Suma Jayaram

A tale that narrates the healthy relationship between a father and his son. Krishnan Kutty Menon (Nedumudi Venu) is a widower and successful businessman with two sons. His elder son Vipin (Sreenivasan) gets married and after his wedding the younger son Pavan (Dileep) becomes his sole companion good friend. When Anjana (Navya Nair) returns to town now as a foreigner after staying abroad with her parents, she is desperate to take revenge on Pavan, because Pavan used to tease her causing her to drop out of her engineering degree course. But somewhere along the line her feelings toward Pavan turn into love. And as Anjana also gets closer to Menon, Menon starts to dream of her being his daughter-in-law. With a sudden twist in the movie, Sreedevi (Jayasudha) who is Anjana's guardian turns out to be Menon's adolescent love. Navya and Pavan try to reunite them, leading to many comical scenes, and an enjoyable film. —Priya

A young woman falls in love with her college professor, while the professor wants to marry his sick childhood love.

Pavam I.A. Ivachan is a 1994 Indian Malayalam film directed by Roy P. Thomas. The film stars Innocent and Srividya in lead roles. The music of the film was composed by Raveendran.

Maya, who is from a rich family, leads a very happy life. However, her life turns upside down when she learns that she is an adopted child and she decides to look for her biological mother. Maya (Amala) is the spoiled daughter of a rich man. Along with her friends she decides to make fun of Dr. Srinivas (Suresh Gopi). The doctor in turn insults her by saying that she is a fatherless child. Maya discovers that her father had adopted her when she was a baby and that her biological mother is the famous singer K.S. Vasundhara Devi (Srividya). Maya attempts to make her mother accept her. —Soumitra

Jaaram and Mukesh play two friends and the movie shows the burden of carrying their family , and marriage for their sisters coming from a poor family. The Hardships and struggle of being poor.

Dispossessed Brahmin Mohanlal priest moves to Bombay where he finds a new calling in the hitman business. Aryan is a 1988 Indian Malayalam crime drama film directed by Priyadarshan, starring Mohanlal, Ramya Krishnan, Sharat Saxena, Shobana, Sreenivasan, Gavin Packard, M. G. Soman and Goga Kapoor.[1][2][3] Aryan tells the tale of underworld battle and emotional family bonds. Aryan is one of the best crime thrillers in Malayalam Industry and Blockbuster hit too. It was remade in Tamil as Dravidan and unofficially in Telugu as Ashoka Chakravarthy. The film was also dubbed in Hindi as Aaryan Mera Naam. Sharat Saxena played as the villain in all three versions. Devanarayanan (Mohanlal) is a Brahmin priest, who has to look after the entire family. He is in love with Shobana but her father Innocent is against their relationship. M.G Soman falsely accuses Mohanlal, of the theft of "Temple thiruvabharana" and forces him to leave his village in Kerala. He reaches Bombay where he gets shelter from Balan. K. Nair and family, who runs a tea shop. Monisha is the daughter of Balan. K. Nair. Some turn of events draws Mohanlal into the underworld and he becomes the trusted aide of the ageing don Kareem (Goga Kapoor). Ramya Krishnan, who is working for the same gang, gets closer to Mohanlal. Jhonny, from the same gang, joins hands together with rival don ( Sharat Saxena ) and Kareem's son and daughter-in-law, Monisha are killed leaving Kareem on a path towards religion and leaving all underworld business. Sharat Saxena plans to leave Bombay, but Mohanlal gets him arrested. Later he proves his innocence to his father. But that time Sharat Saxena killed Ramya Krishnan. In climax, Mohanlal killed the villain. —arun Mohanlal plays a Brahmin priest who is falsely accused of theft and forced to leave his village in Kerala. He moves to Bombay where he gets drawn into the underworld through an ageing don Kareem (Goga Kapoor). Some interesting comment initially on Brahmin priesthood in Kerala, but halfway through the film goes haywire. Beware of a completely unnecessary added plot in the last half hour. —Joyojeet Pal