Rosemary Murphy

A story about the life of a twenty dollar bill as it weaves in and out of the various lives of several people. The film follows a $20 bill from its ATM birth to its eventual demise. Along the way, the note weaves in and out of the lives of a street person, an aspiring writer, a stripper, two thieves, and many others in surprising and inventive ways. —Don Porter <dgp@ee.wustl.edu>

At a summer house in Vermont, neighbor Howard falls in love with Lane, who's in a relationship with Peter, who's falling for Stephanie, who's married with children. Everyone is gathering at Lane's place for the weekend, and everyone's in love. Unfortunately, each beloved loves somebody else, and no one seems to realize it. —Cleo <frede005@maroon.tc.umn.edu> For the past couple of years, Lane has been living at the acreage located in rural Vermont given to her by her larger than life boozing ex-actress mother, Diane, the property which Diane and Lane's now deceased father Richard bought before Lane was born. Lane moved there in an attempt to get well following her latest suicide attempt, her depression which in large part is the result of not being able to get over shooting Diane's abusive lover, the man Diane left Richard for, dead when Lane was fourteen. Lane spends much time with two of her neighbors: Howard, a French teacher, who is in love with her, and Peter, an ex-Madison Avenuer and aspiring writer, with who in turn Lane is in love. It's nearing the end of the summer, and Lane's best friend, married Stephanie from Philadelphia, has been staying there for much of the summer both to support Lane and to get away from her unsatisfying marriage for a while. During Stephanie's time there, Peter in turn has fallen in love with her, of which Lane is unaware and which Stephanie plans not to act upon in light of Lane's feelings for Peter. As Lane feels she is ready to move on with her life, she plans on selling the acreage to pay off her medical debts, using the remaining moneys to move back to New York City to start a photography business. Lane's plans could be thrown for a loop with the arrival back for a few days of Diane and Lloyd, Diane's supportive physicist husband. Diane's plan for Peter to write her memoirs and a pronouncement by Diane end up dredging up that painful part of Lane's past that she thought she had placed behind her. —Huggo Lane is selling the family home in Vermont and moving to New York. At the moment she has her mother (and famed entertainer) Diane and step-father Lloyd living with her, as well as her sister Stephanie. Lane has been through a lot but now things seem to be getting back on track. She is in a relationship with Peter, an author. However, Peter is in love with Stephanie, who's married. Meanwhile, Howard, a neighbour, is smitten with Lane. How will things work out? —grantss

40 carats is a diamond in the rough .... which centers around a 40's woman who goes on vacation in Greece finds love with a much younger man then abandons him to go back to her life in New York. However, she quickly finds out that her daughter is dating the same guy she left in Greece making for some awkward humorous and embarrassing moments . 40 Carats is not ha ha funny but the subtle adult humor in which it was handled makes it very funny. By todays standard, ullman would have just been passed of as silly sex starved cougar and the young male( albert) a stupid eye candy figure head. But 40 carats doesn't insult the audiences intelligence which would have been easy to do at that time. Instead it takes an intelligent and often funny look into age, gender double standards that still exist to this day to some extent. Gene kelly is so- so as Ullman's ex but the chemistry between liv Ullman and Edward Albert is what stands out. If you are into witty comedies with a dramatic flair 40 Carrats is definitely for you

The titles appear as a young child babbles while picking through childhood mementos found in a cigar box. An adult woman is recalling formative events of her childhood in the small Alabama town of Macomb, that was "a tired old town even in 1932" when she "first knew it." They had recently been told they "had nothing to fear but fear itself," which refers to FDR's inaugural address of March 1933. She was six years old that summer. Jean Louise "Scout" Finch (Mary Badham), wearing bib overalls and her hair in bangs, greets Walter Cunningham, a farmer who is dropping off some hickory nuts. She summons her father Atticus (Gregory Peck) to thank him. When Mr. Cunningham leaves, Atticus explains that he is embarrassed to have to pay for "some legal work" in this way. Their cook Calpurnia (Estelle Evans) wants Scout's older brother Jem (Phillip Alford) to come in for breakfast, but he is sulking in his treehouse because Atticus says he is "too old to play football for the Methodists." Miss Maudie (Rosemary Murphy) across the street assures them that he is respected as a very skilled lawyer. In the collard patch of their neighbor they discover a boy a little older than Scout. He is Dill (John Mosna), staying with his Aunt Stephanie for the summer. They tell him about the neighbor two houses away they have never seen. Jem describes him as a homicidal maniac of frightening appearance. Dill's Aunt Stephanie (Alice Ghostly) adds to the story. At 5:00 o'clock they walk to meet Atticus, returning home, and pass by elderly Mrs. Dubose, who rails at them from her porch. Atticus handles her with his customary grace and sensitivity. That evening, Atticus listens to Scout read aloud. When she asks about Boo Radley, Atticus reminds her that he has told them "to leave those poor people alone." They reminisce about her mother, who died when Scout was two and Jem was six. Judge Taylor (Paul Fix) comes to ask Atticus to defend in a problematic case involving a man named Tom Robinson. He is relieved and grateful when Atticus agrees to. The next day, Dill dares Jem to go up to the Radley's porch. Jem can't avoid it when Scout, rolling in a loose tire, ends up at the foot of their steps. Dill suggests they all go to the courthouse to see where Boo Radley had been locked up. They end up looking in to the preliminary hearing concerning Tom Robinson. Tom is a black man who has been accused of raping and beating a young white woman, Mayella Ewell. Bob Ewell (James Anderson), the girl's father, confronts Atticus in the hallway. He tells Atticus he is concerned that "people are saying you believed Tom Robinson's story agin ourn." He becomes quite hostile, but Atticus remains calm, and cold. At night, Dill prompts Jem to look in a back window of the Radley house. The shadow of a man in a baggy shirt looms over Jem, and the shadow of his hand reaches out to touch Jem. When Jem cowers in fright, the man quietly withdraws. The children flee. Jem's overalls get caught in the chickenwire fence, and he has to leave them. Dill is called home, and he says, "See you next summer." When Jem goes back to get his pants, Scout hears a gunshot, but Jem returns safely. They go around to the street to find the neighbors in an uproar because Mr. Radley had fired to frighten "a prowler." Atticus calmly says the excitement is over. On her first day of school, Scout feels very awkward wearing a dress. She has a rough first day, and gets in a fight with young Walter Cunningham, Jr. Jem breaks up the fight and invites Walter to have lunch at their house. Jem learns that Walter has his own gun, and hunts rabbits and squirrels with his dad for food. Atticus tells of getting his first gun, when his father told him it was "sin to shoot a mockingbird," because it does no harm, but only sings. Scout is appalled when Walter drowns his plate in syrup, but Calpurnia gives her a lecture on hospitality. That evening, when she complains about school, Atticus teaches her about empathy and compromise. Jem spots a rabid dog wandering down their street, approaching their house. Calpurnia takes the children inside and calls Atticus, who shows up with the local sheriff, Heck Tate (Frank Overton). Tate has a hunting rifle but doesn't believe he can make the shot. He asks Atticus to shoot the dog; Atticus is reluctant but takes up the rifle when Tate insists. After removing his glasses, Atticus shoots the dog dead with one shot, much to the astonishment of Jem. Tate starts to tell Jem and Scout that Atticus is the best shot in the county but Atticus stops him and leaves with the sheriff. Both children ask to go with Atticus when he visits Tom Robinson's wife, Helen. Waiting in the car, Scout falls asleep, but Jem is frightened when drunken Bob Ewell lurches against the window, and calls Atticus "nigger lover." Atticus reassures Jem, "He's all bluff," and says that he wished he could keep the ugly things in this world away from them, but knows that is not possible. When he drives Calpurnia home, Jem waits nervously, listening to the spooky night sounds. Scout continues to have fights at school, because people denigrate Atticus for defending a Negro. He explains that he has to defend Tom Robinson, or he could not hold his head up in town. He tells her she must not fight, no matter what people say. In a hole in a tree in front of the Radley's, the children find two carved figures that look just like them. Mr. Radley appears and cements up the hole. That night, Jem shows Scout a cigar box filled with all sorts of little gifts that he had found in the tree. He tells her how the night he went back to get his "britches" he had found them "folded across the fence." When summer comes, Dill returns, and Tom Robinson's trial is due to start soon. He has spent the year in the Abbotsville jail, because the Sheriff thought he would be safer there. Now he is back at the town jail, and Heck Tate expects trouble. Atticus takes a reading light, and leaves. Jem wants to check on him, and he and Scout and Dill walk downtown. Atticus is reading in a chair on the jail porch. Suddenly, numerous cars arrive, and men with rifles approach. The children push their way forward. Jem refuses when Atticus tells them to go home. There is an impasse, until Scout recognizes Mr. Cunningham, and politely and in and empathetic tone, speaks to him about the legal work Atticus is doing for him. Something in Scout's tone makes Cunningham look ashamed and he gets the mob to leave with him. Next morning, crowds arrive to attend the trial, and the children go down to the courthouse. They are able to find a place with Rev. Sykes (Bill Walker) in the gallery, with all the black people who have turned out for the trial. In the Sheriff's testimony Atticus establishes that Mayella Ewell (Collin Wilcox) was badly beaten on the right side of her face and had finger marks all around her neck. Bob Ewell testifies that he returned from one of his fields to hear Mayella screaming, and that he saw who did it. Ewell gets up to leave and Atticus has to tell him to remain for his questions. He asks why no doctor was called, and gets Ewell to write his name. The judge points out that this shows he is left handed. Ewell feels tricked. Mayella testifies that she asked Tom to "bust up" a chifforobe (a piece of furniture like a wardrobe) in the yard, and that when she went in to get him a nickel he followed her and attacked her. Atticus asks her if her father got riled when he drank, and asks if he had ever beaten her. Mayella is extremely uncomfortable, and her testimony is inconsistent. When Tom (Brock Peters) stands to be identified, Atticus asks him to catch a small drinking glass he tosses to him. Atticus tells Tom to try catching it with his left hand, to which Tom replies he can't; his left arm is crippled because he caught in a cotton gin when he was twelve. When he asks Mayella how Tom could have done what she claims, she breaks down and rails at Atticus and the jury, saying she wants the man guilty of beating her punished. She then refuses to say anymore and is taken back to her father. The prosecutor rests, and Atticus calls Tom Robinson to the stand. Tom is dignified and articulate, but increasingly uncomfortable. He testifies that he busted up a chifforobe for Mayella "way last spring . . . way over a year ago," and refused the nickel she offered. After that he did lots of favors that she asked him to do, until one day she got him in the house and grabbed him and told him to kiss her. Bob Ewell "cussed at her from the window" and said he "was gonna kill her." In cross examination, the prosecutor (William Windom) gets Tom to admit he is "strong enough to choke the breath out of a woman and sling her to the floor." He scoffs at Tom's helpfulness and says: "You felt sorry for her? A white woman?" After the prosecutor has spoken his closing argument, Atticus is allowed to give his. Atticus points out the lack of evidence, the fact that no doctor examined Mayella and that Mayella was beaten by someone left handed. He says that he has pity for Mayella, "a victim of cruel poverty and ignorance," but cannot let her put a man's life at stake to cover her guilt at breaking the social code. In the gallery, Jem watches the proceedings, mesmerized. He asks the Reverend how long the jury has been out deciding the verdict. The Reverend tells them it's been nearly two hours when the jury returns, bringing back a verdict of guilty. The judge dismisses them and leaves, slamming his door. Atticus tells Tom that he had told Helen they would "probably lose this one." All the white people leave the court. The blacks in the gallery watch Atticus gather his papers. Gradually, they all stand out of respect. Rev. Sykes says, "Miss Jean Louise, stand up. Your fathers passin'." Back at home, Miss Maudie tells a disconsolate Jem that his father is one of those "men in this world who are born to do our unpleasant jobs for us." Sheriff Tate arrives and talks with Atticus, who then reports that Tom has been killed. A deputy had shot at him and had "missed his aim" when Tom "broke loose and ran . . . like a crazy man." He says that on appeal they would have had "more than a good chance." Jem insists on accompanying Atticus to go tell Tom's family. Bob Ewell arrives and spits at Atticus, who calmly wipes his face and leaves. In October, Scout wears a ham costume in a school pageant; she is dressed as a large ham. She wears it walking home with Jem after dark because she couldn't find her overalls after the performance was over. In a small grove they often walk through as a shortcut, they are attacked by an unseen assailant. Jem yells loudly and is thrown to the ground, unconscious. The attacker grabs Scout. Another man in a baggy shirt arrives and there is a struggle with their attacker. Scout cannot see well from inside her costume, but she hears a loud grunt and sees the man in the baggy shirt carrying Jem to their house. Scout wriggles out of her ham costume and gets home finding Jem is unconscious, with a badly broken arm. Atticus runs out of the house yelling for Scout and she runs into his arms sobbing and babbling about what happened. After a doctor has come to take care of Jem, Sheriff Tate investigates the scene where the kids were attacked and reports that Bob Ewell has been killed with "a kitchen knife." He asks Scout to tell him what happened. She only has limited detail but says she was saved from Ewell by a man she couldn't see very well. Just then, Scout sees the man who rescued them behind Jem's door, and realizes it is Boo Radley (Robert Duvall). He recoils slightly when Atticus gently pulls the door away from him, allowing Scout to see his face. She takes him by the hand, and invites him to "say goodnight to Jem." When he hesitates to touch Jem, she reassures him that he "can pet him," since he is asleep. Boo strokes Jem's head gently. Scout and Boo go out to their front porch, sitting quietly while Atticus discusses the incident with Tate. Atticus, thinking Jem wielded the knife, begins to consider a case of self defense involving Jem, when the sheriff corrects him. He says decisively: "Bob Ewell fell on his knife." He implies that Boo must have killed Bob Ewell. He says he feels Boo did a civic duty "to do his utmost to prevent a crime from being committed," and that to "drag him into the limelight" would be "a sin." Scout agrees-- that it would be like shooting a mockingbird. Atticus shakes Boo's hand, and says, "Thank you, Arthur, for my children." Scout walks Boo back to his front door.