpost, they unwittingly reawaken a lurking terror that soon changes their mission from one of safe-guarding, to one of survival, as they desperately battle an enemy even they've never faced before. —Anonymous In a town ravaged by war, mysterious businessman hires an ex-marine to assemble a crack team of ex-soldiers to protect him on a dangerous journey into no-man's land. To this gang of hardened warriors, battle-worn veterans and borderline criminals killing is just a job - and one they enjoy. Their mission - to scope out an old military bunker. It should be easy - 48 hours at the most. Lots of cash for little risk. Or so he says...Once at the outpost, the men make a horrific discovery that turns their mission on its head - the scene of a bloody and gruesome series of experiments, carried out during World War Two. Amid the carnage, they find something even more disturbing - a survivor. As war rages above ground, and a mysterious enemy emerges from the darkness below, the ex-marine and his men find themselves trapped in a claustrophobic and terrifying scenario. Their mission is no longer one of safe-guarding - it's one of survival. Together they must discover what it is killing them off, one by one. —johnnyber

On Mars in the year 2046, in the Union Aerospace Corporation (UAC)-owned Olduvai Research Facility, scientists are attacked and pulled into the darkness by an unseen monster. Doctor Carmack (Robert Russell) transmits a warning about a Level 5 security breach before the door behind him is torn open. He turns around and sees something through the gap. On Earth, a team of eight Marines known as the RRTS (Rapid Response Tactical Squad) are preparing to go on leave. Their leave is cancelled when the squad leader, Sarge (Dwayne Johnson), receives new orders. Contact with Olduvai has been lost and the RRTS is being sent to investigate. The Mars station is quarantined and the 85 UAC employees on Mars are not allowed to return to Earth. As the men suit up, Sarge pulls aside John "Reaper" Grimm (Karl Urban) and asks him not to go because Reaper's sister is on the station. Reaper suits up anyway, and their team is deployed to Mars via a teleportation device called the "Ark", located at Area 51. The Ark was discovered in 2026, and scientists have been studying it. The team meets an early victim of the Ark system, Pinky (Dexter Fletcher), who "went to one galaxy while his ass went to another" (his lower torso now a two-wheeled engine resembling a Segway) during an Ark teleportation event. They meet up with Dr. Samantha Grimm (Rosamund Pike), Reaper's twin sister. Their mission is simple: eliminate the threat, secure the facility and retrieve UAC property. Reaper converses with his sister and learns that they discovered humanoid remains on Mars that contain a 24th chromosome, making the creatures superhuman, invulnerable to disease and with the ability to rapidly heal injuries. The team locates Carmack, who is deranged to the point of tearing off his own ear. They return him to the lab and Grimm tries sedating him. The Marines explore the facility, encountering creatures intent on killing them. An Imp slays Goat (Ben Daniels) before being killed and brought to Sam. Blood samples taken from two hostile creatures reveal that they were human. Sam determines that their genetics have been altered by the addition of the Martian chromosome; however, the chromosome seems to "choose" whether it causes the person to be superhuman or a monster, apparently able to determine on a genetic level whether a person has the capacity to be evil. The chromosome is spread by the projectile tongues of those infected. The Marines discover that Carmack deliberately injected the chromosome into an "evil" subject (prisoner Curtis Stahl, a multiple murderer), who later transformed and broke loose. Multiple attacks by the Imps kill Mac, Destroyer and Portman, reducing the squad to Sarge, Reaper, The Kid (Al Weaver), Duke (Raz Adoti) and Sa. The surviving team realize that a Hell Knight has escaped through the Ark to the Earth due to Pinky's refusal to trigger a grenade Mac left with him to destroy the Ark. Sarge takes the Bio Force Gun, dubbing it the "Big Fucking Gun". The group finds the UAC facility on Earth full of corpses. Sarge orders his men to kill anything alive in order to prevent the infection from spreading. The Kid finds a group of non-infected humans, and Sarge kills him for insubordination when he refuses to kill them. Pinky reappears, aiming a pistol at Sarge, but is dragged off by a monster. Zombies attack, killing Duke and dragging Sarge through a malfunctioning bulletproof screen. Reaper is hit by a ricochet. To save his life, Sam injects Reaper with Chomosome 24. Instead of becoming a monster, Reaper awakens as a superhuman with enhanced strength and healing abilities. Following Reaper's transformation and the discovery that Sam is missing, the movie takes on a first-person shooter perspective. Within a few minutes, Reaper slays an array of monsters, including Pinky, who has mutated into a Demon dragging his lower mechanism behind it. Switching back to a standard camera angle, Reaper emerges at the facility's exit. Bodies are scattered everywhere, and a melted blue hole in the wall, the mark of a BFG blast, is still cooling. Reaper encounters Sarge and an unconscious Grimm lying on the floor. Reaper asks Sarge what happened to the non-infected survivors, to which he replies that he killed them. Reaper notices the same injury on Sarge that Carmack had before he turned into an Imp, something Sarge has been hiding. After a badly injured Grimm crawls to safety, the Marines face off. As he holds Reaper against the wall Sarge begins transforming, developing features such as a prominent skull structure, sharp teeth and red eyes. Reaper throws Sarge into the Ark, followed by a grenade. Sarge and the Ark are obliterated. Reaper retrieves Sam, who is conscious but unable to walk, and holds her in his arms as he returns to the Earth's surface.