Shivaji Guruvayoor

Mrinalini Teacher goes after a thief who has stolen her water pump but the case seems to go for years without any judgement.

Based on a true story, Ennu Ninte Moideen is the divine love story of Moideen and Kanchanamala, which dates back to the 1960s. The movie creates nostalgia of that era - the politics, people and language have been brought back to life.

Vellimoonga narrates the story of a rural politician and his ideologies humourously wrapped in a family entertainer.Biju Menon plays the role of a 41-year-old Mamachen who is tied in familial tussles and remains a bachelor. His father was a freedom fighter and a social activist, who dies and leaves his family with huge debts. Mamachen enters into politics only because of an unforeseen incident that occurs in his life

Avatharam is an action thriller directing by Joshiy starring Dileep in the lead role. The film is set in the backdrop of the Kochi underworld and deals with the life of Madhavan, a common man from a village. His life changes when he moves to Kochi to make a living. He finds it difficult to adjust to the life in the city and gets into trouble after getting involved with the underworld.

In Nadodimannan, Padmanabhan (Dileep) plays a village youth who does not have a particular inclination towards any political party and joins any protest being held. He earns a living by participating in demonstrations for various political parties. He then reaches the city where he is strung to the upper levels of society and gets elected as the Mayor. His conflicts and attempts to cleanse the city form the rest of the story. Ananya plays the character of Meera, who lives in difficult surroundings, but is bold. Archana Kavi plays Aathira, a member of a former royal family, Mythili stars as Rima, a broadcast journalist Padmanabhan befriends during his activist days, who helps him bring to light certain crucial issues before the public. Bollywood actor Sayaji Shinde plays the local king pin who is at odds with Padmanabhan.

The film tackles social issues in Kuttanad, through the tale of a hapless youth.

`Bharya Athra Pora` depicts a happyily married couple. The husband is a teacher while his wife is a bank employee. All is well until he gets assigned an official duty which pressurises him tremendously. In an attempt to help him deal with his new responsibility, his wife`s life gets affected as well. This Malayalam family film has been directed by Akku Akbar and stars Jayaram and Gopika in leading roles.

Immanuel's life takes an odd turn when the publishing firm that he works for shuts down. He gets a job in an insurance company but faces severe hardships, which end up changing him as a person. Immanuel works for a publishing house that is counting its days. The publishing house is owned by Joseph, whom Immanuel treats like his father. Debts force Joseph to leave behind his business. But Joseph recommends Immanuel to a job interview of an insurance company. Though Immanuel lacks the domain knowledge, through his selling prowess he gets the job. He gets a new boss, Jeevan. Jeevan is ambitious professional. He sets up a professional challenge for Immanuel . Now its Immanuel turn to stick to morality when it comes to business.

Unni (Lal) is a co-director who aspires to make his own film. Unni even managed filming but the shooting but had to be stalled. He is married to Manju (Navya Nair) and the couple have a child.

Pachu, a successful television director, is annoyed by his cousin Kovalan who interferes with Pachu`s work and makes his life miserable. However, Pachu lands in more trouble when he was suspected of murder.

Shankaran (Jayasurya), the elder brother and a middle-aged school teacher, dies of a snake bite leaving behind his very young wife Rajalakshmi (Meera Nandan). He has not had enough time to be with his wife, so he starts stalking his younger brother Mohanakrishnan (also played by Jayasurya), who is a fashion photographer, and asks him to convey his feelings to his wife and let her know that he is still around. Initially Mohanan is scared out of his wits by the experience, even seeking the help of a psychiatrist and the village exorcist. Then, slowly, the dynamics of their relationship begin to unravel. Mohanan is separated from his wife Jyotsna Mathew (Rima Kallingal), a former model and a struggling actress. As the plot progresses, it reveals that Shankaran was opposed to the inter-religious marriage and that Mohanan's own possessiveness and hypocrisy played a part in the break-up. Shankaran appears in twenty different avatars before his brother to urge him to talk to Rajalakshmi.

Anwar (Anand Michael) is a final year medical student in Bangalore and Sajna (Meera Jasmine) studies in a local professional college. They are cousins and their marriage had been fixed in childhood. Sajna's college-mate Ameer (Munna) falls in love with her. Sajna tries to explain her situation about being engaged and even insults him for being poor but in vain. The film takes unexpected turn in between. Sajna's family becomes poor and Ameer has a windfall. Sajna's wedding is cancelled and Ameer comes in as saviour and revives his proposal through proper channels. The film has an unexpected cilmax with Anwar returns to their lives.

An unprecedented look inside the private world of J.D. Salinger, the reclusive author of The Catcher in the Rye.

Just before Yamuna's marriage, a letter from her psychiatrist Ravi Varman (Suresh Gopi), who had treated her for schizophrenic disorder three years ago revealing some startling truths about her condition. Though the mental issues and associated unsettling hallucinations faced by Yamuna are confusing, Ravi Varman finds the root causes of continuous vulture episodes through his travels into the subconscious mind and starts his treatments, finally to get the girl disowned by even her parents.

Manikantan, Ayyappan, Govindankutty and Maimunni are the natives of a village called Kurukkumkara. They offer to help a girl in the village and try to marry her off with the money that they get through the staging of their drama `Pazhassi Thampuran`. However, their plan misfires when a crook takes off with the money that they have collected. With no other choice, they flee from the village and take refuge at drama director Louis Aasaan`s place. Their problems are multiplied when thay come aross an All Women Police Station, leading to chaos.

Set in the contemporary world, the story of Kadaksham shows how even now a woman has to struggle and fight her way to survive the societal pressures and norms.

Shred-A-Vision is Wildcard Movies third offering to date. After the success of previous films we set out to do something bigger, a 2 year mega-project that would give us time to truly showcase our riders and filmmaking abilities.

Marie-Christine Courtès follows writer-cum-illustrator Marcelino Truong throughout the making of his graphic novel 'Such a Pretty Little War-Saigon 1961-1963' where he recalls his childhood in Saigon. In 1961, four-year-old boy Marcelino Truong discovers Saigon. His father, a Vietnamese diplomat married to a French woman, has just been appointed director of the South Vietnam press agency. Being from a catholic family, he also becomes the favorite translator of President Ngô Dinh Diêm who firmly rules over the new Republic of Vietnam (South Vietnam), allied to the United States for the fight J.F. Kennedy named "The Red Tide". Fifty years later, Marcelino Truong exploring the past comes back to the places where he spent his childhood, questioning witnesses and participants of a civil war which split Vietnamese people. Beautiful images are filled with emotion when Marcelino Truong hears the confessions of a whole generation subjected to ordeals and choices worthy of a tragedy by Racine. —Vesoul Asian Film Festival

The story revolves around Sathyanath (Srinivasan) who falls asleep in the train and misses his destination. He meets Menon (Dileep), who is on his way to a hotel and strikes up a conversation with him. Menon`s wife Anuradha is a scribe and guides a sting operation on CM Chacko, who has vowed to kill the couple. Strange twists and turns follow, leading viewers into a suspense-filled saga of politics, power and intrigue.

When Traffic Chief Durgaprasad (Gopi) gets to know about a Hawala deal which is linked to terrorists, he reports to the Chief Minister. The CM wants to take no chances hence appoints Durgaprasad as IG to lead the team of Anti Terrorist Squad to spoil the terrorist party.

Sreenivasan plays Kunchacko, a no-holds-barred money minter who has chopped off heads and hearts on his way to the top of the world. Getting married to Ann Mary (Meena) prompts him to turn a few new green leaves, though he soon figures out that making amends is not as easy as it seems.

The Malayalam venture revolves around terrorism and shouldn`t be confused with the Tamil movie released in 2005. A bomb blast occurs on the Vilayam beach in Kerela, killing and injuring many. The Chief Minister is unhappy with the investigations and appoints a brave Crime Branch Officer Rishikesh (Suresh Gopi) to take charge. The probe leads him to a gamut of heinous crimes gone unnoticed for a very long time.

The Malayalam film, directed by Akku Akbar, makes a poignant point- that housewives are not laborers. Jayaram plays the chauvinistic husband who expects his wife (Gopika) to do all household chores, without taking time off to visit her ailing mother or brother`s engagement. What happens when the wife reaches her breaking point is interesting to watch.

It is a story of Mulla, the son of a sex worker who lives in criminals` colony. The plot of the film revolves round the romance between Lachchi, hailing from a lower middle class background, and Mulla. On one side of the criminals` colony is a meter gauge railway track. Mulla, meets Lachchi regularly, in a train passing through by. The story is narrated through the memories of Lachchi while she travels in a train is a beautiful way to portray her feelings with the wind blowing in her hair. Do they meet again or does Mulla perish in her memory is to look-out for.

`Arabikatha` tells the tale of Keralites working in the Middle East from a totally different angle. Iqbal Kuttipuram narrates the story of a staunch Leftist migrating to Gulf to earn money.It is a film that everyone, especially those who delve into politics and those who depend on politics and politicians directly or indirectly - and that means all of us - should see. Arabikatha focuses on relevant issues, told interlaced with a plot that holds our interest.