Rishab Shetty

Exploring the origins of Kaadubettu Shiva during the Kadamba dynasty era, it delves into the untamed wilderness and forgotten lore surrounding his past. Set against the era of the Kadamba dynasty, Kantara: Chapter 1 explores the origins of the sacred traditions of Bhoothakola, tracing the divine emergence of Panjurli Daiva and Guliga Daiva. Through a powerful blend of history, mythology, and spirituality, the film unveils how these eternal guardians came to be revered as protectors of dharma and culture.

A small town head constable takes up an unofficial case to help his superior officer in order to save himself from suspension because of his overweight issue.

Set in a fictional village of Dakshina Kannada, Kantara is a visual grandeur that brings alive the traditional culture of Kambla and Bhootha Kola. It is believed that Demigods are the guardians and their energies encircle the village. In the story, there is a ripple when a battle of ego swirls along tradition and culture of the land. The soul of the story is on human and nature conflict in which Shiva is the rebellion and works against nature. There are intense conflicts he indulges in. In the end, a much awaiting loop leads to war between the villagers and the evil forces. Will Shiva, the protagonist of the film be able to reinstate peace and harmony in the village perceiving his existence?

Katha Sangama is a Kannada anthology film composed of seven short films directed by seven directors. Rishab Shetty conceptualized this movie as an ode to late Sri Puttanna Kanagal, director of the 1976 movie of the same name.