Robert Loggia

Bob Rueland (David Duchovny) and his wife Elizabeth (Joely Richardson) are deeply in love. She is a dedicated animal psychologist specializing in great apes, who has for 16 years worked with a gorilla at the Chicago zoo. Bob is a builder, and he is very committed to a project to build a wonderful new gorilla enclosure at the zoo, to his wife's design. Grace Briggs (Minnie Driver) is an orphan who has been brought up by her devoted grandfather Marty O'Reilly (Carroll O'Connor) who is proprietor of an Italian restaurant, the chef being Marty's dear friend Angelo Pardipillo (Robert Loggia). Grace's great friend is Megan Dayton (Bonnie Hunt), married to the chauvinistic but clumsily chivalrous Joe (James Belushi). Grace has a weak heart, caused by incurable disease, and needs a transplant. One night, after a gala with guest in evening dress, Elizabeth is fatally injured and dies in the hospital. She's a donor and her heart is transplanted into Grace. Bob is devastated and so is Elizabeth's dog Mel, which pines for her in their apartment hallway for months. During this time Grace gradually recovers from surgery with her new heart, and after much thought writes a letter to the donor family of her heart, for forwarding by the donor/transplant agency as the arrangement is anonymous. Grace creates a garden full of varied flowers, in Marty's back yard in the city; and she paints pictures, of the city scene around her but also of scenes of an Italian city, though she has never been abroad. She gets around the city on her bicycle, and often visits Megan. They go with Megan's children to the zoo, and --- mysteriously, because he doesn't do it for anybody else --- the gorilla comes over and gives Grace a "high-five" with his hand on the divider through which visitors look at him. Grace even passes close to Bob in the crowd around the existing gorilla enclosure, and he seems to experience some frisson as though he can feel Elizabeth's heart still beating but now inside Grace. At last, after a year or so, one of Bob's best friends Charlie Johnson (David Alan Grier) persuades him to come out on a foursome date. Charlie is a veterinary expert at the zoo, involved with the care of the gorilla. On top of all his other projects (on which he is always the man in charge of the whole operation), Bob has been working intensively on the new gorilla enclosure and has been seeing a lot of Charlie, who also knew Elizabeth very well but has grown increasingly concerned about Bob's state of mind since her death. The place they pick for the four-way date, about which Bob is still doubtful, is O'Reilly's Italian restaurant. Bob turns up late and is dismayed by the fussy, bossy personality of the woman who is his blind date; however he is rather taken with Grace, who comes to take their order. He even asks her whether they have met somewhere. Bob finally contrives a mobile phone call and claims he must rush back to work on one of his projects which has hit a crisis needing him on site immediately although it's late. Grace gives him a dinner to take away, and he escapes to eat it on his own. He leaves his mobile phone on the counter and only realizes the next day that he has mislaid it. He goes back the next night after hours, and is greeted by Mary, Angelo and their two elderly friends, one of whom is the apple in the eye of O'Reilly's other waitress, the amply proportioned Sophie (Marianne Muellerleile). These four repeatedly debate the relative merits of Sammy Davis, Dean Martin, Bing Crosby and Frank Sinatra, and play cards. Grace has gone to bed and is unaware that Bob has arrived in the now closed restaurant. She goes downstairs in her dressing gown and shower cap, and is horrified to find Bob there seeing her en dishabille. However Bob is undisturbed and, as he helps her cover the flowers in her precious garden against an expected gale, asks her out the next evening. The couple are in love but Grace gets increasingly obsessed with the idea that he must not find out she has had heart surgery. Then, on first being invited back to his apartment, she discovers her own letter "to the donor family" on his desk, and realizes this is the man whose dead wife's heart is now inside her. She goes to pieces, takes the letter, and leaves. Bob goes to see her and she shows him the letter. This time, it is Bob who leaves abruptly. All this time, Grace has had an airline ticket to Italy which Marty got for her. The next time Bob calls, she says she is going away, to Italy, to paint. Bob presents her with a new bright red bicycle, and she takes it to Italy with her. But, sitting in her room or with her easel on a rooftop with her artist's easel in front of her, she thinks only of Bob and can't get anything done. An avuncular Italian waiter comes and offers her refreshment. WHen she declines he offers to listen to her story. Meanwhile Bob is distracted, can't concentrate on his work, and the next thing we see he is on an Italian street. That morning, Grace encounters a trio of nuns who admire her beautiful red bicycle. She offers one a ride on it. Off the nun pedals into the crowd. The scene shifts to Bob, a little way off in the same town, who finds himself looking at random at cyclists as they speed past him. Then a nun comes by, and he thinks he recognizes the bike so he runs after her. We go back to Grace and the other two nuns; when the third returns on the bike, she is riding on the from and a man is behind her pedaling. It is Bob. Grace is so moved that he flew all the way to Italy to find her. (They have only been separated a few days.) Back in the USA the gorilla enclosure has a grand opening. Then at O'Reilly's there is a wedding: it is Sophie and Wally getting hitched.

A 10-year-old boy goes on a search for God after his grandfather dies. A fifth grader goes on a search for God after his grandfather dies. Along the way he gets into tons of trouble at Waldron Academy an all-boys school. Also he is aided on his search by a sports-loving nun.

Longing to have a baby, a sterile 1930s Bostonian hires a man to impregnate his wife. Father Michael McKinnon goes from the U.K. to Boston circa 1935. For unknown reasons, he avoids at all costs the most prominent parishioners, Arthur and Eleanor Barret. Meanwhile, Eleanor and Arthur desperately want to have a child, but Arthur is sterile, so they hire Harvard law student Roger Martin to impregnate Eleanor, but unfortunately Roger falls in love with her.

One fought to win. The other fought to survive. Two friends are pitted against each other by a corrupt boxing promoter in a battle that could destroy their friendship and lives.

The camera pans along the nighttime skyline of Pittsburgh, as a romantic song plays in the background. Then along a common street to a low-rise walk-up apartment building beside a notary office, and into the apartment of a beautiful but lonely young woman named Marie (Anne Parillaud). Marie stands naked, looking out her window; her apartment lit by dozens of candles. In a voiceover, Marie says she is 'eternally alone' and lives for comfort of the senses; food and sex. But she's very picky about what she eats, which caused her last lover to leave. As Marie reads over several newspaper articles about organized crime in the city, including a rising mob boss named Sal 'the Shark' Macelli, her voiceover continues, saying she hasn't been able to obtain food in six days. She's sad and starved, and needs to treat herself. Continuing to read the article she says that she's thought about going Italian, and we see her smile to herself in a mirror, and blow out some candles. A fancy car drives up to a corner Italian restaurant named the Oyster House. A man named Gilly gets out of the car near where several men stand, and greets one before walking into the restaurant, where he goes to a small table occupied by Tony (Chazz Palminteri) and Joe Gennaro (Anthony LaPaglia). Tony takes the two downstairs; Joe discreetly telling Gilly that the place is bugged. They pass through the kitchen and a heavy door where Sal Macelli (Robert Loggia) sits with a group of his enforcers. Gilly acts in awe of Macelli, who merely sits and sips coffee as his men make Gilly sit beside him. One brings over a toaster oven and takes it out of its box. Macelli makes small talk and a joke about toaster ovens, before quickly getting to the point: he accuses Gilly of short-ending him on an acquisition. He bashes Gilly with the toaster oven, knocking him off his chair. He busts the toaster oven over Gilly's head, making it clear that Gilly is here to be killed. Joe pleads for discretion, saying that someone might have seen Gilly entering the restaurant. Macelli roars that if Joe wants a discreet killing, he has to do it himself. He tells Ray (Kim Coates) to hand his gun to Joe, and demands that Joe carry out the execution. Gilly starts to plead and grovel with Macelli for his life, which disgusts the mob boss. He shoots Gilly dead himself, and then grabs Joe by his lapels, growling that he had better shoot someone the next time he's told to. Macelli is shown to be aggressive and bullying even with his closest allies. Tony and Joe are leaving the restaurant. Joe complains to Tony that Macelli has a disturbing love of killing and violence, something Tony warns him not to speak too freely; they're merely soldiers in a war. He gives Joe a gun, warning him that despite his being brought in to steal, one day he will likely be ordered to carry out a hit and will have no choice but to do it. Suddenly, Joe looks at a white van with dark windows parked on the curb slightly down. Starting to yell, he breaks the windows with the butt of the gun, yelling and gesticulating for the occupants-- police doing surveillance-- to get lost. Macelli's men all applaud and cheer Joe's moxie, but Tony just pulls him away and sternly warns him not to do that again, before telling him to go home and get his head straight. Not watching where he's going, Joe accidentally bumps into Marie, who walks down the street; a shopping bag in her hand. Marie's shoe accidentally falls off and Joe helps her with it. Marie looks at Joe with a curious expression; in her thoughts, she finds him 'promising' but his eyes are sad. Marie's voiceover says that her first 'rule' is never to play with the food. She shakes her head no after Joe offers to buy her a cup of coffee so she can warm up outside of the cold, and she walks away. As Marie crosses the street, she passes in front of Tony's car, which is just pulling out of his parking spot. Tony's windshield wipers are still brushing excess snow away from his windshield, so he doesn't immediately see Marie and has to stop short, honking his horn impatiently. Marie gets annoyed and she knocks the hood of his car with one of her shopping bags. Tony jumps out and menacingly warns Marie not to touch his car. Marie thinks to herself that Tony is 'perfect.' Turning meek and timid, Marie apologizes, pleading for Tony not to hurt her. She then makes a curiously flirtatious remark about Tony's reflexes in not hitting her with the car. Tony smiles and offers Marie a lift, and she smiles back. As Tony drives, Marie pops one of his Frank Sinatra CD's into the car's stereo and says there's a park nearby with an excellent view of the city, and she invites him to see it. Tony drives to the park and pulls up at a spot overlooking the city's panoramic view. Marie smiles shyly but flirtatiously as she doffs her coat, revealing her sexy red dress. She climbs onto Tony's lap, accepting his kisses as she starts to unbutton his shirt. She starts to kiss his neck, when suddenly he recoils in pain, indignantly shouting at her. But Marie's eyes quickly turn blood red and she opens her mouth to give a very animalistic growl, tearing into Tony's neck like a monster. When she's done, she peers at her blood-smeared reflection in the rear-view mirror, before pulling it off the car's roof in disgust and smashing it. Marie is a vampire; a vampire with a conscience. She must kill humans to live. But she only preys on criminals; preferably mean-tempered ones who enjoy hurting people. She passed on Joe Gennaro because she could see the good in his eyes. Tony, on the other hand, she could see the sadism in his look; hear his quick temper in his voice. Her first rule, never to play with her food, ensured she never had time to develop any feeling for potential prey. Marie's second rule is to always finish the food; she must be sure to kill them. This eliminates all signs of the feed marks she inflicts, and cleanly disconnects the central nervous system. Marie accomplishes this by using a shotgun on her prey at close range after she's done feeding. Police are investigating Tony's murder the next morning, and it's seen that Joe Gennaro is in fact with the Pittsburgh police department, working deep undercover infiltrating Sal Macelli's crime ring in order to bring it down. As Joe looks into the van, the coroner is spooked. Tony was killed with a clean shotgun hit, but the body shows a clear sign of very significant blood loss beyond what the shotgun damage should inflict. But this is the least of Joe's worries as a federal district attorney, Sinclair (Angela Bassett) berates Joe for showing up at the investigation; any of the force could be in Macelli's pocket. The officers working surveillance are also furious at Joe over 'the stunt with the van,' although Joe defends himself because the van was too close without any discretion. But Sinclair doesn't want to listen to anything Joe says; she feels he's become a danger to the investigation and to himself. Joe argues hotly that he's been undercover as part of Macelli's organization for three years, eating, drinking and stealing with them, and soon he'll be asked to make a hit, which is when it will be time to nail him. But then, press start to rush in from all sides, and Sinclair gives Joe a friendly hug as she turns and gives a big smile for the cameras. By evening, all of Pittsburgh has seen the articles both on Tony's murder and the photo of Joe with Sinclair; including Marie and Macelli. Exiting the Oyster House with a group of his men, and his attorney, Manny Bergman (Don Rickles), Macelli is taking the news exactly the way he'd be expected to-- wanting Joe killed, while Manny tries to talk him into 'making proper arrangements' because Sinclair will soon use the Rico act to freeze all of Macelli's assets. Macelli finds Lenny (David Proval), one of his men, talking to Marie, who's come by to feed on another of the gangsters. When Macelli has Jacko (Tony Sirico), one of his men, chase off a nosy photographer, Marie tells Macelli off in a way that can get people killed. But although he puts Marie in her place, Macelli's impressed by her moxie and offers her a ride. Marie knew she should have walked away from Macelli, but she found him annoying; enough to make an example of him. She gets into his limo, going into her act as Macelli breaks the ice with her. Marie notes they're being followed, and Macelli tells Lenny, who's driving the limo, to lose anyone tailing them and take him and Marie to 'the hideaway.' Macelli's hideaway is right beside a church. He tells Lenny he'll be with Marie for an hour, and to stand guard. He brings Marie into the hideaway, and she smiles flirtatiously as she looks the place over. But when Macelli takes out a container with take-out supper from the Oyster House, Marie recoils from the strong odor of garlic used in preparing the food, saying it isn't for her. Marie runs into the bathroom, pushing up the window, breathing in the fresh air; knowing she made a mistake targetting Macelli. In the meanwhile, Macelli is wondering what's going on with Marie and goes into the bathroom after her, starting to come on to her. Marie is nauseated by the garlic on his breath, and the lights of the bathroom are hurting her sensitive eyes. Macelli starts to get aggressive in kissing her and starting to undress her. Marie responds to the passion, undoing his tie and shirt collar. Marie then strikes, tearing into Macelli's neck and starting to feed. But Marie is unprepared for the crafty mob boss' resourcefulness. As she tears into his neck, he pulls a handgun strapped to his ankle and fires a shot into the ceiling. Lenny, sitting in the limo, hears the sound. Macelli fires a shot into Marie's stomach before collapsing. Lenny hurries to the hideaway door, trying to get in. Marie presses a towel to her wound and again happens to catch sight of her blood-smeared reflection in a mirror, breaking it in disgust. Lenny happens to look in through the raised window and sees Macelli laying in the bathtub, seemingly dead. He sees Marie, her face smeared with blood, and cries out in alarm. Hurrying back to the door, he shoots the lock and kicks the door in. He hurries to the bathroom, finding Macelli still in the bathtub, and Marie gone, having hurried out to make her escape. Joe is in protective custody, watching an old horror TV show with officer Dave Flinton (Leo Burmester), who's helping watch over him. Joe knows that because of how deep undercover he's been, many of his fellow officers don't look kindly on him, seeing him as half cop, half crook. But another curve ball is headed his way as fellow officer Morales (Luis Guzmán) comes by with pizza delivery; a phone call informs Flinton that Macelli's taken a hit on the north side; apparently Joe made him look so bad in front of his men, that one of them took him out in a macabre form of poetic justice. Joe is still upset, because the undercover work was the case that was going to make his career. Joe drives to the hideaway where preliminary investigation is underway. He looks through the broken bathroom window, dismayed as he watches the coroner tending to Macelli's body. But immediately Joe notices things amiss; Macelli suffered a cut carotid artery, meaning there should be far more blood than he sees, and he's sure the coroner found something under Macelli's fingernails; Joe suspects the perp was a female and that Macelli's fingernails have traces of makeup underneath. The coroner glances at a thermometer placed in Macelli's midsection and makes a puzzled sound; Macelli's body temperature is going up, not down as is standard for a corpse. Lenny and Manny are outside the church as well, and a fight nearly breaks out as Joe passes by them. Joe climbs the fire escape onto the roof of the hideaway building. Looking around with a flashlight, he finds blood on the chimney-- and a woman's black pump laying in the blood-spattered snow atop the roof. As he picks it up and starts to examine it, he hears a rustle from the other side of the chimney. Marie comes into view, her eyes red and her face still smeared with blood, and she gives a vampiric growl, scaring Joe out of his wits. He dives to the floor as she runs past and leaps off the roof, escaping. Joe enters the church and looks around. Feeling uneasy, he draws his gun. Suddenly he feels something moving past him and hears Marie growling, although he doesn't see her. Suddenly the church's fire escape doors burst open and a growling sound comes from there, before the doors slam back shut in the sudden gust of wind. Marie runs along the outside of the church. She climbs up an exterior heating pipe, breaking a window on the second floor and entering through it. Joe sees a tethered German Shepherd dog barking loudly and acting very agitated, and quickly unties its leash, setting it loose. In a shower room in the church, Marie lets the hot shower water wash all the blood off her body, without bothering to undress. She stands under the shower, letting the water continue to pour down on her, while outside, the dog leads Joe to the pipe Marie climbed up. Joe looks up and sees the window Marie broke. Someone puts a hand on Joe's shoulder and he whirls, gun drawn-- it's just the dog's owner, come looking for him. Joe climbs the pipe and enters the shower room. Marie is gone, but he sees that she left the shower faucet she used, running-- and he sees her wet footprints leading to and through a closed door. He follows Marie's trail to a thrift shop, finding its lock broken. As he looks around, the camera pans up to show Marie hanging from a fixture on the ceiling, above and now behind him. She's changed into some clothes taken from the shop, leaving her bloody dress on the floor. Marie hangs from the fixture by one hand, watching Joe closely as he bends down and looks at her discarded dress. Finally she drops down to the floor, swipes a jacket from the racks and is out the door before Joe can spot her, although he heard the sounds and sweeps the area with his gun. But as he steps back outside the thrift shop, Marie suddenly grabs him from behind and throws him a dozen yards onto the ground; grabbing away his gun and throwing it through the church window. Her eyes flash a bestial green and her voice is harshly distorted as she warns him to stay away from her, or she'll kill him. Joe is left dazed on the ground, gazing up at the sky in disbelief. Macelli's body is being brought into the morgue. But as the pathologist plugs in a tool to start an autopsy, he suddenly finds Macelli sitting up and looking right at him. Downstairs, the county coroner is telling a massed crowd of repoters that the press will know the details on Macelli's death soon as he knows-- but everyone is about to find the results out first hand, as they all see Macelli running through the morgue atrium with the pathologist following behind. Macelli escapes into an elevator, wanders right past the front desk security guard who's busy watching a "gorilla chases pretty girl" horror movie, and then steals a car from right under the noses of two bumbling fools who are looking in its trunk; driving it off into the night streets. Marie is perched high up on the steeple of the church cathedral, watching Joe approach his car. A press member tells him that Macelli was spotted crashing a car into a gas station in Shadyside. Joe gets into his car, and pauses to take the shoe Marie dropped on the rooftop out of an inside coat pocket, looking at it thoughtfully. He puts it on his dashboard and sits idle for a few seconds, until Marie leaps down from the steeple right onto the hood of his car, heavily denting it and smashing all the windows. She grabs Joe and hauls him out of the car, and climbs in herself, using her recovered shoe to smash out the windshield. When Joe leaps in front of her, she hits the gas to scoop him onto the hood, then stops and hits the gas again so he falls into the car. She intends to go after Macelli herself. Manny arrives at his house and is greeted by his wife, Fran (Elaine Kagan). As she helps him out of his coat and scarf, we hear the sound of breaking glasses. Manny goes into his living room, he sees Macelli raiding the wet bar there. Macelli's skin is pasty white as he rummages through the bar, looking for something to drink. He's stricken by extreme thirst, but none of the booze there is working to sate it. As Manny tries to calm him down, Macelli suddenly remarks that Manny smells good, before rambling about how he'd woken up in the morgue after an attempt on his life. Then he smells something and staggers into the kitchen, where Fran had warmed up some food, which Macelli starts tearing into greedily. He insists he's fine despite Manny wanting to call a doctor; just with a sudden insatiable appetite of some sort. Marie struggles to drive toward Shadyside, the bright headlights of the cars in the opposite-direction lane hurting her eyes. Meanwhile, Joe rambles about all the trouble she's in; Joe is positive that Marie is responsible for the hit on Tony Sliva as well as the attack on Macelli. Marie finally pulls over and asks Joe to drive, because she's having too much trouble concentrating against the incoming headlights. They swap seats and Joe continues interrogating Marie, finally confronting her on his knowing that she's in pursuit of Macelli, but why she didn't make sure he was dead the first time. Marie finally loses patience and snaps back that she screwed up-- using her vampire voice. Her eyes flash green as she does this. Joe sits back in shock, asking, "What in hell are you?" They pull into the gas station and are met by Morales and Flinton. The two still don't fully trust him, especially when he starts telling them that Marie killed Tony and attacked Macelli-- they look into the car and are not at all believing when they see the slim, demure-looking woman there smiling innocently at them. Flinton puts Joe in his car, warning that he'll cuff him if he acts up again. He then joins Morales in talking to Marie, who does a perfect job of playing innocent and the officers' own belief that Joe is starting to lose it. But in the meantime, Joe happens to glance across the street and sees a flower shop, and gets an idea. He grabs Flinton's walkie and asks for the street address of Manny Bergman. He then asks a gas station employee for directions. Marie spots him and asks Flinton and Morales if she can use the bathroom, which they gladly agree to. Macelli is in Manny's kitchen, heating a piece of meat over the gas stove while eating it. Manny sits at the table with Lenny and Jacko, watching warily. Suddenly Macelli drops his meat and sniffs, saying that Joe Gennaro is nearby. He punches out a window in the kitchen and jumps through it, despite the other three trying to hold him back. Back at the gas station, Flinton finds that Joe gave them the slip. Checking the womens' bathroom, Morales finds Marie has done the same. Macelli finds Joe and ambushes him from behind, clamping one hand around his throat and lifting him up in the air, choking him as Manny tries to plead for Macelli to let Lenny and Jacko handle things. Macelli pays no attention as he chokes Joe, a gleeful look on his face. Finally in desperation, Manny grabs a shovel and whacks Macelli on the back of the head, making him drop Joe but otherwise leaving him unharmed. He acts confused enough for Manny to lead him back into the house while Lenny and Jacko tend to Joe. They find him unarmed but also find a pair of handcuffs on his belt, which they use to cuff him. Manny takes Macelli inside, explaining that he's safe in the house because he's been pronounced dead, meaning even a search warrant can't be served in search of him. But Macelli is more occupied on noting that, despite how hard Manny hit him, his head isn't bleeding at all. Macelli suddenly begins to walk toward Manny, and tears into his neck, his eyes flashing red. Marie's failure to 'finish the food' has made Macelli into a vampire. Fran finds Macelli sitting on the basement floor, his face covered in blood, and Manny in Macelli's lap, seemingly dead, although Macelli is sure he's not; he's begun to figure out some of what's happened to him. Macelli gets up to feed on Fran, but she stabs him with a knife and runs. Macelli pulls the knife out of his chest, seeing he isn't hurt, although he notes that all his clothes are saturated with blood. Lenny and Jacko are carrying Joe away. Marie watches from a tree as they dump Joe into the trunk of Macelli's limo. All at once, Fran rushes out of the house, screaming for help; at the same time, Flinton is approaching in his car, and Macelli steps outside, changed into a new suit. Lenny and Jacko hurry Macelli into his limo and speed off, while Fran runs to Flinton, begging for help with Manny. Marie jumps down to Flinton's car, throws the police light away, and drives off in pursuit of Macelli. Macelli, Jacko and Lenny arrive at a dock, where Macelli plans a horrible death for Joe; to slowly crush him to pulp in the crusher of a sanitation truck, starting with his feet. Marie arrives on the scene just in time, racing her car straight toward the three. Macelli and Jacko fire at her, but she plows into both of them, jumping out of the car and breaking Jacko's neck. Macelli recognizes Marie's face and flees in his limo. Marie takes off in pursuit, pausing just long enough for Joe to jump in through the open passenger window. In the car they quickly fall into another argument. Marie knows how dangerous Macelli is, especially now, after having fed on a human for the first time. Joe, meanwhile, is beginning to understand the truth about what Marie really is-- something he doesn't see as much better than Macelli. Macelli sees Marie in pursuit of him, and the two cars weave their way through the highway traffic as the chase continues. But a bigger problem has just arisen-- dawn is starting to break. Marie sharply swerves to get to an exit and races toward a roadside motel as Macelli, laughing in triumph, drives into the Liberty tunnel. Emerging from the tunnel, Macelli is faced with the rising sun and his skin begins to smolder painfully. He manages to make it to one of his meat packing warehouses and makes his way to a freezer, telling the on-duty employee to leave him in there with the lights off. Macelli crawls onto a meat tray and puts his head on a piece of rump roast, drifting to sleep. The owner of the "Amore" roadside motel leers in amusement as Marie and Joe come inside to check in; Marie hasn't yet uncuffed Joe. She only does so after she's satisfied that they have an agreement on staying for the day. She tells the motel owner that they're staying until sunset; 7:17 pm. D.A. Sinclair is arriving at Manny's home as she's briefed on the incident with him. Flinton says that Fran insists she saw Macelli as Manny's attacker, and that she saw Joe being loaded into Macelli's limo. As Manny is being loaded into an ambulance, Sinclair tells him she knows Macelli is responsible, and asks if she can count on him to press charges. Manny just half-opens his eyes and looks at Sinclair for a few seconds before closing his eyes again. At the motel, Marie has finished showering and washing her hair, and she's turning out the lamps for sleep; using only candles. Joe sits on the sofa, smoking a cigarette, unashamed to admit he's too afraid of being attacked in his sleep, to get any rest, although he proves willing not to pull away the heavy quilt Marie has placed over the window to keep the sun out of the room. She sits on the sofa and there are a few moments of tension; Marie is starting to like Joe, and she thinks he's starting to feel the same, but he's still revulsed by what he's learned of her existence. Finally she gets into bed and lays down to sleep. Manny is in the hospital; a nurse in his room. The electronic monitor for his heart rate and pulse suddenly flatlines, and the nurse turns at the sound of its alarm. But suddenly the monitor's flatline reverses into a reading for heart rate and pulse again, and the nurse thinks it's just a temporary glitch, and goes about her business. Manny's eyes open to reveal they're bright red. Unseen by the nurse, he pulls the tubes and electrodes off his arm and chest, and starts to get out of bed. He approaches the nurse, intent on feeding on her. Still unaware of what's happening behind her, the nurse opens the shades to let in the sun. A second later, both Manny and the nurse are screaming; she in terror and fright, he in agony as the sunlight begins destroying him. Doctors rush in, and can only watch in horror as Manny burns to ash. Fran faints as she sees her husband's horrible fate. Joe has finally fallen asleep in the motel, although he sleeps lightly and jolts awake as Marie's bed creaks. He tiptoes to the bathroom and peeks under his shirt, relieved to see no bite marks on his neck. He comes back out and watches Marie sleep. He's starting to come to terms with his attraction to her, very slowly reaching a hand out to touch her hair. The touch awakens Marie quickly, and her look turns soft and compassionate as she understands the look in Joe's eyes. She stretches a hand out to him, and Joe's caution returns. As he starts returning to the sofa, Marie throws a pillow at him. He catches it and throws it back; she likewise catches it and puts it back beside her. Joe wants to set out after Macelli, believing they can catch him while he sleeps, but Marie warns him that he'll only sleep while undisturbed; he can snap awake as quickly and fully as she just did, and move just as fast; demonstrating her speed by moving from the bed to behind Joe in the snap of her fingers. Turning playful again, she pushes him down on the bed and leans close over him. She starts leaning in to kiss him, and he almost relents but suddenly rolls over on top of her, Marie not resisting. Again they almost kiss, and again Joe shies away at the last second, sitting up on the edge of the bed, only semi responsive as Marie starts coming on to him. Marie hands the handcuffs to Joe and prostrates herself on the bed, her wrists behind her back, inviting Joe to cuff her. After a second he does, and then he undresses and climbs into bed with her. They start making love, Joe finally losing the rest of his fears as both of them become passionate. Marie easily busts the handcuffs apart and takes Joe in her arms. As they climax, Marie's eyes start changing color, between pale blue, green, yellow and red. Frank and Ray meet Lenny at the meat packing plant, outside the freezer. Macelli had called Lenny and had him send for the others. Lenny is deeply worried, telling the others to just 'look at' Macelli, and maybe they'll agree it's time to pass the torch to a new boss. Entering the freezer, they find Macelli lounging on the metal tray. He tells them he feels better than he ever has, before revealing he overheard what Lenny said to Frank and Ray. Lenny balks at approaching Macelli, and for good reason; Macelli grabs him and feeds on him, before ordering the frightened Ray and Frank to stow Lenny in the trunk of Macelli's limo, and to bring him some clean clothes. It's sunset, and Marie and Joe leave the hotel to set off after Macelli. Their relationship has taken a significant upturn as they get into the car. Macelli's limo pulls up in front of the 'Melody Lounge' strip joint. Macelli opens the trunk of the limo, and Frank and Ray are astounded to find Lenny quite alive, if a bit dazed and confused. They go inside, and Macelli takes the others to a private office upstairs. Lenny starts looking at Frank and Ray thirstily as Macelli explains that they're now in charge of town; no other rival crime family will be able to touch them. Frank and Ray are quickly 'initiated' by Macelli and Lenny into the 'new family.' Marie and Joe pass by the Oyster House, finding only two men standing outside. Joe knows this means Macelli isn't there. Tommy and Vinnie, two more of Macelli's men, arrive at the strip club, where Macelli has them initiated at the teeth of Frank and Ray. Marie and Joe don't find Macelli at Bloomfield. Joe says the next place to check is the Melody Lounge. Flinton and Morales are also arriving at the Lounge. One of the dancers is an informant, softly saying into Morales' ear that Macelli is there, and upstairs. But the Lounge owner recognizes the two officers and quickly calls upstairs to alert Macelli. Flinton and Morales storm into the office, guns drawn and ready, and find Macelli's men sitting casually on sofas and chairs, unworried and unfazed; faces smeared in blood. Macelli drops down from the ceiling, easily disarming the two cops of their guns. Marie and Joe arrive at the lounge, finding it closed. But neither locked doors nor a bat-wielding lounge owner can stop Marie any more than an insect could. Marie foils an ambush by Ray, throwing him downstairs where he lands on top of Joe. Ray's eyes glow as he tells Joe he's going to devour him. Joe sneaks his gun out of his waistband and blows Ray's head off. Marie finds Flinton on the floor, dead, and Morales tied to a chair, 'for dessert later.' Tommy and Vinnie are waiting in ambush. There is a tension filled standoff until Joe arrives, distracting Tommy and Vinnie so Marie can break their necks. Joe tells Morales to call for backup and warn them exactly what they're up against. Macelli, Frank and Lenny are on the roof of the lounge, plotting conquest. Marie finds her way up there, proving a crack shot with a revolver, putting a bullet through Frank and Lenny's foreheads right into their brains. But as she pulls the trigger again to finish Macelli, there's an empty click; the gun is empty. As Macelli advances on her, she discreetly pulls out the door knob and then tries to stab him with the connecting rod. He grabs her wrist and they grapple before Macelli pulls his gun and shoots her three times in the stomach. Joe arrives on the roof top and shoots Macelli in the chest twice. Macelli leaps off the roof, taunting Joe to try and follow him that way. A second later and Macelli is sandwiched in a collision between a taxicab and a bus in the middle of the street. Hurrying downstairs in pursuit, Joe finds Flinton has awakened as a vampire, and is forced to shoot him in the head. Marie and Joe arrive downstairs, finding Macelli smugly challenging them. Joe looks down and notices the crash has caused both the bus and taxicab to leak gasoline onto the ground. Grabbing a cigarette lighter, He ignites it and throws it down, igniting the gasoline. As much as he's learned about his new powers, Macelli overestimates them, thinking he's invincible. He makes no move to avoid the approaching fire. The taxicab and bus explode, engulfing him in flames. Even immolated in fire, Macelli thinks he can't be beaten, striding boldly toward Joe and Marie, telling them he is 'the light.' Joe raises his gun and fires, putting a bullet into his brain. Dawn has again started to arrive; the first hints of red appearing in the sky. To Joe's horror, Marie turns and starts walking straight toward the sunrise to kill herself. He runs after her, and she listens, stunned, as Joe tells her he loves her. He takes her by the shoulder and gently leads her to a hotel. Even knowing that she has to kill, he now understands the code she lives by. As he rings for the hotel desk clerk, Marie thinks to herself that Joe makes her feel alive. He looks over his shoulder at her, and she smiles.

Due to NCAA sanctions, the Texas State University Fightin' Armadillos must form a football team from their actual student body, with no scholarships to help, to play their football schedule. Due to NCAA sanctions, the Texas State University Fightin' Armadillos must form a football team from their actual student body, with no scholarships to help, to play their football schedule. With fewer players than most teams, the makeshift team must overcome obstacles that the best teams in the country couldn't deal with. Using a thirty-four-year-old quarterback, a female placekicker, and a gang of misfits, Ed "Straight Arrow" Genero must take his team to play the number one Texas Colts. —Kevin <Kibble@vm.temple.edu> Paul Blake is a 34-year-old farmer who was once a star high-school football player, one of the best quarterbacks in Texas. Paul was forced to drop out of sight when his father died, leaving Paul with the family farm to run. Now, after a 16-year absence, he's lured back to football by his former coach, Wally "Rig" Riggendorf. Rig has recently been hired as assistant coach to head coach Ed Gennero, who has been hired by Texas State University to turn around the Texas State Armadillos -- a team that was placed on probation for corruption, and university president Carver Purcell wants results as soon as possible. The team that Gennero and Rig assemble includes a military fanatic who admires General Schwarzkopf, a physics instructor, a swift martial-arts champ named Eric "Samorai" Hansen, Andre Krimm, and a female kicker named Lucy Draper. On the field, Paul does his best to get himself back into shape, while he has to overcome the awkwardness he feels about attending college classes at his age. And Paul finds himself attracted to journalism professor Suzanne Carter. Paul, Gennero, also have to deal with Dean Phillip Elias, who wants to scrap the university's football program, and the Armadillos are out to beat the almost impossible odds of winning at least one game this season. —Todd Baldridge

Two con men hide out in a house while the owner is away; one of them assumes the identity of the absent house sitter when the owner's relatives come to visit, only for further complications to set in. Eddie and Lou are a couple of two-bit con men on the lam from a loan shark. They hide out in someone's house and they hear on the answering machine that (A) the owner of the house is out of the country for a month or two and (B) the housesitter supposed to watch the house for the absent owner won't be able to watch the house due to a new job in another part of the country. This provides for a pretty nifty arrangement for Eddie and Lou...until the relatives of the house owner drop by to visit. Eddie quickly adopts the guise of the person supposedly housesitting for the owner, and the shenanigans start from there. —Afterburner <aburner@erols.com>

Tough trucker Lincoln Hawk is determined to win back his son and triumph at the world arm wrestling championships. Lincoln Hawk is a struggling trucker who arm wrestles on the side to make extra cash while trying to rebuild his life. He tries to make amends with his son who he left behind 10 years earlier. Upon their first meeting, his son does not think too highly of him until he enters the World Arm Wrestling Championships in Las Vegas. His hope is to receive the grand prize. —Ryan Harder <hotshotharder@hotmail.com> After a decade of deafening absence, struggling trucker Lincoln Hawk attempts to reconnect with his estranged 12-year-old son, Michael. But making up for lost time is easier said than done. As the father and son realise it's going to be a long drive home, Hawk's hidden knack for arm-wrestling soon catches troubled Michael's eye. With the International Arm-Wrestling Championship in Las Vegas just around the corner, Hawk has only a few days to win his son's long-lost trust. In the meantime, Lincoln must prepare himself, physically and mentally, to compete in a dangerous tournament against behemoths twice his size. But a son's love is a father's everything. And if all else fails, can Lincoln's sheer determination put him over the top? —Nick Riganas

Officer Frank Dooley (John Candy), a 10-year veteran of the LAPD, is framed for the theft of a television set by two corrupt detectives, Sgt. Rizzo (Don Stroud) and Mel Nedler (who Dooley had actually caught robbing an appliance store). He is dismissed from the force, but escapes criminal punishment at his day in court. The next court case features hapless and nervous defense attorney named Norman Kane (Eugene Levy) attempting to defend a Charles Manson-type white supremacist cult leader named Lawrence Lupik (Glenn Withrow), who threatens to kill him should Kane fail to keep him out of prison. A fearful Kane reveals his ineptitude and the death threat to the judge (Stacy Keach, Sr.), who tells Kane that he will give Lupik "A sentence so long he won't even remember his own name, let alone yours" so long as Kane agrees to find another line of work with a "lot less responsibility". Dooley and Kane meet for the first time when they both apply for work at Guard Dog Security, a low-rent firm run by the gruff "Captain" Clarence O'Connell (Kenneth McMillan) and part of a security guard's union requiring heavy $15 a week contributions that is represented by Clyde Klepper (Jonathan Banks) and Tony Lazarus (Brion James). Becoming licensed armed security guards after a single afternoon of training, Dooley and Kane are made partners by Guard Dog supervisor Maggie Cavanaugh (Meg Ryan) and assigned to night duty at the Carlex Pharmaceutical Company's warehouse. During their first night, after being loudly ordered to take a lunch break by senior guard Bruno (Tom Lister, Jr.), Kane happens upon an armed robbery of the warehouse and quickly calls over the radio to Frank for help, but they prove no match for the thieves (the robbers are Klepper and Lazarus in ski masks) who used machine guns. Kane unwittingly escapes into the "Annex" where Bruno had told them to stay away from as it was guarded by the K9 Patrol (Rottweiler's and Doberman's). In there he is chased by the dogs until Frank shows up and fights them off with unusual tactics, including biting one and punching another. The next day, the pair are berated and fined $100 each by O'Connell for their screw up in not nabbing or identifying the thieves despite their contention that they had machine guns and were wearing ski masks. This leaves them suspicious of the company as they hadn't done anything to warrant the hefty fine (almost a week's pay). When Maggie asks about the meeting afterwards, both men vent their anger about O'Connell (Dooley calls him a jerk while Kane calls him a "Sub-human, moronic, poop head"), only to be informed by Maggie that O'Connell is actually her father. Dooley and Kane then attend a meeting of the union, where after getting turned down in their plea to have the fine revoked and it being revealed that Klepper and Lazarus work for Carlino, Kane pointedly questions union president Michael Carlino (Robert Loggia) about how the union dues each member is required to pay are spent (roughly $4 million per year). After Kane rejects an evasive answer from Union treasurer Lou Brackman (James Tolkan), an enraged Carlino threatens to break Kane's legs should he ever attend another union meeting and then abruptly adjourns the meeting. Over the next few days, Dooley and Kane find themselves assigned to work at a landfill and a toxic waste dump, causing both to come to the conclusion that the assignments are the result of Kane speaking out at the union meeting. At the toxic waste dump, Dooley and Kane listen to a similar story by two burned-out guards about a robbery incident over three weeks ago when they were on warehouse duty and forced to take their lunch break by Bruno which resulted in the warehouse getting robbed while they were away. Convinced something illegal is afoot, the pair track down Bruno at his gym and interrogate him. With the threat of heavy weights crashing down on his head, Bruno confesses that it was O'Connell who had phoned him that night and instructed him to order Dooley and Kane to go to lunch and be away from the warehouse at exactly midnight, but maintains that he doesn't know anything about the robbery. After letting Bruno go, the bumbling duo make a quick escape from the gym while an angry Bruno chases after them on foot. The pair then visit an old friend of Dooley's, a retired thief named Cappy (Tony Burton), who is fishing with other men at a small pier, to get information on Carlino. Upon learning of Carlino's corruption (which cost Kane a weeks pay in bribes for information as Cappy wouldn't take money from Dooley), they bring their suspicions to Maggie, but she rejects them as having no evidence to back them up. An evening or two later, Dooley and Kane meet two loose women at a local bar where they dress up in blue tuxedos and use the women as their escorts to crash a formal dinner party thrown by Carlino in hopes of gathering some evidence. While hiding out in an overheated steam room and eavesdropping on a meeting between Carlino and Brackman in the backyard, they learn of Carlino's use of the union's pension fund to finance dealings with a Colombian drug cartel and his plans to have the money robbed from an armored car, with insurance covering the loss. Fearing an investigation by the insurance company in which he will be the fall guy for turning the funds into cash, Brackman urges Carlino not to go through with the robbery. In response, Carlino instructs Klepper and Lazarus to take Brackman away and dispose of him. Dooley and Kane attempt to save Brackman, but are too late to prevent his murder and instead find themselves framed for his death. At the party, Maggie asks O'Connell about what is happening, he refuses to give her any answer and tells her to stay out of his business. A long chase beings as Dooley and Kane are chased by Carlino's henchmen from the Hollywood Hills and through downtown L.A., and evade them, only to run into the police which their car goes off the road. After hiding out in a porno bookstore and peep show, Dooley and Kane evade the bad cops, Rizzo and Nedler, looking for them by somehow dressing up as outlandish gay couple (Dooley being a 'Divine' lookalike and Kane as a leather-man), the two spend the rest of the night evading the police. In the morning, the cross-dressing duo meet at MacArthur Park with the receptive and amused Maggie where they reveal Carlino's intentions and make plans to prevent the armored car robbery. Kane and Maggie take over driving the truck, while Dooley plans to meet them ahead of the would-be robbers. On the 6th Street Bridge, Dooley has problems with his motorcycle and is forced to hitch a ride with "Cowboy" (Steve Railsback), a wild trucker who eagerly disobeys traffic laws and uses his truck to ram his way through a traffic jam (while hauling VERY flammable rocket fuel). Meanwhile, Kane and Maggie avoid assaults from multiple cars attempting to hold them up. With the Cowboy's help, Dooley is able to arrive in time to save the armored car from a guided missile strike and foil a final attack from Klepper and Lazarus with his illegal .50 caliber handgun (Dooley tells The Cowboy that they only used the gun to hunt Buffalo "up close", and that its only legal in two states, but California wasn't one of them). O'Connell, a willing partner of Carlino's, no longer willing to abide the scheme after Carlino threatened to hurt Maggie if he didn't co-operate with the robbery, arrives having captured Carlino and his associates, the two detectives (Rizzo and Nedler) who originally framed Dooley and had him thrown off the police force. The criminals are arrested and the Police Chief (Bruce Kirby) invites Dooley back to the police force as a plain clothed detective... along with a reluctant Kane who wants to go back to the relative safety of being a lawyer.

When Jack is arrested for the murder of his wife, he hires Teddy Barnes to represent him. But the lawyer finds an attraction to her client that may put her in mortal danger.

A Cuban refugee, Tony Montana, arrives in Miami with nothing and rises to become the city's drug kingpin.

Norman Bates is given a clean chit and is released from the mental institution where he was recuperating. He goes back to his motel where memories of his mother begin to haunt him.

(Note: this is a direct sequel to Trail of the Pink Panther with most of the cast from the previous film) In Lugash, the fabled Pink Panther diamond is stolen by a man named Gino Rossi (Christopher Reich) (a replay of the opening scene in 'Trail of the Pink Panther') from a museum in the Middle Eastern country of Lugash. Rossi then offers it to Countess Chandra (Joanna Lumley) at her private spa on the island of Majorca. However, the sale is interrupted by Chief Inspector Jacques Clouseau of the Sûreté, France's national police force. When Rossi takes aim at the inspector, Chandra shoots the thief dead and points her gun at the Inspector. The French government is shaken by the disappearance of its greatest detective, and assigns Chief Inspector Dreyfus (Herbert Lom), aided by "Aldous," the Huxley 600 super computer, to find a suitable candidate to solve the mystery. However, Dreyfus is overjoyed to be free of the dimwitted Clouseau and sabotages the computer, programming it to determine the world's least capable detective. Aldous selects Officer Clifton Sleigh (Ted Wass), a well-meaning but inept New York City policeman. In New York City, Clifton Sleigh is shown to bungle a sting operation when he dresses up as a woman to nab a purse snatcher, only to get accosted by a leering dirty old man, a pimp and a couple of prostitutes whom think that he's intruding on their turf, and falsely arrested by a pair of beat cops who think he's a prostitute while the purse snatcher steals another woman's purse right under everyone's nose. At the precinct, Clifton's beleaguered commander, Lieutenant Palmyra, is incredulous when he informs Clifton about his assignment to France, but gladly consigns the city's worst detective to the Sûreté. Meanwhile, a group of Mafia bosses celebrate their improved fortunes since Clouseau's disappearance, and their leader, Bruno (Robert Loggia), assures the inspector's permanent absence by hiring an assassin to kill Clifton before he leaves the U.S. However, Clifton proves to be a difficult target, and the gunman falls to his death while taking aim. Another killer awaits Clifton at the airport in Paris, but he trips and falls on his own knife. When Clifton enters Dreyfus's office to meet with him for the first time, he bumps into the desk, which pushes the inspector through the open window and into the concrete fishpond below two stories below. While Dreyfus recovers from his injuries as a result of a broken leg, Clifton breaks into Clouseau's apartment, now a museum dedicated to the detective, and is attacked by Cato (Burt Kwouk), Clouseau's manservant. Clifton defeats Cato, who refers the detective to Professor Auguste Balls (Harvey Korman), the creator of Clouseau's disguises and the last known person to see him alive. Clifton goes to the professor's shop, and though Balls has no information on Clouseau, he does offer the detective his latest invention, the Instant Companion, an inflatable, lifelike female doll. Another attempt on Clifton's life only stiffens his resolve, and he notifies Dreyfus that he will begin his investigation at the theft scene in Lugash. The President of Lugash, who has already spent the insurance money from the stolen diamond, is forewarned of Clifton's arrival and instructs his Secret Police to send the detective back to France before he can collect any evidence. From her private spa on the island of Majorca, Chandra follows Clifton's progress with amusement, and shares the news with Clouseau, whose face is obscured by bandages following plastic surgery. Clifton's next destination is Nice on the French Riviera, where he meets Sir Charles Litton (David Niven), his wife, Lady Simone Litton (Capucine), and Litton's newer, George (Robert Wagoner). The detective's clumsiness prompts the Littons to ask if he is related to Clouseau. Clifton denies any relation, recalling that the President of Lugash posed the same question. Sir Charles admits to being interrogated by Clouseau shortly after the robbery, but denies any guilt, along with the rumor that he is the brilliant jewel thief known as "The Phantom," and that George is his successor. He then advises Clifton to continue his investigation in Valencia, Spain. In Spain, Clifton hires a taxicab to bring him to his hotel (driven by the same driver that reporter Marie Jouvet interacted with in the previous film), but soon discovers Bruno's henchmen in pursuit. After barely escaping with his life, Clifton evades the gangsters with the help of his Instant Companion, which creates the illusion of a young couple on vacation. However, a misplaced cigarette causes an air leak in the doll, and Clifton returns to his hotel to re-inflate his "companion" with a gas pipe, while he updates Dreyfus by telephone. Clifton survives the resulting explosion and travels to Valencia, where a fiesta is underway. Bruno's men continue their pursuit, but Clifton eludes them in the crowded streets and takes refuge in a nightclub, where he meets Juleta Shane (Leslie Ash), a young Englishwoman with an aptitude for martial arts. Together they subdue the gangsters and make their way back to the hotel, where Juleta tries to seduce Clifton. Meanwhile, Dreyfus observes the couple from a nearby window and telephones Valencia police chief Vichila, saying that Clifton is an impostor. When Juleta attempts to poison Clifton's drink, she is shot with a tranquilizer dart by an unseen assailant, and Vichila arrives moments later to arrest Clifton. The police chief informs Clifton that his companion is actually Julie Morgan, Countess Chandra's personal secretary. When a policeman unwittingly drinks the poisoned wine and falls dead in the streets, Clifton takes advantage of this to escape into a crowd of revelers. George drives past and offers the detective a ride to the Litton yacht. The next morning, Clifton joins the Littons as they sail to Majorca, while Chief Vichila advises Chandra to expect a visit from the detective. Unable to reach the spa from the coast, Clifton par-ascends over the structure, but is shot down by the wheelchair-bound Dreyfus, who is driven over a cliff by the gun's recoil. Unfazed by Clifton's crash-landing through her stained-glass ceiling, Chandra invites the detective to join her and her "lover" for a drink. Clifton is awe-struck by Clouseau's resemblance to actor Roger Moore (credited as Turk Thrust II), and overlooks the inspector's French accent and profound stupidity. Chandra convinces Clifton that Clouseau, under the alias of the late "Gino Rossi," visited the spa a year earlier before traveling to Madrid for plastic surgery. Clifton notifies the Sûreté of his findings and returns to Paris. Meanwhile, Chandra and Clouseau open their safe to gaze at the Pink Panther, but find only a white glove in its place. "Swine Phantom!" says Clouseau/Roger Moore. At Sûreté headquarters, Dreyfus declares the case closed after determining (incorrectly) that Clouseau, posing as Rossi, stole the diamond. Relieved to have Clouseau out of his life, Dreyfus sets fire to the inspector's dossier, but the flames quickly engulf his desk, and Clifton comes to the rescue with a fire hose. The force of the water blasts the inspector through the open window and into the concrete fishpond below... again. In the final scene, on the Litton yacht, George admires the stolen Pink Panther diamond, while Sir Charles comments on the disappearance of his one white glove. Simone hints that she is continuing the legacy of "The Phantom." The three criminals then toast to their success. In a post-credits scene, the animated Pink Panther is shown stealing the Pink Panther jewel. Realizing it's heavy, he slips out of the shot and drops the diamond off-screen, shattering it; the credits roll shortly afterwards.

A young man joins a training school with dreams of becoming a Navy pilot but struggles with a harsh instructor who is determined to teach him a lesson.

When the famous Pink Panther diamond is stolen once again from Lugash, Chief Inspector Clouseau (Peter Sellers) is called on the case by Deputy Commissioner Lasorde (Marne Maitland) despite protests by Chief Inspector Dreyfus (Herbert Lom). Lasorde has received a request for assistance by the President of Lugash (Harold Kasket) himself, who has asked for Clouseau personally. Dreyfus is under therapy with Dr Longet (Ronald Fraser), due to his obsession with Clouseau. Dreyfus derives pleasure from the through of Clouseau dying. While on the case, Clouseau is followed by the mob who are seeking to assassinate him. Clouseau gets himself a disguise designed by Prof. Auguste Balls (Harvey Korman) and his wife Martha (Liz Smith). The disguise consists of a wig, a false nose and teeth. Clouseau first goes to London to interrogate Sir Charles Litton (David Niven) (having forgotten that the Sir Charles Litton lives in the South of France) and that Prince Charles lives in London. Traveling to the airport driven by Sgt. Francois Chevalier (André Maranne), he accidentally blows up his car, but mistakenly believes it to be an assassination attempt. Clouseau disguises himself in a heavy cast while on the flight, which causes complications in the air (when he attempts to go to the toilet with his cast on) and on land and leads to an awkward introduction to the Scotland Yard detectives who meet him at Heathrow. The Yard is represented by Superintendent Quinlan (Leonard Rossiter), Alec Dummond (Colin Blakely) and Inspector McLaren (Dudley Sutton). Meanwhile, Dreyfus learns from Scotland Yard that Libyan terrorists may have marked Clouseau for assassination once he announces his intent to visit the scene of the crime in Lugash. Rather than order him back to Paris, Dreyfus orders him to continue on to Lugash as planned. Colonel Bufoni (Peter Arne) is the right hand man to the President of Lugash and advises him the Clouseau reaching Lugash is not good news as that would put Lugash in a negative light in the international community. The President asks Bufoni to take care of the situation, with a promise of a promotion to General. Clouseau's plane crashes on route to Lugash. All aboard are believed lost at sea. Marie Jouvet (Joanna Lumley), a television reporter covering the story, sets out to interview those who knew the detective best. All of these interview scenes provide flashbacks to scenes of earlier Pink Panther films (The Pink Panther, A Shot in the Dark, The Return of the Pink Panther, The Pink Panther Strikes Again, and Revenge of the Pink Panther). Dreyfus is barely able to contain himself when Jouvet describes Clouseau as an athlete, an expert marksman, a born leader, a karate black belt, and so on. To prepare for unforeseen attacks, Clouseau would assign his manservant Cato (Burt Kwouk) to attack him at any time of day or night. Jouvet interviews Clouseau's former assistant Hercule Lajoy (Graham Stark). Hercule says that while Clouseau was obsessed with facts, but he made decisions based on his intuition. He was always proven right at the end of a case. Clouseau's meeting with Princess Dalia (Claudia Cardinale) who claims to be the real owner of the Pink Panther. Jouvet meets Lady Simone Litton (Capucine), Clouseau's ex-wife, who is now married to Charles Litton whom Clouseau accused of being the Phantom. For a while it looked like Clouseau was the Pink Panther and was even sent to prison for the same reason. Charles Litton says that Clouseau was a fool, but he epitomized determination. Jouvet also interviews Clouseau's father, at his winery in the south of France. He uses naked French beauties to crush his grapes into wines. Clouseau's father provides glimpses of Clouseau's childhood (Lucca Mezzofanti) (who was born on Sep 8th, 1920) (as a child he always wanted to be a policeman and was very resourceful), and his early career during college (Daniel Peacock), nearly leading him to commit suicide after a girl of his dreams marries another person, especially in the French Resistance involving him failing to detonate a bridge full of crossing Nazis. Jouvet also has an unpleasant encounter with Mafia don, Bruno Langlois (Robert Loggia), an antagonist. Langlois warns Maria to stop asking questions about Clouseau as business is booming in the French underworld with the detective missing. Jouvet refuses and tries to file a complaint against Langlois with Chief Inspector Dreyfus. Dreyfus, who wants Clouseau dead just as much as Langlois does, refuses to press charges citing circumstantial evidence, much to Jouvet's frustration. The film ends with Maria hoping that Clouseau might be alive. Clouseau is seen standing looking over a seaside cliff, when a seagull flies over and messes the sleeve of his coat. The words "Swine seagull!" are heard in the distinctive 'over French' accent of Clouseau. The next shot shows the animated Pink Panther in trench coat and trilby hat, revealed to be in place of Clouseau watching the sunset; he turns around to face the camera and flashes his coat open.

Philippe Douvier (Robert Webber), a major businessman and secretly the head of the French Connection, is suspected by his New York Mafia drug trading partners of weak leadership and improperly conducting his criminal affairs. Due to this, Douvier's signature Gannet transaction is in jeopardy as New York believes that he does not have the power to control the situation. To demonstrate otherwise, Douvier's aide Guy Algo (Tony Beckley) suggests a show of force with the murder of Chief Inspector Jacques Clouseau (Peter Sellers). Clouseau is the most important man in France, a nemesis for criminal organization all over the world, and someone that the mafia would be happy to get rid of. Clouseau has already survived 16 assassination attempts, including 2 from his own boss. Unfortunately for Douvier, his first attempt at bombing him fails. The bomb destroyed half a city block and yet Clouseau survives. Clouseau informs the police commissioner (Douglas Wilmer) that the bomb was meant for him. The commissioner tells Clouseau about Claude Russo, a criminal who dresses as a woman and has conducted 4 armed robberies in 3 weeks. Clouseau sets the commissioner's office on fire with his clumsiness. The subsequent attempt by Chinese martial artist 'Mr. Chong' (an uncredited appearance by the founder of American Kenpo, Ed Parker) is thwarted when Clouseau successfully fights him off, believing him to be his (Clouseau's) valet Cato (Burt Kwouk) who has orders to keep his employer alert with random attacks. That night, Douvier poses as an informant and calls Clouseau at his resident, to lure Clouseau into a trap, but the Clouseau's car and clothes are stolen by transvestite criminal Claude Russo (Sue Lloyd) (who took a lift from Clouseau when he was on his way to meet Douvier). Russo is subsequently killed by Douvier's men. Douvier's men had set up a diversion further up the road. When Russo follows the car, he is hit by machine gun bullets and ends up driving the car into a telephone pole. Upon collision, the car bursts into flames and Russo's body is charred beyond recognition. Subsequently Douvier and the French public believe Clouseau is dead. The President declares a day of mourning and all the Government buildings fly their flags at half-mast in Clouseau's honor. As a result of this assumption, Clouseau's former boss, ex-Commissioner Charles Dreyfus (Herbert Lom), is restored to sanity and is to be released from the lunatic asylum to perform the investigation in Clouseau's death. The police commissioner says that only Dreyfus knows Clouseau well enough to conduct the investigation into his death. In Russo's clothes and insisting on his true identity, Clouseau is taken to the asylum himself (featuring a cameo by Andrew Sachs, whose character apparently believes himself to be Hercule Poirot, the greatest detective in all of France). Clouseau is given 90 days of psychiatric examination, but he escapes into Dreyfus' room, who faints from the shock of seeing Clouseau alive. He commissioner tells Dreyfus that perhaps the man he saw in the closet was Claude Russo, which reassures Dreyfus that Clouseau is indeed dead. Clouseau manages to disguise himself as Dreyfus and is taken home by operative Francois (Andre Maranne). Clouseau is thrilled to learn that the Pope himself might be in attendance at his funeral. At home, Clouseau finds Cato, who, despite having turned Clouseau's apartment into a Chinese-themed brothel (customer recite a password to gain entry and the password is "Inspector Clouseau"), is relieved to see he survived and the two plan revenge on the sponsor of Clouseau's assassination. Cato claims that he needed something to keep himself busy and the brothel was going to make $300-400K per year. Meanwhile, Dreyfus is assigned to read a eulogy at Clouseau's funeral by the police chief's wife, on pain of his own discharge. The commissioner says that the PR people would love the angle of the story and the wife of the head of the police department wrote the speech. So, Dreyfus has no choice. During his recital, Dreyfus barely controls his mirth at the praise of Clouseau, but his reaction is disguised by his tears of muffled laughter. Later, at the graveside ceremony, Clouseau sneaks in disguised as a church official and then surreptitiously reveals himself to Dreyfus. Upon recognizing Clouseau, Dreyfus faints and falls into the burial pit. Douvier's wife Therese (Adrienne Corri) eventually threatens him with divorce for his unfaithfulness with his secretary Simone (Dyan Cannon). Needing her respectability, Douvier tells his secretary and paramour Simone LeGree that their relationship is over, to which Simone reacts angrily. Fearing that she will reveal his crimes, Douvier gives orders to have Simone killed at her nightclub; but having been told by an informant Fernet (Alfie Bass) of the possibility of trouble there, Clouseau and Cato inadvertently manage to save her. At Simone's flat, Clouseau reveals his identity, prompting her to reveal that Douvier ordered Clouseau's assassination. Attacked by more hit men, Clouseau and Simone escape into Dreyfus' flat, coincidentally located nearby. Fleeing Douvier's henchmen, Simone tells Clouseau of Douvier's plan to meet the New York Mafia godfather Julio Scallini (Paul Stewart) in Hong Kong for the Gannet Transaction - a $50,000,000 heroin sale. Dreyfus overhears Simone telling Clouseau of Douvier's plan, but again faints when he beholds Clouseau. Clouseau, Cato, and Simone follow Douvier to Hong Kong in disguise, unaware that Dreyfus has also arrived. Dreyfus wants to use the opportunity to finally get one up to Clouseau & redeem his own career. Clouseau impersonates Scallini in a ridiculous gangster disguise, while Simone distracts the real godfather. One of Scallini's men spots Douvier leaving their hotel with a stranger, and Clouseau exposes his own disguise during the Gannet Transaction. A car chase begins, ending in a crash at the Hong Kong docks, where Dreyfus recognizes Clouseau and pursues him into a firework warehouse. Inside, Dreyfus mistakenly sets the fireworks off and the resulting explosions sow chaos among all the participants, which eventually leads to the arrests of Douvier and Scallini. Clouseau is honored for their capture by the President of France, and he and Simone spend an evening together.